10674 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1994.PR06
Description:
This project series documents a prototype bank branch for Canada Trust in Bowmanville, Ontario from 1994-1995. The office identified the project number as 9413. This project consisted of the design of several types of bank branches including free-standing buildings, drive-thru branches and the electronic branches of the future. The goal was to create brand recognition through consistent design features and to adapt to the accessibility needs of the bank's clientele. The primary site was at the corner of Liberty and King Streets in Bowmanville, but the architects examined how the initial concept could be altered for different local environments. Graphics, furniture, banking accessories, and ABM façades were also designed. The project is recorded through a model, drawings and some accompanying notes dating from 1994-1995. The drawings include site surveys, sketches, presentation drawings, plans, elevations, sections, perspectives and details. Some drawings for furnishings and signage are also included.
AP056.S1.1994.PR06
Description:
This project series documents a prototype bank branch for Canada Trust in Bowmanville, Ontario from 1994-1995. The office identified the project number as 9413. This project consisted of the design of several types of bank branches including free-standing buildings, drive-thru branches and the electronic branches of the future. The goal was to create brand recognition through consistent design features and to adapt to the accessibility needs of the bank's clientele. The primary site was at the corner of Liberty and King Streets in Bowmanville, but the architects examined how the initial concept could be altered for different local environments. Graphics, furniture, banking accessories, and ABM façades were also designed. The project is recorded through a model, drawings and some accompanying notes dating from 1994-1995. The drawings include site surveys, sketches, presentation drawings, plans, elevations, sections, perspectives and details. Some drawings for furnishings and signage are also included.
Personnes et institutions:
Date:
1994-1995
1994-1995
Titre:
Canada Trust Prototype Branch, Bowmanville, Ontario (1994-1995)
Actions:
AP056.S1.1994.PR06
Description:
This project series documents a prototype bank branch for Canada Trust in Bowmanville, Ontario from 1994-1995. The office identified the project number as 9413. This project consisted of the design of several types of bank branches including free-standing buildings, drive-thru branches and the electronic branches of the future. The goal was to create brand recognition through consistent design features and to adapt to the accessibility needs of the bank's clientele. The primary site was at the corner of Liberty and King Streets in Bowmanville, but the architects examined how the initial concept could be altered for different local environments. Graphics, furniture, banking accessories, and ABM façades were also designed. The project is recorded through a model, drawings and some accompanying notes dating from 1994-1995. The drawings include site surveys, sketches, presentation drawings, plans, elevations, sections, perspectives and details. Some drawings for furnishings and signage are also included.
Canada Trust Prototype Branch, Bowmanville, Ontario (1994-1995)
Actions:
AP056.S1.1994.PR06
Description:
This project series documents a prototype bank branch for Canada Trust in Bowmanville, Ontario from 1994-1995. The office identified the project number as 9413. This project consisted of the design of several types of bank branches including free-standing buildings, drive-thru branches and the electronic branches of the future. The goal was to create brand recognition through consistent design features and to adapt to the accessibility needs of the bank's clientele. The primary site was at the corner of Liberty and King Streets in Bowmanville, but the architects examined how the initial concept could be altered for different local environments. Graphics, furniture, banking accessories, and ABM façades were also designed. The project is recorded through a model, drawings and some accompanying notes dating from 1994-1995. The drawings include site surveys, sketches, presentation drawings, plans, elevations, sections, perspectives and details. Some drawings for furnishings and signage are also included.
Niveau de description archivistique:
Project
Project
Date:
1994-1995
1994-1995
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Personnes et institutions:
Date:
circa 1939-2004
circa 1939-2004
Titre:
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1939-2004
circa 1939-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Personnes et institutions:
Date:
1989-2002
1989-2002
Titre:
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Niveau de description archivistique:
Project
Project
Date:
1989-2002
1989-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
Personnes et institutions:
Date:
1968
1968
Titre:
Arranjo Urbanístico para a Av. D. Afonso Henriques, Avenida da Ponte, [Urban planning for Av. D. Afonso Henriques, "Avenida da Ponte"], Porto, Portugal (1968)
Actions:
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
Arranjo Urbanístico para a Av. D. Afonso Henriques, Avenida da Ponte, [Urban planning for Av. D. Afonso Henriques, "Avenida da Ponte"], Porto, Portugal (1968)
Actions:
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
Niveau de description archivistique:
Project
Project
Date:
1968
1968
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP166.S1.1991.PR1
Description:
This project series documents a proposal for a sports complex in Odawara, Kanagawa Prefecture, Japan. The proposal was submitted in the context of a competition sponsored by the municipality of Odawara. The office of Shoei Yoh was a finalist in the competition. The design called for multiple athletic facilities in a 3-storey structure with a roof that adapts to different uses of the space and to different external conditions and forces. In order to achieve this adaptability, computer simulations were executed to determine the appropriate dimensions for each element in a grid of 3-dimensional trusses. The project series consists chiefly of printouts or photocopies of presentation and design development drawings. Also included are wireframe sections and perspective views from roof deformation simulations. There are also some printouts of computer renderings of the roof structure. Digital files include still images of the roof and building in .jpg format. There are also some transparencies and textual records. The content of this file was created between 1990 and 1991.
AP166.S1.1991.PR1
Description:
This project series documents a proposal for a sports complex in Odawara, Kanagawa Prefecture, Japan. The proposal was submitted in the context of a competition sponsored by the municipality of Odawara. The office of Shoei Yoh was a finalist in the competition. The design called for multiple athletic facilities in a 3-storey structure with a roof that adapts to different uses of the space and to different external conditions and forces. In order to achieve this adaptability, computer simulations were executed to determine the appropriate dimensions for each element in a grid of 3-dimensional trusses. The project series consists chiefly of printouts or photocopies of presentation and design development drawings. Also included are wireframe sections and perspective views from roof deformation simulations. There are also some printouts of computer renderings of the roof structure. Digital files include still images of the roof and building in .jpg format. There are also some transparencies and textual records. The content of this file was created between 1990 and 1991.
Personnes et institutions:
Date:
1990-1991
1990-1991
Titre:
Odawara Municipal Sports Complex, Odawara, Japan (1990-1991)
Actions:
AP166.S1.1991.PR1
Description:
This project series documents a proposal for a sports complex in Odawara, Kanagawa Prefecture, Japan. The proposal was submitted in the context of a competition sponsored by the municipality of Odawara. The office of Shoei Yoh was a finalist in the competition. The design called for multiple athletic facilities in a 3-storey structure with a roof that adapts to different uses of the space and to different external conditions and forces. In order to achieve this adaptability, computer simulations were executed to determine the appropriate dimensions for each element in a grid of 3-dimensional trusses. The project series consists chiefly of printouts or photocopies of presentation and design development drawings. Also included are wireframe sections and perspective views from roof deformation simulations. There are also some printouts of computer renderings of the roof structure. Digital files include still images of the roof and building in .jpg format. There are also some transparencies and textual records. The content of this file was created between 1990 and 1991.
Odawara Municipal Sports Complex, Odawara, Japan (1990-1991)
Actions:
AP166.S1.1991.PR1
Description:
This project series documents a proposal for a sports complex in Odawara, Kanagawa Prefecture, Japan. The proposal was submitted in the context of a competition sponsored by the municipality of Odawara. The office of Shoei Yoh was a finalist in the competition. The design called for multiple athletic facilities in a 3-storey structure with a roof that adapts to different uses of the space and to different external conditions and forces. In order to achieve this adaptability, computer simulations were executed to determine the appropriate dimensions for each element in a grid of 3-dimensional trusses. The project series consists chiefly of printouts or photocopies of presentation and design development drawings. Also included are wireframe sections and perspective views from roof deformation simulations. There are also some printouts of computer renderings of the roof structure. Digital files include still images of the roof and building in .jpg format. There are also some transparencies and textual records. The content of this file was created between 1990 and 1991.
Niveau de description archivistique:
project
project
Date:
1990-1991
1990-1991
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
DR2004:0170
Description:
loose textual records and files containing questionnaires and responses, report including slides, correspondence, minutes of meetings, graphs, notes and sketches on 1971 Las Vegas Air Structures conference, draft specifications, brochures, LEU draft proposals for a Draft for Development for Air Supported Structures, regulations, standards, reports including technical drawings, publications, promotional material, LEU questionnaires, material on the 1974 Las Vegas 'International Conference: Practical Applications for Air-Supported Structures', and a file containing material relating to LEU including correspondence, clippings, notes on meetings, office memoranda, distribution list, publications and brochures, with annotations on creating microfiches, reports, and possibly unrelated lecture notes
DR2004:0170
Description:
loose textual records and files containing questionnaires and responses, report including slides, correspondence, minutes of meetings, graphs, notes and sketches on 1971 Las Vegas Air Structures conference, draft specifications, brochures, LEU draft proposals for a Draft for Development for Air Supported Structures, regulations, standards, reports including technical drawings, publications, promotional material, LEU questionnaires, material on the 1974 Las Vegas 'International Conference: Practical Applications for Air-Supported Structures', and a file containing material relating to LEU including correspondence, clippings, notes on meetings, office memoranda, distribution list, publications and brochures, with annotations on creating microfiches, reports, and possibly unrelated lecture notes
Personnes et institutions:
Titre:
Loose textual records and files containing questionnaires and responses
Actions:
DR2004:0170
Description:
loose textual records and files containing questionnaires and responses, report including slides, correspondence, minutes of meetings, graphs, notes and sketches on 1971 Las Vegas Air Structures conference, draft specifications, brochures, LEU draft proposals for a Draft for Development for Air Supported Structures, regulations, standards, reports including technical drawings, publications, promotional material, LEU questionnaires, material on the 1974 Las Vegas 'International Conference: Practical Applications for Air-Supported Structures', and a file containing material relating to LEU including correspondence, clippings, notes on meetings, office memoranda, distribution list, publications and brochures, with annotations on creating microfiches, reports, and possibly unrelated lecture notes
Loose textual records and files containing questionnaires and responses
Actions:
DR2004:0170
Description:
loose textual records and files containing questionnaires and responses, report including slides, correspondence, minutes of meetings, graphs, notes and sketches on 1971 Las Vegas Air Structures conference, draft specifications, brochures, LEU draft proposals for a Draft for Development for Air Supported Structures, regulations, standards, reports including technical drawings, publications, promotional material, LEU questionnaires, material on the 1974 Las Vegas 'International Conference: Practical Applications for Air-Supported Structures', and a file containing material relating to LEU including correspondence, clippings, notes on meetings, office memoranda, distribution list, publications and brochures, with annotations on creating microfiches, reports, and possibly unrelated lecture notes
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
DR1994:0014:016
Description:
- This photograph is of 19 photographic exhibition panels showing Tugendhat House (Brno, Czech Republic) [3 panels]; Pabellón Mies van der Rohe (Barcelona, Spain) [3 panels]; Promontory Apartment Building (Chicago, Ill.) [2 panels]; 860 and 880 Lake Shore Drive Apartments (Chicago, Ill.) [2 panels]; model for Cantor Commercial Center Office Building (Indianapolis, Indiana) [1 panel]; model for Cantor Drive-in Restaurant (Indianapolis, Indiana) [1 panel]; and various Illinois Institute of Technology (Chicago, Illinois) buildings including the Boiler Plant [2 panels], Minerals and Metals Research Building [1 panel]; unidentified views [2 panels]; and perspective drawings for unidentified buildings [2 panels].
DR1994:0014:016
Description:
- This photograph is of 19 photographic exhibition panels showing Tugendhat House (Brno, Czech Republic) [3 panels]; Pabellón Mies van der Rohe (Barcelona, Spain) [3 panels]; Promontory Apartment Building (Chicago, Ill.) [2 panels]; 860 and 880 Lake Shore Drive Apartments (Chicago, Ill.) [2 panels]; model for Cantor Commercial Center Office Building (Indianapolis, Indiana) [1 panel]; model for Cantor Drive-in Restaurant (Indianapolis, Indiana) [1 panel]; and various Illinois Institute of Technology (Chicago, Illinois) buildings including the Boiler Plant [2 panels], Minerals and Metals Research Building [1 panel]; unidentified views [2 panels]; and perspective drawings for unidentified buildings [2 panels].
Personnes et institutions:
Sujet:
architecture, design d'exposition
architecture, design d'exposition
Date:
negative exposed between 1949 and 1969
negative exposed between 1949 and 1969
Titre:
View of exhibition panels showing various projects by Mies van der Rohe
Actions:
DR1994:0014:016
Description:
- This photograph is of 19 photographic exhibition panels showing Tugendhat House (Brno, Czech Republic) [3 panels]; Pabellón Mies van der Rohe (Barcelona, Spain) [3 panels]; Promontory Apartment Building (Chicago, Ill.) [2 panels]; 860 and 880 Lake Shore Drive Apartments (Chicago, Ill.) [2 panels]; model for Cantor Commercial Center Office Building (Indianapolis, Indiana) [1 panel]; model for Cantor Drive-in Restaurant (Indianapolis, Indiana) [1 panel]; and various Illinois Institute of Technology (Chicago, Illinois) buildings including the Boiler Plant [2 panels], Minerals and Metals Research Building [1 panel]; unidentified views [2 panels]; and perspective drawings for unidentified buildings [2 panels].
View of exhibition panels showing various projects by Mies van der Rohe
Actions:
DR1994:0014:016
Description:
- This photograph is of 19 photographic exhibition panels showing Tugendhat House (Brno, Czech Republic) [3 panels]; Pabellón Mies van der Rohe (Barcelona, Spain) [3 panels]; Promontory Apartment Building (Chicago, Ill.) [2 panels]; 860 and 880 Lake Shore Drive Apartments (Chicago, Ill.) [2 panels]; model for Cantor Commercial Center Office Building (Indianapolis, Indiana) [1 panel]; model for Cantor Drive-in Restaurant (Indianapolis, Indiana) [1 panel]; and various Illinois Institute of Technology (Chicago, Illinois) buildings including the Boiler Plant [2 panels], Minerals and Metals Research Building [1 panel]; unidentified views [2 panels]; and perspective drawings for unidentified buildings [2 panels].
Classification:
photographies
photographies
Date:
negative exposed between 1949 and 1969
negative exposed between 1949 and 1969
Personnes et institutions:
Sujet:
architecture, design d'exposition
architecture, design d'exposition
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
Personnes et institutions:
Date:
1998-2000
1998-2000
Titre:
Canadian Embassy, Berlin, Germany (1999-2005)
Actions:
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
Canadian Embassy, Berlin, Germany (1999-2005)
Actions:
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
Niveau de description archivistique:
Project
Project
Date:
1998-2000
1998-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1962.PR03
Description:
This project series documents the design and construction of Ottawa Union Station in Ottawa, Ontario from 1962-1966. The office identified the project number as 6253. This project consisted of a 96,000 square foot train station building, platforms, canopies and site services. The building had two levels, which included a basement and two-storey ground floor. Passengers connected to the station platforms through the basement from the ground floor via a helicoidal ramp in the centre of the building. The passenger concourse was sheltered by a great steel truss roof that had 8 massive columns supporting it. The ground floor included bedrooms, offices, storage, and food and beverage areas. The building, owned by CN Railways, was commissioned by the National Capital Commission, who are recorded as the primary architect on the project, with E.W. Thrift as general manager, and with John B. Parkin Associates acting as consulting architects. The firm of John B. Parkin Associates was presented with a Silver Massey Medal in Architecture in 1967 for the design of this building. The project is recorded through reprographic copies of architectural and structural drawings dating from 1965-1966.
AP018.S1.1962.PR03
Description:
This project series documents the design and construction of Ottawa Union Station in Ottawa, Ontario from 1962-1966. The office identified the project number as 6253. This project consisted of a 96,000 square foot train station building, platforms, canopies and site services. The building had two levels, which included a basement and two-storey ground floor. Passengers connected to the station platforms through the basement from the ground floor via a helicoidal ramp in the centre of the building. The passenger concourse was sheltered by a great steel truss roof that had 8 massive columns supporting it. The ground floor included bedrooms, offices, storage, and food and beverage areas. The building, owned by CN Railways, was commissioned by the National Capital Commission, who are recorded as the primary architect on the project, with E.W. Thrift as general manager, and with John B. Parkin Associates acting as consulting architects. The firm of John B. Parkin Associates was presented with a Silver Massey Medal in Architecture in 1967 for the design of this building. The project is recorded through reprographic copies of architectural and structural drawings dating from 1965-1966.
Personnes et institutions:
Date:
1965-1966
1965-1966
Titre:
Ottawa Union Station, Ottawa, Ontario (1962-1966)
Actions:
AP018.S1.1962.PR03
Description:
This project series documents the design and construction of Ottawa Union Station in Ottawa, Ontario from 1962-1966. The office identified the project number as 6253. This project consisted of a 96,000 square foot train station building, platforms, canopies and site services. The building had two levels, which included a basement and two-storey ground floor. Passengers connected to the station platforms through the basement from the ground floor via a helicoidal ramp in the centre of the building. The passenger concourse was sheltered by a great steel truss roof that had 8 massive columns supporting it. The ground floor included bedrooms, offices, storage, and food and beverage areas. The building, owned by CN Railways, was commissioned by the National Capital Commission, who are recorded as the primary architect on the project, with E.W. Thrift as general manager, and with John B. Parkin Associates acting as consulting architects. The firm of John B. Parkin Associates was presented with a Silver Massey Medal in Architecture in 1967 for the design of this building. The project is recorded through reprographic copies of architectural and structural drawings dating from 1965-1966.
Ottawa Union Station, Ottawa, Ontario (1962-1966)
Actions:
AP018.S1.1962.PR03
Description:
This project series documents the design and construction of Ottawa Union Station in Ottawa, Ontario from 1962-1966. The office identified the project number as 6253. This project consisted of a 96,000 square foot train station building, platforms, canopies and site services. The building had two levels, which included a basement and two-storey ground floor. Passengers connected to the station platforms through the basement from the ground floor via a helicoidal ramp in the centre of the building. The passenger concourse was sheltered by a great steel truss roof that had 8 massive columns supporting it. The ground floor included bedrooms, offices, storage, and food and beverage areas. The building, owned by CN Railways, was commissioned by the National Capital Commission, who are recorded as the primary architect on the project, with E.W. Thrift as general manager, and with John B. Parkin Associates acting as consulting architects. The firm of John B. Parkin Associates was presented with a Silver Massey Medal in Architecture in 1967 for the design of this building. The project is recorded through reprographic copies of architectural and structural drawings dating from 1965-1966.
Niveau de description archivistique:
Project
Project
Date:
1965-1966
1965-1966
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Personnes et institutions:
Date:
1988-2000
1988-2000
Titre:
Recuperação do Edifício dos Grandes Armazéns, Bloco C, Reconstrução do Chiado [Restoration of Grandes Armazéns do Chiado building, Block C, Reconstruction of the Chiado] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Recuperação do Edifício dos Grandes Armazéns, Bloco C, Reconstrução do Chiado [Restoration of Grandes Armazéns do Chiado building, Block C, Reconstruction of the Chiado] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Niveau de description archivistique:
Project
Project
Date:
1988-2000
1988-2000
Personnes et institutions:
