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In 'The Intimacy of Making', London-based Swiss-French photographer Hélène Binet takes us on a visual journey through a world of stone, walls and gardens to depict and celebrate the Korean art of making, and to discover traditional Korean architecture through a Western lens. In Binet’s photographs, which were taken over the course of the last three years, we encounter(...)
The intimacy of making: three historical sites in Korea
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In 'The Intimacy of Making', London-based Swiss-French photographer Hélène Binet takes us on a visual journey through a world of stone, walls and gardens to depict and celebrate the Korean art of making, and to discover traditional Korean architecture through a Western lens. In Binet’s photographs, which were taken over the course of the last three years, we encounter three typologies of traditional architecture in South Korea: the Confucian school and sacred site of Byeongsan Seowon; the garden and tea house Soswaewon; and the Jongmyo shrine. Her camera unites the natural surrounds and the built structures to convey the atmosphere of these three sites.
Monographies photo
Real Review 11
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The collective trauma of the pandemic has become an excuse for global capital to accelerate the total commodification of everyday life. Everything is for sale. There is more merchandise than love, more sponsored content than truth. No society in human history has demanded so many people be such active participants in producing the contemporary. No contemporary has ever(...)
Real Review 11
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The collective trauma of the pandemic has become an excuse for global capital to accelerate the total commodification of everyday life. Everything is for sale. There is more merchandise than love, more sponsored content than truth. No society in human history has demanded so many people be such active participants in producing the contemporary. No contemporary has ever been so aggressively monetised. As a coping mechanism, many amongst us have decided to check out from reality altogether; preferring to inhabit tailor-made fantasies and simulations. But only children believe that closing their eyes renders them invisible to monsters. When the monsters are real, closing our eyes rather increases the danger.
Revues
Melting landscape
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This publication is part of architect Kei Kaihoh’s exhibit at the Venice Architecture Biennale 2021. In the form of a card set, ''Melting landscape'' presents 53 sketches with related infos, explanations and ideas written on the back of each card. ''What does snow mean to the people living in Yasuzuka, and to us? Why do people live in heavy snowfall areas? How to(...)
Melting landscape
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This publication is part of architect Kei Kaihoh’s exhibit at the Venice Architecture Biennale 2021. In the form of a card set, ''Melting landscape'' presents 53 sketches with related infos, explanations and ideas written on the back of each card. ''What does snow mean to the people living in Yasuzuka, and to us? Why do people live in heavy snowfall areas? How to understand the harshness and beauty of snow?” Snow is always full of contradictions and complexities. This project will explore the possibility of coexistence between people and snow by approaching the true nature of snow through images created by video director Tomoko Mikanagi.
Architecture, monographies
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This publication tells the story of the garden as a rich source of inspiration. Over the centuries artists, writers, poets, and thinkers have each described, depicted, and designed the garden in different ways. In medieval art, the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems. In the eighteenth century this image(...)
On the necessity of gardening: an ABC of art, botany and cultivation
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This publication tells the story of the garden as a rich source of inspiration. Over the centuries artists, writers, poets, and thinkers have each described, depicted, and designed the garden in different ways. In medieval art, the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems. In the eighteenth century this image tilted: the garden became a symbol of worldly powers and politics. The Anthropocene is forcing us to radically rethink the role we have given nature in recent decades. Through essays and an extensive abecedarium this book reflects on the garden as a metaphor for society.
Jardins
Klara and the sun
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“The Sun always has ways to reach us.” From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change(...)
Klara and the sun
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“The Sun always has ways to reach us.” From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans. In ''Klara and the Sun,'' Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?
Littérature et poésie
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Museums rarely present objects as migrants. Yet they often arrive there by way of a migratory process, a historical echo of the flows of migration that have dominated the news over the past decade. As individuals migrate, so do cultures, skills, religions, ideas, objects, and materials. This is nothing new, and yet its recent acceleration forces us to think about a world(...)
Migration: the journey of objects
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Museums rarely present objects as migrants. Yet they often arrive there by way of a migratory process, a historical echo of the flows of migration that have dominated the news over the past decade. As individuals migrate, so do cultures, skills, religions, ideas, objects, and materials. This is nothing new, and yet its recent acceleration forces us to think about a world in which migration is a constant and the traditional distinction between “native” and “immigrant” is of less relevance. Published together with an exhibition at the Röhsska Museum of Design and Craft in Gothenburg, this volume examines these shifts and how they continuously influence how knowledge is formed.
Muséologie
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Danielle Mericle’s "The dark wood" explores broad questions of history and our collective ability to document and learn from the past. Through intertwined images of abandoned Greco-Roman casts, an ancient Sequoia forest and the artist’s own texts, Mericle invites us to consider history as a fluid process rather than a static truth. The once highly valued casts – which(...)
Danielle Mericle: the dark wood
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Danielle Mericle’s "The dark wood" explores broad questions of history and our collective ability to document and learn from the past. Through intertwined images of abandoned Greco-Roman casts, an ancient Sequoia forest and the artist’s own texts, Mericle invites us to consider history as a fluid process rather than a static truth. The once highly valued casts – which appear in the book as original and archival photographs – were rejected as worthless copies during the early part of the 20th century, under the belief that they lacked the artistry and aura of the originals, despite the fact that many of the "originals" were in fact Roman copies of Greek artefacts.
Eyes of the city
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Digital devices gather real-time data about urban space with sensors, actuators, and artificial intelligence. We have entered the era of the ''eyes of the city,'' when each of us must negotiate everyday life under the omnipresent gaze. Following up on the eponymous exhibition at the Bi-City Shenzhen Biennale of Urbanism/Architecture 2019, this book examines the(...)
Architecture contemporaine
novembre 2021
Eyes of the city
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Digital devices gather real-time data about urban space with sensors, actuators, and artificial intelligence. We have entered the era of the ''eyes of the city,'' when each of us must negotiate everyday life under the omnipresent gaze. Following up on the eponymous exhibition at the Bi-City Shenzhen Biennale of Urbanism/Architecture 2019, this book examines the relationships between cities and digital technologies across various disciplines. As the Internet of Things dramatically expands its reach, touching upon critical issues including individual anonymity, data ownership, and design by proxy, how can designers, architects, and urban stakeholders see eye to eye with our artificial counterparts?
Architecture contemporaine
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Shot in Dungeness, on the coast of England, this series by Berlin-based photographer Shinichiro Shiraishi is influenced by memories of his childhood visits to his grandparents’ home in the Japanese countryside. It also reflects a realisation that emerged from his time there: that natural and human-made are both part of the landscape and a part of nature. The duality of(...)
Shinichiro Shiraishi: Samsara
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Shot in Dungeness, on the coast of England, this series by Berlin-based photographer Shinichiro Shiraishi is influenced by memories of his childhood visits to his grandparents’ home in the Japanese countryside. It also reflects a realisation that emerged from his time there: that natural and human-made are both part of the landscape and a part of nature. The duality of Dungeness is replicated by the book’s design – images shimmer, black pages balance white, adder stones puncture paper. To visualise the coexistence between natural and artificial objects, 90 photos have been subjected to analogue and digital processes, bringing us closer to the emotions of this peripheral place.
Monographies photo
Brutal outer London
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Simon Phipps’ photographs of the modernist architecture of Greater London explores the form and beauty of these post-war buildings. Following on from his iconic first book Brutal London, this sequel expands his survey beyond London’s inner zones through to the outer perimeters of London, encircled by the M25. From Croydon to Thamesmead, Wood Green to Willesden, the(...)
Brutal outer London
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Simon Phipps’ photographs of the modernist architecture of Greater London explores the form and beauty of these post-war buildings. Following on from his iconic first book Brutal London, this sequel expands his survey beyond London’s inner zones through to the outer perimeters of London, encircled by the M25. From Croydon to Thamesmead, Wood Green to Willesden, the modernist ambition, scale and structure of these buildings are starkly rendered in his acclaimed photographs. He offers us a chance to look at these everyday buildings in residential, retail and leisure hubs again and appreciate the civic optimism and bold architecture of the 1960s and 70s.
Brutalisme