13271 Résultats
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[Place of publication not identified] : A.R.T. Press, 2006.
[Place of publication not identified] : A.R.T. Press, 2006.
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[Place of publication not identified] : A.R.T. Press, 2006.
[Place of publication not identified] : A.R.T. Press, 2006.
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Link Editions 2018
Link Editions 2018
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Link Editions 2018
Link Editions 2018
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Moscow monumental : Soviet skyscrapers and urban life in Stalin's capital / Katherine Zubovich.
Moscow monumental : Soviet skyscrapers and urban life in Stalin's capital / Katherine Zubovich.
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xii, 274 pages : illustrations (black and white) ; 26 cm
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xii, 274 pages : illustrations (black and white) ; 26 cm
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Princeton, New Jersey : Princeton University Press, [2023], ©2021
Princeton, New Jersey : Princeton University Press, [2023], ©2021
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Moscow monumental : Soviet skyscrapers and urban life in Stalin's capital / Katherine Zubovich.
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xii, 274 pages : illustrations (black and white) ; 26 cm
Moscow monumental : Soviet skyscrapers and urban life in Stalin's capital / Katherine Zubovich.
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xii, 274 pages : illustrations (black and white) ; 26 cm
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Princeton, New Jersey : Princeton University Press, [2023], ©2021
Princeton, New Jersey : Princeton University Press, [2023], ©2021
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xcv, 512 pages : illustrations (black and white), plans ; 25 cm
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xcv, 512 pages : illustrations (black and white), plans ; 25 cm
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Abingdon, Oxon ; New York : Routledge, 2022., ©2022
Abingdon, Oxon ; New York : Routledge, 2022., ©2022
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The Routledge companion to architectural drawings and models : from translating to archiving, collecting and displaying / edited by Federica Goffi.
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xcv, 512 pages : illustrations (black and white), plans ; 25 cm
The Routledge companion to architectural drawings and models : from translating to archiving, collecting and displaying / edited by Federica Goffi.
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xcv, 512 pages : illustrations (black and white), plans ; 25 cm
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Abingdon, Oxon ; New York : Routledge, 2022., ©2022
Abingdon, Oxon ; New York : Routledge, 2022., ©2022
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x, 230 pages : illustrations (some color) ; 23 cm
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x, 230 pages : illustrations (some color) ; 23 cm
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London ; New York : Bloomsbury, 2014.
London ; New York : Bloomsbury, 2014.
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The architecture of David Lynch / Richard Martin.
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x, 230 pages : illustrations (some color) ; 23 cm
The architecture of David Lynch / Richard Martin.
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x, 230 pages : illustrations (some color) ; 23 cm
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London ; New York : Bloomsbury, 2014.
London ; New York : Bloomsbury, 2014.
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350 pages : chiefly illustrations (chiefly color) ; 23 x 28 cm
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350 pages : chiefly illustrations (chiefly color) ; 23 x 28 cm
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Milano : Skira ; New York : Distributed in North America by Rizzoli International Publications, 2008.
Milano : Skira ; New York : Distributed in North America by Rizzoli International Publications, 2008.
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Italo Rota : projects, works, visions 1997-2007 / edited by Luca Molinari, Valeria Alebbi.
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350 pages : chiefly illustrations (chiefly color) ; 23 x 28 cm
Italo Rota : projects, works, visions 1997-2007 / edited by Luca Molinari, Valeria Alebbi.
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350 pages : chiefly illustrations (chiefly color) ; 23 x 28 cm
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Milano : Skira ; New York : Distributed in North America by Rizzoli International Publications, 2008.
Milano : Skira ; New York : Distributed in North America by Rizzoli International Publications, 2008.
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London : Open Humanities Press, 2018.
London : Open Humanities Press, 2018.
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Practicing Relativism in the Anthropocene : On Science, Belief, and the Humanities.
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1 online resource
Practicing Relativism in the Anthropocene : On Science, Belief, and the Humanities.
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1 online resource
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London : Open Humanities Press, 2018.
London : Open Humanities Press, 2018.
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$29.95
(disponible sur commande)
Résumé:
Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment. In an expanded(...)
$29.95
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Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment. In an expanded(...)
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Appropriation: Documents of contemporary art
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Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler. In the recent work of many artists, including Mike Kelley, Glenn Ligon, Pierre Huyghe, and Aleksandra Mir, among others, appropriation is central to their critique of the contemporary world and vision for alternative futures.
Appropriation: Documents of contemporary art
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$29.95
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Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler. In the recent work of many artists, including Mike Kelley, Glenn Ligon, Pierre Huyghe, and Aleksandra Mir, among others, appropriation is central to their critique of the contemporary world and vision for alternative futures.
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avril 2009, Cambridge (MA), London
avril 2009, Cambridge (MA), London
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Théorie de l’art
Théorie de l’art
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4 unnumbered preliminary pages, 253 pages : illustrations (some color) ; 28 cm
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4 unnumbered preliminary pages, 253 pages : illustrations (some color) ; 28 cm
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Los Angeles : The Getty Research Institute, [2017], ©2017
Los Angeles : The Getty Research Institute, [2017], ©2017
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Reyner Banham and the paradoxes of high tech / Todd Gannon ; with an unpublished essay by Reyner Banham.
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4 unnumbered preliminary pages, 253 pages : illustrations (some color) ; 28 cm
Reyner Banham and the paradoxes of high tech / Todd Gannon ; with an unpublished essay by Reyner Banham.
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4 unnumbered preliminary pages, 253 pages : illustrations (some color) ; 28 cm
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Los Angeles : The Getty Research Institute, [2017], ©2017
Los Angeles : The Getty Research Institute, [2017], ©2017
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$28.95
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This first anthology to focus on painting's multiple discourses over the last three decades brings together key statements, dialogues, and debates that have moved the conversation beyond the modern/postmodern dialectic while redefining the conditions necessary for an artwork to be described as "painting." The diversity of contemporary painting’s meanings and practices(...)
$28.95
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Résumé:
This first anthology to focus on painting's multiple discourses over the last three decades brings together key statements, dialogues, and debates that have moved the conversation beyond the modern/postmodern dialectic while redefining the conditions necessary for an artwork to be described as "painting." The diversity of contemporary painting’s meanings and practices(...)
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Painting: Documents of contemporary art
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$28.95
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This first anthology to focus on painting's multiple discourses over the last three decades brings together key statements, dialogues, and debates that have moved the conversation beyond the modern/postmodern dialectic while redefining the conditions necessary for an artwork to be described as "painting." The diversity of contemporary painting’s meanings and practices encompasses the randomness and eclecticism associated with Web-based creation. Although for many the presence of paint endures, others have argued for painting to be classed not as a material but as a philosophical category.
Painting: Documents of contemporary art
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$28.95
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This first anthology to focus on painting's multiple discourses over the last three decades brings together key statements, dialogues, and debates that have moved the conversation beyond the modern/postmodern dialectic while redefining the conditions necessary for an artwork to be described as "painting." The diversity of contemporary painting’s meanings and practices encompasses the randomness and eclecticism associated with Web-based creation. Although for many the presence of paint endures, others have argued for painting to be classed not as a material but as a philosophical category.
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livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Théorie de l’art
Théorie de l’art
