6031 Résultats
Classification:
expositions
expositions
Titre:
Livres d’architectes
Livres d’architectes
Actions:
Description:
Cette exposition présente trois périodes de l’histoire du livre d’architecte : le milieu du XVIe siècle, où les architectes font leurs preuves dans le domaine, la fin du XIXe et le début du XXe siècle, alors que les architectes considèrent le design de livre comme un complément important à leur carrière professionnelle et l’époque actuelle où certaines firmes(...)
Cette exposition présente trois périodes de l’histoire du livre d’architecte : le milieu du XVIe siècle, où les architectes font leurs preuves dans le domaine, la fin du XIXe et le début du XXe siècle, alors que les architectes considèrent le design de livre comme un complément important à leur carrière professionnelle et l’époque actuelle où certaines firmes(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
24 juin 2004 au 26 septembre 2004
24 juin 2004 au 26 septembre 2004
Titre:
Livres d’architectes
Actions:
Description:
Cette exposition présente trois périodes de l’histoire du livre d’architecte : le milieu du XVIe siècle, où les architectes font leurs preuves dans le domaine, la fin du XIXe et le début du XXe siècle, alors que les architectes considèrent le design de livre comme un complément important à leur carrière professionnelle et l’époque actuelle où certaines firmes(...)
Livres d’architectes
Actions:
Description:
Cette exposition présente trois périodes de l’histoire du livre d’architecte : le milieu du XVIe siècle, où les architectes font leurs preuves dans le domaine, la fin du XIXe et le début du XXe siècle, alors que les architectes considèrent le design de livre comme un complément important à leur carrière professionnelle et l’époque actuelle où certaines firmes(...)
Classification:
expositions
expositions
Date:
24 juin 2004 au
26 septembre 2004
24 juin 2004 au
26 septembre 2004
Localisation:
Salle octogonale
Salle octogonale
Classification:
expositions
expositions
Actions:
Description:
*Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988* examine la façon dont Eisenman a remis en question le concept de « site » et montre l’importance du dessin et de la fabrication de maquettes dans la genèse de ses idées. L’exposition révèle la richesse et la complexité des procédés de conception mis en œuvre par Einsenman en examinant attentivement(...)
*Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988* examine la façon dont Eisenman a remis en question le concept de « site » et montre l’importance du dessin et de la fabrication de maquettes dans la genèse de ses idées. L’exposition révèle la richesse et la complexité des procédés de conception mis en œuvre par Einsenman en examinant attentivement(...)
Localisation:
Salles principales
Salles principales
Date:
2 mars 1994 au 19 juin 1994
2 mars 1994 au 19 juin 1994
Titre:
Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988
Actions:
Description:
*Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988* examine la façon dont Eisenman a remis en question le concept de « site » et montre l’importance du dessin et de la fabrication de maquettes dans la genèse de ses idées. L’exposition révèle la richesse et la complexité des procédés de conception mis en œuvre par Einsenman en examinant attentivement(...)
Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988
Actions:
Description:
*Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988* examine la façon dont Eisenman a remis en question le concept de « site » et montre l’importance du dessin et de la fabrication de maquettes dans la genèse de ses idées. L’exposition révèle la richesse et la complexité des procédés de conception mis en œuvre par Einsenman en examinant attentivement(...)
Classification:
expositions
expositions
Date:
2 mars 1994 au
19 juin 1994
2 mars 1994 au
19 juin 1994
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
Personnes et institutions:
Date:
[1997]-1998
[1997]-1998
Titre:
Fonds IIT - New Campus Center Competition
Actions:
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
Fonds IIT - New Campus Center Competition
Actions:
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[1997]-1998
[1997]-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1985-2015
circa 1985-2015
Titre:
Poltramaca [Armchair-Hammock] (1985)
Actions:
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
Poltramaca [Armchair-Hammock] (1985)
Actions:
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1985-2015
circa 1985-2015
Personnes et institutions:
Classification:
événements
événements
Titre:
OFFICE veut vous parler
OFFICE veut vous parler
Actions:
Description:
L’agence d’architectes OFFICE a été fondée en Belgique en 2002 par Kersten Geers et David Van Severen. L’agence a contribué à certaines expositions passées du CCA, dont La médicalisation de l’architecture (2011). Dans le cadre de la série Ils veulent vous parler, des professionnels du design et de l’architecture sont invités à parler de leurs plus récents projets.
L’agence d’architectes OFFICE a été fondée en Belgique en 2002 par Kersten Geers et David Van Severen. L’agence a contribué à certaines expositions passées du CCA, dont La médicalisation de l’architecture (2011). Dans le cadre de la série Ils veulent vous parler, des professionnels du design et de l’architecture sont invités à parler de leurs plus récents projets.
Date:
13 novembre 2014 , 18h
13 novembre 2014 , 18h
Titre:
OFFICE veut vous parler
Actions:
Description:
L’agence d’architectes OFFICE a été fondée en Belgique en 2002 par Kersten Geers et David Van Severen. L’agence a contribué à certaines expositions passées du CCA, dont La médicalisation de l’architecture (2011). Dans le cadre de la série Ils veulent vous parler, des professionnels du design et de l’architecture sont invités à parler de leurs plus récents projets.
OFFICE veut vous parler
Actions:
Description:
L’agence d’architectes OFFICE a été fondée en Belgique en 2002 par Kersten Geers et David Van Severen. L’agence a contribué à certaines expositions passées du CCA, dont La médicalisation de l’architecture (2011). Dans le cadre de la série Ils veulent vous parler, des professionnels du design et de l’architecture sont invités à parler de leurs plus récents projets.
Classification:
événements
événements
Date:
13 novembre 2014
18h
13 novembre 2014
18h
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Personnes et institutions:
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Titre:
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
Personnes et institutions:
Date:
circa 1979-1981
circa 1979-1981
Titre:
Block 11 e 12, Kottbusser Damm [11-12 Kottbusser Damm], Berlin, Germany (1979-1981)
Actions:
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
Block 11 e 12, Kottbusser Damm [11-12 Kottbusser Damm], Berlin, Germany (1979-1981)
Actions:
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
Niveau de description archivistique:
Project
Project
Date:
circa 1979-1981
circa 1979-1981
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Si l’immigration est un thème dominant de la culture contemporaine, les discussions à son sujet sont souvent limitées à l’expérience humaine, telles que la traversée de frontières et les problématiques d’identité nationale. L’exposition Trajets adopte une perspective autre, celle de l’impact des mouvements sur l’environnement. Les exemples vont de la noix de coco qui(...)
Si l’immigration est un thème dominant de la culture contemporaine, les discussions à son sujet sont souvent limitées à l’expérience humaine, telles que la traversée de frontières et les problématiques d’identité nationale. L’exposition Trajets adopte une perspective autre, celle de l’impact des mouvements sur l’environnement. Les exemples vont de la noix de coco qui(...)
Localisation:
Salles principales
Salles principales
Date:
20 octobre 2010 au 13 mars 2011
20 octobre 2010 au 13 mars 2011
Titre:
Trajets: comment la mobilité des fruits, des idées et des architectures recompose notre environnement
Actions:
Description:
Si l’immigration est un thème dominant de la culture contemporaine, les discussions à son sujet sont souvent limitées à l’expérience humaine, telles que la traversée de frontières et les problématiques d’identité nationale. L’exposition Trajets adopte une perspective autre, celle de l’impact des mouvements sur l’environnement. Les exemples vont de la noix de coco qui(...)
Trajets: comment la mobilité des fruits, des idées et des architectures recompose notre environnement
Actions:
Description:
Si l’immigration est un thème dominant de la culture contemporaine, les discussions à son sujet sont souvent limitées à l’expérience humaine, telles que la traversée de frontières et les problématiques d’identité nationale. L’exposition Trajets adopte une perspective autre, celle de l’impact des mouvements sur l’environnement. Les exemples vont de la noix de coco qui(...)
Classification:
expositions
expositions
Date:
20 octobre 2010 au
13 mars 2011
20 octobre 2010 au
13 mars 2011
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997-1998
1997-1998
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic work and interviews
Academic work and interviews
Numéro de référence:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
