4351 Résultats
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livres
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A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new(...)
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A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new(...)
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Communicate : independent British graphic design since the sixties
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A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new wave aesthetics on graphic design during the 1960s and ever since. Illustrated in full colour, “Communicate” features 350 images that range from classic designs of the sixties to the work of today’s emerging design teams, including record album covers for groups including The Beatles, Led Zeppelin, and Roxy Music; political protest posters; psychedelic concert posters; typeface projects and signage; and designs for books, magazines, and film. Focusing on work from small, independent studios where creativity, rather than the bottom line, is paramount, the book includes projects by some 60 outstanding designers including Derek Birdsall, Richard Hollis, Neville Brody, Why Not Associates, and Scott King. Contributors to the volume trace how and why British graphic design has developed as it has, and interviews with ten key designers - Julian House, Ian Anderson, and Margaret Calvert among them - provide unique insider views of the design world.
Communicate : independent British graphic design since the sixties
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A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new wave aesthetics on graphic design during the 1960s and ever since. Illustrated in full colour, “Communicate” features 350 images that range from classic designs of the sixties to the work of today’s emerging design teams, including record album covers for groups including The Beatles, Led Zeppelin, and Roxy Music; political protest posters; psychedelic concert posters; typeface projects and signage; and designs for books, magazines, and film. Focusing on work from small, independent studios where creativity, rather than the bottom line, is paramount, the book includes projects by some 60 outstanding designers including Derek Birdsall, Richard Hollis, Neville Brody, Why Not Associates, and Scott King. Contributors to the volume trace how and why British graphic design has developed as it has, and interviews with ten key designers - Julian House, Ian Anderson, and Margaret Calvert among them - provide unique insider views of the design world.
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livres
livres
Publication:
mars 2005, New Haven
mars 2005, New Haven
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livres
livres
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This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to(...)
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This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to(...)
Titre:
Cruelty & utopia : cities and landscapes of Latin America
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This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to create modern societies shaped these cities, leading to both architectural masterworks (by the likes of Luis Barragan, Juan O'Gorman, Lucio Costa, Roberto Burle Marx, Carlos Raul Villanueva, and Lina Bo Bardi) and the most shocking favelas? How have they grappled with concepts of national identity, their colonial history, and the continued demands of a globalized economy? Lavishly illustrated, "Cruelty and Utopia" features the work of such leading scholars as Carlos Fuentes, Edward Burian, Lauro Cavalcanti, Fernando Oayrzun, Roberto Segre, and Eduardo Subirats, along with artwork ranging from colonial paintings to stills from Chantal Akerman's film "From the Other Side". Also included is a revised translation of Spanish King Philip II's influential planning treatise of 1573, the "Laws of the Indies," which did so much to define the form of the Latin American city.
Cruelty & utopia : cities and landscapes of Latin America
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This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to create modern societies shaped these cities, leading to both architectural masterworks (by the likes of Luis Barragan, Juan O'Gorman, Lucio Costa, Roberto Burle Marx, Carlos Raul Villanueva, and Lina Bo Bardi) and the most shocking favelas? How have they grappled with concepts of national identity, their colonial history, and the continued demands of a globalized economy? Lavishly illustrated, "Cruelty and Utopia" features the work of such leading scholars as Carlos Fuentes, Edward Burian, Lauro Cavalcanti, Fernando Oayrzun, Roberto Segre, and Eduardo Subirats, along with artwork ranging from colonial paintings to stills from Chantal Akerman's film "From the Other Side". Also included is a revised translation of Spanish King Philip II's influential planning treatise of 1573, the "Laws of the Indies," which did so much to define the form of the Latin American city.
Classification:
livres
livres
Publication:
janvier 2005, New York
janvier 2005, New York
Sujet:
Arch Moyen-Orient
Arch Moyen-Orient
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livres
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin,(...)
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin,(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
mars 2007, Montréal, Kingston, London, Ithaca
mars 2007, Montréal, Kingston, London, Ithaca
Titre:
Urban enigmas : Montréal, Toronto, and the problem of comparing cities
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin, and Berlin", address theoretical and methodological aspects of comparison, while case-studies examine the mutually constituted identities of Montreal and Toronto through examples of travel writing, public art, film festivals, theatrical performances, diasporic communities, ethnic festivals, and urban media. Comparison is shown to be not only something performed by experts but a deeply embedded, everyday social practice that contributes to the mutable identities of cities. "Urban enigmas" demonstrates that the accumulation of urban actions, encounters, experiences, and relationships create distinctive patterns that make it possible to recognize the particularity of cities. Contributors include Alan Blum (York), Kieran Bonner (St. Jerome's), Jenny Burman (McGill), Jean-François Côté (Université du Québec à Montréal), Michael Darroch (York), Nicholas DeMaria Harney (Western Australia), Kevin Dowler (York & Toronto), Dipti Gupta (Dawson College), Janine Marchessault (York), Jean-François Morissette (Université du Québec à Montréal), and Greg Nielsen (Concordia).
Urban enigmas : Montréal, Toronto, and the problem of comparing cities
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Résumé:
The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin, and Berlin", address theoretical and methodological aspects of comparison, while case-studies examine the mutually constituted identities of Montreal and Toronto through examples of travel writing, public art, film festivals, theatrical performances, diasporic communities, ethnic festivals, and urban media. Comparison is shown to be not only something performed by experts but a deeply embedded, everyday social practice that contributes to the mutable identities of cities. "Urban enigmas" demonstrates that the accumulation of urban actions, encounters, experiences, and relationships create distinctive patterns that make it possible to recognize the particularity of cities. Contributors include Alan Blum (York), Kieran Bonner (St. Jerome's), Jenny Burman (McGill), Jean-François Côté (Université du Québec à Montréal), Michael Darroch (York), Nicholas DeMaria Harney (Western Australia), Kevin Dowler (York & Toronto), Dipti Gupta (Dawson College), Janine Marchessault (York), Jean-François Morissette (Université du Québec à Montréal), and Greg Nielsen (Concordia).
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livres
livres
Publication:
mars 2007, Montréal, Kingston, London, Ithaca
mars 2007, Montréal, Kingston, London, Ithaca
Sujet:
Architecture du Canada
Architecture du Canada
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livres
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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years(...)
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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years(...)
Titre:
Susan Cianciolo: the lilac spaceship fanzine
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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years involved the collaboration of some of New York�s leading artists and musicians. The Lilac Spaceship Fanzine, created over the last year, embodies the idea of what has been Cianciolo�s most fond images to be inspired by and the complete joy and magical beauty of having her baby - Lilac Sky - who inspired the completion and the title of this publication, �..since she is another dimension, just like a space ship!�. Susan Cianciolo has been included in i-D�s Fashion Now book, among 150 of the most important designers of our times, and she has been one of the pioneers in using eco friendly materials in her collections. Her illustrations and paintings have also been exhibited worldwide in several galleries and museums.
Susan Cianciolo: the lilac spaceship fanzine
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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years involved the collaboration of some of New York�s leading artists and musicians. The Lilac Spaceship Fanzine, created over the last year, embodies the idea of what has been Cianciolo�s most fond images to be inspired by and the complete joy and magical beauty of having her baby - Lilac Sky - who inspired the completion and the title of this publication, �..since she is another dimension, just like a space ship!�. Susan Cianciolo has been included in i-D�s Fashion Now book, among 150 of the most important designers of our times, and she has been one of the pioneers in using eco friendly materials in her collections. Her illustrations and paintings have also been exhibited worldwide in several galleries and museums.
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livres
livres
Publication:
juillet 2008, Z�rich
juillet 2008, Z�rich
Sujet:
livres soldés
livres soldés
Classification:
livres
livres
Titre:
When site lost the plot
When site lost the plot
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The critical concept of site-specificity once seemed to harbour the potential for disruption. But site-specific work has become increasingly assimilated into the capitalist logic of regeneration and value creation. The materialist critique of the art object has been shortcircuited by the franchised idiosyncrasies of international nomad flâneurs. And on a planet whose(...)
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The critical concept of site-specificity once seemed to harbour the potential for disruption. But site-specific work has become increasingly assimilated into the capitalist logic of regeneration and value creation. The materialist critique of the art object has been shortcircuited by the franchised idiosyncrasies of international nomad flâneurs. And on a planet whose(...)
Titre:
When site lost the plot
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The critical concept of site-specificity once seemed to harbour the potential for disruption. But site-specific work has become increasingly assimilated into the capitalist logic of regeneration and value creation. The materialist critique of the art object has been shortcircuited by the franchised idiosyncrasies of international nomad flâneurs. And on a planet whose entire surface is mapped and apped, the concept of ‘site’ itself becomes ever more problematic. How can we do justice to the particularity of local sites while unearthing their material conditions? What do a contemporary ‘geo-philosophy’ and the historical legacy of site-specific art have to offer each other? Can we develop methods for the controlled unpacking of the local into the global, avoiding trivial reconciliations between local sites and their global conditions? "When site lost the plot" charts some of the ways in which site continues to be a concern for contemporary practice; and introduces the concept of ‘plot’ as an alternative approach. Alongside artists discussing their practice and their approach to site and plot, contributors from various disciplines introduce concepts from cartography, mathematics, film, fiction, design, and philosophy.
When site lost the plot
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The critical concept of site-specificity once seemed to harbour the potential for disruption. But site-specific work has become increasingly assimilated into the capitalist logic of regeneration and value creation. The materialist critique of the art object has been shortcircuited by the franchised idiosyncrasies of international nomad flâneurs. And on a planet whose entire surface is mapped and apped, the concept of ‘site’ itself becomes ever more problematic. How can we do justice to the particularity of local sites while unearthing their material conditions? What do a contemporary ‘geo-philosophy’ and the historical legacy of site-specific art have to offer each other? Can we develop methods for the controlled unpacking of the local into the global, avoiding trivial reconciliations between local sites and their global conditions? "When site lost the plot" charts some of the ways in which site continues to be a concern for contemporary practice; and introduces the concept of ‘plot’ as an alternative approach. Alongside artists discussing their practice and their approach to site and plot, contributors from various disciplines introduce concepts from cartography, mathematics, film, fiction, design, and philosophy.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of(...)
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of(...)
Titre:
Mysterious skin: male bodies in contemporary cinema
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of major experts explore the treatment of masculinity and the male body in the cinemas of Africa, Australia, China, France, Germany, Great Britain, India, North America, Spain, Taiwan and Vietnam, as well as Hollywood. Their common concern is to reveal how the representation of the male body is used in films to convey a country’s anxieties about its national identity and history, as well as how it engages with questions of racial, sexual or gender politics. They discuss key actors, directors and films of these countries, from Ewan MacGregor in Peter Greenaway’s The Pillow Book, through the films of Wong Kar Wai, to Paul Hogan as Mick Dundee in Crocodile Dundee. In so doing, Mysterious Skin also provides a strong overview of important cinema produced around the world in the last twenty years.
Mysterious skin: male bodies in contemporary cinema
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of major experts explore the treatment of masculinity and the male body in the cinemas of Africa, Australia, China, France, Germany, Great Britain, India, North America, Spain, Taiwan and Vietnam, as well as Hollywood. Their common concern is to reveal how the representation of the male body is used in films to convey a country’s anxieties about its national identity and history, as well as how it engages with questions of racial, sexual or gender politics. They discuss key actors, directors and films of these countries, from Ewan MacGregor in Peter Greenaway’s The Pillow Book, through the films of Wong Kar Wai, to Paul Hogan as Mick Dundee in Crocodile Dundee. In so doing, Mysterious Skin also provides a strong overview of important cinema produced around the world in the last twenty years.
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livres
livres
Publication:
janvier 1900
janvier 1900
Classification:
livres
livres
Titre:
Aernout Mik
Aernout Mik
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By(...)
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By(...)
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Aernout Mik
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Mik creates works that are rich in allusion but subversive of codes. Published to accompany the artist's first U.S. retrospective, this volume is a vivid exploration of Mik's work and process. Laurence Kardish, MoMA's Senior Curator in the Department of Film, situates Mik within the history of documentary and nonnarrative cinema, while Michael Taussig, Professor of Anthropology at Columbia University, investigates the ways in which the artist's work changes the way we see reality while simultaneously reinforcing the norms of visual culture. Abundantly illustrated with stills and the artist's own drawings, the book also features detailed descriptions of the installations, an exhibition history and a bibliography, making it the most comprehensive volume on the artist available in English.
Aernout Mik
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Mik creates works that are rich in allusion but subversive of codes. Published to accompany the artist's first U.S. retrospective, this volume is a vivid exploration of Mik's work and process. Laurence Kardish, MoMA's Senior Curator in the Department of Film, situates Mik within the history of documentary and nonnarrative cinema, while Michael Taussig, Professor of Anthropology at Columbia University, investigates the ways in which the artist's work changes the way we see reality while simultaneously reinforcing the norms of visual culture. Abundantly illustrated with stills and the artist's own drawings, the book also features detailed descriptions of the installations, an exhibition history and a bibliography, making it the most comprehensive volume on the artist available in English.
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livres
livres
Publication:
juin 2009
juin 2009
Classification:
livres
livres
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$50.50
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican(...)
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican(...)
Titre:
Havana modern: Critical readings in Cuban architecture
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican Modernity (2005), Freud’s Mexico (2010) and Proust’s Latin Americans (2014)—the volume is arranged in 10 chapters authored by current and former Princeton faculty members and graduate students. These essays, which arose from seminars organized by Gallo and historian Beatriz Colomina, examine Max Abramovitz’s American Embassy; Richard Neutra’s De Schultess House; Martín Domínguez Esteban, Miguel Gastón and Emilio del Junco’s Radiocentro; Mies van Der Rohe’s office building for Ron Barcardí S.A.; Vittorio Garatti, Roberto Gottardi and Ricardo Porro’s National Art Schools for Havana; Mario Girona’s Coppelia Ice-cream parlor and park; Vittorio Garatti, Hugo D’Acosta and Sergio Baroni’s Cuban Pavilion at Expo 67; Antonio Quintana and Alberto Rodriguez’s "Edificio Experimental"; and Aleksandr Grigorievich Rochegov’s USRR Embassy. Havana Modern draws on history, politics, culture, literature and film to elucidate this outstandingly rich era in architectural history.
Havana modern: Critical readings in Cuban architecture
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican Modernity (2005), Freud’s Mexico (2010) and Proust’s Latin Americans (2014)—the volume is arranged in 10 chapters authored by current and former Princeton faculty members and graduate students. These essays, which arose from seminars organized by Gallo and historian Beatriz Colomina, examine Max Abramovitz’s American Embassy; Richard Neutra’s De Schultess House; Martín Domínguez Esteban, Miguel Gastón and Emilio del Junco’s Radiocentro; Mies van Der Rohe’s office building for Ron Barcardí S.A.; Vittorio Garatti, Roberto Gottardi and Ricardo Porro’s National Art Schools for Havana; Mario Girona’s Coppelia Ice-cream parlor and park; Vittorio Garatti, Hugo D’Acosta and Sergio Baroni’s Cuban Pavilion at Expo 67; Antonio Quintana and Alberto Rodriguez’s "Edificio Experimental"; and Aleksandr Grigorievich Rochegov’s USRR Embassy. Havana Modern draws on history, politics, culture, literature and film to elucidate this outstandingly rich era in architectural history.
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livres
livres
Publication:
septembre 2023
septembre 2023
Classification:
livres
livres
Prix:
$37.95
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The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies(...)
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The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
décembre 2002, Bloomington and Indianapolis
décembre 2002, Bloomington and Indianapolis
Titre:
Image and remembrance : representation and the Holocaust
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The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies representation, Image and Remembrance demonstrates that artistic representations are central to the practice of remembrance and commemoration. Including essays on representations of the Holocaust in film, architecture, painting, photography, memorials, and monuments, this thought-provoking volume considers ways in which visual artists have given form to the experience of the Holocaust and addresses the role that imagination plays in shaping historical memory. Among works discussed are Daniel Libeskind's Jewish Museum in Berlin, Rachel Whiteread's Holocaust Memorial in Vienna, Morris Louis's series of paintings Charred Journal, photographer Shimon Attie's Writing on the Wall, and Mikael Levin's series Untitled. Image and Remembrance provides a thoughtful site for personal reflection and commemoration as well as a context for reconsidering the processes of art making and the cultural significance of artistic images.
Image and remembrance : representation and the Holocaust
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The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies representation, Image and Remembrance demonstrates that artistic representations are central to the practice of remembrance and commemoration. Including essays on representations of the Holocaust in film, architecture, painting, photography, memorials, and monuments, this thought-provoking volume considers ways in which visual artists have given form to the experience of the Holocaust and addresses the role that imagination plays in shaping historical memory. Among works discussed are Daniel Libeskind's Jewish Museum in Berlin, Rachel Whiteread's Holocaust Memorial in Vienna, Morris Louis's series of paintings Charred Journal, photographer Shimon Attie's Writing on the Wall, and Mikael Levin's series Untitled. Image and Remembrance provides a thoughtful site for personal reflection and commemoration as well as a context for reconsidering the processes of art making and the cultural significance of artistic images.
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livres
livres
Publication:
décembre 2002, Bloomington and Indianapolis
décembre 2002, Bloomington and Indianapolis
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Prix:
$43.95
(disponible sur commande)
Résumé:
The events that took place on September 11, 2001, in New York City are the background for a series of essays exploring the response of different cities at different times to natural or man-made disaster. How have cities coped with cataclysmic change in the urban fabric both physically and psychologically? How have they memorialized what they have lost, and how have they(...)
$43.95
(disponible sur commande)
Résumé:
The events that took place on September 11, 2001, in New York City are the background for a series of essays exploring the response of different cities at different times to natural or man-made disaster. How have cities coped with cataclysmic change in the urban fabric both physically and psychologically? How have they memorialized what they have lost, and how have they(...)
Titre:
Out of ground zero : case studies in urban renewal
Actions:
Prix:
$43.95
(disponible sur commande)
Résumé:
The events that took place on September 11, 2001, in New York City are the background for a series of essays exploring the response of different cities at different times to natural or man-made disaster. How have cities coped with cataclysmic change in the urban fabric both physically and psychologically? How have they memorialized what they have lost, and how have they imagined their future? What have been the effects, in both the short and long term, of these efforts to rebuild the city? From the devastating earthquake that shook Lisbon in 1755 to the Great Chicago fire in 1871; from the bombing of Hiroshima to the destruction of Rotterdam and Plymouth during the second World War; from the cities and towns ravaged by the Bosnian War to the symbolism of the Dome of the Rock in Jerusalem - this book offers varying perspectives on how cities have responded to catastrophic disasters. Following these case studies is a history of destruction and rebuilding in Manhattan, and a reflection on the role of cities in sustaining democratic culture concludes the book. Contributors to this volume include leading urban theorists, architectural historians, cultural critics, architects, and a film-maker.
Out of ground zero : case studies in urban renewal
Actions:
Prix:
$43.95
(disponible sur commande)
Résumé:
The events that took place on September 11, 2001, in New York City are the background for a series of essays exploring the response of different cities at different times to natural or man-made disaster. How have cities coped with cataclysmic change in the urban fabric both physically and psychologically? How have they memorialized what they have lost, and how have they imagined their future? What have been the effects, in both the short and long term, of these efforts to rebuild the city? From the devastating earthquake that shook Lisbon in 1755 to the Great Chicago fire in 1871; from the bombing of Hiroshima to the destruction of Rotterdam and Plymouth during the second World War; from the cities and towns ravaged by the Bosnian War to the symbolism of the Dome of the Rock in Jerusalem - this book offers varying perspectives on how cities have responded to catastrophic disasters. Following these case studies is a history of destruction and rebuilding in Manhattan, and a reflection on the role of cities in sustaining democratic culture concludes the book. Contributors to this volume include leading urban theorists, architectural historians, cultural critics, architects, and a film-maker.
Classification:
livres
livres
Publication:
octobre 2002, New York / Munich
octobre 2002, New York / Munich
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
