Arkitip 50 André Balazs
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André Balazs Properties owns and operates eight hotels in the US, including properties in New York, Miami and Los Angeles. His residential projects include 40 Mercer Residences in Soho, designed by architect Jean Nouvel; One Kenmare Square with Richard Gluckman and William Beaver House designed by Calvin Tsao. This issue focusses on the creative side of his work, paying(...)
Arkitip 50 André Balazs
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André Balazs Properties owns and operates eight hotels in the US, including properties in New York, Miami and Los Angeles. His residential projects include 40 Mercer Residences in Soho, designed by architect Jean Nouvel; One Kenmare Square with Richard Gluckman and William Beaver House designed by Calvin Tsao. This issue focusses on the creative side of his work, paying attention to the way he 'pays attention' to details, his inspirations, as well as some of his obsessions. In addition, Andrew Holder contributes a series of illustrations of Balazs' prestigious and most well known properties for a series of four Surface Mats. One of each that accompanies each issue edition. The signed Surface Mats are useable as a table, desk top accessory or suitable for framing.
Revues
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In this study, Jean-Pierre Vernant delineates a compelling new vision of ancient Greece. The book takes us far from the calm and familiar images of Polykleitos and the Parthenon to reveal a fundamentally other culture — one of slavery, of masks and death, of scapegoats, of ritual hunting, and of ecstasies. Vernant’s discussions of various institutions and practices(...)
Myth and society in ancient Greece
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In this study, Jean-Pierre Vernant delineates a compelling new vision of ancient Greece. The book takes us far from the calm and familiar images of Polykleitos and the Parthenon to reveal a fundamentally other culture — one of slavery, of masks and death, of scapegoats, of ritual hunting, and of ecstasies. Vernant’s discussions of various institutions and practices (including war, marriage, and sacrifice) detail the complex intersection of the religious, social, and political structures of ancient Greece. The book concludes with Vernant’s authoritative genealogy of the study of myth from Antiquity to structuralism and beyond. “Myth,” he writes, “brings into operation a form of logic which we may describe, unlike the logic of noncontradiction of the philosophers, as a logic of the ambiguous and the equivocal.”
Théorie/ philosophie
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Author and artist Edmund de Waal gives us an intimate narrative history of his lifelong obsession with porcelain, or 'white gold.' A potter who has been working with porcelain for more than forty years, de Waal describes how he set out on five journeys to places where porcelain was dreamed about, refined, collected and coveted - and that would help him understand the(...)
septembre 2015
The white road: journey into an obsession
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Author and artist Edmund de Waal gives us an intimate narrative history of his lifelong obsession with porcelain, or 'white gold.' A potter who has been working with porcelain for more than forty years, de Waal describes how he set out on five journeys to places where porcelain was dreamed about, refined, collected and coveted - and that would help him understand the clay's mysterious allure. From his studio in London, he starts by travelling to three 'white hills' - sites in China, Germany and England that are key to porcelain's creation. But his search eventually takes him around the globe and reveals more than a history of cups and figurines; rather, he is forced to confront some of the darkest moments of twentieth-century history.
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Beauty--the book, born out of Cooper Hewitt, Smithsonian Design Museum's 2015 Triennial of the same name, curated by Andrea Lipps and Ellen Lupton--showcases some of the most exciting and provocative design created around the globe during the past three years. These pages aim not to emphasize the hidden beauty in the everyday--a beloved teapot or favorite shoe--but to(...)
Beauty: Cooper Hewitt design triennial
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Beauty--the book, born out of Cooper Hewitt, Smithsonian Design Museum's 2015 Triennial of the same name, curated by Andrea Lipps and Ellen Lupton--showcases some of the most exciting and provocative design created around the globe during the past three years. These pages aim not to emphasize the hidden beauty in the everyday--a beloved teapot or favorite shoe--but to locate transformational beauty in contemporary design that is exuberant, ethereal, atmospheric, experiential, exceptional or sublime. Sixty-two designers represent a vast range of disciplines from architecture, fashion, digital, graphic, and product design, to interiors, hair, nail and lighting design. The objects featured cause us to take pause, catch our breath and get lost in our pursuit to understand or explain them.
Design industriel
The documentary impulse
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Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and(...)
The documentary impulse
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Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and science. Looking at photojournalism, war photography and work recording our culture, Franklin identifies some of its driving impulses: curiosity, outrage, reform and ritual; the search for evidence, for beauty, for therapy; and the immortalization of memory. As our understanding of 'documentary' continues to expand, Franklin considers photographic staging - where, perhaps, the future of the genre may lie: in search of truth over fact.
Théorie de la photographie
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The extent to which economic value is placed on knowledge today forces us to reconsider its social role and our relation to it. Research, the general category for processes of knowledge production, has become omnipresent in both education and practice. Today it’s not so important what you know but rather how you think. Progress, in this sense, is predicated by critical(...)
Volume 48: the research turn inset by Malkit Shoshan
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The extent to which economic value is placed on knowledge today forces us to reconsider its social role and our relation to it. Research, the general category for processes of knowledge production, has become omnipresent in both education and practice. Today it’s not so important what you know but rather how you think. Progress, in this sense, is predicated by critical reflection on ways of knowing and disciplinary traditions of thought. This issue of Volume – the second in our series on learning – is dedicated to mapping the contemporary field of research in architecture, art and the social sciences. We wanted to learn from those who have been instrumental in shifting the boundaries and shaping today’s landscape of creative knowledge production.
Revues
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Environmentalism, in theory and practice, is concerned with protecting nature. But if we have now reached "the end of nature", as Bill McKibben and other environmental thinkers have declared, what is there left to protect? In Thinking like a Mall, Steven Vogel argues that environmental thinking would be better off if it dropped the concept of “nature” altogether and spoke(...)
Thinking like a mall: environmental philosophy after the end of nature
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Environmentalism, in theory and practice, is concerned with protecting nature. But if we have now reached "the end of nature", as Bill McKibben and other environmental thinkers have declared, what is there left to protect? In Thinking like a Mall, Steven Vogel argues that environmental thinking would be better off if it dropped the concept of “nature” altogether and spoke instead of the “environment”—that is, the world that actually surrounds us, which is always a built world, the only one that we inhabit. We need to think not so much like a mountain (as Aldo Leopold urged) as like a mall. Shopping malls, too, are part of the environment and deserve as much serious consideration from environmental thinkers as do mountains.
Why fonts matter
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Fonts have different personalities that can create trust or mistrust, give you confidence, make things seem easier to do or make a product taste better. Understand the science behind how fonts influence what you read. They're hidden in plain sight, they trigger memories, associations and multi-sensory experiences in your imagination. You may not believe it, but fonts can(...)
Why fonts matter
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Fonts have different personalities that can create trust or mistrust, give you confidence, make things seem easier to do or make a product taste better. Understand the science behind how fonts influence what you read. They're hidden in plain sight, they trigger memories, associations and multi-sensory experiences in your imagination. You may not believe it, but fonts can change the meanings of words right before your very eyes, alter the taste of your food, evoke emotional responses and reveal their users' personalities. Graphic designer Sarah Hyndman specializes in exploring how fonts influence us as type consumers; ''Why fonts matter'' synthesizes Hyndman's 20 years of experience as graphic designer with her typographic research and the findings of experimental psychologists and neuroscientists.
A walk through Paris
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Eric Hazan takes the reader on a walk from Ivry to Saint-Denis, roughly following the meridian that divides Paris into east and west, and passing such familiar landmarks as the Luxembourg Gardens, the Pompidou Centre, the Gare du Nord and Montmartre, as well as forgotten alleyways and arcades. Weaving historical anecdotes, geographical observations, and literary(...)
A walk through Paris
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Eric Hazan takes the reader on a walk from Ivry to Saint-Denis, roughly following the meridian that divides Paris into east and west, and passing such familiar landmarks as the Luxembourg Gardens, the Pompidou Centre, the Gare du Nord and Montmartre, as well as forgotten alleyways and arcades. Weaving historical anecdotes, geographical observations, and literary references, Hazan’s walk guides us through an unknown Paris. With the aid of maps, he delineates the most fascinating and forgotten parts of the city’s past and present. Planning and modernization have accelerated the erasure of its revolutionary history, yet through walking and observation, Hazan shows how we can regain our knowledge of the city of Robespierre, the Commune, Sartre, and the May ’68 uprising.
Trajets
Perspecta 51
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early(...)
Perspecta 51
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early conversations of networks and cybernetics, as well as recent media theory. Yet today, midcentury architectural fictions and fantasies are reality—nomadic devices connect people, rooms, buildings, and cities to vast networks of data, capital, and energy; media are palpably enmeshed in the concrete built environment surrounding us. This volume of Perspecta takes a broad view of medium to take stock of and unpack unexpected relationships.
Revues