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The term Brutalism is used to describe a form of architecture that appeared, mainly in Europe, from around 1945–1975. Uncompromisingly modern, this trend in architecture was both striking and arresting and, perhaps like no other style before or since, aroused extremes of emotion and debate. Some regarded Brutalist buildings as monstrous soulless structures of concrete,(...)
Brutalism : post-war British architecture
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The term Brutalism is used to describe a form of architecture that appeared, mainly in Europe, from around 1945–1975. Uncompromisingly modern, this trend in architecture was both striking and arresting and, perhaps like no other style before or since, aroused extremes of emotion and debate. Some regarded Brutalist buildings as monstrous soulless structures of concrete, steel, and glass, whereas others saw the genre as a logical progression, having its own grace and balance.
Brutalisme
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Part of the Architectural Papers series, The Middle East explores the architecture of a nearly paradoxical region. Both the cradle of culture, where much remains of thousands of years of human society, the Middle East is also an area of great flux in contemporary history. This volume explores this dichotomy in three sections. The first, “Beyond the View,” investigates(...)
Middle East: landscape, city, architecture
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Part of the Architectural Papers series, The Middle East explores the architecture of a nearly paradoxical region. Both the cradle of culture, where much remains of thousands of years of human society, the Middle East is also an area of great flux in contemporary history. This volume explores this dichotomy in three sections. The first, “Beyond the View,” investigates notions of the Middle Eastern architecture through a comparative study of different parts of the Arab world. “Case Studies” focuses on three exceptionally different cities—Beirut, Amman, and Doha—through an investigation of recent and future building projects. The final chapter, “Limits” looks at the architectural practices of countries that constitute the geographic, cultural, and political limits of the region: Israel, Turkey, and Iran.
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Les bons conseils architecturaux du Cher dirigeant! Éditions numérotée 1-600.
Kim Jong-Il ; De l'architecture. Morceaux choisis
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Les bons conseils architecturaux du Cher dirigeant! Éditions numérotée 1-600.
petits formats
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After decades on the periphery of Western architectural consciousness, Chile has recently come to be recognized as an important hub for innovation in architecture. Its construction boom can be partly credited to its stable economy and thriving academic culture. Assembled over a three-year period of intensive research, "White Mountain: Recent Architecture in Chile" looks(...)
White mountain : architecture in Chile
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After decades on the periphery of Western architectural consciousness, Chile has recently come to be recognized as an important hub for innovation in architecture. Its construction boom can be partly credited to its stable economy and thriving academic culture. Assembled over a three-year period of intensive research, "White Mountain: Recent Architecture in Chile" looks at more than 120 works by 60 architects and architectural firms spanning several generations, selected by the celebrated Catalan architect and director of the Arquine Group, Miquel Adria.
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''The architecture of law courts'' explains the history, development and function of law courts, illustrating nearly 100 court buildings with in depth studies of 37 new law courts of the 21st century, which between them have won nearly 50 national and international design awards. It is a guide for the judiciary and architects around the world on how to design excellent(...)
The architecture of law courts
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''The architecture of law courts'' explains the history, development and function of law courts, illustrating nearly 100 court buildings with in depth studies of 37 new law courts of the 21st century, which between them have won nearly 50 national and international design awards. It is a guide for the judiciary and architects around the world on how to design excellent law courts, but is also a fascinating guide for anyone interested in architecture and in this rarely published group of public buildings.
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Robust architecture is designed to meet needs; its structures are sufficient, resilient and suited to the location. It embraces the potential of simplicity, traditional building methods and alternative ways of building sustainable architecture, with an emphasis on local building materials, solid craftsmanship, proven construction methods and user participation. Its design(...)
Robust architecture: Low tech design
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Robust architecture is designed to meet needs; its structures are sufficient, resilient and suited to the location. It embraces the potential of simplicity, traditional building methods and alternative ways of building sustainable architecture, with an emphasis on local building materials, solid craftsmanship, proven construction methods and user participation. Its design strategies, combined with state-of-the-art planning tools and research findings, look ahead to a climate-positive future. The book gives detailed information on the concepts behind Robust Architecture and Low-Tech Design. It illuminates various strategies and demonstrates how they can be easily implemented. Examples of realised projects with very different demands and requirement profiles show how straightforward robust building can be.
Structures d’ingénierie
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Cent ans après la Séparation des Églises et de l'État, la spécificité française du patrimoine religieux du XXe siècle est manifeste. La construction de nouveaux lieux de culte après 1906 ayant été prise en charge par les associations représentant les différentes institutions religieuses, la transmission et la préservation de ce patrimoine se posent en des termes nouveaux.
septembre 2007, Rennes
Architecture religieuse au XXe siècle: Quel patrimoine
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Cent ans après la Séparation des Églises et de l'État, la spécificité française du patrimoine religieux du XXe siècle est manifeste. La construction de nouveaux lieux de culte après 1906 ayant été prise en charge par les associations représentant les différentes institutions religieuses, la transmission et la préservation de ce patrimoine se posent en des termes nouveaux.
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete(...)
Bauhau Dessau : architecture, design, concept
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete renovation is available. Featuring more than 110 black and white photographs, "Bauhaus Dessau" presents the whole scope of architectural and artistic variety and quality of the building. The book sketches the history of the building, its architectural parts, the interior design created by the Bauhaus artists, as well as the functions of the building. "Bauhaus Dessau" is well-suited as a companion for a tour through the building as well as a reference of individual details. In addition to the visual objects, the text also describes the work carried out in the former workshops and their most important products, because architecture, design and concept of the Bauhaus are inseparably connected to each other.
Modernisme
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Today, the physical scale model is a centrepiece for design education, celebrated practices and architecture’s public relations. The development of digital fabrication devices has made model manufacture even more pervasive. The physical model is the most accessible form of architectural communication. Clients and the general public seem to immediately respond to and(...)
Architecture and the miniature : models
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Today, the physical scale model is a centrepiece for design education, celebrated practices and architecture’s public relations. The development of digital fabrication devices has made model manufacture even more pervasive. The physical model is the most accessible form of architectural communication. Clients and the general public seem to immediately respond to and understand the model, over blueprints and computer simulations. Many architects use finished models for presentations, competitions and exhibitions. Others also embrace sketch models as quick, economic and flexible generative tools. It is only with the rise of the virtual that the advantages and disadvantages of more traditional models can be fully evaluated. As attested by this book, we are now at an important watershed for the model in architecture. Practitioners and educators alike are seeking to fully understand the multiplicity of model types and how they might be strategically deployed at appropriate stages in the design process. The historic role that the model has played is outlined with attention paid to Alberti, John Soane, the Bauhaus and education reforms. A cultural history is offered by examining models in the guise of toys, food, cinema, product design, souvenirs, narrative and art. Model theories are considered and tied to specific examples in the field. New technologies and creative combinations of traditional model-making techniques are evaluated. Kinetic, multi-media, nightscape and interdisciplinary models reveal the broad scope and exceptional versatility offered by this important tool. Models: Architecture and the Miniature focuses on current model use and experimentation by architects across the globe including David Chipperfield, Peter Eisenman, Frank Gehry, Zaha Hadid, Coop Himmelb(l)au, Daniel Libeskind, Greg Lynn and UN Studio.
Maquettes
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This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the(...)
avril 2007, New Haven London
Russian architecture and the west
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This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art, pointing out where familiar European features are expressed in Russian projects. Special attention is directed toward decorations based on Byzantine models; the heritage of Italian master builders and carvers; the impact of architects and others sent by Elizabeth I; the formation of the Russian Imperial Baroque; the Enlightenment in Russian art; and 19th- and 20th-century European influences. With over 300 specially commissioned photographs of sites throughout Russia and western Europe, this magnificent book is both beautiful and groundbreaking.