livres
Description:
208 pages illustrations (some color) portraits, maps (some folded color) 24 cm.
Paris, Horizons de France [1950]
Visages de la Provence, par E. Bénévent [and others].
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208 pages illustrations (some color) portraits, maps (some folded color) 24 cm.
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Paris, Horizons de France [1950]
livres
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xi, 226 pages : illustrations (some color) ; 28 cm
Petaluma, Calif. : Meridian Press, ©2006.
Taliesin reflections : my years before, during, and after living with Frank Lloyd Wright, and various contacts with other people and places / Earl Nisbet.
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xi, 226 pages : illustrations (some color) ; 28 cm
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Petaluma, Calif. : Meridian Press, ©2006.
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335 pages : illustrations (chiefly color), color maps ; 21 cm
Barcelona : LISt ; New York : [distributor] ACTAR D USA, 2009.
Hyper Adriatica : OP_2 : public works and the Adriatic city : guidelines for the qualification of urban and territorial projects, PRIN 2006/2008 / edited by Pepe Barbieri.
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335 pages : illustrations (chiefly color), color maps ; 21 cm
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Barcelona : LISt ; New York : [distributor] ACTAR D USA, 2009.
artéfacts
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1 construction set (111 pieces) : metal, color ; various sizes in cardboard box 16 x 24 x 2 cm + 1 instruction booklet (39 pages : illustrations ; 14 x 22 cm)
[approximately 1920] (Birmingham : William Bailey Ltd.)
Wenebrik. Set no. 0 : an instructive architectural toy.
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1 construction set (111 pieces) : metal, color ; various sizes in cardboard box 16 x 24 x 2 cm + 1 instruction booklet (39 pages : illustrations ; 14 x 22 cm)
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[approximately 1920] (Birmingham : William Bailey Ltd.)
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Architecture thérapeutique : Histoire des sanatoriums en France, 1900-1945 / Philippe Grandvoinnet.
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347 p. : ill., maps, plans ; 24 cm.
Genève : Métis Presses, 2014.
Architecture thérapeutique : Histoire des sanatoriums en France, 1900-1945 / Philippe Grandvoinnet.
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347 p. : ill., maps, plans ; 24 cm.
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Genève : Métis Presses, 2014.
artéfacts
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1 set of building blocks : compressed and dyed sandstone ; in wooden box 15 x 38 x 26 cm + 1 portfolio (36 cm) + 4 packing plans + 2 information sheets
[1915-1916] (New York : F. Ad. Richter & Co.)
Richter's anchor blocks fortress series. 408A.
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1 set of building blocks : compressed and dyed sandstone ; in wooden box 15 x 38 x 26 cm + 1 portfolio (36 cm) + 4 packing plans + 2 information sheets
artéfacts
[1915-1916] (New York : F. Ad. Richter & Co.)
artéfacts
Description:
1 set of building blocks : wood ; various sizes in wooden box 6 x 28 x 20 cm + 2 sheets ([2] leaves : color illustrations ; 17 x 41 cm folded to 17 x 14 cm)
[approximately 1900] ([Oberseiffenbach, Germany] : S.F.F.)
Baukasten Jubiläumsausgabe, 1850-1900.
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1 set of building blocks : wood ; various sizes in wooden box 6 x 28 x 20 cm + 2 sheets ([2] leaves : color illustrations ; 17 x 41 cm folded to 17 x 14 cm)
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[approximately 1900] ([Oberseiffenbach, Germany] : S.F.F.)
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Ottawa Hotel, Montreal.
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1 folded sheet ([4] pages) : illustrations ; 11 cm
Montréal : Geo. J. Gebhardt & Co., Lith., [approximately 1880]
Ottawa Hotel, Montreal.
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1 folded sheet ([4] pages) : illustrations ; 11 cm
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Montréal : Geo. J. Gebhardt & Co., Lith., [approximately 1880]
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Cyclescapes of the unequal city : bicycle infrastructure and uneven development / John G. Stehlin.
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xxii, 288 pages : illustrations, maps ; 23 cm
Minneapolis, MN : University of Minnesota Press, [2019], ©2019
Cyclescapes of the unequal city : bicycle infrastructure and uneven development / John G. Stehlin.
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xxii, 288 pages : illustrations, maps ; 23 cm
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Minneapolis, MN : University of Minnesota Press, [2019], ©2019
$59.95
(disponible sur commande)
Résumé:
Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering(...)
Rome, 1630: The horizon of early Baroque, and other essays
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Résumé:
Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering monuments like Bernini's imposing bronze columns in St. Peter's Basilica, Rome, 1630 came to be the crossroads of seventeenth-century art, religion, and power. In ''Rome, 1630,'' the renowned French poet and critic Yves Bonnefoy devotes his attention to this single year in the Baroque period in European art. The inclusion of five additional essays on seventeenth-century art situate Bonnefoy's analysis within a lively debate on Baroque art and art history. Translator Hoyt Rogers's afterword pays homage to the author himself, situating ''Rome, 1630'' in Bonnefoy's productive career as a premier French poet and critic.
Théorie de l’art