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308 s., [24] s. tabl. kolor. : il. ; 23 cm.
Warszawa : Krajowy Ośrodek Badań i Dokumentacji Zabytków ; Kielce : Regionalny Ośrodek Badań i Dokumentacji Zabytków, 2006.
Miasto i gmina Małogoszcz / Czesław Hadamik, Dariusz Kalina, Edward Traczyński ; we współpr. Regionalnego Ośrodka Badań i Dokumentacji Zabytków w Kielcach oraz Urzędu Miasta i Gminy w Małogoszczu.
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308 s., [24] s. tabl. kolor. : il. ; 23 cm.
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Warszawa : Krajowy Ośrodek Badań i Dokumentacji Zabytków ; Kielce : Regionalny Ośrodek Badań i Dokumentacji Zabytków, 2006.
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1 preliminary leaf, 23 pages, 2 leaves LX plates (including plans) 50 cm
New York City, J.V. Van Pelt, 1925.
A monograph of the William K. Vanderbilt house, Richard Morris Hunt, architect, by Jean Vredenburgh Van Pelt; Eugene Clute, editor.
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1 preliminary leaf, 23 pages, 2 leaves LX plates (including plans) 50 cm
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New York City, J.V. Van Pelt, 1925.
archives
Commission nationale sur les finances et la fiscalité locales : vertical file.
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archives
$29.95
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This book tells of the other revolt, a movement of creative opposition, commemoration, and preservation staged on behalf of the mostly minority urban neighborhoods that lacked the political and economic power to resist the onslaught of highway construction.
The folklore of the freeway: race and revolt in the modernist city
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This book tells of the other revolt, a movement of creative opposition, commemoration, and preservation staged on behalf of the mostly minority urban neighborhoods that lacked the political and economic power to resist the onslaught of highway construction.
$54.00
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In ''Vitruvius: Writing the body of architecture,'' Indra Kagis McEwen argued that Vitruvius's first-century BCE treatise ''De architectura'' was informed by imperial ideology, giving architecture a role in the imperial Roman project of world rule. In her sequel, ''All the King's Horses,'' McEwen focuses on the early Renaissance reception of Vitruvius's thought beginning(...)
All the king's horses: Vitruvius in an age of princes
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$54.00
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In ''Vitruvius: Writing the body of architecture,'' Indra Kagis McEwen argued that Vitruvius's first-century BCE treatise ''De architectura'' was informed by imperial ideology, giving architecture a role in the imperial Roman project of world rule. In her sequel, ''All the King's Horses,'' McEwen focuses on the early Renaissance reception of Vitruvius's thought beginning with Petrarch—a political reception preoccupied with legitimating existing power structures. During this ''age of princes'' various signori took over Italian towns and cities, displacing independent communes and their avowed ideal of the common good. Architects, taking up Vitruvius's mantle, designed buildings and other structures for these princes with the intent of celebrating and making their power manifest. Through meticulous descriptions of the work of architects and artists from Alberti to Leonardo, McEwen explains how architecture became an instrument of control in the early Italian Renaissance. She shows how architectural magnificence supported claims to power, a phenomenon best displayed in one of the era's most prominent monumental themes: the equestrian statue of a prince, in which the horse became an emanation of the will of the rider, its strength the expression of his strength.
Théorie de l’architecture
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544 pages : illustrations (some color) ; 29 cm
New York : Simon and Schuster, ©1991.
The Elements of style : a practical encyclopedia of interior architectural details, from 1485 to the present / Stephen Calloway, general editor ; Elizabeth Cromley, consultant editor ; foreword by J. Jackson Walter.
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544 pages : illustrations (some color) ; 29 cm
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New York : Simon and Schuster, ©1991.
$37.95
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In the decades following the Second World War, women from all walks of life became increasingly frustrated by the world around them. Drawing on long-standing political traditions, these women bound together to revolutionize social norms and contest gender inequality. In Montreal, women activists inspired by Red Power, Black Power, and Quebec liberation, among other social(...)
Countercurrents: Women's movements in postwar Montreal
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In the decades following the Second World War, women from all walks of life became increasingly frustrated by the world around them. Drawing on long-standing political traditions, these women bound together to revolutionize social norms and contest gender inequality. In Montreal, women activists inspired by Red Power, Black Power, and Quebec liberation, among other social movements, mounted a multifront campaign against social injustice. Bringing to light previously overlooked archival and oral sources, Amanda Ricci introduces a new cast of characters to the history of feminism in Quebec. The book presents a unique portrait of the resurgence of feminist activism, demonstrating its deep roots in Indigenous and Black communities, its transnational scope, and its wide-ranging inspirations and preoccupations.
Sociologie (Québec)
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An(...)
The right to look: a counterhistory of visuality
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality"--plantation slavery, imperialism, and the present-day military-industrial complex--and explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. This publication is a work of geographic, temporal, and conceptual reach.
Théorie/ philosophie
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1917: the year a series of rebellions toppled three centuries of autocratic rule and placed a group of political radicals in charge of a world power. Here, suddenly, was the first modern socialist state, '' a kingdom more bright that any heaven had to offer.'' But the dream was short-lived, bringing in its wake seventy years of conflict and instability that nearly ended(...)
The Russian Revolution: a beginner's guide
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1917: the year a series of rebellions toppled three centuries of autocratic rule and placed a group of political radicals in charge of a world power. Here, suddenly, was the first modern socialist state, '' a kingdom more bright that any heaven had to offer.'' But the dream was short-lived, bringing in its wake seventy years of conflict and instability that nearly ended in nuclear war. How could such a revolution take place and what caused it to go so very wrong? Presenting a uniquely long view of events, Abraham Ascher takes readers from the seeds of revolution in the 1880s right through to Stalin’s state terror and the power of the communist legacy in Russia today.
Expositions en cours
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The contributors to this publication advance a feminist version of Marshall McLuhan’s key text, ''Understanding Media: The Extensions of Man'', repurposing his insight that ''the medium is the message'' for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist(...)
Re-Understanding media: Feminist extensions of Marshall McLuhan
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The contributors to this publication advance a feminist version of Marshall McLuhan’s key text, ''Understanding Media: The Extensions of Man'', repurposing his insight that ''the medium is the message'' for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experiences of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes.
Théorie/ philosophie