périodiques
Early modern women.
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1 online resource
[College Park, MD] : [Center for Renaissance & Baroque Studies, University of Maryland], [2006-], Tempe, AZ : ACMRS Press, Arizona Center for Medieval and Renaissance Studies, in collaboration with the University of Miami Center for the Humanities, Chicago, IL : University of Chicago Press
périodiques
[College Park, MD] : [Center for Renaissance & Baroque Studies, University of Maryland], [2006-], Tempe, AZ : ACMRS Press, Arizona Center for Medieval and Renaissance Studies, in collaboration with the University of Miami Center for the Humanities, Chicago, IL : University of Chicago Press
livres
Description:
93 pages : illustrations, maps, plans ; 22 x 29 cm
Chicago : Published for Washington University [St. Louis] by the University of Chicago Press, [1967]
Hydra: a Greek island town, its growth and form / [by] Constantine E. Michaelides.
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93 pages : illustrations, maps, plans ; 22 x 29 cm
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Chicago : Published for Washington University [St. Louis] by the University of Chicago Press, [1967]
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The Urantia Book.
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lxvi, 2067 pages
Chicago : Urantia Foundation, 1955.
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Chicago : Urantia Foundation, 1955.
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Steuben County art work.
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75 leaves : illustrations ; 34 cm
Chicago : W.H. Parish, 1893.
Steuben County art work.
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75 leaves : illustrations ; 34 cm
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Chicago : W.H. Parish, 1893.
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147 pages : illustrations ; 29 cm
Chicago ; London : University of Chicago Press, 2015.
Diary/Landscape / James Welling ; with an introduction by Matthew S. Witkovsky.
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147 pages : illustrations ; 29 cm
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Chicago ; London : University of Chicago Press, 2015.
$52.95
(disponible sur commande)
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In Midstream, photographer Richard Wasserman documents the entire length of the 156-mile Chicago River and gives readers a glimpse into a mostly hidden landscape. As the twentieth century was drawing to a close and the city’s industrial manufacturing era was rapidly waning, Wasserman took note of increased efforts to clean, beautify, and conserve the river, and he felt an(...)
Midstream: the Chicago river, 1990-2010
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Résumé:
In Midstream, photographer Richard Wasserman documents the entire length of the 156-mile Chicago River and gives readers a glimpse into a mostly hidden landscape. As the twentieth century was drawing to a close and the city’s industrial manufacturing era was rapidly waning, Wasserman took note of increased efforts to clean, beautify, and conserve the river, and he felt an urgent need to preserve the memory of Chicago’s brawling past. With an essay by Julia S. Bachrach, this publication will be a significant resource and a lasting documentation of the Chicago River during the first decade of the twenty-first century.
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Description:
x, 239 pages : illustrations, maps ; 22 cm
Chicago : University of Chicago Press, 2002.
Spying with maps : surveillance technologies and the future of privacy / Mark Monmonier.
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x, 239 pages : illustrations, maps ; 22 cm
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Chicago : University of Chicago Press, 2002.
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Description:
357 pages : illustrations ; 24 cm
Chicago : University of Chicago Press, 1995.
Baroque personae / edited by Rosario Villari ; translated by Lydia G. Cochrane.
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357 pages : illustrations ; 24 cm
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Chicago : University of Chicago Press, 1995.
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Chicago : Portland Cement Association, 1944.
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Chicago : Portland Cement Association, 1944.
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$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
Institutional time: a critique of studio art education
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$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
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mars 2014
Muséologie