415 Résultats
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livres
livres
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Description:
201 pages : illustrations ; 24 cm
Description:
201 pages : illustrations ; 24 cm
Auteur:
- Komarova, Lidija.,
- Khan-Magomedov, S. O. (Selim Omarovich),
- Latour, Alessandra.
Sujet:
- VKhUTEMAS (Art school),
- Art schools Russia (Federation) Moscow History.,
- Constructivism (Art) Soviet Union.,
- Constructivism (Art) Russia (Federation),
- Architecture Russia (Federation) Moscow.,
- Constructivism (Architecture) Soviet Union.,
- Constructivism (Architecture) Russia (Federation),
- Écoles des Beaux-Arts Russie Moscou Histoire.,
- Constructivisme (Art) URSS.,
- Constructivisme (Architecture) URSS.,
- Constructivisme (Architecture) Russie.,
- Architecture Russie Moscou.,
- Architecture,
- Art schools,
- Constructivism (Architecture),
- Constructivism (Art),
- Russia (Federation),
- Russia (Federation) Moscow,
- Soviet Union,
- Testimonies.,
- History
Publication:
Roma : Edizioni Kappa, ©1996.
Roma : Edizioni Kappa, ©1996.
Titre:
Il VChUTEMAS e il suo tempo : testimonianze e progetti della scuola costruttivista a Mosca / Lidija Komarova ; introduzione di S.O. Chan-Magomedow ; a cura di Alessandra Latour.
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Description:
201 pages : illustrations ; 24 cm
Il VChUTEMAS e il suo tempo : testimonianze e progetti della scuola costruttivista a Mosca / Lidija Komarova ; introduzione di S.O. Chan-Magomedow ; a cura di Alessandra Latour.
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Description:
201 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Roma : Edizioni Kappa, ©1996.
Roma : Edizioni Kappa, ©1996.
Auteur:
- Komarova, Lidija.,
- Khan-Magomedov, S. O. (Selim Omarovich),
- Latour, Alessandra.
Sujet:
- VKhUTEMAS (Art school),
- Art schools Russia (Federation) Moscow History.,
- Constructivism (Art) Soviet Union.,
- Constructivism (Art) Russia (Federation),
- Architecture Russia (Federation) Moscow.,
- Constructivism (Architecture) Soviet Union.,
- Constructivism (Architecture) Russia (Federation),
- Écoles des Beaux-Arts Russie Moscou Histoire.,
- Constructivisme (Art) URSS.,
- Constructivisme (Architecture) URSS.,
- Constructivisme (Architecture) Russie.,
- Architecture Russie Moscou.,
- Architecture,
- Art schools,
- Constructivism (Architecture),
- Constructivism (Art),
- Russia (Federation),
- Russia (Federation) Moscow,
- Soviet Union,
- Testimonies.,
- History
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Prix:
$100.00
(disponible sur commande)
Résumé:
Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde(...)
$100.00
(disponible sur commande)
Résumé:
Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde(...)
Titre:
Avant-garde as method: Vkhutemas and the pedagogy of space 1920-1930
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Prix:
$100.00
(disponible sur commande)
Résumé:
Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde as method,'' architect and historian Anna Bokov explores the nature of art and technology education in the Soviet Union. The pedagogical program at Vkhutemas, she shows, combined longstanding academic ideas and practices with more nascent industrial era ones to initiate a new type of pedagogy that took an explorative approach and drew its strength from continuous feedback and exchange between students and educators. Elaborating on the ways the Vkhutemas curriculum challenged established canons of academic tradition by replacing it with open-ended inquiry, Bokov then shows how this came to be articulated in architectural and urban projects within the school’s advanced studios.
Avant-garde as method: Vkhutemas and the pedagogy of space 1920-1930
Actions:
Prix:
$100.00
(disponible sur commande)
Résumé:
Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde as method,'' architect and historian Anna Bokov explores the nature of art and technology education in the Soviet Union. The pedagogical program at Vkhutemas, she shows, combined longstanding academic ideas and practices with more nascent industrial era ones to initiate a new type of pedagogy that took an explorative approach and drew its strength from continuous feedback and exchange between students and educators. Elaborating on the ways the Vkhutemas curriculum challenged established canons of academic tradition by replacing it with open-ended inquiry, Bokov then shows how this came to be articulated in architectural and urban projects within the school’s advanced studios.
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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Description:
ix, 237 pages : illustrations ; 24 cm
Description:
ix, 237 pages : illustrations ; 24 cm
Auteur:
Sujet:
- Gropius, Walter, 1883-1969 Et le Bauhaus,
- Bauhaus History.,
- Bauhaus Histoire,
- Bauhaus,
- Architecture and Town Planning,
- Ästhetik,
- Beeldende kunsten.,
- Kunsttheorie.,
- Architecture, Modern,
- Art, Modern,
- Design, Industrial,
- History
Publication:
Budapest ; New York : Central European University Press ; New York : Distributed by Oxford University Press, 1995.
Budapest ; New York : Central European University Press ; New York : Distributed by Oxford University Press, 1995.
Titre:
The Bauhaus idea and Bauhaus politics / Éva Forgács ; translated by John Bátki.
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Description:
ix, 237 pages : illustrations ; 24 cm
The Bauhaus idea and Bauhaus politics / Éva Forgács ; translated by John Bátki.
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Description:
ix, 237 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Budapest ; New York : Central European University Press ; New York : Distributed by Oxford University Press, 1995.
Budapest ; New York : Central European University Press ; New York : Distributed by Oxford University Press, 1995.
Auteur:
Sujet:
- Gropius, Walter, 1883-1969 Et le Bauhaus,
- Bauhaus History.,
- Bauhaus Histoire,
- Bauhaus,
- Architecture and Town Planning,
- Ästhetik,
- Beeldende kunsten.,
- Kunsttheorie.,
- Architecture, Modern,
- Art, Modern,
- Design, Industrial,
- History
Classification:
livres
livres
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Description:
xv, 732 pages : illustrations (some color) ; 32 cm
Description:
xv, 732 pages : illustrations (some color) ; 32 cm
Auteur:
- Grosse Utopie. English.,
- Solomon R. Guggenheim Museum.,
- Schirn Kunsthalle Frankfurt.,
- Amsterdam (Netherlands). Stedelijk Museum.
Sujet:
- Art, Russian 20th century Exhibitions.,
- Avant-garde (Aesthetics) Russia (Federation) History 20th century Exhibitions.,
- Avant-garde (Aesthetics) Soviet Union History.,
- Arts Soviet Union.,
- Avant-garde (Esthétique) URSS Histoire.,
- Avant-garde (Esthétique) Russie Histoire.,
- Arts Russie 20e siècle.,
- Arts URSS.,
- Art russe 20e siècle Expositions.,
- Art, Russian,
- Avant-garde (Aesthetics),
- Soviet Union,
- Russia (Federation),
- Art, Russian 20th century,
- Avant-garde (Aesthetics) Russia (Federation) History 20th century,
- Exhibition catalogs.,
- exhibition catalogs.,
- History,
- Catalogues d'exposition.
Publication:
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
Titre:
The great utopia : the Russian and Soviet avant-garde, 1915-1932 / Solomon R. Guggenheim Museum [and others].
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Description:
xv, 732 pages : illustrations (some color) ; 32 cm
The great utopia : the Russian and Soviet avant-garde, 1915-1932 / Solomon R. Guggenheim Museum [and others].
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Exemplaires:
Description:
xv, 732 pages : illustrations (some color) ; 32 cm
Classification:
livres
livres
Publication:
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
Auteur:
- Grosse Utopie. English.,
- Solomon R. Guggenheim Museum.,
- Schirn Kunsthalle Frankfurt.,
- Amsterdam (Netherlands). Stedelijk Museum.
Sujet:
- Art, Russian 20th century Exhibitions.,
- Avant-garde (Aesthetics) Russia (Federation) History 20th century Exhibitions.,
- Avant-garde (Aesthetics) Soviet Union History.,
- Arts Soviet Union.,
- Avant-garde (Esthétique) URSS Histoire.,
- Avant-garde (Esthétique) Russie Histoire.,
- Arts Russie 20e siècle.,
- Arts URSS.,
- Art russe 20e siècle Expositions.,
- Art, Russian,
- Avant-garde (Aesthetics),
- Soviet Union,
- Russia (Federation),
- Art, Russian 20th century,
- Avant-garde (Aesthetics) Russia (Federation) History 20th century,
- Exhibition catalogs.,
- exhibition catalogs.,
- History,
- Catalogues d'exposition.
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Prix:
$39.50
(disponible sur commande)
Résumé:
Today, we live in an economic system that revolves around producing and consuming objects made of plastic and metal, electronics, synthetic textiles and other things that do not decompose within a foreseeable amount of time. We start to review the role of these objects in a series of challenges that lie ahead of us. In the design discipline, sustainability and social(...)
$39.50
(disponible sur commande)
Résumé:
Today, we live in an economic system that revolves around producing and consuming objects made of plastic and metal, electronics, synthetic textiles and other things that do not decompose within a foreseeable amount of time. We start to review the role of these objects in a series of challenges that lie ahead of us. In the design discipline, sustainability and social(...)
Titre:
The responsible object; a history of the design ideology for the future
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Prix:
$39.50
(disponible sur commande)
Résumé:
Today, we live in an economic system that revolves around producing and consuming objects made of plastic and metal, electronics, synthetic textiles and other things that do not decompose within a foreseeable amount of time. We start to review the role of these objects in a series of challenges that lie ahead of us. In the design discipline, sustainability and social responsibility have become prolific epithets, generating new products, materials, and technologies, designed to change the course of our future. The intrinsic design ideologies are often not new, but form a fundamental part of design history, reappearing throughout the previous centuries. This book presents a history of socially committed design strategies within the western design tradition, from William Morris to Victor Papanek, and from VKhUTEMAS to FabLab. A critical resource for designers, students, cultural critics, and anyone interested in building a sustainable future.
The responsible object; a history of the design ideology for the future
Actions:
Prix:
$39.50
(disponible sur commande)
Résumé:
Today, we live in an economic system that revolves around producing and consuming objects made of plastic and metal, electronics, synthetic textiles and other things that do not decompose within a foreseeable amount of time. We start to review the role of these objects in a series of challenges that lie ahead of us. In the design discipline, sustainability and social responsibility have become prolific epithets, generating new products, materials, and technologies, designed to change the course of our future. The intrinsic design ideologies are often not new, but form a fundamental part of design history, reappearing throughout the previous centuries. This book presents a history of socially committed design strategies within the western design tradition, from William Morris to Victor Papanek, and from VKhUTEMAS to FabLab. A critical resource for designers, students, cultural critics, and anyone interested in building a sustainable future.
Sujet:
Théorie du design
Théorie du design