4271 Résultats
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livres
livres
Titre:
The storm of creativty
The storm of creativty
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$32.95
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Leski sees the creative process as being like a storm; it slowly begins to gather and take form until it overtakes us, if we are willing to let it. It is dynamic, continually in motion; it starts, stops, rages and abates, ebbs and flows. In illustrations that accompany each chapter, she maps the arc of the creative process by tracing the path of water droplets traveling(...)
$32.95
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Leski sees the creative process as being like a storm; it slowly begins to gather and take form until it overtakes us, if we are willing to let it. It is dynamic, continually in motion; it starts, stops, rages and abates, ebbs and flows. In illustrations that accompany each chapter, she maps the arc of the creative process by tracing the path of water droplets traveling(...)
Titre:
The storm of creativty
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$32.95
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Leski sees the creative process as being like a storm; it slowly begins to gather and take form until it overtakes us, if we are willing to let it. It is dynamic, continually in motion; it starts, stops, rages and abates, ebbs and flows. In illustrations that accompany each chapter, she maps the arc of the creative process by tracing the path of water droplets traveling the stages of a storm. Leski describes unlearning, ridding ourselves of preconceptions; only when we realize what we don’t know can we pose the problem that we need to solve. We gather evidence—with notebook jottings, research, the collection of objects—propelling the process. We perceive and conceive; we look ahead without knowing where we are going; we make connections. We pause, retreat, and stop, only to start again. To illustrate these stages of the process, Leski draws on examples of creative practice that range from Paul Klee to Steve Jobs, from the discovery of continental drift to the design of Antoni Gaudí’s Sagrada Familia. Creativity, Leski tells us, is a path with no beginning or end; it is ongoing. This revelatory view of the creative process will be an essential guide for anyone engaged in creative discovery.
The storm of creativty
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$32.95
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Résumé:
Leski sees the creative process as being like a storm; it slowly begins to gather and take form until it overtakes us, if we are willing to let it. It is dynamic, continually in motion; it starts, stops, rages and abates, ebbs and flows. In illustrations that accompany each chapter, she maps the arc of the creative process by tracing the path of water droplets traveling the stages of a storm. Leski describes unlearning, ridding ourselves of preconceptions; only when we realize what we don’t know can we pose the problem that we need to solve. We gather evidence—with notebook jottings, research, the collection of objects—propelling the process. We perceive and conceive; we look ahead without knowing where we are going; we make connections. We pause, retreat, and stop, only to start again. To illustrate these stages of the process, Leski draws on examples of creative practice that range from Paul Klee to Steve Jobs, from the discovery of continental drift to the design of Antoni Gaudí’s Sagrada Familia. Creativity, Leski tells us, is a path with no beginning or end; it is ongoing. This revelatory view of the creative process will be an essential guide for anyone engaged in creative discovery.
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livres
livres
Publication:
août 2015
août 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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Description:
xx, 851 pages, 64 unnumbered pages of plates : illustrations (some colour), maps (black and white), plans (black and white) ; 23 cm.
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xx, 851 pages, 64 unnumbered pages of plates : illustrations (some colour), maps (black and white), plans (black and white) ; 23 cm.
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New Haven, Connecticut : Yale University Press, 2016.
New Haven, Connecticut : Yale University Press, 2016.
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Lanarkshire and Renfrewshire / by Rob Close, John Gifford and Frank Arneil Walker ; with contributions from David J. Breeze, Richard Fawcett, Miles Glendinning, Stratford Halliday, Judith Lawson, Fiona Sinclair, David W. Walker and Diane Watters.
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xx, 851 pages, 64 unnumbered pages of plates : illustrations (some colour), maps (black and white), plans (black and white) ; 23 cm.
Lanarkshire and Renfrewshire / by Rob Close, John Gifford and Frank Arneil Walker ; with contributions from David J. Breeze, Richard Fawcett, Miles Glendinning, Stratford Halliday, Judith Lawson, Fiona Sinclair, David W. Walker and Diane Watters.
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Description:
xx, 851 pages, 64 unnumbered pages of plates : illustrations (some colour), maps (black and white), plans (black and white) ; 23 cm.
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New Haven, Connecticut : Yale University Press, 2016.
New Haven, Connecticut : Yale University Press, 2016.
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Titre:
You Must Believe in Spring.
You Must Believe in Spring.
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1 online resource.
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[Place of publication not identified] : Hajar Press, 2022.
[Place of publication not identified] : Hajar Press, 2022.
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livres
livres
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[Place of publication not identified] : Hajar Press, 2022.
[Place of publication not identified] : Hajar Press, 2022.
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$34.95
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Vito Acconci's Mur Island in Graz forges a closer bond between life on the river and in the two halves of the city. The book introduces the artist-architect and his project. It seems as if a UFO has landed in the middle of Graz: an organic form, evoking a half shell or a snail's shell, is floating on the Mur river as an artificial island, connected by piers to both(...)
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Vito Acconci's Mur Island in Graz forges a closer bond between life on the river and in the two halves of the city. The book introduces the artist-architect and his project. It seems as if a UFO has landed in the middle of Graz: an organic form, evoking a half shell or a snail's shell, is floating on the Mur river as an artificial island, connected by piers to both(...)
Publication:
octobre 2003, Ostfildern-Ruit
octobre 2003, Ostfildern-Ruit
Titre:
Vito Acconci/Acconci Studio : Building an island, Mur Island, Graz/Austria
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Vito Acconci's Mur Island in Graz forges a closer bond between life on the river and in the two halves of the city. The book introduces the artist-architect and his project. It seems as if a UFO has landed in the middle of Graz: an organic form, evoking a half shell or a snail's shell, is floating on the Mur river as an artificial island, connected by piers to both river banks. The steel construction was designed by the American-born architect-artist Vito Acconci, based on the idea of Robert Punkenhofer, a native of Graz, and realized within the scope of Graz 2003: Kulturhauptstadt Europas. Acconci Island, consisting of various interlocking surfaces with flowing transitions, houses an amphitheatre, a café and a playground. Large parts of its outer stainless-steel skin reflect the city; acrylic fibre, glass, steel grids and peepholes provide a view onto the water and the banks, while the transparent materials make the building look weightless. The result is a breathtaking, technically sophisticated avant-garde piece of architecture that refuses categorization. The book documents the different stages of the design, and places sketches and computer simulations next to remarkable photographs of models as well as shots of the finished island. An interview with Vito Acconci and a presentation of the diverse work by the Acconci Studio round off the book.
Vito Acconci/Acconci Studio : Building an island, Mur Island, Graz/Austria
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Vito Acconci's Mur Island in Graz forges a closer bond between life on the river and in the two halves of the city. The book introduces the artist-architect and his project. It seems as if a UFO has landed in the middle of Graz: an organic form, evoking a half shell or a snail's shell, is floating on the Mur river as an artificial island, connected by piers to both river banks. The steel construction was designed by the American-born architect-artist Vito Acconci, based on the idea of Robert Punkenhofer, a native of Graz, and realized within the scope of Graz 2003: Kulturhauptstadt Europas. Acconci Island, consisting of various interlocking surfaces with flowing transitions, houses an amphitheatre, a café and a playground. Large parts of its outer stainless-steel skin reflect the city; acrylic fibre, glass, steel grids and peepholes provide a view onto the water and the banks, while the transparent materials make the building look weightless. The result is a breathtaking, technically sophisticated avant-garde piece of architecture that refuses categorization. The book documents the different stages of the design, and places sketches and computer simulations next to remarkable photographs of models as well as shots of the finished island. An interview with Vito Acconci and a presentation of the diverse work by the Acconci Studio round off the book.
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livres
livres
Publication:
octobre 2003, Ostfildern-Ruit
octobre 2003, Ostfildern-Ruit
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livres
livres
Titre:
Riverwork
Riverwork
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$24.95
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Under the pavements of Paris there lies buried an ancient river, the Bièvre. For years, Lucy Frost has walked along these streets, unaware of the water and history under her feet, on her way to clean the apartments of Paris’s academic class. As she begins to study and transcribe the inherited notebooks and papers of her great-aunt, a teacher and researcher who disappeared(...)
$24.95
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Résumé:
Under the pavements of Paris there lies buried an ancient river, the Bièvre. For years, Lucy Frost has walked along these streets, unaware of the water and history under her feet, on her way to clean the apartments of Paris’s academic class. As she begins to study and transcribe the inherited notebooks and papers of her great-aunt, a teacher and researcher who disappeared(...)
Titre:
Riverwork
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$24.95
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Under the pavements of Paris there lies buried an ancient river, the Bièvre. For years, Lucy Frost has walked along these streets, unaware of the water and history under her feet, on her way to clean the apartments of Paris’s academic class. As she begins to study and transcribe the inherited notebooks and papers of her great-aunt, a teacher and researcher who disappeared years earlier, she commits to continuing her aunt’s youthful research on the Bièvre, mining the river’s documentary traces in the works of Rousseau, Rabelais, Hugo, Chateaubriand, and the like. She uncovers a history of industry: paper mills, dyeing workshops, tanneries, and textile manufacturers – and laundries. She finds resonances of her own labour in the history of the river’s laundresses. On stolen time at work, and in her insomniac hours of nightwriting, she fills notebooks with these woven stories and descriptions of obsolete sites, textiles, cosmologies, and voices, constructing her own forms of relation with the lost. ''Riverwork'' unearths not just an urban river but also a philosophy of research and the archive, a politics of hydrology, an ontology of ageing and belatedness, and a consideration of the unrepresented labour of women, past and present. Along the way it brings to life, in pyrotechnic prose, a long-gone Paris and both its domestic workers and its writers.
Riverwork
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$24.95
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Résumé:
Under the pavements of Paris there lies buried an ancient river, the Bièvre. For years, Lucy Frost has walked along these streets, unaware of the water and history under her feet, on her way to clean the apartments of Paris’s academic class. As she begins to study and transcribe the inherited notebooks and papers of her great-aunt, a teacher and researcher who disappeared years earlier, she commits to continuing her aunt’s youthful research on the Bièvre, mining the river’s documentary traces in the works of Rousseau, Rabelais, Hugo, Chateaubriand, and the like. She uncovers a history of industry: paper mills, dyeing workshops, tanneries, and textile manufacturers – and laundries. She finds resonances of her own labour in the history of the river’s laundresses. On stolen time at work, and in her insomniac hours of nightwriting, she fills notebooks with these woven stories and descriptions of obsolete sites, textiles, cosmologies, and voices, constructing her own forms of relation with the lost. ''Riverwork'' unearths not just an urban river but also a philosophy of research and the archive, a politics of hydrology, an ontology of ageing and belatedness, and a consideration of the unrepresented labour of women, past and present. Along the way it brings to life, in pyrotechnic prose, a long-gone Paris and both its domestic workers and its writers.
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livres
livres
Publication:
mai 2026
mai 2026
Sujet:
Littérature et poésie
Littérature et poésie
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livres
livres
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$45.00
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, ''Island zombie'' distills the artist’s lifelong experience of Iceland’s natural environment.(...)
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Résumé:
Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, ''Island zombie'' distills the artist’s lifelong experience of Iceland’s natural environment.(...)
Titre:
Island zombie: Iceland writings
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$45.00
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, ''Island zombie'' distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self. ''Island zombie'' is a meditation on being present. It vividly conveys Horn’s experiences, from the deeply profound to the joyful and absurd. Through powerful evocations of the changing weather and other natural phenomena- the violence of the wind, the often aggressive birds, the imposing influence of glaciers, and the ubiquitous presence of water in all its variety- we come to understand the author’s abiding need for Iceland, a place uniquely essential to Horn’s creative and spiritual life. The dramatic surroundings provoke examinations of self-sufficiency and isolation, and these ruminations summon a range of cultural companions, including El Greco, Emily Dickinson, Judy Garland, Wallace Stevens, Edgar Allan Poe, William Morris, and Rachel Carson. While brilliantly portraying nature’s sublime energy, Horn also confronts issues of consumption, destruction, and loss, as the industrial and man-made encroach on Icelandic wilderness.
Island zombie: Iceland writings
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$45.00
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, ''Island zombie'' distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self. ''Island zombie'' is a meditation on being present. It vividly conveys Horn’s experiences, from the deeply profound to the joyful and absurd. Through powerful evocations of the changing weather and other natural phenomena- the violence of the wind, the often aggressive birds, the imposing influence of glaciers, and the ubiquitous presence of water in all its variety- we come to understand the author’s abiding need for Iceland, a place uniquely essential to Horn’s creative and spiritual life. The dramatic surroundings provoke examinations of self-sufficiency and isolation, and these ruminations summon a range of cultural companions, including El Greco, Emily Dickinson, Judy Garland, Wallace Stevens, Edgar Allan Poe, William Morris, and Rachel Carson. While brilliantly portraying nature’s sublime energy, Horn also confronts issues of consumption, destruction, and loss, as the industrial and man-made encroach on Icelandic wilderness.
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livres
livres
Publication:
décembre 2020
décembre 2020
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livres
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$37.95
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People are key elements of wild places. At the same time, human entanglements with wild ecologies involve extractivism, the growth of resource-based economies, and imperial-colonial expansion, activities that are wreaking havoc on our planet. Through an ethnographic exploration of Canada’s ten UNESCO Natural World Heritage sites, ''Inhabited'' reflects on the meanings(...)
$37.95
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People are key elements of wild places. At the same time, human entanglements with wild ecologies involve extractivism, the growth of resource-based economies, and imperial-colonial expansion, activities that are wreaking havoc on our planet. Through an ethnographic exploration of Canada’s ten UNESCO Natural World Heritage sites, ''Inhabited'' reflects on the meanings(...)
Publication:
novembre 2021
novembre 2021
Titre:
Inhabited: Wildness and the vitality of the land
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$37.95
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People are key elements of wild places. At the same time, human entanglements with wild ecologies involve extractivism, the growth of resource-based economies, and imperial-colonial expansion, activities that are wreaking havoc on our planet. Through an ethnographic exploration of Canada’s ten UNESCO Natural World Heritage sites, ''Inhabited'' reflects on the meanings of wildness, wilderness, and natural heritage. As we are introduced to local inhabitants and their perspectives, Phillip Vannini and April Vannini ask us to reflect on the colonial and dualist assumptions behind the received meaning of wild, challenging us to reimagine wildness as relational and rooted in vitality. Over the three years they spent in and around these sites, they learned from Indigenous and non-Indigenous peoples about their entanglements with each other and with non-human animals, rocks, plants, trees, sky, water, and spirits. The stories, actions, and experiences they encountered challenge conventional narratives of wild places as uninhabited by people and disconnected from culture and society. While it might be tempting to dismiss the idea of wildness as outdated in the Anthropocene era, ''Inhabited'' suggests that rethinking wildness offers a better – if messier – way forward. Part geography and anthropology, part environmental and cultural studies, and part politics and ecology, ''Inhabited'' balances a genuine love of nature’s vitality with a culturally responsible understanding of its interconnectedness with more-than-human ways of life.
Inhabited: Wildness and the vitality of the land
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$37.95
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People are key elements of wild places. At the same time, human entanglements with wild ecologies involve extractivism, the growth of resource-based economies, and imperial-colonial expansion, activities that are wreaking havoc on our planet. Through an ethnographic exploration of Canada’s ten UNESCO Natural World Heritage sites, ''Inhabited'' reflects on the meanings of wildness, wilderness, and natural heritage. As we are introduced to local inhabitants and their perspectives, Phillip Vannini and April Vannini ask us to reflect on the colonial and dualist assumptions behind the received meaning of wild, challenging us to reimagine wildness as relational and rooted in vitality. Over the three years they spent in and around these sites, they learned from Indigenous and non-Indigenous peoples about their entanglements with each other and with non-human animals, rocks, plants, trees, sky, water, and spirits. The stories, actions, and experiences they encountered challenge conventional narratives of wild places as uninhabited by people and disconnected from culture and society. While it might be tempting to dismiss the idea of wildness as outdated in the Anthropocene era, ''Inhabited'' suggests that rethinking wildness offers a better – if messier – way forward. Part geography and anthropology, part environmental and cultural studies, and part politics and ecology, ''Inhabited'' balances a genuine love of nature’s vitality with a culturally responsible understanding of its interconnectedness with more-than-human ways of life.
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livres
livres
Publication:
novembre 2021
novembre 2021
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livres
livres
Titre:
Mother, wonder / Roni Horn.
Mother, wonder / Roni Horn.
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Description:
65 pages : color illustrations ; 27 cm.
Description:
65 pages : color illustrations ; 27 cm.
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Göttingen, Germany : Steidl, 2023.
Göttingen, Germany : Steidl, 2023.
Titre:
Mother, wonder / Roni Horn.
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Description:
65 pages : color illustrations ; 27 cm.
Mother, wonder / Roni Horn.
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Description:
65 pages : color illustrations ; 27 cm.
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livres
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Göttingen, Germany : Steidl, 2023.
Göttingen, Germany : Steidl, 2023.
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livres
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F.P.J. Peutz 1896-1974 : romantisch rationalist / Rosa Visser-Zaccagnini ; m.m.v. Harry Broekman.
F.P.J. Peutz 1896-1974 : romantisch rationalist / Rosa Visser-Zaccagnini ; m.m.v. Harry Broekman.
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247 pages : illustrations (some color), plans, portraits ; 22 x 26 cm.
Description:
247 pages : illustrations (some color), plans, portraits ; 22 x 26 cm.
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Rotterdam : Stichting BONAS, 2013.
Rotterdam : Stichting BONAS, 2013.
Titre:
F.P.J. Peutz 1896-1974 : romantisch rationalist / Rosa Visser-Zaccagnini ; m.m.v. Harry Broekman.
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247 pages : illustrations (some color), plans, portraits ; 22 x 26 cm.
F.P.J. Peutz 1896-1974 : romantisch rationalist / Rosa Visser-Zaccagnini ; m.m.v. Harry Broekman.
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247 pages : illustrations (some color), plans, portraits ; 22 x 26 cm.
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livres
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Rotterdam : Stichting BONAS, 2013.
Rotterdam : Stichting BONAS, 2013.
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livres
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Radicale ensembles = Radical ensembles / auteurs, Koen Van Bockstal, Jantje Engels, Bart Decroos.
Radicale ensembles = Radical ensembles / auteurs, Koen Van Bockstal, Jantje Engels, Bart Decroos.
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136 pages : illustrations (chiefly color), plans ; 21 x 21 cm
Description:
136 pages : illustrations (chiefly color), plans ; 21 x 21 cm
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Brussel : Academic & Scientific Publishers, ©2018.
Brussel : Academic & Scientific Publishers, ©2018.
Titre:
Radicale ensembles = Radical ensembles / auteurs, Koen Van Bockstal, Jantje Engels, Bart Decroos.
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Description:
136 pages : illustrations (chiefly color), plans ; 21 x 21 cm
Radicale ensembles = Radical ensembles / auteurs, Koen Van Bockstal, Jantje Engels, Bart Decroos.
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Description:
136 pages : illustrations (chiefly color), plans ; 21 x 21 cm
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livres
livres
Publication:
Brussel : Academic & Scientific Publishers, ©2018.
Brussel : Academic & Scientific Publishers, ©2018.
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