10759 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
Personnes et institutions:
Date:
1996 - 2015
1996 - 2015
Titre:
Construction working files and related correspondence
Actions:
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
Construction working files and related correspondence
Actions:
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
Niveau de description archivistique:
Series
Series
Date:
1996 - 2015
1996 - 2015
Personnes et institutions:
Classification:
articles
articles
Actions:
Mot(s)-clé(s):
Jia Gu, Hannah Rose Feniak, Matthey Critchley, Aldo Rossi, Frederick Kiesler, Eero Saarinen
Jia Gu, Hannah Rose Feniak, Matthey Critchley, Aldo Rossi, Frederick Kiesler, Eero Saarinen
Publié:
20 juillet 2020
20 juillet 2020
Classification:
expositions
expositions
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Date:
11 mai 2016 au 16 octobre 2016
11 mai 2016 au 16 octobre 2016
Titre:
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Classification:
expositions
expositions
Date:
11 mai 2016 au
16 octobre 2016
11 mai 2016 au
16 octobre 2016
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
Personnes et institutions:
Date:
2002-2012
2002-2012
Titre:
Parque de Vidago, Complexo Termal e Hotel Palace [Vidago Palace Hotel and Spa], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
Parque de Vidago, Complexo Termal e Hotel Palace [Vidago Palace Hotel and Spa], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
Niveau de description archivistique:
Project
Project
Date:
2002-2012
2002-2012
Personnes et institutions:
Classification:
articles
articles
Titre:
Témoin matériel
Témoin matériel
Actions:
Susanne Kriemann raconte comment la photographie enregistre les paysages radioactifs
Mot(s)-clé(s):
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Susanne Kriemann, conversation, histoire orale, paysages radioactifs
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Susanne Kriemann, conversation, histoire orale, paysages radioactifs
Publié:
11 mars 2024
11 mars 2024
Titre:
Témoin matériel
Susanne Kriemann raconte comment la photographie enregistre les paysages radioactifs
Actions:
Témoin matériel
Susanne Kriemann raconte comment la photographie enregistre les paysages radioactifs
Actions:
Classification:
recherche
recherche
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Date:
septembre 2000 au août 2001
septembre 2000 au août 2001
Titre:
Chercheurs en résidence 2000-2001
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Chercheurs en résidence 2000-2001
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Classification:
recherche
recherche
Date:
septembre 2000 au
août 2001
septembre 2000 au
août 2001
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Personnes et institutions:
Date:
1989-2002
1989-2002
Titre:
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Niveau de description archivistique:
Project
Project
Date:
1989-2002
1989-2002
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Localisation:
Salles principales
Salles principales
Date:
25 novembre 2009 au 28 février 2010
25 novembre 2009 au 28 février 2010
Titre:
Entracte : Films d'un futur héroïque
Actions:
Description:
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Entracte : Films d'un futur héroïque
Actions:
Description:
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Classification:
expositions
expositions
Date:
25 novembre 2009 au
28 février 2010
25 novembre 2009 au
28 février 2010
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP051
Résumé:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
AP051
Résumé:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
Personnes et institutions:
Date:
1975-1997
1975-1997
Titre:
Fonds Groupe de recherche sur Montréal
Actions:
AP051
Résumé:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
Fonds Groupe de recherche sur Montréal
Actions:
AP051
Résumé:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1975-1997
1975-1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1968.PR02
Description:
This project series documents the Edifício de Escritórios na Av. D. Afonso Henriques, in Porto, also referred to as Avenida da Ponte I. While the records were held in the office’s archives this project was assigned the number 31/60. In the past the office identified the project as number 121. The office assigned the dates 1968-1974 for this project. The Edifício de Escritórios na Av. D. Afonso Henriques consisted of a building with offices, stores, and parking. Located on a historic site, the intention for the Edifício de Escritórios was to integrate the building into the existing urban landscape. The building was never realized. This project was done in relation to the Arranjo Urbanístico para a Av. D. Afonso Henriques, which was an urban renewal program in Porto. In the 1940s, waves of demolition in the old town created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to revitalize this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. Please see project series AP178.S1.1968.PR03, also described in this fonds, for further documentation. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting this project series are drawings, photographic materials and textual documentation. Among the drawings are plans, profiles, elevations, sections, cadastral maps and working details. Photographic materials document the model, site and residents of the neighborhood. Textual materials include project documentation, as well as correspondence with the city of Porto and suppliers. Note that materials related to the Arranjo Urbanístico para a Av. D. Afonso Henriques (project series AP178.S1.1968.PR03 in this fonds) are also found among these materials.
AP178.S1.1968.PR02
Description:
This project series documents the Edifício de Escritórios na Av. D. Afonso Henriques, in Porto, also referred to as Avenida da Ponte I. While the records were held in the office’s archives this project was assigned the number 31/60. In the past the office identified the project as number 121. The office assigned the dates 1968-1974 for this project. The Edifício de Escritórios na Av. D. Afonso Henriques consisted of a building with offices, stores, and parking. Located on a historic site, the intention for the Edifício de Escritórios was to integrate the building into the existing urban landscape. The building was never realized. This project was done in relation to the Arranjo Urbanístico para a Av. D. Afonso Henriques, which was an urban renewal program in Porto. In the 1940s, waves of demolition in the old town created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to revitalize this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. Please see project series AP178.S1.1968.PR03, also described in this fonds, for further documentation. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting this project series are drawings, photographic materials and textual documentation. Among the drawings are plans, profiles, elevations, sections, cadastral maps and working details. Photographic materials document the model, site and residents of the neighborhood. Textual materials include project documentation, as well as correspondence with the city of Porto and suppliers. Note that materials related to the Arranjo Urbanístico para a Av. D. Afonso Henriques (project series AP178.S1.1968.PR03 in this fonds) are also found among these materials.
Personnes et institutions:
Date:
1968-1981
1968-1981
Titre:
Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte [Office building, Av. D. Afonso Henriques], Porto, Portugal (1968-1981)
Actions:
AP178.S1.1968.PR02
Description:
This project series documents the Edifício de Escritórios na Av. D. Afonso Henriques, in Porto, also referred to as Avenida da Ponte I. While the records were held in the office’s archives this project was assigned the number 31/60. In the past the office identified the project as number 121. The office assigned the dates 1968-1974 for this project. The Edifício de Escritórios na Av. D. Afonso Henriques consisted of a building with offices, stores, and parking. Located on a historic site, the intention for the Edifício de Escritórios was to integrate the building into the existing urban landscape. The building was never realized. This project was done in relation to the Arranjo Urbanístico para a Av. D. Afonso Henriques, which was an urban renewal program in Porto. In the 1940s, waves of demolition in the old town created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to revitalize this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. Please see project series AP178.S1.1968.PR03, also described in this fonds, for further documentation. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting this project series are drawings, photographic materials and textual documentation. Among the drawings are plans, profiles, elevations, sections, cadastral maps and working details. Photographic materials document the model, site and residents of the neighborhood. Textual materials include project documentation, as well as correspondence with the city of Porto and suppliers. Note that materials related to the Arranjo Urbanístico para a Av. D. Afonso Henriques (project series AP178.S1.1968.PR03 in this fonds) are also found among these materials.
Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte [Office building, Av. D. Afonso Henriques], Porto, Portugal (1968-1981)
Actions:
AP178.S1.1968.PR02
Description:
This project series documents the Edifício de Escritórios na Av. D. Afonso Henriques, in Porto, also referred to as Avenida da Ponte I. While the records were held in the office’s archives this project was assigned the number 31/60. In the past the office identified the project as number 121. The office assigned the dates 1968-1974 for this project. The Edifício de Escritórios na Av. D. Afonso Henriques consisted of a building with offices, stores, and parking. Located on a historic site, the intention for the Edifício de Escritórios was to integrate the building into the existing urban landscape. The building was never realized. This project was done in relation to the Arranjo Urbanístico para a Av. D. Afonso Henriques, which was an urban renewal program in Porto. In the 1940s, waves of demolition in the old town created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to revitalize this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. Please see project series AP178.S1.1968.PR03, also described in this fonds, for further documentation. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting this project series are drawings, photographic materials and textual documentation. Among the drawings are plans, profiles, elevations, sections, cadastral maps and working details. Photographic materials document the model, site and residents of the neighborhood. Textual materials include project documentation, as well as correspondence with the city of Porto and suppliers. Note that materials related to the Arranjo Urbanístico para a Av. D. Afonso Henriques (project series AP178.S1.1968.PR03 in this fonds) are also found among these materials.
Niveau de description archivistique:
Project
Project
Date:
1968-1981
1968-1981
Personnes et institutions:
