dessins
AP075.S1.1967.PR01.001
circa 1967
dessins
circa 1967
documents textuels
ARCH34942
documents textuels
dessins
DR1994:0132:059
circa 1970-1971
dessins
circa 1970-1971
dessins
AP056.S1.1989.PR08.099
circa 1989
Competition presentation drawing, Kitchener City Hall Competition
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AP056.S1.1989.PR08.099
dessins
circa 1989
dessins
AP056.S1.1989.PR08.102
1989
Competition presentation drawing, Kitchener City Hall Competition
Actions:
AP056.S1.1989.PR08.102
dessins
1989
dessins
Quantité:
2 presentation drawing(s)
AP140.S2.SS1.D12.P1
Description:
drawings for the first scheme including a hand-coloured drawing for the main elevation, and a hand-coloured drawing showing elevations and floor plans
1956
Drawings for the first scheme including a hand-coloured drawing for the main elevation
Actions:
AP140.S2.SS1.D12.P1
Description:
drawings for the first scheme including a hand-coloured drawing for the main elevation, and a hand-coloured drawing showing elevations and floor plans
dessins
Quantité:
2 presentation drawing(s)
1956
DR1988:0022:001
Description:
Drawing signed "Prometheus", pseudonym of Finsterlin for Die gläserne Kette correspondence.
n.d.
Drawing and letter by Hermann Finsterlin to an unidentified correspondent
Actions:
DR1988:0022:001
Description:
Drawing signed "Prometheus", pseudonym of Finsterlin for Die gläserne Kette correspondence.
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
design de théâtre
probably between 1745-1775
Presentation drawing for a stage set with alternate designs
Actions:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
design de théâtre
documents textuels
ARCH255907
1986-1988
documents textuels
1986-1988
photographies
Quantité:
10 photograph(s)
DR2004:0088
Description:
aerial views, views of perspective drawings, photomontage of site views with perspective drawing, views of sites, and clipping
Aerial views, views of perspective drawings, photomontage of site views with perspective drawing
Actions:
DR2004:0088
Description:
aerial views, views of perspective drawings, photomontage of site views with perspective drawing, views of sites, and clipping
photographies
Quantité:
10 photograph(s)