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The anthology comprises two distinct narrative sections, temporal structures, and points of view: the River and the Forest. The river is a kind of timeline, a sentence, a thread (of water) winding its way through the book, exploring indigenous thought and histories, issues of memory, erasure, rights and cultural practice, as well as the notion of ancestors and activism.(...)
février 2022
Amazonia: Anthology as cosmology
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The anthology comprises two distinct narrative sections, temporal structures, and points of view: the River and the Forest. The river is a kind of timeline, a sentence, a thread (of water) winding its way through the book, exploring indigenous thought and histories, issues of memory, erasure, rights and cultural practice, as well as the notion of ancestors and activism. The space of the forest, meanwhile, is represented as one of oral testimony and conversation, of voices speaking inside the present, in a kind of circular time in which past and future both impress upon and constitute the current uncertain moment. These voices include recorded conversations with elders, shamans, artists, and thinkers, as well as poetry, oral testimony, and artistic works from Amazonia that use the forest as both ground and cover.
Bernd & Hilla Becher
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For more than five decades, Bernd (1931–2007) and Hilla (1934–2015) Becher collaborated on photographs of industrial architecture in Germany, France, Belgium, Holland, Great Britain, and the United States. This sweeping monograph features the Bechers’ quintessential pictures, which present water towers, gas tanks, blast furnaces, and more as sculptural objects. Beyond the(...)
Bernd & Hilla Becher
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For more than five decades, Bernd (1931–2007) and Hilla (1934–2015) Becher collaborated on photographs of industrial architecture in Germany, France, Belgium, Holland, Great Britain, and the United States. This sweeping monograph features the Bechers’ quintessential pictures, which present water towers, gas tanks, blast furnaces, and more as sculptural objects. Beyond the Bechers’ iconic Typologies, the book includes Bernd’s early drawings, Hilla’s independent photographs, and excerpts from their notes, sketchbooks, and journals. The book’s authors offer new insights into the development of the artists’ process, their work’s conceptual underpinnings, the photographers’ relationship to deindustrialization, and the artists’ legacy. An essay by award-winning cultural historian Lucy Sante and an interview with Max Becher, the artists’ son, make this volume an unrivaled look into the Bechers’ art, life, and career.
Monographies photo
Villa d'Este in Tivoli
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The Villa d'Este is a 16th-century villa in Tivoli, near Rome, internationally renowned for its terraced hillside Italian Renaissance garden containing an outstanding array of fountains, nymphaea, grottoes, water features and atmospheric sound effects. Named a UNESCO World Heritage Site in 2001, the garden is widely considered to be one of the finest examples of Italian(...)
Villa d'Este in Tivoli
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The Villa d'Este is a 16th-century villa in Tivoli, near Rome, internationally renowned for its terraced hillside Italian Renaissance garden containing an outstanding array of fountains, nymphaea, grottoes, water features and atmospheric sound effects. Named a UNESCO World Heritage Site in 2001, the garden is widely considered to be one of the finest examples of Italian Renaissance gardens in Europe. Villa d’Este was first conceived of in 1550 by the governor of Tivoli, Cardinal Ippolito II d’Este, who had long envisioned a garden built on the slopes of the valley known as Valle Gaudente. But it was only after 1560 that the villa’s architectural and iconological blueprint was defined by painter-archaeologist-architect Pirro Ligorio and executed by court architect Alberto Galvani. When Ippolito d’Este died in 1572, the project was nearly complete.
Jardins
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The career of the architect Andrea Palladio (1508-1580) is underpinned by a dramatic increase in prosperity on the Venetian "terraferma" in both town and country, a boom due in large measure to a little-studied revolution in manufacturing. This book brings to light for the first time the architecture of these early industries, especially the production of textiles, mining(...)
The proto-industrial architecture of the Veneto in the age of Palladio
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The career of the architect Andrea Palladio (1508-1580) is underpinned by a dramatic increase in prosperity on the Venetian "terraferma" in both town and country, a boom due in large measure to a little-studied revolution in manufacturing. This book brings to light for the first time the architecture of these early industries, especially the production of textiles, mining and metalworking, paper manufacture, ceramics, sawmilling and leather-tanning. The huge surge in patent applications to the Venetian Senate in the period highlights the parallel technological improvements in both efficiency and quality. Former proto-industrial buildings across the Veneto, studied at first-hand, reveal the efficiency of hydraulic power and smooth-running mechanical processes. Water-power, a clean, renewable energy source, and structures made of natural, traditional materials, have much to teach today’s civilization.
Théorie de l’architecture
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The story of Daido Moriyama’s photobook “1980s Remnants” begins in 1987, when Moriyama handed Michitaka Ota (of photobook publisher Sokyusha) a box filled with one thousand of his photographs. Some photos from the box were published in “A Journey to Nakaji” later that year and, more than ten years later, in the 1999 photobook “Dreams of Water.” Moriyama insisted that Ota(...)
Daido Moriyama: 1980s Remnants
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The story of Daido Moriyama’s photobook “1980s Remnants” begins in 1987, when Moriyama handed Michitaka Ota (of photobook publisher Sokyusha) a box filled with one thousand of his photographs. Some photos from the box were published in “A Journey to Nakaji” later that year and, more than ten years later, in the 1999 photobook “Dreams of Water.” Moriyama insisted that Ota keep the box of photographs, and so they stayed in a corner of Ota’s apartment. Even though the more than 30 years that have passed between the creation of these photographs and their eventual publication becomes part of their charm and magic, these 1980s Moriyama snapshots – of streets and textures and the beauty of urban chaos and, somewhat atypically, plants and floral wildlife – remain fascinating in their own right.
Monographies photo
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An ongoing program of temporary structures designed by internationally acclaimed architects, The Serpentine Gallery Pavilion for 2009 was designed by Kazuyo Sejima and Ryue Nishizawa, of the leading Japanese architecture practice SANAA. Sejima and Nishizawa created a stunning structure that resembles a reflective cloud or a pool of water, sitting atop a series of delicate(...)
Sanaa: Serpentine Gallery pavillion
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An ongoing program of temporary structures designed by internationally acclaimed architects, The Serpentine Gallery Pavilion for 2009 was designed by Kazuyo Sejima and Ryue Nishizawa, of the leading Japanese architecture practice SANAA. Sejima and Nishizawa created a stunning structure that resembles a reflective cloud or a pool of water, sitting atop a series of delicate columns. The metal roof varies in height, wrapping itself around the trees in the park and sweeping down almost to the ground in some places. Open and ephemeral in structure, its reflective materials allow it to sit seamlessly within the natural environment, reflecting both the park and sky. “It works as a field of activity with no walls,” say Sejima and Nishizawa. This publication documents the conception, construction and life of this impressive temporary structure.
Architecture, monographies
Bird beak book
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As the name suggests, crossbills have a crossed beak so they can crush pine cones and feed off the pine kernels inside. Pelicans instead use their big bucket beak to scoop up the fish and swallow them whole for a quick snack. The endless different shapes and sizes of beaks are determined by what they eat, how they eat it, the natural environment and the species they(...)
Bird beak book
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As the name suggests, crossbills have a crossed beak so they can crush pine cones and feed off the pine kernels inside. Pelicans instead use their big bucket beak to scoop up the fish and swallow them whole for a quick snack. The endless different shapes and sizes of beaks are determined by what they eat, how they eat it, the natural environment and the species they belong to. Oscar Bolton Green’s clear-cut line drawings and brilliant colours explain the many different variations with the same simplicity as the accompanying text. His immediate, essential style, with its patches of colour and clarity of line, shows how tiny hummingbirds stretch into the flowers to draw out the nectar and how graceful flamingo dips its spoon-shaped beak beneath the surface of the water.
Littérature jeunesse
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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,”(...)
New Waves: Takashi Homma 2000-2013
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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,” philosopher and art critic David LaRocca writes that Homma’s photographs “do not evoke the same response in us every time; they are, we are tempted to say, individual (or at least individuated) to such an extent that like each frame from Homma's camera, each instant in the life of this water-as-wave exists as an enigmatic particularity.” Each photograph therefore, provides a unique lens in which to contemplate the complex relationships that arise in viewing each seascape.
Monographies photo
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The book introduces water as a building material to build unique, responsive-able structures and define a new paradigm for architecture and sustainable design. Architecture is based upon the misconception that strong is stable, both in sense of energy and structure, as an unchanged state of microclimate would require more material or insulation.Trans-structures are the(...)
Trans-structures: fluid architecture and liquid engineering
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The book introduces water as a building material to build unique, responsive-able structures and define a new paradigm for architecture and sustainable design. Architecture is based upon the misconception that strong is stable, both in sense of energy and structure, as an unchanged state of microclimate would require more material or insulation.Trans-structures are the opposite: building elements with the response-ability to change according to external conditions in order to maintain stability in terms of structure and/or energy. In this type of building, any effect (structural or thermal load) would generate an immediate affect (a response of the structure). Energy and weight would be counteracted and on a total scale, change would not occur. Such buildings are always in transition from one state to another, unlike conventional structures.
Structures d’ingénierie
Sundogz
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Beginning with Venusia (2005) and continuing with Mercury Station (2009), Mark von Schlegell's System Series has moved backward in time, investigating the contours of time, memory, perception, and control in the inter-planetary system that emerge off-world in the twenty-second and twenty-third centuries during Earth's full collapse. In the latest installment, Sundogz,(...)
Sundogz
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Beginning with Venusia (2005) and continuing with Mercury Station (2009), Mark von Schlegell's System Series has moved backward in time, investigating the contours of time, memory, perception, and control in the inter-planetary system that emerge off-world in the twenty-second and twenty-third centuries during Earth's full collapse. In the latest installment, Sundogz, set among the water-rich moons of planet Uranus, extremist astro-marine "spacers" have constructed an aquatic world of extraordinary scope and ambition, entirely invisible to the System at large. The Good Fortune, a spaceship en route to Moon Miranda, the most beautiful and troublesome of Uranus's satellites, sends out a party to explore rumors of a secret fish farm in the ring. Now the "Oan Bubble" must attempt to survive its discovery.
Architecture et l'imaginaire