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During US colonial rule in the Philippines, reinforced concrete was used to the near exclusion of all other building materials. In Concrete Colonialism , Diana Jean S. Martinez examines the motivations for and lasting effects of this forgotten colonial policy. Arguing that the pervasive use of reinforced concrete technologies revolutionized techniques of imperial(...)
Concrete colonialism: Architecture, urbanism, and the US imperial project in the Philippines
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During US colonial rule in the Philippines, reinforced concrete was used to the near exclusion of all other building materials. In Concrete Colonialism , Diana Jean S. Martinez examines the motivations for and lasting effects of this forgotten colonial policy. Arguing that the pervasive use of reinforced concrete technologies revolutionized techniques of imperial conquest, Martinez shows how concrete reshaped colonialism as a project that sought durable change through the reformation of environments, colonial society, and racialized biologies. Martinez locates the origins of this material revolution in the development of Chicago, highlighting how building this urban center atop exceptionally challenging geology made it possible to transform diverse global ecologies. She details how the material's stability, plasticity, strength, and other qualities served the shifting imperatives of the US colonial regime, playing a central role in defending territory, controlling disease, and constructing monuments to nation and empire. By describing a world irreversibly remade, Martinez urges readers to consider how colonialism persists--in concrete forms--despite claims of its conclusion.
Théorie de l’architecture
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This updated third edition revisits each of Wright’s existent structures, tracing the architect’s development from his Prairie works, such as the Frederick Robie house in Chicago, to the last building constructed to his specifications, the magnificent Aime and Norman Lykes residence in California. Renowned expert William Storrer deftly incorporates a series of key(...)
Architecture, monographies
octobre 2007, Chicago London
The architecture of Frank Lloyd Wright : A complete catalog -3rd edition updated
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This updated third edition revisits each of Wright’s existent structures, tracing the architect’s development from his Prairie works, such as the Frederick Robie house in Chicago, to the last building constructed to his specifications, the magnificent Aime and Norman Lykes residence in California. Renowned expert William Storrer deftly incorporates a series of key revisions and brings each structure’s history up to the present day, as some buildings have been refurbished, some moved, and others sadly abandoned or destroyed by natural disasters like Hurricane Katrina—including the James Charnley bungalow in Ocean Springs, Mississippi. Organized chronologically, this updated third edition features full-color photographs of all extant work along with a description of each building and its history. Storrer also provides full addresses, GPS coordinates, and maps of locations throughout the United States, England, and Japan, indicating the shortest route to each building—perfect for Wright aficionados on the go.
Architecture, monographies
$87.00
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Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the(...)
juin 2018
Toward a concrete utopia: architecture in Yugoslavia, 1948-1980
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Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the “Third Way,” local architects produced a veritable “parallel universe” of modern architecture during the 45 years of the country’s existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.
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"Built futures" brings together Shahed Saleem’s written and visual research on the British Mosque, to narrate how mosques have emerged, evolved and become established in Britain since the late nineteenth century. Critical texts describe the ways in which mosques have been created through the grassroots, self-funded and self-built endeavours of migrant Muslim communities(...)
septembre 2021
Building futures: The counter architecture of the British Mosque
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"Built futures" brings together Shahed Saleem’s written and visual research on the British Mosque, to narrate how mosques have emerged, evolved and become established in Britain since the late nineteenth century. Critical texts describe the ways in which mosques have been created through the grassroots, self-funded and self-built endeavours of migrant Muslim communities of diverse backgrounds, as they have settled in Britain. Through this journey of research, writing and designing, Saleem challenges the norms and assumptions of his own architectural training and wider design culture, leading him to ask: where is architectural meaning made, and with whom does authorship actually reside? Mostly created through the adaptation of existing buildings, from pubs to cinemas, high street banks to domestic terraces, the mosques which emerge from these sites are a combination of cultural histories and architectural styles, resulting in unexpected and original buildings that are powerful expressions of minority community agency and empowerment.
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The fact that there is Gypsy architecture may surprise quite a few people, for Gypsies are regarded as nomads who roam through the world and settle now here, now there, never stay long in one place, and consider everything that normal citizens find important to be an unreasonable restriction of their freedom. Nevertheless, in southeastern Europe, there exists a(...)
juillet 2007, Stuttgart, London
Gypsy architecture : house of the Roma in Eastern Europe
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The fact that there is Gypsy architecture may surprise quite a few people, for Gypsies are regarded as nomads who roam through the world and settle now here, now there, never stay long in one place, and consider everything that normal citizens find important to be an unreasonable restriction of their freedom. Nevertheless, in southeastern Europe, there exists a remarkable architecture created by Gypsies. It seems to have been created from a dream : unreal, abstruse, and colourful, it is a composition of all the architectural styles of this world. Uninfluenced by any deeper knowledge of architectural culture, each family head chose the style, size and finishings on the basis of his own personal tastes or memories of travels, houses and things seen in other countries. The result has been the creation of bizarre and fantastic jumbles of buildings that it is hard to classify in terms of western stylistic features. Very often the houses are the result of enormous jigsaw puzzles created from an assembly of images or photographs of various different buildings, and their execution precisely follows these crazy guidelines, perhaps because they are incomprehensible to those carrying out the project. Otherwise, how could one possibly explain Indian-style roofs crowning neoclassical buildings, mansard roofs on structures of improbable style, Frenchified Chinese pagodas, heterogeneous assemblies of diverse and contrasting elements. The structures, the villas gradually soften their bizarre and fantastic imagery the closer they are built to European countries. Undoubtedly, the cultural influence of neighbouring countries already immersed in the culture and lifestyle of Europe has helped to "contaminate" the owners and bring their dwellings, the expression of their wishes, more into line with the ruling culture. What, however, remains staggering is the quality of the execution of the complex decorations, of the architectural elements and buildings that are very often contrasting, of widely differing façades surmounted by steepling roofs of no practical use whose only function is to represent, through their lack of proportion and absolute needlessness, the financial and social power of the family. Besides pieces of sculpture that are undoubtedly ritual and symbolic and originating from Indian culture, suns with spiny rays, various forms of pinnacle, geometrical moons, zoomorphic decorations,the tops of the roofs bear metalwork inscriptions giving the date of building and the name of the family or that of the wife, symbolizing a desire for display and the proclamation of ownership.
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This book surveys two centuries of Russian history through a succession of ambitious architectural projects designed for a single construction site in central Moscow. Czars, Bolshevik rulers, and contemporary Russian leaders alike have dreamed of glorious monuments to themselves and their ideologies on this site. The history of their efforts reflects the story of the(...)
septembre 2007, New Haven London
The holy place : Architecture, ideology, and history in Russia
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This book surveys two centuries of Russian history through a succession of ambitious architectural projects designed for a single construction site in central Moscow. Czars, Bolshevik rulers, and contemporary Russian leaders alike have dreamed of glorious monuments to themselves and their ideologies on this site. The history of their efforts reflects the story of the nation itself and its repeated attempts to construct or reconstruct its identity and to repudiate or resuscitate emblems of the past.
$69.95
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Similar to the rest of the world, holidays and leisure spaces emerged as a trend in Estonia in the early 20th century. During the Soviet era, holiday-making became a universal right, and the state promoted its development in various forms. This book offers a first overview of the rich legacy of Estonian holiday and summer cottage architecture. While focusing on the most(...)
Leisure spaces: holiday and architecture in 20th century Estonia
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Similar to the rest of the world, holidays and leisure spaces emerged as a trend in Estonia in the early 20th century. During the Soviet era, holiday-making became a universal right, and the state promoted its development in various forms. This book offers a first overview of the rich legacy of Estonian holiday and summer cottage architecture. While focusing on the most common building types which helped make holidays available to a large part of the population, the book also explores the meaning of leisure time in the late Soviet society. A fascinating look at how the boundaries between public and private space, austerity and material well-being, were closely interwoven.
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German designer Matthias Sauerbruch (born 1955) and British designer Louisa Hutton (born 1957) have asked a diverse group of authors to reflect on the various conditions that have shaped the conception, production and circulation of European architecture over the past 30 years. While the essays collected in this volume include observations of Sauerbruch Hutton’s(...)
The turn of the century: A reader about architecture within Europe 1990-2020
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German designer Matthias Sauerbruch (born 1955) and British designer Louisa Hutton (born 1957) have asked a diverse group of authors to reflect on the various conditions that have shaped the conception, production and circulation of European architecture over the past 30 years. While the essays collected in this volume include observations of Sauerbruch Hutton’s buildings, the scope of the authors’ conclusions about European design trends far exceeds the work of this particular agency. The text is supplemented by a photographic essay by Finnish artist Ola Kolehmainen, offering readers an immersive experience of the firm’s most impressive accomplishments.
Théorie de l’architecture
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What’s best in architecture today and the most relevant for tomorrow by the world’s most visited architecture website. ''The ArchDaily guide to good architecture'' is their first-ever book. Curated around their principles of ''good architecture,'' the book is a curation of what’s best today and most relevant for tomorrow. Through a rich variety of projects- both built and(...)
The Archdaily guide to good architecture: The now and how of built environments
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What’s best in architecture today and the most relevant for tomorrow by the world’s most visited architecture website. ''The ArchDaily guide to good architecture'' is their first-ever book. Curated around their principles of ''good architecture,'' the book is a curation of what’s best today and most relevant for tomorrow. Through a rich variety of projects- both built and planned- the book reflects a global community of world-shapers, explores the most important topics and trends in architectural practice, celebrates the most visionary architects and introduces up-and-coming talent. It marks the forefront of architectural thought and practice.
Architecture contemporaine
Public space? Lost and found
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public(...)
Théorie de l’architecture
juillet 2017
Public space? Lost and found
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings. "Public Space? Lost and found" combines significant recent projects in art and architecture with writings by historians and theorists. Contributors investigate strategies for responding to underrepresented communities and areas of conflict through the work of Marjetica Potrc in Johannesburg and Teddy Cruz on the Mexico-U.S. border, among others. They explore our collective stakes in ecological catastrophe through artistic research such as atelier d’architecture autogérée’s hubs for community action and recycling in Colombes, France, and Brian Holmes’s theoretical investigation of new forms of aesthetic perception in the age of the Anthropocene. Inspired by artist and MIT professor Antoni Muntadas’ early coining of the term “media landscape,” contributors also look ahead, casting a critical eye on the fraught impact of digital media and the internet on public space. This book is the first in a new series of volumes produced by the MIT School of Architecture and Planning’s Program in Art, Culture and Technology.
Théorie de l’architecture