6933 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Personnes et institutions:
Date:
circa 1981 - 1990
circa 1981 - 1990
Titre:
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Niveau de description archivistique:
Project
Project
Date:
circa 1981 - 1990
circa 1981 - 1990
Personnes et institutions:
Quantité:
4 portfolio(s)
4 portfolio(s)
Actions:
Numéro de référence:
DR1974:0002:036:001-016
Description:
- This group of portfolios and manuscripts contains drawings, prints and documents relating to four early projects for opera houses: projects from 1846 and 1847 for a new opera house for the Académie royale de musique; the unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding infrastructure on the site of the Ministère des Affaires Étrangères and the Hôtel du Timbre; and proposed or completed alterations to an existing opera house, Salle Le Peletier, home to the Académie impériale de musique. An unrelated project for a proposed Grande Halles is also included in the group. - Charles Rohault de Fleury proposed two projects for a new opera house for the Académie royale de musique, in 1846 and 1847. An individual loose drawing included in this group, DR1974:0002:036:013, is possibly another proposal for a new opera house. - Four manuscripts (DR1974:0002:036:006:001-006, DR1974:0002:036:007:001-013, DR1974:0002:036:008:001-004, DR1974:0002:036:016:001-007 R/V) document an unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding houses on a site occupied by the Ministère des Affaires Étrangères and the Hôtel du Timbre. - Portfolio DR1974:0002:036:014:001-022 contains drawings and transfer lithographs of plans, elevations and sections for the proposed alterations and/or record drawings for/of Salle Le Peletier. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien.
DR1974:0002:036:001-016
Description:
- This group of portfolios and manuscripts contains drawings, prints and documents relating to four early projects for opera houses: projects from 1846 and 1847 for a new opera house for the Académie royale de musique; the unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding infrastructure on the site of the Ministère des Affaires Étrangères and the Hôtel du Timbre; and proposed or completed alterations to an existing opera house, Salle Le Peletier, home to the Académie impériale de musique. An unrelated project for a proposed Grande Halles is also included in the group. - Charles Rohault de Fleury proposed two projects for a new opera house for the Académie royale de musique, in 1846 and 1847. An individual loose drawing included in this group, DR1974:0002:036:013, is possibly another proposal for a new opera house. - Four manuscripts (DR1974:0002:036:006:001-006, DR1974:0002:036:007:001-013, DR1974:0002:036:008:001-004, DR1974:0002:036:016:001-007 R/V) document an unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding houses on a site occupied by the Ministère des Affaires Étrangères and the Hôtel du Timbre. - Portfolio DR1974:0002:036:014:001-022 contains drawings and transfer lithographs of plans, elevations and sections for the proposed alterations and/or record drawings for/of Salle Le Peletier. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien.
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
1834-1854
1834-1854
Titre:
Four portfolios of drawings, prints and manuscripts for opera houses for the Théâtre Royal Italien Opera Company, the Académie royale de musique, and for renovations to Salle Le Peletier for the Académie impériale de musique, Paris
Actions:
DR1974:0002:036:001-016
Description:
- This group of portfolios and manuscripts contains drawings, prints and documents relating to four early projects for opera houses: projects from 1846 and 1847 for a new opera house for the Académie royale de musique; the unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding infrastructure on the site of the Ministère des Affaires Étrangères and the Hôtel du Timbre; and proposed or completed alterations to an existing opera house, Salle Le Peletier, home to the Académie impériale de musique. An unrelated project for a proposed Grande Halles is also included in the group. - Charles Rohault de Fleury proposed two projects for a new opera house for the Académie royale de musique, in 1846 and 1847. An individual loose drawing included in this group, DR1974:0002:036:013, is possibly another proposal for a new opera house. - Four manuscripts (DR1974:0002:036:006:001-006, DR1974:0002:036:007:001-013, DR1974:0002:036:008:001-004, DR1974:0002:036:016:001-007 R/V) document an unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding houses on a site occupied by the Ministère des Affaires Étrangères and the Hôtel du Timbre. - Portfolio DR1974:0002:036:014:001-022 contains drawings and transfer lithographs of plans, elevations and sections for the proposed alterations and/or record drawings for/of Salle Le Peletier. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien.
Four portfolios of drawings, prints and manuscripts for opera houses for the Théâtre Royal Italien Opera Company, the Académie royale de musique, and for renovations to Salle Le Peletier for the Académie impériale de musique, Paris
Actions:
DR1974:0002:036:001-016
Description:
- This group of portfolios and manuscripts contains drawings, prints and documents relating to four early projects for opera houses: projects from 1846 and 1847 for a new opera house for the Académie royale de musique; the unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding infrastructure on the site of the Ministère des Affaires Étrangères and the Hôtel du Timbre; and proposed or completed alterations to an existing opera house, Salle Le Peletier, home to the Académie impériale de musique. An unrelated project for a proposed Grande Halles is also included in the group. - Charles Rohault de Fleury proposed two projects for a new opera house for the Académie royale de musique, in 1846 and 1847. An individual loose drawing included in this group, DR1974:0002:036:013, is possibly another proposal for a new opera house. - Four manuscripts (DR1974:0002:036:006:001-006, DR1974:0002:036:007:001-013, DR1974:0002:036:008:001-004, DR1974:0002:036:016:001-007 R/V) document an unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding houses on a site occupied by the Ministère des Affaires Étrangères and the Hôtel du Timbre. - Portfolio DR1974:0002:036:014:001-022 contains drawings and transfer lithographs of plans, elevations and sections for the proposed alterations and/or record drawings for/of Salle Le Peletier. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien.
Quantité:
4 portfolio(s)
4 portfolio(s)
Date:
1834-1854
1834-1854
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Classification:
dessins, documents textuels, oeuvres d'art, périodiques
dessins, documents textuels, oeuvres d'art, périodiques
Actions:
Numéro de référence:
DR1974:0002:017:001-060
Description:
- This album contains plans, elevations and sections as well as written documents - the contract, specifications, work logs, letters and financial records - for the Hippodrome national, Paris. Most of the drawings and documents date from 1845, when the Hippodrome national was constructed, including the contract and contract drawings (DR1974:0002:017:025 and DR1974:0002:017:027 - DR1974:0002:017:031), a description and cost estimate, structural drawings, and plans, sections and elevations, some coloured, showing the various elements of the design. The construction of the building is documented by two work logs, one of which is probably a draft (work log: DR1974:0002:017:017:001-027; draft work log: DR1974:0002:017:044:001-038). The building was designed in the Islamic Revival style. It was constructed primarily of painted canvas stretched on frames and attached to the structural framework (Dupavillion, 81). Several preliminary drawings for the Hippodrome national are included: an elevation and plan dated 1844 and a pencil rendering of an elaborate Moorish façade, probably alternate designs (DR1974:0002:017:004, DR1974:0002:017:026, and DR1974:0002:017:060), and a watercolour perspective view, plan and section (DR1974:0002:017:001 - DR1974:0002:017:003), possibly for a different site, dated February 1845. Four drawings dated February 1846 are for additions to the hippodrome, including a portico on the front of the princes' pavilion, and a pedestrian bridge over the service court entrance (DR1974:0002:017:011, DR1974:0002:017:012, DR1974:0002:017:016 and DR1974:0002:017:037). Plan DR1974:0002:017:015 is probably also related to these additions. It has not been determined if these additions were carried out. Also included are three record drawings of the Circus of Maxentius and the hippodrome at Villa Borghese in Rome; a copy of "L'Entr'acte" containing an article on the proposed construction of a hippodrome (cirque) in Paris; and two letters requesting information on the Hippodrome national.
DR1974:0002:017:001-060
Description:
- This album contains plans, elevations and sections as well as written documents - the contract, specifications, work logs, letters and financial records - for the Hippodrome national, Paris. Most of the drawings and documents date from 1845, when the Hippodrome national was constructed, including the contract and contract drawings (DR1974:0002:017:025 and DR1974:0002:017:027 - DR1974:0002:017:031), a description and cost estimate, structural drawings, and plans, sections and elevations, some coloured, showing the various elements of the design. The construction of the building is documented by two work logs, one of which is probably a draft (work log: DR1974:0002:017:017:001-027; draft work log: DR1974:0002:017:044:001-038). The building was designed in the Islamic Revival style. It was constructed primarily of painted canvas stretched on frames and attached to the structural framework (Dupavillion, 81). Several preliminary drawings for the Hippodrome national are included: an elevation and plan dated 1844 and a pencil rendering of an elaborate Moorish façade, probably alternate designs (DR1974:0002:017:004, DR1974:0002:017:026, and DR1974:0002:017:060), and a watercolour perspective view, plan and section (DR1974:0002:017:001 - DR1974:0002:017:003), possibly for a different site, dated February 1845. Four drawings dated February 1846 are for additions to the hippodrome, including a portico on the front of the princes' pavilion, and a pedestrian bridge over the service court entrance (DR1974:0002:017:011, DR1974:0002:017:012, DR1974:0002:017:016 and DR1974:0002:017:037). Plan DR1974:0002:017:015 is probably also related to these additions. It has not been determined if these additions were carried out. Also included are three record drawings of the Circus of Maxentius and the hippodrome at Villa Borghese in Rome; a copy of "L'Entr'acte" containing an article on the proposed construction of a hippodrome (cirque) in Paris; and two letters requesting information on the Hippodrome national.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1840-1850, printed 1845, published 11 September 1844
1840-1850, printed 1845, published 11 September 1844
Titre:
Album of drawings and documents for the Hippodrome national, Paris
Actions:
DR1974:0002:017:001-060
Description:
- This album contains plans, elevations and sections as well as written documents - the contract, specifications, work logs, letters and financial records - for the Hippodrome national, Paris. Most of the drawings and documents date from 1845, when the Hippodrome national was constructed, including the contract and contract drawings (DR1974:0002:017:025 and DR1974:0002:017:027 - DR1974:0002:017:031), a description and cost estimate, structural drawings, and plans, sections and elevations, some coloured, showing the various elements of the design. The construction of the building is documented by two work logs, one of which is probably a draft (work log: DR1974:0002:017:017:001-027; draft work log: DR1974:0002:017:044:001-038). The building was designed in the Islamic Revival style. It was constructed primarily of painted canvas stretched on frames and attached to the structural framework (Dupavillion, 81). Several preliminary drawings for the Hippodrome national are included: an elevation and plan dated 1844 and a pencil rendering of an elaborate Moorish façade, probably alternate designs (DR1974:0002:017:004, DR1974:0002:017:026, and DR1974:0002:017:060), and a watercolour perspective view, plan and section (DR1974:0002:017:001 - DR1974:0002:017:003), possibly for a different site, dated February 1845. Four drawings dated February 1846 are for additions to the hippodrome, including a portico on the front of the princes' pavilion, and a pedestrian bridge over the service court entrance (DR1974:0002:017:011, DR1974:0002:017:012, DR1974:0002:017:016 and DR1974:0002:017:037). Plan DR1974:0002:017:015 is probably also related to these additions. It has not been determined if these additions were carried out. Also included are three record drawings of the Circus of Maxentius and the hippodrome at Villa Borghese in Rome; a copy of "L'Entr'acte" containing an article on the proposed construction of a hippodrome (cirque) in Paris; and two letters requesting information on the Hippodrome national.
Album of drawings and documents for the Hippodrome national, Paris
Actions:
DR1974:0002:017:001-060
Description:
- This album contains plans, elevations and sections as well as written documents - the contract, specifications, work logs, letters and financial records - for the Hippodrome national, Paris. Most of the drawings and documents date from 1845, when the Hippodrome national was constructed, including the contract and contract drawings (DR1974:0002:017:025 and DR1974:0002:017:027 - DR1974:0002:017:031), a description and cost estimate, structural drawings, and plans, sections and elevations, some coloured, showing the various elements of the design. The construction of the building is documented by two work logs, one of which is probably a draft (work log: DR1974:0002:017:017:001-027; draft work log: DR1974:0002:017:044:001-038). The building was designed in the Islamic Revival style. It was constructed primarily of painted canvas stretched on frames and attached to the structural framework (Dupavillion, 81). Several preliminary drawings for the Hippodrome national are included: an elevation and plan dated 1844 and a pencil rendering of an elaborate Moorish façade, probably alternate designs (DR1974:0002:017:004, DR1974:0002:017:026, and DR1974:0002:017:060), and a watercolour perspective view, plan and section (DR1974:0002:017:001 - DR1974:0002:017:003), possibly for a different site, dated February 1845. Four drawings dated February 1846 are for additions to the hippodrome, including a portico on the front of the princes' pavilion, and a pedestrian bridge over the service court entrance (DR1974:0002:017:011, DR1974:0002:017:012, DR1974:0002:017:016 and DR1974:0002:017:037). Plan DR1974:0002:017:015 is probably also related to these additions. It has not been determined if these additions were carried out. Also included are three record drawings of the Circus of Maxentius and the hippodrome at Villa Borghese in Rome; a copy of "L'Entr'acte" containing an article on the proposed construction of a hippodrome (cirque) in Paris; and two letters requesting information on the Hippodrome national.
Classification:
dessins, documents textuels, oeuvres d'art, périodiques
dessins, documents textuels, oeuvres d'art, périodiques
Date:
1840-1850, printed 1845, published 11 September 1844
1840-1850, printed 1845, published 11 September 1844
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
articles
articles
Titre:
Les déchets reviennent
Les déchets reviennent
Actions:
Mot(s)-clé(s):
Ailleurs, American Gothic, Bangalore, déchet, DNA, En imparfaite santé, États-Unis, Inde, recyclage, recycling, Université de Buffalo
Ailleurs, American Gothic, Bangalore, déchet, DNA, En imparfaite santé, États-Unis, Inde, recyclage, recycling, Université de Buffalo
Publié:
7 février 2012
7 février 2012
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
Titre:
Album of prints and drawings for nine domestic commissions, an office building, a tomb, and a hothouse in Paris, Royan and Cologne
Actions:
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
Album of prints and drawings for nine domestic commissions, an office building, a tomb, and a hothouse in Paris, Royan and Cologne
Actions:
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:008:001-077
Description:
- This album contains prints and drawings - primarily design development and presentation drawings - mainly for projects for ideal hospitals and for the unexecuted redevelopment of the École de médecine and the surrounding area in Paris by Hubert Rohault de Fleury. Projects for ideal hospitals include: two block plans for hospitals for 400 patients on the site of Hôtel-Dieu (DR1974:0002:008:002 - DR1974:0002:008:003); nine site plans coloured with wash for hospitals for varying numbers of patients, eight of which are for a site near the barrière de Monceau (DR1974:0002:008:010 - DR1974:0002:008:014 and DR1974:0002:008:017 - DR1974:0002:008:020); five block plans for hospitals with no site indicated (DR1974:0002:008:004 - DR1974:0002:008:008); and plans, sections and elevations, most coloured with wash or watercolour, for a more developed project for an ideal hospital for 1000 to 1200 patients with no site indicated (DR1974:0002:008:022 - DR1974:0002:008:025, DR1974:0002:008:027 - DR1974:0002:008:028). The five other drawings for hospitals included in this album are apparently related to the nine site plans (DR1974:0002:008:015, DR1974:0002:008:016, DR1974:0002:008:021, DR1974:0002:008:029, and DR1974:0002:008:030). Plans, elevations and sections for the redevelopment of the area surrounding the École de médecine include the addition of a second amphitheatre to the École de médecine, an addition to the Clinique de l'École de médecine, the alteration of the École de mosaïque for use as a salle de dissection, and alterations to the École royale gratuite de dessin (DR1974:0002:008:031 - DR1974:0002:008:064). Also included are several designs for a classically-inspired fountain to be located at the entrance to the Clinique de l'École de médecine (DR1974:0002:008:042 - DR1974:0002:008:049), and drawings for the Académie de médecine, an institution which was probably housed at the École de médecine during this period (DR1974:0002:008:065 - DR1974:0002:008:068). The album includes record drawings of medical buildings by other architects: a presentation drawing of the Albergo dei poveri in Palermo, designed by Orazio Foretto Palermitano; tracings from drawings of a project for Hôtel-Dieu in Paris, designed by Charles-François Viel de Saint-Maux; the 1775 Grand Prix project for an École de médecine designed by Paul Guillaume Lemoine; prints of the the Hospice de la charité in Lyon, designed by Jean Pollet, and two hospital projects in Dijon designed by Paul P. Petit (DR1974:0002:008:069 - DR1974:0002:008:077).
DR1974:0002:008:001-077
Description:
- This album contains prints and drawings - primarily design development and presentation drawings - mainly for projects for ideal hospitals and for the unexecuted redevelopment of the École de médecine and the surrounding area in Paris by Hubert Rohault de Fleury. Projects for ideal hospitals include: two block plans for hospitals for 400 patients on the site of Hôtel-Dieu (DR1974:0002:008:002 - DR1974:0002:008:003); nine site plans coloured with wash for hospitals for varying numbers of patients, eight of which are for a site near the barrière de Monceau (DR1974:0002:008:010 - DR1974:0002:008:014 and DR1974:0002:008:017 - DR1974:0002:008:020); five block plans for hospitals with no site indicated (DR1974:0002:008:004 - DR1974:0002:008:008); and plans, sections and elevations, most coloured with wash or watercolour, for a more developed project for an ideal hospital for 1000 to 1200 patients with no site indicated (DR1974:0002:008:022 - DR1974:0002:008:025, DR1974:0002:008:027 - DR1974:0002:008:028). The five other drawings for hospitals included in this album are apparently related to the nine site plans (DR1974:0002:008:015, DR1974:0002:008:016, DR1974:0002:008:021, DR1974:0002:008:029, and DR1974:0002:008:030). Plans, elevations and sections for the redevelopment of the area surrounding the École de médecine include the addition of a second amphitheatre to the École de médecine, an addition to the Clinique de l'École de médecine, the alteration of the École de mosaïque for use as a salle de dissection, and alterations to the École royale gratuite de dessin (DR1974:0002:008:031 - DR1974:0002:008:064). Also included are several designs for a classically-inspired fountain to be located at the entrance to the Clinique de l'École de médecine (DR1974:0002:008:042 - DR1974:0002:008:049), and drawings for the Académie de médecine, an institution which was probably housed at the École de médecine during this period (DR1974:0002:008:065 - DR1974:0002:008:068). The album includes record drawings of medical buildings by other architects: a presentation drawing of the Albergo dei poveri in Palermo, designed by Orazio Foretto Palermitano; tracings from drawings of a project for Hôtel-Dieu in Paris, designed by Charles-François Viel de Saint-Maux; the 1775 Grand Prix project for an École de médecine designed by Paul Guillaume Lemoine; prints of the the Hospice de la charité in Lyon, designed by Jean Pollet, and two hospital projects in Dijon designed by Paul P. Petit (DR1974:0002:008:069 - DR1974:0002:008:077).
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Date:
first half of the 19th century
first half of the 19th century
Titre:
Album of drawings and prints for ideal hospitals, drawings for the redevelopment of the École de médecine and the surrounding area, Paris, and record drawings of medical buildings by French and Italian architects
Actions:
DR1974:0002:008:001-077
Description:
- This album contains prints and drawings - primarily design development and presentation drawings - mainly for projects for ideal hospitals and for the unexecuted redevelopment of the École de médecine and the surrounding area in Paris by Hubert Rohault de Fleury. Projects for ideal hospitals include: two block plans for hospitals for 400 patients on the site of Hôtel-Dieu (DR1974:0002:008:002 - DR1974:0002:008:003); nine site plans coloured with wash for hospitals for varying numbers of patients, eight of which are for a site near the barrière de Monceau (DR1974:0002:008:010 - DR1974:0002:008:014 and DR1974:0002:008:017 - DR1974:0002:008:020); five block plans for hospitals with no site indicated (DR1974:0002:008:004 - DR1974:0002:008:008); and plans, sections and elevations, most coloured with wash or watercolour, for a more developed project for an ideal hospital for 1000 to 1200 patients with no site indicated (DR1974:0002:008:022 - DR1974:0002:008:025, DR1974:0002:008:027 - DR1974:0002:008:028). The five other drawings for hospitals included in this album are apparently related to the nine site plans (DR1974:0002:008:015, DR1974:0002:008:016, DR1974:0002:008:021, DR1974:0002:008:029, and DR1974:0002:008:030). Plans, elevations and sections for the redevelopment of the area surrounding the École de médecine include the addition of a second amphitheatre to the École de médecine, an addition to the Clinique de l'École de médecine, the alteration of the École de mosaïque for use as a salle de dissection, and alterations to the École royale gratuite de dessin (DR1974:0002:008:031 - DR1974:0002:008:064). Also included are several designs for a classically-inspired fountain to be located at the entrance to the Clinique de l'École de médecine (DR1974:0002:008:042 - DR1974:0002:008:049), and drawings for the Académie de médecine, an institution which was probably housed at the École de médecine during this period (DR1974:0002:008:065 - DR1974:0002:008:068). The album includes record drawings of medical buildings by other architects: a presentation drawing of the Albergo dei poveri in Palermo, designed by Orazio Foretto Palermitano; tracings from drawings of a project for Hôtel-Dieu in Paris, designed by Charles-François Viel de Saint-Maux; the 1775 Grand Prix project for an École de médecine designed by Paul Guillaume Lemoine; prints of the the Hospice de la charité in Lyon, designed by Jean Pollet, and two hospital projects in Dijon designed by Paul P. Petit (DR1974:0002:008:069 - DR1974:0002:008:077).
Album of drawings and prints for ideal hospitals, drawings for the redevelopment of the École de médecine and the surrounding area, Paris, and record drawings of medical buildings by French and Italian architects
Actions:
DR1974:0002:008:001-077
Description:
- This album contains prints and drawings - primarily design development and presentation drawings - mainly for projects for ideal hospitals and for the unexecuted redevelopment of the École de médecine and the surrounding area in Paris by Hubert Rohault de Fleury. Projects for ideal hospitals include: two block plans for hospitals for 400 patients on the site of Hôtel-Dieu (DR1974:0002:008:002 - DR1974:0002:008:003); nine site plans coloured with wash for hospitals for varying numbers of patients, eight of which are for a site near the barrière de Monceau (DR1974:0002:008:010 - DR1974:0002:008:014 and DR1974:0002:008:017 - DR1974:0002:008:020); five block plans for hospitals with no site indicated (DR1974:0002:008:004 - DR1974:0002:008:008); and plans, sections and elevations, most coloured with wash or watercolour, for a more developed project for an ideal hospital for 1000 to 1200 patients with no site indicated (DR1974:0002:008:022 - DR1974:0002:008:025, DR1974:0002:008:027 - DR1974:0002:008:028). The five other drawings for hospitals included in this album are apparently related to the nine site plans (DR1974:0002:008:015, DR1974:0002:008:016, DR1974:0002:008:021, DR1974:0002:008:029, and DR1974:0002:008:030). Plans, elevations and sections for the redevelopment of the area surrounding the École de médecine include the addition of a second amphitheatre to the École de médecine, an addition to the Clinique de l'École de médecine, the alteration of the École de mosaïque for use as a salle de dissection, and alterations to the École royale gratuite de dessin (DR1974:0002:008:031 - DR1974:0002:008:064). Also included are several designs for a classically-inspired fountain to be located at the entrance to the Clinique de l'École de médecine (DR1974:0002:008:042 - DR1974:0002:008:049), and drawings for the Académie de médecine, an institution which was probably housed at the École de médecine during this period (DR1974:0002:008:065 - DR1974:0002:008:068). The album includes record drawings of medical buildings by other architects: a presentation drawing of the Albergo dei poveri in Palermo, designed by Orazio Foretto Palermitano; tracings from drawings of a project for Hôtel-Dieu in Paris, designed by Charles-François Viel de Saint-Maux; the 1775 Grand Prix project for an École de médecine designed by Paul Guillaume Lemoine; prints of the the Hospice de la charité in Lyon, designed by Jean Pollet, and two hospital projects in Dijon designed by Paul P. Petit (DR1974:0002:008:069 - DR1974:0002:008:077).
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
first half of the 19th century
first half of the 19th century
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Personnes et institutions:
Sujet:
architecture, architecture temporaire, urbanisme
architecture, architecture temporaire, urbanisme
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
Titre:
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
Actions:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
Actions:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
Personnes et institutions:
Sujet:
architecture, architecture temporaire, urbanisme
architecture, architecture temporaire, urbanisme
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:015:001-070
Description:
- This album contains drawings which range from design development drawings to highly finished renderings - mostly plans, elevations and sections - for Hubert Rohault de Fleury's proposed alterations to the Préfecture de police and for additions to a nearby prison, Paris, and prints and record drawings of French and English prisons and courthouses. Although the table of contents indicates that drawings four to twelve are for diverse projects (DR1974:0002:015:004 - DR1974:0002:015:015), they are apparently all related to Rohault de Fleury's proposals for alterations to the Préfecture de police (1833 ?) and for the enlargement of the nearby prison (1819). The proposals for the Préfecture de police included the rearrangement of the layout of the buildings and courtyards, and possibly the replacement of some buildings. Included with these drawings is an engraving by Jean-Jacques Leroy after plans by Antoine Marie Peyre for alterations to the Palais de justice, Paris (1822-1828), with a block plan for the adjacent Préfecture de police(DR1974:0002:015:001). Rohault de Fleury's project for the enlargement of the prison near the Préfecture de police includes cost estimates and specifications (DR1974:0002:015:016), and plans for lodgings for Mr. Vachette "l'état-major" (DR1974:0002:015:032). The record drawings and prints of prisons in France include: La Petite Roquette Prison for young offenders, Paris (1825-1826); Hazebrouck Prison, (probably ca. 1825); Palais de justice and prison, Toulon (1829); Chalôns-sur-Marne prison (1828); prison buildings at Caen (1788); and the Agricultural colony, Ostwald (1841). A programme concerning the population and classification of prisoners is included with the record drawings of La Petite Roquette Prison (DR1974:0002:015:033). The prison buidings at Caen (1788) are represented in an engraving after the engineer Le Febvre's designs (DR1974:0002:015:048). The lithographs by E. Simon fils of the Agricultural colony at Ostwald (1841) include a bird's-eye view of the complex (DR1974:0002:015:051). The record drawings and prints of prisons in the United Kingdom include: Chester Castle Prison and courthouse (1785-1822); possibly Ipswich Prison (probably between 1816 and 1830); and possibly Bridewell Prison, Edinburgh (1791-1795). Also included are record drawings, probably of three different unidentified English prisons of radial plan, and one panopticon prison (panopticon plan: DR1974:0002:015:049; radial plans: DR1974:0002:015:059 - DR1974:0002:015:061, and DR1974:0002:015:063 - DR1974:0002:015:070). The project for Chester Castle prison and courthouse (DR1974:0002:015:052 - DR1974:0002:015:058), includes a description and analysis of the courthouse and a bird's-eye view (DR1974:0002:015:052, DR1974:0002:015:054 and DR1974:0002:015:056).
DR1974:0002:015:001-070
Description:
- This album contains drawings which range from design development drawings to highly finished renderings - mostly plans, elevations and sections - for Hubert Rohault de Fleury's proposed alterations to the Préfecture de police and for additions to a nearby prison, Paris, and prints and record drawings of French and English prisons and courthouses. Although the table of contents indicates that drawings four to twelve are for diverse projects (DR1974:0002:015:004 - DR1974:0002:015:015), they are apparently all related to Rohault de Fleury's proposals for alterations to the Préfecture de police (1833 ?) and for the enlargement of the nearby prison (1819). The proposals for the Préfecture de police included the rearrangement of the layout of the buildings and courtyards, and possibly the replacement of some buildings. Included with these drawings is an engraving by Jean-Jacques Leroy after plans by Antoine Marie Peyre for alterations to the Palais de justice, Paris (1822-1828), with a block plan for the adjacent Préfecture de police(DR1974:0002:015:001). Rohault de Fleury's project for the enlargement of the prison near the Préfecture de police includes cost estimates and specifications (DR1974:0002:015:016), and plans for lodgings for Mr. Vachette "l'état-major" (DR1974:0002:015:032). The record drawings and prints of prisons in France include: La Petite Roquette Prison for young offenders, Paris (1825-1826); Hazebrouck Prison, (probably ca. 1825); Palais de justice and prison, Toulon (1829); Chalôns-sur-Marne prison (1828); prison buildings at Caen (1788); and the Agricultural colony, Ostwald (1841). A programme concerning the population and classification of prisoners is included with the record drawings of La Petite Roquette Prison (DR1974:0002:015:033). The prison buidings at Caen (1788) are represented in an engraving after the engineer Le Febvre's designs (DR1974:0002:015:048). The lithographs by E. Simon fils of the Agricultural colony at Ostwald (1841) include a bird's-eye view of the complex (DR1974:0002:015:051). The record drawings and prints of prisons in the United Kingdom include: Chester Castle Prison and courthouse (1785-1822); possibly Ipswich Prison (probably between 1816 and 1830); and possibly Bridewell Prison, Edinburgh (1791-1795). Also included are record drawings, probably of three different unidentified English prisons of radial plan, and one panopticon prison (panopticon plan: DR1974:0002:015:049; radial plans: DR1974:0002:015:059 - DR1974:0002:015:061, and DR1974:0002:015:063 - DR1974:0002:015:070). The project for Chester Castle prison and courthouse (DR1974:0002:015:052 - DR1974:0002:015:058), includes a description and analysis of the courthouse and a bird's-eye view (DR1974:0002:015:052, DR1974:0002:015:054 and DR1974:0002:015:056).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
drawings executed 1816-1833, prints 1788-1841, manuscripts 1816-1830
drawings executed 1816-1833, prints 1788-1841, manuscripts 1816-1830
Titre:
Album of drawings, prints and manuscripts for alterations to the Préfecture de police, rue de Jérusalem, Paris, and for the enlargement of a nearby prison, and prints and record drawings of French and English prisons and courthouses
Actions:
DR1974:0002:015:001-070
Description:
- This album contains drawings which range from design development drawings to highly finished renderings - mostly plans, elevations and sections - for Hubert Rohault de Fleury's proposed alterations to the Préfecture de police and for additions to a nearby prison, Paris, and prints and record drawings of French and English prisons and courthouses. Although the table of contents indicates that drawings four to twelve are for diverse projects (DR1974:0002:015:004 - DR1974:0002:015:015), they are apparently all related to Rohault de Fleury's proposals for alterations to the Préfecture de police (1833 ?) and for the enlargement of the nearby prison (1819). The proposals for the Préfecture de police included the rearrangement of the layout of the buildings and courtyards, and possibly the replacement of some buildings. Included with these drawings is an engraving by Jean-Jacques Leroy after plans by Antoine Marie Peyre for alterations to the Palais de justice, Paris (1822-1828), with a block plan for the adjacent Préfecture de police(DR1974:0002:015:001). Rohault de Fleury's project for the enlargement of the prison near the Préfecture de police includes cost estimates and specifications (DR1974:0002:015:016), and plans for lodgings for Mr. Vachette "l'état-major" (DR1974:0002:015:032). The record drawings and prints of prisons in France include: La Petite Roquette Prison for young offenders, Paris (1825-1826); Hazebrouck Prison, (probably ca. 1825); Palais de justice and prison, Toulon (1829); Chalôns-sur-Marne prison (1828); prison buildings at Caen (1788); and the Agricultural colony, Ostwald (1841). A programme concerning the population and classification of prisoners is included with the record drawings of La Petite Roquette Prison (DR1974:0002:015:033). The prison buidings at Caen (1788) are represented in an engraving after the engineer Le Febvre's designs (DR1974:0002:015:048). The lithographs by E. Simon fils of the Agricultural colony at Ostwald (1841) include a bird's-eye view of the complex (DR1974:0002:015:051). The record drawings and prints of prisons in the United Kingdom include: Chester Castle Prison and courthouse (1785-1822); possibly Ipswich Prison (probably between 1816 and 1830); and possibly Bridewell Prison, Edinburgh (1791-1795). Also included are record drawings, probably of three different unidentified English prisons of radial plan, and one panopticon prison (panopticon plan: DR1974:0002:015:049; radial plans: DR1974:0002:015:059 - DR1974:0002:015:061, and DR1974:0002:015:063 - DR1974:0002:015:070). The project for Chester Castle prison and courthouse (DR1974:0002:015:052 - DR1974:0002:015:058), includes a description and analysis of the courthouse and a bird's-eye view (DR1974:0002:015:052, DR1974:0002:015:054 and DR1974:0002:015:056).
Album of drawings, prints and manuscripts for alterations to the Préfecture de police, rue de Jérusalem, Paris, and for the enlargement of a nearby prison, and prints and record drawings of French and English prisons and courthouses
Actions:
DR1974:0002:015:001-070
Description:
- This album contains drawings which range from design development drawings to highly finished renderings - mostly plans, elevations and sections - for Hubert Rohault de Fleury's proposed alterations to the Préfecture de police and for additions to a nearby prison, Paris, and prints and record drawings of French and English prisons and courthouses. Although the table of contents indicates that drawings four to twelve are for diverse projects (DR1974:0002:015:004 - DR1974:0002:015:015), they are apparently all related to Rohault de Fleury's proposals for alterations to the Préfecture de police (1833 ?) and for the enlargement of the nearby prison (1819). The proposals for the Préfecture de police included the rearrangement of the layout of the buildings and courtyards, and possibly the replacement of some buildings. Included with these drawings is an engraving by Jean-Jacques Leroy after plans by Antoine Marie Peyre for alterations to the Palais de justice, Paris (1822-1828), with a block plan for the adjacent Préfecture de police(DR1974:0002:015:001). Rohault de Fleury's project for the enlargement of the prison near the Préfecture de police includes cost estimates and specifications (DR1974:0002:015:016), and plans for lodgings for Mr. Vachette "l'état-major" (DR1974:0002:015:032). The record drawings and prints of prisons in France include: La Petite Roquette Prison for young offenders, Paris (1825-1826); Hazebrouck Prison, (probably ca. 1825); Palais de justice and prison, Toulon (1829); Chalôns-sur-Marne prison (1828); prison buildings at Caen (1788); and the Agricultural colony, Ostwald (1841). A programme concerning the population and classification of prisoners is included with the record drawings of La Petite Roquette Prison (DR1974:0002:015:033). The prison buidings at Caen (1788) are represented in an engraving after the engineer Le Febvre's designs (DR1974:0002:015:048). The lithographs by E. Simon fils of the Agricultural colony at Ostwald (1841) include a bird's-eye view of the complex (DR1974:0002:015:051). The record drawings and prints of prisons in the United Kingdom include: Chester Castle Prison and courthouse (1785-1822); possibly Ipswich Prison (probably between 1816 and 1830); and possibly Bridewell Prison, Edinburgh (1791-1795). Also included are record drawings, probably of three different unidentified English prisons of radial plan, and one panopticon prison (panopticon plan: DR1974:0002:015:049; radial plans: DR1974:0002:015:059 - DR1974:0002:015:061, and DR1974:0002:015:063 - DR1974:0002:015:070). The project for Chester Castle prison and courthouse (DR1974:0002:015:052 - DR1974:0002:015:058), includes a description and analysis of the courthouse and a bird's-eye view (DR1974:0002:015:052, DR1974:0002:015:054 and DR1974:0002:015:056).
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
drawings executed 1816-1833, prints 1788-1841, manuscripts 1816-1830
drawings executed 1816-1833, prints 1788-1841, manuscripts 1816-1830
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins, documents textuels
dessins, documents textuels
Actions:
Numéro de référence:
DR1986:0767:001-473
Description:
- The Fonds Monadnock comprises over 500 drawings, blueprints, hectographs and manuscripts, mostly for the Monadnock Building, Chicago, and a few drawings and reprographic copies for other buildings by Burnham and Root: the Rookery Building, the Herald Building, and the Chemical Bank Building, all in Chicago, and the Fidelity Trust Building, Tacoma, Washington. Drawings and prints for the Monadnock Building include the earliest known conceptual drawings illustrating the initial development of the design, presentation drawings for a twelve-storey Egyptian-inspired design, design development drawings for a sixteen-storey steel frame project, and design, design development and working drawings for the final built work. - The first design phase for the Monadnock Building is known as the Quamquisset Building (1884). Drawings for this phase include five conceptual elevations for Richardsonian Romanesque and Gothic proposals (DR1986:0767:003, DR1986:0767:062 - DR1986:0767:064 and DR1986:0767:087) , and a presentation drawing for a façade with Eygptian-inspired ornament (DR1986:0767:085). Drawings for the second design phase, the Monadnock Block (1885), include two preliminary plans, twenty presentation drawings showing two variant designs, two structural drawings for the foundations, one design development drawing, and seven working drawings for the steel frame. Drawings for the third design phase, the sixteen-storey steel frame project (1889), include twenty design development drawings - elevations, sections and plans - four of which are stamped by the commissioner of buildings, and one structural drawing, a plan with load calculations (DR1986:0767:026). The majority of the drawings, reprographic copies and manuscripts are for the fourth and final design phase of the Monadnock Building (1889-1892) which incorporates the Kearsarge Building (1890). Drawings for the fourth design phase include mostly working drawings, many design and design development drawings, some contract drawings and a few preliminary and presentation drawings. The working drawings, design and design development drawings for the fourth design phase include general plans, sections and elevations, structural drawings and building systems drawings (plumbing, heating, electrical, elevators) and detail drawings. Most of the contract drawings for the fourth design phase are working drawings which were apparently used on site during the construction of the building. Contract drawings also include detail, construction, mechanical, and a few shop drawings. There are many plans and elevations for office and commercial space interiors, including construction drawings for built-in furniture. Some of these drawings have been approved (signed) by future tenants. There are two later drawings related to the Monadnock Building: a printed plan for the Monadnock addition by Holabird & Roche (DR1986:0767:131) and a plan dated 1895, showing the settlement of the piers of the "Old Monadnock Building" (DR1986:0767:192). All nineteen manuscripts, with the exception of one lighting fixture schedule, concern the calculation of the structural loads for the Monadnock Building. The fonds Monadnock also contains miscellaneous fragmentary execution drawings, pieces of execution drawings, blueprints, staples and metal ties for drawings, for the Monadnock Building, Chicago, Illinois (DR1986:0767:473:001-023). - The fonds Monadnock contains a few drawings for other buildings designed by Burnham and Root in Chicago: two graphite plans for the Herald Building, 1889-1891 (DR1986:0767:173 and DR1986:0767:174); two pen and ink structural drawings showing the steel frame for the Rookery Building, 1885-1887 (DR1986:0767:037 and DR1986:0767:038); a hectograph showing a riser diagram and drawings for the plumbing fixtures for the Chemical Bank Building 1889 (DR1986:0767:358); and six presentation drawings - elevations, sections and plans - and one preliminary drawing for an unbuilt office building designed by Burnham and Root for the corner of Clark and Van Buren Streets in Chicago (DR1986:0767:002, DR1986:0767:089, DR1986:0767:090 R and DR1986:0767:093 - DR1986:0767:095, and DR1986:0767:111). There is a plan and two sections for the steel frame, and a plan for a commercial space for the Fidelity Trust Building, Tacoma, Washington, 1889-1891,(DR1986:0767:163 - DR1986:0767:165, DR1986:0767:184). The elevation for teller wickets is probably also for this building (DR1986:0767:185). Drawings for unidentified buildings include an elevation for a house, an excavation plan, and several miscellaneous sheets of drawings and calculations (DR1986:0767:141 V, DR1986:0767:130, DR1986:0767:090 V, DR1986:0767:158, DR1986:0767:159, DR1986:0767:183 and DR1986:0767:189).
DR1986:0767:001-473
Description:
- The Fonds Monadnock comprises over 500 drawings, blueprints, hectographs and manuscripts, mostly for the Monadnock Building, Chicago, and a few drawings and reprographic copies for other buildings by Burnham and Root: the Rookery Building, the Herald Building, and the Chemical Bank Building, all in Chicago, and the Fidelity Trust Building, Tacoma, Washington. Drawings and prints for the Monadnock Building include the earliest known conceptual drawings illustrating the initial development of the design, presentation drawings for a twelve-storey Egyptian-inspired design, design development drawings for a sixteen-storey steel frame project, and design, design development and working drawings for the final built work. - The first design phase for the Monadnock Building is known as the Quamquisset Building (1884). Drawings for this phase include five conceptual elevations for Richardsonian Romanesque and Gothic proposals (DR1986:0767:003, DR1986:0767:062 - DR1986:0767:064 and DR1986:0767:087) , and a presentation drawing for a façade with Eygptian-inspired ornament (DR1986:0767:085). Drawings for the second design phase, the Monadnock Block (1885), include two preliminary plans, twenty presentation drawings showing two variant designs, two structural drawings for the foundations, one design development drawing, and seven working drawings for the steel frame. Drawings for the third design phase, the sixteen-storey steel frame project (1889), include twenty design development drawings - elevations, sections and plans - four of which are stamped by the commissioner of buildings, and one structural drawing, a plan with load calculations (DR1986:0767:026). The majority of the drawings, reprographic copies and manuscripts are for the fourth and final design phase of the Monadnock Building (1889-1892) which incorporates the Kearsarge Building (1890). Drawings for the fourth design phase include mostly working drawings, many design and design development drawings, some contract drawings and a few preliminary and presentation drawings. The working drawings, design and design development drawings for the fourth design phase include general plans, sections and elevations, structural drawings and building systems drawings (plumbing, heating, electrical, elevators) and detail drawings. Most of the contract drawings for the fourth design phase are working drawings which were apparently used on site during the construction of the building. Contract drawings also include detail, construction, mechanical, and a few shop drawings. There are many plans and elevations for office and commercial space interiors, including construction drawings for built-in furniture. Some of these drawings have been approved (signed) by future tenants. There are two later drawings related to the Monadnock Building: a printed plan for the Monadnock addition by Holabird & Roche (DR1986:0767:131) and a plan dated 1895, showing the settlement of the piers of the "Old Monadnock Building" (DR1986:0767:192). All nineteen manuscripts, with the exception of one lighting fixture schedule, concern the calculation of the structural loads for the Monadnock Building. The fonds Monadnock also contains miscellaneous fragmentary execution drawings, pieces of execution drawings, blueprints, staples and metal ties for drawings, for the Monadnock Building, Chicago, Illinois (DR1986:0767:473:001-023). - The fonds Monadnock contains a few drawings for other buildings designed by Burnham and Root in Chicago: two graphite plans for the Herald Building, 1889-1891 (DR1986:0767:173 and DR1986:0767:174); two pen and ink structural drawings showing the steel frame for the Rookery Building, 1885-1887 (DR1986:0767:037 and DR1986:0767:038); a hectograph showing a riser diagram and drawings for the plumbing fixtures for the Chemical Bank Building 1889 (DR1986:0767:358); and six presentation drawings - elevations, sections and plans - and one preliminary drawing for an unbuilt office building designed by Burnham and Root for the corner of Clark and Van Buren Streets in Chicago (DR1986:0767:002, DR1986:0767:089, DR1986:0767:090 R and DR1986:0767:093 - DR1986:0767:095, and DR1986:0767:111). There is a plan and two sections for the steel frame, and a plan for a commercial space for the Fidelity Trust Building, Tacoma, Washington, 1889-1891,(DR1986:0767:163 - DR1986:0767:165, DR1986:0767:184). The elevation for teller wickets is probably also for this building (DR1986:0767:185). Drawings for unidentified buildings include an elevation for a house, an excavation plan, and several miscellaneous sheets of drawings and calculations (DR1986:0767:141 V, DR1986:0767:130, DR1986:0767:090 V, DR1986:0767:158, DR1986:0767:159, DR1986:0767:183 and DR1986:0767:189).
Personnes et institutions:
Sujet:
architecture, design d'intérieur, ingénierie
architecture, design d'intérieur, ingénierie
Date:
most reprographic copies printed between 1889 and 1892
most reprographic copies printed between 1889 and 1892
Titre:
Drawings, prints, reprographic copies and documents for the Monadnock Building, Chicago
Actions:
DR1986:0767:001-473
Description:
- The Fonds Monadnock comprises over 500 drawings, blueprints, hectographs and manuscripts, mostly for the Monadnock Building, Chicago, and a few drawings and reprographic copies for other buildings by Burnham and Root: the Rookery Building, the Herald Building, and the Chemical Bank Building, all in Chicago, and the Fidelity Trust Building, Tacoma, Washington. Drawings and prints for the Monadnock Building include the earliest known conceptual drawings illustrating the initial development of the design, presentation drawings for a twelve-storey Egyptian-inspired design, design development drawings for a sixteen-storey steel frame project, and design, design development and working drawings for the final built work. - The first design phase for the Monadnock Building is known as the Quamquisset Building (1884). Drawings for this phase include five conceptual elevations for Richardsonian Romanesque and Gothic proposals (DR1986:0767:003, DR1986:0767:062 - DR1986:0767:064 and DR1986:0767:087) , and a presentation drawing for a façade with Eygptian-inspired ornament (DR1986:0767:085). Drawings for the second design phase, the Monadnock Block (1885), include two preliminary plans, twenty presentation drawings showing two variant designs, two structural drawings for the foundations, one design development drawing, and seven working drawings for the steel frame. Drawings for the third design phase, the sixteen-storey steel frame project (1889), include twenty design development drawings - elevations, sections and plans - four of which are stamped by the commissioner of buildings, and one structural drawing, a plan with load calculations (DR1986:0767:026). The majority of the drawings, reprographic copies and manuscripts are for the fourth and final design phase of the Monadnock Building (1889-1892) which incorporates the Kearsarge Building (1890). Drawings for the fourth design phase include mostly working drawings, many design and design development drawings, some contract drawings and a few preliminary and presentation drawings. The working drawings, design and design development drawings for the fourth design phase include general plans, sections and elevations, structural drawings and building systems drawings (plumbing, heating, electrical, elevators) and detail drawings. Most of the contract drawings for the fourth design phase are working drawings which were apparently used on site during the construction of the building. Contract drawings also include detail, construction, mechanical, and a few shop drawings. There are many plans and elevations for office and commercial space interiors, including construction drawings for built-in furniture. Some of these drawings have been approved (signed) by future tenants. There are two later drawings related to the Monadnock Building: a printed plan for the Monadnock addition by Holabird & Roche (DR1986:0767:131) and a plan dated 1895, showing the settlement of the piers of the "Old Monadnock Building" (DR1986:0767:192). All nineteen manuscripts, with the exception of one lighting fixture schedule, concern the calculation of the structural loads for the Monadnock Building. The fonds Monadnock also contains miscellaneous fragmentary execution drawings, pieces of execution drawings, blueprints, staples and metal ties for drawings, for the Monadnock Building, Chicago, Illinois (DR1986:0767:473:001-023). - The fonds Monadnock contains a few drawings for other buildings designed by Burnham and Root in Chicago: two graphite plans for the Herald Building, 1889-1891 (DR1986:0767:173 and DR1986:0767:174); two pen and ink structural drawings showing the steel frame for the Rookery Building, 1885-1887 (DR1986:0767:037 and DR1986:0767:038); a hectograph showing a riser diagram and drawings for the plumbing fixtures for the Chemical Bank Building 1889 (DR1986:0767:358); and six presentation drawings - elevations, sections and plans - and one preliminary drawing for an unbuilt office building designed by Burnham and Root for the corner of Clark and Van Buren Streets in Chicago (DR1986:0767:002, DR1986:0767:089, DR1986:0767:090 R and DR1986:0767:093 - DR1986:0767:095, and DR1986:0767:111). There is a plan and two sections for the steel frame, and a plan for a commercial space for the Fidelity Trust Building, Tacoma, Washington, 1889-1891,(DR1986:0767:163 - DR1986:0767:165, DR1986:0767:184). The elevation for teller wickets is probably also for this building (DR1986:0767:185). Drawings for unidentified buildings include an elevation for a house, an excavation plan, and several miscellaneous sheets of drawings and calculations (DR1986:0767:141 V, DR1986:0767:130, DR1986:0767:090 V, DR1986:0767:158, DR1986:0767:159, DR1986:0767:183 and DR1986:0767:189).
Drawings, prints, reprographic copies and documents for the Monadnock Building, Chicago
Actions:
DR1986:0767:001-473
Description:
- The Fonds Monadnock comprises over 500 drawings, blueprints, hectographs and manuscripts, mostly for the Monadnock Building, Chicago, and a few drawings and reprographic copies for other buildings by Burnham and Root: the Rookery Building, the Herald Building, and the Chemical Bank Building, all in Chicago, and the Fidelity Trust Building, Tacoma, Washington. Drawings and prints for the Monadnock Building include the earliest known conceptual drawings illustrating the initial development of the design, presentation drawings for a twelve-storey Egyptian-inspired design, design development drawings for a sixteen-storey steel frame project, and design, design development and working drawings for the final built work. - The first design phase for the Monadnock Building is known as the Quamquisset Building (1884). Drawings for this phase include five conceptual elevations for Richardsonian Romanesque and Gothic proposals (DR1986:0767:003, DR1986:0767:062 - DR1986:0767:064 and DR1986:0767:087) , and a presentation drawing for a façade with Eygptian-inspired ornament (DR1986:0767:085). Drawings for the second design phase, the Monadnock Block (1885), include two preliminary plans, twenty presentation drawings showing two variant designs, two structural drawings for the foundations, one design development drawing, and seven working drawings for the steel frame. Drawings for the third design phase, the sixteen-storey steel frame project (1889), include twenty design development drawings - elevations, sections and plans - four of which are stamped by the commissioner of buildings, and one structural drawing, a plan with load calculations (DR1986:0767:026). The majority of the drawings, reprographic copies and manuscripts are for the fourth and final design phase of the Monadnock Building (1889-1892) which incorporates the Kearsarge Building (1890). Drawings for the fourth design phase include mostly working drawings, many design and design development drawings, some contract drawings and a few preliminary and presentation drawings. The working drawings, design and design development drawings for the fourth design phase include general plans, sections and elevations, structural drawings and building systems drawings (plumbing, heating, electrical, elevators) and detail drawings. Most of the contract drawings for the fourth design phase are working drawings which were apparently used on site during the construction of the building. Contract drawings also include detail, construction, mechanical, and a few shop drawings. There are many plans and elevations for office and commercial space interiors, including construction drawings for built-in furniture. Some of these drawings have been approved (signed) by future tenants. There are two later drawings related to the Monadnock Building: a printed plan for the Monadnock addition by Holabird & Roche (DR1986:0767:131) and a plan dated 1895, showing the settlement of the piers of the "Old Monadnock Building" (DR1986:0767:192). All nineteen manuscripts, with the exception of one lighting fixture schedule, concern the calculation of the structural loads for the Monadnock Building. The fonds Monadnock also contains miscellaneous fragmentary execution drawings, pieces of execution drawings, blueprints, staples and metal ties for drawings, for the Monadnock Building, Chicago, Illinois (DR1986:0767:473:001-023). - The fonds Monadnock contains a few drawings for other buildings designed by Burnham and Root in Chicago: two graphite plans for the Herald Building, 1889-1891 (DR1986:0767:173 and DR1986:0767:174); two pen and ink structural drawings showing the steel frame for the Rookery Building, 1885-1887 (DR1986:0767:037 and DR1986:0767:038); a hectograph showing a riser diagram and drawings for the plumbing fixtures for the Chemical Bank Building 1889 (DR1986:0767:358); and six presentation drawings - elevations, sections and plans - and one preliminary drawing for an unbuilt office building designed by Burnham and Root for the corner of Clark and Van Buren Streets in Chicago (DR1986:0767:002, DR1986:0767:089, DR1986:0767:090 R and DR1986:0767:093 - DR1986:0767:095, and DR1986:0767:111). There is a plan and two sections for the steel frame, and a plan for a commercial space for the Fidelity Trust Building, Tacoma, Washington, 1889-1891,(DR1986:0767:163 - DR1986:0767:165, DR1986:0767:184). The elevation for teller wickets is probably also for this building (DR1986:0767:185). Drawings for unidentified buildings include an elevation for a house, an excavation plan, and several miscellaneous sheets of drawings and calculations (DR1986:0767:141 V, DR1986:0767:130, DR1986:0767:090 V, DR1986:0767:158, DR1986:0767:159, DR1986:0767:183 and DR1986:0767:189).
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
most reprographic copies printed between 1889 and 1892
most reprographic copies printed between 1889 and 1892
Personnes et institutions:
Sujet:
architecture, design d'intérieur, ingénierie
architecture, design d'intérieur, ingénierie
Classification:
périodiques
périodiques
Titre:
19th-century music.
19th-century music.
Actions:
Auteur:
Sujet:
Publication:
Berkeley, Calif. : University of California Press, ©1977-
Berkeley, Calif. : University of California Press, ©1977-
Classification:
périodiques
périodiques
Publication:
Berkeley, Calif. : University of California Press, ©1977-
Berkeley, Calif. : University of California Press, ©1977-
Auteur:
Sujet:
