I.M. Pei : complete works
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations,(...)
janvier 1900, New York
I.M. Pei : complete works
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations, culminating in the last works he is currently completing.
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In this book, Eric Mumford traces how members of the International Congress of Modern Architecture (CIAM), such as Walter Gropius, Josep Lluís Sert, and their American associates, developed the discipline of urban design from the 1940s to the 1960s. Now widely known, this field has had significant influence in university departments and building projects around the world,(...)
mai 2009, New Haven, London
Defining urban design : CIAM architects and the formation of a discipline, 1937-69
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In this book, Eric Mumford traces how members of the International Congress of Modern Architecture (CIAM), such as Walter Gropius, Josep Lluís Sert, and their American associates, developed the discipline of urban design from the 1940s to the 1960s. Now widely known, this field has had significant influence in university departments and building projects around the world, but its roots in the urbanism of CIAM are not well understood.
Aldo Rossi drawings
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s(...)
janvier 1900, Milano
Aldo Rossi drawings
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s works, an index of exhibitions, and a bibliography.
livres
On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can (...)
On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy. Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction. Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
livres
avril 2001, Chicago
livres
José Luis Sert : 1901-1983
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The author has assembled the entire legacy of Sert’s projects and has reconstructed the profile of one of the greatest Spanish architects of the twentieth century. The book also conveys an overview of the avant-garde art and architecture movements of the time, with illustrations of important CIAM meetings, art, sculpture and architecture by artists who influenced Sert.
juin 2004, Milan
José Luis Sert : 1901-1983
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The author has assembled the entire legacy of Sert’s projects and has reconstructed the profile of one of the greatest Spanish architects of the twentieth century. The book also conveys an overview of the avant-garde art and architecture movements of the time, with illustrations of important CIAM meetings, art, sculpture and architecture by artists who influenced Sert.
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juin 2004, Milan
livres
The millenium house
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In the academic year 2000-2001, Yale professor and New York City based architect Peggy Deamer led two innovative courses: first, a focused seminar on the state of contemporary residential design; second, a creative studio offering house designs that drew on the discoveries of the seminar. This book, the second in a series documenting work at the Yale School of(...)
mai 2003, New York
The millenium house
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In the academic year 2000-2001, Yale professor and New York City based architect Peggy Deamer led two innovative courses: first, a focused seminar on the state of contemporary residential design; second, a creative studio offering house designs that drew on the discoveries of the seminar. This book, the second in a series documenting work at the Yale School of Architecture, combines work from both courses in a thoughtful and provocative study of the state of the house at the turn of the millennium. Deamer introduces the volume with an essay on three issues vital to a discussion of millennial design: newness, uniqueness, and design innovation. Designs of visiting seminar critics -- Steven Holl, Elizabeth Diller and Ricardo Scofidio, William McDonough, LOT/EK, Winy Maas, and Jacques Herzog -- are showcased along with descriptive and analytical texts. Work from the studio course is divided into various themes explored by the students: image, standardization and modularity, networks and diagrams. The hybrid quality of this volume -- designs by practicing architects and students; observation and interpretation -- reflects debates and issues at the heart of early-twenty-first-century architecture.
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mai 2003, New York
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Photographer Jeff Brouws has crisscrossed the country for two decades, documenting an America that is at once quintessential and peculiar. Readymades is a quirky, multi-layered catalog of this ascendant photographer’s work: partially painted pickup trucks, bowling alley signs, vibrant-hued houses that defy the monotony of the suburbs, abandoned drive-in movie theaters.(...)
avril 2003, San Francisco
Readymades : American roadside artifacts
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Photographer Jeff Brouws has crisscrossed the country for two decades, documenting an America that is at once quintessential and peculiar. Readymades is a quirky, multi-layered catalog of this ascendant photographer’s work: partially painted pickup trucks, bowling alley signs, vibrant-hued houses that defy the monotony of the suburbs, abandoned drive-in movie theaters. Brouws treats his subjects as readymade art found in the landscape, brought together to create an idiosyncratic roadside panorama. Provocative essays by leading writers and cultural commentators such as Luc Sante, DJ Waldie, M. Mark, Diana Gaston, Bruce Caron, and Phil Patton are juxtaposed with these images of all that is unique in the uniform, and striking in the mundane.
Will Alsop: book 1
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Beginning with Alsop's student days at the Architectural Association in London, the book traces the architect's development through study abroad, competitions, collaborations with artists and fellow architects, early projects and built works up to 1990.
septembre 2001, London
Will Alsop: book 1
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Beginning with Alsop's student days at the Architectural Association in London, the book traces the architect's development through study abroad, competitions, collaborations with artists and fellow architects, early projects and built works up to 1990.
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In over 30 years of practice, Robert A. M. Stern has developed an architecture committed to the synthesis of tradition and innovation and, above all, to the creation and enhancement of a meaningful sense of place. Initially gaining notice for its residential work, the firm of Robert A. M. Stern Architects has produced a wide variety of building types in a range of(...)
juillet 2003, New York
Robert A.M. Stern : buildings and projects 1999-2003
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In over 30 years of practice, Robert A. M. Stern has developed an architecture committed to the synthesis of tradition and innovation and, above all, to the creation and enhancement of a meaningful sense of place. Initially gaining notice for its residential work, the firm of Robert A. M. Stern Architects has produced a wide variety of building types in a range of stylistic vocabularies.
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How architects and engineers relate to one another has long been debated but never before addressed over a broad span of history. There are many controversial issues: about professional demarcation, about credit for design, about the value we attach to art in buildings, and about how that connects with advances in technique and efficiency. This pioneering and handsomely(...)
mars 2008, New Haven, London
Architect and Engineer: a study in sibling rivalry
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How architects and engineers relate to one another has long been debated but never before addressed over a broad span of history. There are many controversial issues: about professional demarcation, about credit for design, about the value we attach to art in buildings, and about how that connects with advances in technique and efficiency. This pioneering and handsomely illustrated book enquires for the first time into the pattern of these relationships since the Renaissance. Concentrating particularly on Britain, France and the United States, Architect and Engineer looks at what has actually taken place when architecture and engineering have interlocked. It examines projects ranging from the building of Waterloo Bridge to the evolution of the Chicago skyscraper, and personalities from Vauban to Brunel and Wright. The results of this impartial investigation may often surprise and provoke the reader. It is a study that has radical implications for the compartmentalized ways in which the history of architecture and construction has conventionally been addressed