$31.95
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This volume features work from 26 contemporary international artists who are creating images of intricacy, using little more than paper and blade. It features a host of new discoveries and includes art by Nikki McClure, Rob Ryan, and Thomas Allen, as well as a number of emerging practitioners.
Paper cutting: contemporary artists, timeless craft
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$31.95
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Résumé:
This volume features work from 26 contemporary international artists who are creating images of intricacy, using little more than paper and blade. It features a host of new discoveries and includes art by Nikki McClure, Rob Ryan, and Thomas Allen, as well as a number of emerging practitioners.
livres
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376 pages : illustrations ; 25 cm
New York : Museum of Modern Art, ©2004.
Listen, here, now! : Argentine art of the 1960s : writings of the avant-garde / edited by Ines Katzenstein.
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376 pages : illustrations ; 25 cm
livres
New York : Museum of Modern Art, ©2004.
audio
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1 online resource.
[Place of publication not identified] : Scratching the Surface, 2021.
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[Place of publication not identified] : Scratching the Surface, 2021.
livres
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xii, 395 pages ; 22 cm
Durham : Duke University Press, 1987.
Five faces of Modernity : Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism / by Matei Calinescu.
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xii, 395 pages ; 22 cm
livres
Durham : Duke University Press, 1987.
livres
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239 pages : illustrations (some color) ; 36 x 27 cm
New York : Rizzoli, 2024.
Tashkent : a modernist capital / photography by Karel Balas ; text by Béatrice Grenier ; foreword, Saida Mirziyoyeva ; preface, Chris Dercon.
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239 pages : illustrations (some color) ; 36 x 27 cm
livres
New York : Rizzoli, 2024.
livres
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224 pages : illustrations (some color), plans (some color) ; 26 cm
New York : Rizzoli, 2003.
American dream : the houses at Sagaponac : modern living in the Hamptons / Coco Brown ; essays by Richard Meier and Alastair Gordon.
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224 pages : illustrations (some color), plans (some color) ; 26 cm
livres
New York : Rizzoli, 2003.
livres
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125 pages : illustrations (chiefly color), plans ; 26 cm
Berlin : Jovis, 2005.
Berlin, Genova : Stadt-- Strasse-- Haus = Citta-- strada-- casa : City-- street-- house / Herausgeber, Klaus Theo Brenner.
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125 pages : illustrations (chiefly color), plans ; 26 cm
livres
Berlin : Jovis, 2005.
$89.95
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Since the invention of photography, architecture has proved a worthy subject for photographers. Shooting Space: Architecture in Contemporary Photography showcases the relationship between the two practices. It is divided into five chapters, covering collaborations between photographer and architect, global urbanization, alterations to the natural landscape, reappraised(...)
Shooting space: architecture in contemporary photography
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$89.95
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Since the invention of photography, architecture has proved a worthy subject for photographers. Shooting Space: Architecture in Contemporary Photography showcases the relationship between the two practices. It is divided into five chapters, covering collaborations between photographer and architect, global urbanization, alterations to the natural landscape, reappraised Modernist icons, and imagined environments.
Photographie- collections
$35.95
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Engaging with the question of speculation in ways that encompass the artistic, the economic, and the philosophical, with excursions into the literary and the scientific, this collection approaches the theme as a powerful logic of contemporary life whose key instantiations are art and finance. Both are premised on the power of contingency, temporality, and experimentation(...)
Speculation: Document of contemporary art
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Engaging with the question of speculation in ways that encompass the artistic, the economic, and the philosophical, with excursions into the literary and the scientific, this collection approaches the theme as a powerful logic of contemporary life whose key instantiations are art and finance. Both are premised on the power of contingency, temporality, and experimentation in the creation (and capitalization) of possible worlds. Artistic autonomy, and the self-legislation of the space of art, have often been seen as the freedom to speculate wildly on material and social possibilities. This anthology surveys material and social inventiveness from the ground up, speculating with technologies, gender, constructs of the family, and systems of logistics and coordination. An ecology of speculation is traced—one that is as broken, specific, and enthralling as the world.
Théorie de l’art
$28.95
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If clock time -- a linear measurement that can be unified, followed and owned -- is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time? Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition,(...)
Time : documents of contemporary art
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If clock time -- a linear measurement that can be unified, followed and owned -- is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time? Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition, déjà vu and seriality, unrealized possibility and idleness, non-consummation and counter-productivity, the belated and the premature, the disjointed and the out-of-sync -- all of which go against sequentialist time and index slips in chronological experience. While such theorists as Giorgio Agamben and Georges Didi-Huberman have proposed "anachronistic" or "heterochronic" readings of history, artists have opened up the field of time to the extent that the very notion of the contemporary is brought into question.
Théorie de l’art