445 Résultats
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livres
livres
Titre:
Nicola Buonomo: Luoghi
Nicola Buonomo: Luoghi
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$69.95
(disponible en magasin)
Résumé:
In his debut monograph, "Luoghi", Nicola Buonomo deepens his engagement with nine familiar places. Ranging from his grandmother's backyard to a sand production facility nearby, these are all within a few kilometers of Nicola’s home in Northern Sicily, Italy. The photographs display a subtly dissonant relationship between man-made infrastructure and the natural world.(...)
$69.95
(disponible en magasin)
Résumé:
In his debut monograph, "Luoghi", Nicola Buonomo deepens his engagement with nine familiar places. Ranging from his grandmother's backyard to a sand production facility nearby, these are all within a few kilometers of Nicola’s home in Northern Sicily, Italy. The photographs display a subtly dissonant relationship between man-made infrastructure and the natural world.(...)
Titre:
Nicola Buonomo: Luoghi
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Prix:
$69.95
(disponible en magasin)
Résumé:
In his debut monograph, "Luoghi", Nicola Buonomo deepens his engagement with nine familiar places. Ranging from his grandmother's backyard to a sand production facility nearby, these are all within a few kilometers of Nicola’s home in Northern Sicily, Italy. The photographs display a subtly dissonant relationship between man-made infrastructure and the natural world. Nicola first defined a clear perimeter for each area, outside of which he could not photograph. In creating these limitations, he ambitiously sought to exhaust most of the possibilities of his gaze within them- prompting a repetitive style of shooting. Sometimes photographing a single subject many times, Nicola forced himself to find new relationships with what he already knew well. In this attempt to enrich his relationship with the familiar, Nicola’s process became synonymous with the final work.
Nicola Buonomo: Luoghi
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Prix:
$69.95
(disponible en magasin)
Résumé:
In his debut monograph, "Luoghi", Nicola Buonomo deepens his engagement with nine familiar places. Ranging from his grandmother's backyard to a sand production facility nearby, these are all within a few kilometers of Nicola’s home in Northern Sicily, Italy. The photographs display a subtly dissonant relationship between man-made infrastructure and the natural world. Nicola first defined a clear perimeter for each area, outside of which he could not photograph. In creating these limitations, he ambitiously sought to exhaust most of the possibilities of his gaze within them- prompting a repetitive style of shooting. Sometimes photographing a single subject many times, Nicola forced himself to find new relationships with what he already knew well. In this attempt to enrich his relationship with the familiar, Nicola’s process became synonymous with the final work.
Classification:
livres
livres
Publication:
septembre 2025
septembre 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$52.00
(disponible sur commande)
Résumé:
This book deals with objects of migration on the central Mediterranean route. Traces of this phenomenon include objects left more or less voluntarily by migrant people along their journey, particularly upon arrival on the shores of Lampedusa and Sicily. Since 2013, hundreds of these objects have been retrieved by Massimo Ricciardo with his colleague Thomas Kilpper, and(...)
$52.00
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Résumé:
This book deals with objects of migration on the central Mediterranean route. Traces of this phenomenon include objects left more or less voluntarily by migrant people along their journey, particularly upon arrival on the shores of Lampedusa and Sicily. Since 2013, hundreds of these objects have been retrieved by Massimo Ricciardo with his colleague Thomas Kilpper, and(...)
Titre:
Encounters in an archive: Objects of migration / photo-objects of art history
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This book deals with objects of migration on the central Mediterranean route. Traces of this phenomenon include objects left more or less voluntarily by migrant people along their journey, particularly upon arrival on the shores of Lampedusa and Sicily. Since 2013, hundreds of these objects have been retrieved by Massimo Ricciardo with his colleague Thomas Kilpper, and are now part of the “Objects of Escape – Inventories of Migration’’ archive. These objects are functional to the journey, such as biscuit tins and water bottles, passports and nautical charts, but they also relate to identity and memory, such as family photographs, diaries, or a handful of earth from their homeland. In the installation “Objects of Migration, Photo-Objects of Art History: Encounters in an Archive,” Ricciardo creates a dialogue between selected objects from this archive and structures from the KHI Photothek on the other. The installation, which led to this book, raises a series of highly relevant questions about these ‘talking’ objects: who do they belong to? Are they part of the cultural heritage? What would be the appropriate artistic and curatorial approach if one decided to collect, archive, exhibit, transform them?
Encounters in an archive: Objects of migration / photo-objects of art history
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$52.00
(disponible sur commande)
Résumé:
This book deals with objects of migration on the central Mediterranean route. Traces of this phenomenon include objects left more or less voluntarily by migrant people along their journey, particularly upon arrival on the shores of Lampedusa and Sicily. Since 2013, hundreds of these objects have been retrieved by Massimo Ricciardo with his colleague Thomas Kilpper, and are now part of the “Objects of Escape – Inventories of Migration’’ archive. These objects are functional to the journey, such as biscuit tins and water bottles, passports and nautical charts, but they also relate to identity and memory, such as family photographs, diaries, or a handful of earth from their homeland. In the installation “Objects of Migration, Photo-Objects of Art History: Encounters in an Archive,” Ricciardo creates a dialogue between selected objects from this archive and structures from the KHI Photothek on the other. The installation, which led to this book, raises a series of highly relevant questions about these ‘talking’ objects: who do they belong to? Are they part of the cultural heritage? What would be the appropriate artistic and curatorial approach if one decided to collect, archive, exhibit, transform them?
Classification:
livres
livres
Publication:
avril 2023
avril 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$50.00
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Résumé:
Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in(...)
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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
juillet 2014
juillet 2014
Titre:
Loose ends : Maria Guiseppina Grasso Cannizzo
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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo’s special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific “story” behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect’s general design methods.
Loose ends : Maria Guiseppina Grasso Cannizzo
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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo’s special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific “story” behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect’s general design methods.
Classification:
livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Architecture, monographies
Architecture, monographies
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Description:
vi, 159 pages : illustrations ; 26 cm.
Description:
vi, 159 pages : illustrations ; 26 cm.
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Publication:
Berkeley : University of California Press, ©1995.
Berkeley : University of California Press, ©1995.
Titre:
Future libraries / R. Howard Bloch and Carla Hesse, editors.
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Description:
vi, 159 pages : illustrations ; 26 cm.
Future libraries / R. Howard Bloch and Carla Hesse, editors.
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Description:
vi, 159 pages : illustrations ; 26 cm.
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livres
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Berkeley : University of California Press, ©1995.
Berkeley : University of California Press, ©1995.
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Description:
vi, 304 pages : illustrations, maps ; 25 cm.
Description:
vi, 304 pages : illustrations, maps ; 25 cm.
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Publication:
Washington, D.C. : History of Science Society, 2004.
Washington, D.C. : History of Science Society, 2004.
Titre:
Landscapes of exposure : knowledge and illness in modern environments / edited by Gregg Mitman, Michelle Murphy, and Christopher Sellers.
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Description:
vi, 304 pages : illustrations, maps ; 25 cm.
Landscapes of exposure : knowledge and illness in modern environments / edited by Gregg Mitman, Michelle Murphy, and Christopher Sellers.
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Description:
vi, 304 pages : illustrations, maps ; 25 cm.
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livres
livres
Publication:
Washington, D.C. : History of Science Society, 2004.
Washington, D.C. : History of Science Society, 2004.
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