audio
Elizabeth Hénaff.
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1 online resource.
[Place of publication not identified] : Multispecies Worldbuilding Lab, 2020.
audio
[Place of publication not identified] : Multispecies Worldbuilding Lab, 2020.
audio
Emilie Pischedda.
Description:
1 online resource.
[Place of publication not identified] : Bureau, 2019.
audio
[Place of publication not identified] : Bureau, 2019.
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From the early days of recreational camping in the late nineteenth century through the multitude of modern camping options available today, ''Making camp'' explores the history and evolution of the popular activity through the lens of its most important and familiar components: the campsite, the campfire, the picnic table, the map, the tent, the sleeping bag, as well as(...)
Making camp: A visual history of camping's most essential items and activities
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From the early days of recreational camping in the late nineteenth century through the multitude of modern camping options available today, ''Making camp'' explores the history and evolution of the popular activity through the lens of its most important and familiar components: the campsite, the campfire, the picnic table, the map, the tent, the sleeping bag, as well as the oft invisible systems for delivering water and managing trash. Find out how early nineteenth century German peasants fashioned rudimentary sleeping bags by burrowing into bags full of leaves for the night. Look back over several millennia to learn about the progression of tents from animal skins, goat's hair, and heavy canvas to featherweight nylon. Learn about the ways in which the skills to build and maintain a campfire have been displaced by the portable gas stove. Pinpoint the details of the essential campground map and its unique place in the camping imagination. Each chapter includes a broad range of visuals to help illustrate the rich history of camping and our collective devotion to it, including drawings, patents, diagrams, sketches, paintings, advertisements, and historical photographs.
Théorie du paysage
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This book deals with objects of migration on the central Mediterranean route. Traces of this phenomenon include objects left more or less voluntarily by migrant people along their journey, particularly upon arrival on the shores of Lampedusa and Sicily. Since 2013, hundreds of these objects have been retrieved by Massimo Ricciardo with his colleague Thomas Kilpper, and(...)
Encounters in an archive: Objects of migration / photo-objects of art history
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This book deals with objects of migration on the central Mediterranean route. Traces of this phenomenon include objects left more or less voluntarily by migrant people along their journey, particularly upon arrival on the shores of Lampedusa and Sicily. Since 2013, hundreds of these objects have been retrieved by Massimo Ricciardo with his colleague Thomas Kilpper, and are now part of the “Objects of Escape – Inventories of Migration’’ archive. These objects are functional to the journey, such as biscuit tins and water bottles, passports and nautical charts, but they also relate to identity and memory, such as family photographs, diaries, or a handful of earth from their homeland. In the installation “Objects of Migration, Photo-Objects of Art History: Encounters in an Archive,” Ricciardo creates a dialogue between selected objects from this archive and structures from the KHI Photothek on the other. The installation, which led to this book, raises a series of highly relevant questions about these ‘talking’ objects: who do they belong to? Are they part of the cultural heritage? What would be the appropriate artistic and curatorial approach if one decided to collect, archive, exhibit, transform them?
Théorie de la photographie
livres
LOT/EK urban scan
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The New York-based architectural firm LOT/EK (pronounced "low-tech") has made a distinctive mark on the architectural landscape through a series of seemingly whimsical projects that make a point of using prefabricated industrial materials in unexpected ways. In their hands, a shipping container can be transformed into a mobile working unit, a museum, or a restaurant. In(...)
Architecture, monographies
février 2002, New York
LOT/EK urban scan
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The New York-based architectural firm LOT/EK (pronounced "low-tech") has made a distinctive mark on the architectural landscape through a series of seemingly whimsical projects that make a point of using prefabricated industrial materials in unexpected ways. In their hands, a shipping container can be transformed into a mobile working unit, a museum, or a restaurant. In the process, they question our relation to the industrial environment and the artificiality of the urban landscape. LOT/EK: Urban Scan, the first and only monograph on the firm, is organized categorically and alphabetically. Twenty-three projects are presented in detail, including American Diner (a restaurant in a container), the InspiroTrainer (created for the Museum of Modern Art), Mixer (a cement mixer-cum-video immersion unit), the Meltzer Gallery, the Boon boutique, the MDU (Mobule Dwelling Unit), and the Goree Memorial and Museum. It also includes more than 1,000 photographs of infrastructural objects--everything from air conditioners to water tanks--that serve as the raw material and inspiration for this creative practice. Ada Tolla and Giuseppe Lignano, LOT/EK's founding partners, are natives of Naples, Italy. They opened their New York studio after graduating from Columbia University.
livres
février 2002, New York
Architecture, monographies
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While lying on the beach in Nice one day, eighteen-year-old Yves Klein and his friends decided to divide the world up among themselves. Klein (1928-1962) chose the air, the cloudless sky. He remained fascinated with the element and its immaterial quality throughout his life. In the late fifties, he and the German architect Werner Ruhnau developed plans for an(...)
juillet 2004, Ostfildern
Air architecture : Yves Klein
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While lying on the beach in Nice one day, eighteen-year-old Yves Klein and his friends decided to divide the world up among themselves. Klein (1928-1962) chose the air, the cloudless sky. He remained fascinated with the element and its immaterial quality throughout his life. In the late fifties, he and the German architect Werner Ruhnau developed plans for an "architecture of air" composed of walls and roofs of air-as represented, for example, in the idea of the "Temple of the Elements" with fountains of water and fire and a café protected against the rain only by air currents. Klein associated this idea with a philosophy of optimism devoted to the creation of a paradise on earth, a Garden of Eden in which human beings would be free to pursue their own interests. The publication is the first book devoted exclusively to this aspect of Yves Klein's art. It includes reproductions of drawings and other works as well as essays and lectures on the subject. Additional articles by other authors emphasize the significance of Klein's work to the theme of the immaterial.
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For some people, their lawn is a source of pride, and for others, caring for their lawn is a chore. Yet for an increasing number of people, turf care is a cause of ecological anxiety. In Lawn People, author Paul Robbins, asks, "How did the needs of the grass come to be my own?" In his goal to get a clearer picture of why people and grasses do what they do, Robbins(...)
Lawn People: how grasses, weeds and chemicals make us who we are
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For some people, their lawn is a source of pride, and for others, caring for their lawn is a chore. Yet for an increasing number of people, turf care is a cause of ecological anxiety. In Lawn People, author Paul Robbins, asks, "How did the needs of the grass come to be my own?" In his goal to get a clearer picture of why people and grasses do what they do, Robbins interviews homeowners about their lawns, and uses national surveys, analysis from aerial photographs, and economic data to determine what people really feel about-and how they treat-their lawns. Lawn People places the lawn in its ecological, economic, and social context. Robbins considers the attention we pay our turfgrass-the chemicals we use to grow lawns, the hazards of turf care to our urban ecology, and its potential impact on water quality and household health. He also shows how the ecology of cities creates certain kinds of citizens, deftly contrasting man's control of the lawn with the lawn's control of man. Lawn People provides an intriguing examination of nature's influence on landscape management and on the ecosystem.
Architecture écologique
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Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however(...)
Groundswell: Women of land art
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Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however fleeting or permanent that might be—foregrounding natural materials and the site itself to create large-scale works located outside of typical urban art-world circuits. Histories of Land art have long been dominated by men, but "Groundswell: Women of Land Art" shifts that focus to shed new light on the vast number of earthworks by women artists. While their careers ran parallel to those of their better-known male counterparts, they have received less recognition and representation in museum presentations—until now. This book includes five scholarly essays, as well as a detailed chronology, exhibition checklist and illustrated biographies of exhibition artists. "Groundswell" is a resource for readers interested in understanding the historical Land art movement and our own relationship to the earth.
Land Art
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Since 1995, Dhaka-based architecture firm Kashef Chowdhury / URBANA has produced an astonishing collection of works of divergent scales, typologies, and contexts located in one of the most meteorologically challenging regions in the world. A hospital introduced into an economy decimated by rising oceans, a shelter against cyclones in Bangladesh’s southern coastal region,(...)
Architecture, monographies
janvier 2026
Meditations in entropy: The work of Kashef Chowdhury / URBANA in Bangladesh
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Since 1995, Dhaka-based architecture firm Kashef Chowdhury / URBANA has produced an astonishing collection of works of divergent scales, typologies, and contexts located in one of the most meteorologically challenging regions in the world. A hospital introduced into an economy decimated by rising oceans, a shelter against cyclones in Bangladesh’s southern coastal region, and architectural interventions in one of the world’s densest metropolitan areas: Kashef Chowdhury / URBANA’s designs are incisive, critical responses to varied issues and urgencies rooted in the belief that architecture must be a reflection of, and sympathetic to, increasingly fragile ecological conditions. ''Meditations in Entropy'' is the first full monograph on the work of Kashef Chowdhury / URBANA. It features 18 of the firm’s realized designs in detail through photographs by acclaimed architectural photographer Hélène Binet as well as numerous plans, drawings, sketches, and other images. Perceptive essays are contributed by the distinguished critics and historians Kenneth Frampton, Robert McCarter, William J. R. Curtis, and Philip Ursprung, and by Ainun Nishat, a renowned water resource and climate change specialist. An illustrated catalogue of Kashef Chowdhury / URBANA’s projects and realized buildings rounds off this beautifully designed volume.
Architecture, monographies
Baldness and modernism
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The original bald and unconvincing narrative that triggered this book is that put about by Alison and Peter Smithson in their 1981 Heroic Period of Modern Architecture, limiting modernism to 1915–1929. This fiction is re-contextualized with studies of iconic Bauhaus bald heads – Schlemmer, Itten, etc., such Literal Baldness is the subject of Part 1. Part 2 of Phenomenal(...)
Baldness and modernism
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$63.00
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The original bald and unconvincing narrative that triggered this book is that put about by Alison and Peter Smithson in their 1981 Heroic Period of Modern Architecture, limiting modernism to 1915–1929. This fiction is re-contextualized with studies of iconic Bauhaus bald heads – Schlemmer, Itten, etc., such Literal Baldness is the subject of Part 1. Part 2 of Phenomenal Baldness unwinds the Bauhaus narrative put about by Walter Gropius, one that has held water for 100 years. Spin doctor Gropius manipulated his Bauhaus successes into a cornerstone of post WW2 modernism. Cracks in this story are now emerging along with the fact that Gropius was in hindsight, not a very good architect. Attacks on the Bauhaus like those by Rudolph Schwartz or Tom Wolf as well as a comprehensive list of Gropius hand-holders, and those edited out of his narrative are here explored. To conclude Gropius is compared to his contemporary Bruno Taut, a far more interesting and talented architect. This book like Peter Wilson’s previous "Bedtime Stories for Architects" or "Some Reasons for Traveling to Italy" is written in his unique anecdotal style, savoring Shandyisms and the quirks of history.
Théorie de l’architecture