63814 Résultats
Classification:
livres
livres
Numéro de référence:
ARCH272998
Description:
Group consists of two copies of the book "Ecol Operation: Ecology + Building + Common Sense" by the Mininum Cost Housing Group.
ARCH272998
Description:
Group consists of two copies of the book "Ecol Operation: Ecology + Building + Common Sense" by the Mininum Cost Housing Group.
Personnes et institutions:
Date:
1975
1975
Titre:
Ecol Operation: Ecology + Building + Common Sense
Actions:
ARCH272998
Description:
Group consists of two copies of the book "Ecol Operation: Ecology + Building + Common Sense" by the Mininum Cost Housing Group.
Ecol Operation: Ecology + Building + Common Sense
Actions:
ARCH272998
Description:
Group consists of two copies of the book "Ecol Operation: Ecology + Building + Common Sense" by the Mininum Cost Housing Group.
Classification:
livres
livres
Date:
1975
1975
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP046.S1.1983.PR01.515
Description:
This file includes negatives of CCA building drawings for use in the opening exhibition and book Canadian Centre for Architecture: Building and Gardens.
AP046.S1.1983.PR01.515
Description:
This file includes negatives of CCA building drawings for use in the opening exhibition and book Canadian Centre for Architecture: Building and Gardens.
Personnes et institutions:
Date:
ca 1989
ca 1989
Titre:
CCA building negatives, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.515
Description:
This file includes negatives of CCA building drawings for use in the opening exhibition and book Canadian Centre for Architecture: Building and Gardens.
CCA building negatives, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.515
Description:
This file includes negatives of CCA building drawings for use in the opening exhibition and book Canadian Centre for Architecture: Building and Gardens.
Classification:
dessins
dessins
Date:
ca 1989
ca 1989
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
Personnes et institutions:
Date:
[1837-ca. 1862]
[1837-ca. 1862]
Titre:
Muséum nationale d'histoire naturelle
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
Muséum nationale d'histoire naturelle
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
Niveau de description archivistique:
File 5
File 5
Date:
[1837-ca. 1862]
[1837-ca. 1862]
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
Personnes et institutions:
Date:
1971-1973
1971-1973
Titre:
Composition notebook of sketches and notes for Automation House, Tree Dance, and A W-Hole House, and Anarchitecture
Actions:
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
Composition notebook of sketches and notes for Automation House, Tree Dance, and A W-Hole House, and Anarchitecture
Actions:
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
Classification:
livres
livres
Date:
1971-1973
1971-1973
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP140.S2.SS4.D4
Description:
File documents the publication of the book 'James Stirling Buildings and Projects'. Material in this file was produced between 1980 and 1986. File contains textual records.
AP140.S2.SS4.D4
Description:
File documents the publication of the book 'James Stirling Buildings and Projects'. Material in this file was produced between 1980 and 1986. File contains textual records.
Personnes et institutions:
Date:
1980-1986
1980-1986
Titre:
James Stirling Buildings and Projects
Actions:
AP140.S2.SS4.D4
Description:
File documents the publication of the book 'James Stirling Buildings and Projects'. Material in this file was produced between 1980 and 1986. File contains textual records.
James Stirling Buildings and Projects
Actions:
AP140.S2.SS4.D4
Description:
File documents the publication of the book 'James Stirling Buildings and Projects'. Material in this file was produced between 1980 and 1986. File contains textual records.
Niveau de description archivistique:
File 4
File 4
Date:
1980-1986
1980-1986
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2003:0031
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
PH2003:0031
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
Personnes et institutions:
Sujet:
ingénierie, topographique
ingénierie, topographique
Date:
August 1994
August 1994
Titre:
View of a railroad bridge, a train and tracks showing railings in the foreground, Kaliningradskaia oblast', Russia
Actions:
PH2003:0031
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
View of a railroad bridge, a train and tracks showing railings in the foreground, Kaliningradskaia oblast', Russia
Actions:
PH2003:0031
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
Classification:
photographies
photographies
Date:
August 1994
August 1994
Personnes et institutions:
Sujet:
ingénierie, topographique
ingénierie, topographique
Classification:
photographies
photographies
Titre:
View of agricultural land, a utility pole and an electricity pylon, Gronowo, near Braniewo, Poland
View of agricultural land, a utility pole and an electricity pylon, Gronowo, near Braniewo, Poland
Actions:
Numéro de référence:
PH2003:0053
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
PH2003:0053
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
Personnes et institutions:
Sujet:
ingénierie, topographique
ingénierie, topographique
Date:
August 1994
August 1994
Titre:
View of agricultural land, a utility pole and an electricity pylon, Gronowo, near Braniewo, Poland
Actions:
PH2003:0053
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
View of agricultural land, a utility pole and an electricity pylon, Gronowo, near Braniewo, Poland
Actions:
PH2003:0053
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
Classification:
photographies
photographies
Date:
August 1994
August 1994
Personnes et institutions:
Sujet:
ingénierie, topographique
ingénierie, topographique
Classification:
photographies
photographies
Numéro de référence:
PH2003:0065
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
PH2003:0065
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
August 1994
August 1994
Titre:
View of a wooden house and apartment houses, Malbork, Poland
Actions:
PH2003:0065
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
View of a wooden house and apartment houses, Malbork, Poland
Actions:
PH2003:0065
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
Classification:
photographies
photographies
Date:
August 1994
August 1994
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2003:0057
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
PH2003:0057
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
August 1994
August 1994
Titre:
View of a brick bus shelter with a corrugated metal roof, Poland
Actions:
PH2003:0057
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
View of a brick bus shelter with a corrugated metal roof, Poland
Actions:
PH2003:0057
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
Classification:
photographies
photographies
Date:
August 1994
August 1994
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
![Interior view of a train station[?], Germany](/img-collection/dbU5bb5-djdygdUyXVRMJ3iMHKU=/500x389/354748.jpg)
Actions:
Numéro de référence:
PH2003:0068
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
PH2003:0068
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
August 1993
August 1993
Titre:
Interior view of a train station[?], Germany
Actions:
PH2003:0068
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
Interior view of a train station[?], Germany
Actions:
PH2003:0068
Description:
This photograph was taken as part of the ‘In Between Cities’ project, but it was not published in the book 'In between cities'.
Classification:
photographies
photographies
Date:
August 1993
August 1993
Personnes et institutions:
Sujet:
architecture
architecture
