4351 Résultats
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In "Punctuations" Michael J. Shapiro examines how punctuation—conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility—opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to(...)
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In "Punctuations" Michael J. Shapiro examines how punctuation—conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility—opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to(...)
Titre:
Punctuations: how the arts think the political
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In "Punctuations" Michael J. Shapiro examines how punctuation—conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility—opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization.
Punctuations: how the arts think the political
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In "Punctuations" Michael J. Shapiro examines how punctuation—conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility—opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization.
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livres
livres
Publication:
novembre 2019
novembre 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$27.95
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In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. He traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello(...)
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In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. He traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello(...)
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Anime's media mix: franchising toys and characters in Japan
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In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. He traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello Kitty, and Suzumiya Haruhi. He details how convergence was sparked by anime, with its astoundingly broad merchandising of images and its franchising across media and commodities. He also explains how the rise of anime cannot be understood properly—historically, economically, and culturally—without grasping the integral role that the media mix played from the start. Engaging with film, animation, and media studies, as well as analyses of consumer culture and theories of capitalism, Steinberg offers a sustained study of the Japanese mode of convergence that informs global media practices to this day.
Anime's media mix: franchising toys and characters in Japan
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In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. He traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello Kitty, and Suzumiya Haruhi. He details how convergence was sparked by anime, with its astoundingly broad merchandising of images and its franchising across media and commodities. He also explains how the rise of anime cannot be understood properly—historically, economically, and culturally—without grasping the integral role that the media mix played from the start. Engaging with film, animation, and media studies, as well as analyses of consumer culture and theories of capitalism, Steinberg offers a sustained study of the Japanese mode of convergence that informs global media practices to this day.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Épistémologie et réseau
Épistémologie et réseau
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livres
livres
Titre:
Vera Lutter
Vera Lutter
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In 1991, German-born photographer Vera Lutter (born 1960) moved to New York. Inspired by the city’s architecture and night-time luminescence, Lutter took the extraordinary step of transforming her apartment into a pinhole camera, and, in a process that could last weeks or even months, exposed images directly onto wall-size sheets of photographic paper. Intent upon minimal(...)
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In 1991, German-born photographer Vera Lutter (born 1960) moved to New York. Inspired by the city’s architecture and night-time luminescence, Lutter took the extraordinary step of transforming her apartment into a pinhole camera, and, in a process that could last weeks or even months, exposed images directly onto wall-size sheets of photographic paper. Intent upon minimal(...)
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Vera Lutter
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In 1991, German-born photographer Vera Lutter (born 1960) moved to New York. Inspired by the city’s architecture and night-time luminescence, Lutter took the extraordinary step of transforming her apartment into a pinhole camera, and, in a process that could last weeks or even months, exposed images directly onto wall-size sheets of photographic paper. Intent upon minimal interference with this process, Lutter refrained from duplicating the images, and used the negative as the final work. New York has remained the recurrent subject of Lutter’s (literally) unique photographs, but over the past two decades, she has applied the process to other locations and styles of architecture around the world, documenting shipyards, airports and abandoned factories. This volume offers the first thorough overview of Lutter’s architectural photography, representing her full range of motifs and subjects in superb duotone. Also included is an account of her first film and sound installation.
Vera Lutter
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In 1991, German-born photographer Vera Lutter (born 1960) moved to New York. Inspired by the city’s architecture and night-time luminescence, Lutter took the extraordinary step of transforming her apartment into a pinhole camera, and, in a process that could last weeks or even months, exposed images directly onto wall-size sheets of photographic paper. Intent upon minimal interference with this process, Lutter refrained from duplicating the images, and used the negative as the final work. New York has remained the recurrent subject of Lutter’s (literally) unique photographs, but over the past two decades, she has applied the process to other locations and styles of architecture around the world, documenting shipyards, airports and abandoned factories. This volume offers the first thorough overview of Lutter’s architectural photography, representing her full range of motifs and subjects in superb duotone. Also included is an account of her first film and sound installation.
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livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
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This title, published in 1979 and long since out of print, now appears as a reprint from Lars Muller Publishers. The original book was released in the series of publications Source Materials of the Contemporary Arts initiated by Kasper Konig and produced by the Press of the Nova Scotia College of Art and Design. The publication represents an important document in Dan(...)
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This title, published in 1979 and long since out of print, now appears as a reprint from Lars Muller Publishers. The original book was released in the series of publications Source Materials of the Contemporary Arts initiated by Kasper Konig and produced by the Press of the Nova Scotia College of Art and Design. The publication represents an important document in Dan(...)
Titre:
Dan Graham Video - Architecture - Television: Writings on Video and Video Works 1970 - 1978
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This title, published in 1979 and long since out of print, now appears as a reprint from Lars Muller Publishers. The original book was released in the series of publications Source Materials of the Contemporary Arts initiated by Kasper Konig and produced by the Press of the Nova Scotia College of Art and Design. The publication represents an important document in Dan Graham's artistic examination of the video medium. Graham's installations and performances with video from the years 1970 - 78 are documented with numerous illustrations, photos, and brief descriptions. In addition, the volume contains an essay by the artist in which he examines the various possibilities and forms of representation offered by the video medium, and draws the boundaries between these and representational spaces in television, film, or architecture. The book also offers contributions by Michael Asher and Dara Birnbaum, as well as an annex with a biography and bibliography.
Dan Graham Video - Architecture - Television: Writings on Video and Video Works 1970 - 1978
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This title, published in 1979 and long since out of print, now appears as a reprint from Lars Muller Publishers. The original book was released in the series of publications Source Materials of the Contemporary Arts initiated by Kasper Konig and produced by the Press of the Nova Scotia College of Art and Design. The publication represents an important document in Dan Graham's artistic examination of the video medium. Graham's installations and performances with video from the years 1970 - 78 are documented with numerous illustrations, photos, and brief descriptions. In addition, the volume contains an essay by the artist in which he examines the various possibilities and forms of representation offered by the video medium, and draws the boundaries between these and representational spaces in television, film, or architecture. The book also offers contributions by Michael Asher and Dara Birnbaum, as well as an annex with a biography and bibliography.
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livres
livres
Publication:
novembre 2012
novembre 2012
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In this journey, Pedro Bandeira takes us to Arcosanti, the city of Paolo Soleri. In a tale about the experience of driving the American interior by car, avoiding cities and “collecting nature parks and deserts”, Pedro Bandeira wanders between the desert and the meaning of the trip. On the way, he finds Arcosanti, exploring the experimental city isolated in Arizona,(...)
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In this journey, Pedro Bandeira takes us to Arcosanti, the city of Paolo Soleri. In a tale about the experience of driving the American interior by car, avoiding cities and “collecting nature parks and deserts”, Pedro Bandeira wanders between the desert and the meaning of the trip. On the way, he finds Arcosanti, exploring the experimental city isolated in Arizona,(...)
Titre:
Arcosanti, 2012. Viagens / Journeys
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In this journey, Pedro Bandeira takes us to Arcosanti, the city of Paolo Soleri. In a tale about the experience of driving the American interior by car, avoiding cities and “collecting nature parks and deserts”, Pedro Bandeira wanders between the desert and the meaning of the trip. On the way, he finds Arcosanti, exploring the experimental city isolated in Arizona, revealing it in the negatives of the Kodak 35mm black-and-white film, uncovering the level of detail of Soleri's architecture, "capable of taming the various reinforced concrete masses" but also the "pragmatic informality" with which time and the community that lives there occupied the place. The book is part of the collection Journeys whose aim is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.
Arcosanti, 2012. Viagens / Journeys
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In this journey, Pedro Bandeira takes us to Arcosanti, the city of Paolo Soleri. In a tale about the experience of driving the American interior by car, avoiding cities and “collecting nature parks and deserts”, Pedro Bandeira wanders between the desert and the meaning of the trip. On the way, he finds Arcosanti, exploring the experimental city isolated in Arizona, revealing it in the negatives of the Kodak 35mm black-and-white film, uncovering the level of detail of Soleri's architecture, "capable of taming the various reinforced concrete masses" but also the "pragmatic informality" with which time and the community that lives there occupied the place. The book is part of the collection Journeys whose aim is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.
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livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Situationnisme
Situationnisme
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livres
livres
Titre:
The snows of Venice
The snows of Venice
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American author Ben Lerner and German film-maker and writer Alexander Kluge come from two different generations but share a single passion: an interest in the long-term effects of things. A line from Lerner’s poem “The sky stops painting and turns to criticism” that Kluge was struck by some years ago became the starting point for their first joint book project. Kluge(...)
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American author Ben Lerner and German film-maker and writer Alexander Kluge come from two different generations but share a single passion: an interest in the long-term effects of things. A line from Lerner’s poem “The sky stops painting and turns to criticism” that Kluge was struck by some years ago became the starting point for their first joint book project. Kluge(...)
Titre:
The snows of Venice
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American author Ben Lerner and German film-maker and writer Alexander Kluge come from two different generations but share a single passion: an interest in the long-term effects of things. A line from Lerner’s poem “The sky stops painting and turns to criticism” that Kluge was struck by some years ago became the starting point for their first joint book project. Kluge responded to this celestial critique with a story about the technically controlled power of a squadron of bombers bossing the skies over Aleppo, which Lerner answered with a sonnet. Step by step this gave rise to poems, stories, and conversations in which the heavens show their bewitching and threatening qualities. This literary dialogue is published in 'The Snows of Venice'. A series of twenty-one photographs that Gerhard Richter took in Venice in the 1970s augments the interplay of texts and the principle of interconnecting poetic horizons.
The snows of Venice
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American author Ben Lerner and German film-maker and writer Alexander Kluge come from two different generations but share a single passion: an interest in the long-term effects of things. A line from Lerner’s poem “The sky stops painting and turns to criticism” that Kluge was struck by some years ago became the starting point for their first joint book project. Kluge responded to this celestial critique with a story about the technically controlled power of a squadron of bombers bossing the skies over Aleppo, which Lerner answered with a sonnet. Step by step this gave rise to poems, stories, and conversations in which the heavens show their bewitching and threatening qualities. This literary dialogue is published in 'The Snows of Venice'. A series of twenty-one photographs that Gerhard Richter took in Venice in the 1970s augments the interplay of texts and the principle of interconnecting poetic horizons.
Classification:
livres
livres
Publication:
septembre 2018
septembre 2018
Sujet:
Littérature et poésie
Littérature et poésie
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livres
livres
Titre:
See this sound
See this sound
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As the status of sound in art and music evolves and redefines itself, so too does sound art find new ways of describing its history. See This Sound compiles a huge number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor(...)
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As the status of sound in art and music evolves and redefines itself, so too does sound art find new ways of describing its history. See This Sound compiles a huge number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor(...)
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See this sound
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As the status of sound in art and music evolves and redefines itself, so too does sound art find new ways of describing its history. See This Sound compiles a huge number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor of cinema as rhythm or symphony. Proceeding chronologically, the book takes the early cinematic “eye music” of Hans Richter as a starting point, noting parallel works by Walter Ruttmann and Oskar Fischinger; moving into the postwar period, the art/cinema/ music experiments of Peter Kubelka, Valie Export and Michael Snow are discussed, establishing precedents to similar work by Rodney Graham, Carsten Nicolai, Jeremy Deller and many others. In its scope and intelligence, See This Sound is a unique survey of this realm.
See this sound
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As the status of sound in art and music evolves and redefines itself, so too does sound art find new ways of describing its history. See This Sound compiles a huge number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor of cinema as rhythm or symphony. Proceeding chronologically, the book takes the early cinematic “eye music” of Hans Richter as a starting point, noting parallel works by Walter Ruttmann and Oskar Fischinger; moving into the postwar period, the art/cinema/ music experiments of Peter Kubelka, Valie Export and Michael Snow are discussed, establishing precedents to similar work by Rodney Graham, Carsten Nicolai, Jeremy Deller and many others. In its scope and intelligence, See This Sound is a unique survey of this realm.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Global design
Global design
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and(...)
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and(...)
Titre:
Global design
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and of production processes. The focus is on the formation of global networks in the areas of communication, production, commerce, finance, and mobility. The diverse phenomena of globalization are visualized through film, products, clothing, images, and models by well-known artists such as Armin Linke, Fischli Weiss, Didier Faustino, and Thomas Demand. Alongside the shipping container, an indispensable element of globalization, the presentation provides insights into cultural transfer both in the present day and historically, and presents -globalization in relationship to regionalism as well as to worldwide trends.
Global design
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and of production processes. The focus is on the formation of global networks in the areas of communication, production, commerce, finance, and mobility. The diverse phenomena of globalization are visualized through film, products, clothing, images, and models by well-known artists such as Armin Linke, Fischli Weiss, Didier Faustino, and Thomas Demand. Alongside the shipping container, an indispensable element of globalization, the presentation provides insights into cultural transfer both in the present day and historically, and presents -globalization in relationship to regionalism as well as to worldwide trends.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Design industriel
Design industriel
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livres
livres
Prix:
$39.95
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Located in the Czech Republic, the city of Zlín is a curious example of civic planning in which domestic living, education and recreation were all geared towards a single goal : the profitability of the Bata shoe company, one of the first footwear manufacturers to operate globally. In spring 2009, a symposium initiated by Zipp/German-Czech Cultural Projects, in(...)
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Located in the Czech Republic, the city of Zlín is a curious example of civic planning in which domestic living, education and recreation were all geared towards a single goal : the profitability of the Bata shoe company, one of the first footwear manufacturers to operate globally. In spring 2009, a symposium initiated by Zipp/German-Czech Cultural Projects, in(...)
Publication:
novembre 2010
novembre 2010
Titre:
A utopia of modernity : Zlin, revisiting Bata's functional city
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Located in the Czech Republic, the city of Zlín is a curious example of civic planning in which domestic living, education and recreation were all geared towards a single goal : the profitability of the Bata shoe company, one of the first footwear manufacturers to operate globally. In spring 2009, a symposium initiated by Zipp/German-Czech Cultural Projects, in cooperation with The Brno House of Arts, the Regional Gallery of Fine Arts in Zlín and the National Gallery in Prague, and attended by scholars and local experts, addressed the example of Zlín as a potential model for the future of urban planning and architecture. This anthology presents articles by architects, sociologists and urban theorists on the phenomenon that is Zlín. Plans, photographs, and film stills highlight the unique aesthetic qualities of this model city that complies with no architectural paradigm of the past century.
A utopia of modernity : Zlin, revisiting Bata's functional city
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Located in the Czech Republic, the city of Zlín is a curious example of civic planning in which domestic living, education and recreation were all geared towards a single goal : the profitability of the Bata shoe company, one of the first footwear manufacturers to operate globally. In spring 2009, a symposium initiated by Zipp/German-Czech Cultural Projects, in cooperation with The Brno House of Arts, the Regional Gallery of Fine Arts in Zlín and the National Gallery in Prague, and attended by scholars and local experts, addressed the example of Zlín as a potential model for the future of urban planning and architecture. This anthology presents articles by architects, sociologists and urban theorists on the phenomenon that is Zlín. Plans, photographs, and film stills highlight the unique aesthetic qualities of this model city that complies with no architectural paradigm of the past century.
Classification:
livres
livres
Publication:
novembre 2010
novembre 2010
Classification:
livres
livres
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$32.00
(disponible en magasin)
Résumé:
Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of(...)
$32.00
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Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of(...)
Titre:
Navigation beyond vision: e-flux journal
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Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude. Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage—editing distinct sections of film into a continuous sequence—as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century's "ruling class of images" call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images—and art—operate as models of political action and modes of political intervention?
Navigation beyond vision: e-flux journal
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Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude. Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage—editing distinct sections of film into a continuous sequence—as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century's "ruling class of images" call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images—and art—operate as models of political action and modes of political intervention?
Classification:
livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Théorie/ philosophie
Théorie/ philosophie
