4745 Résultats
Classification:
livres
livres
Titre:
Le livre et l'architecte
Le livre et l'architecte
Actions:
Prix:
$65.00
(disponible en magasin)
Résumé:
Dédié aux liens complexes depuis la Renaissance entre l'architecture et le livre, cet ouvrage propose une réflexion sur la médiatisation de l'architecture. En rassemblant une quarantaine d'essais rédigés par des spécialistes de différents domaines, ce livre présente le rapport entre l'architecture et les ouvrages, tantôt pratiques, tantôt artistiques, qu'il produit et qu'il utilise.
$65.00
(disponible en magasin)
Résumé:
Dédié aux liens complexes depuis la Renaissance entre l'architecture et le livre, cet ouvrage propose une réflexion sur la médiatisation de l'architecture. En rassemblant une quarantaine d'essais rédigés par des spécialistes de différents domaines, ce livre présente le rapport entre l'architecture et les ouvrages, tantôt pratiques, tantôt artistiques, qu'il produit et qu'il utilise.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 2011
juillet 2011
Titre:
Le livre et l'architecte
Actions:
Prix:
$65.00
(disponible en magasin)
Résumé:
Dédié aux liens complexes depuis la Renaissance entre l'architecture et le livre, cet ouvrage propose une réflexion sur la médiatisation de l'architecture. En rassemblant une quarantaine d'essais rédigés par des spécialistes de différents domaines, ce livre présente le rapport entre l'architecture et les ouvrages, tantôt pratiques, tantôt artistiques, qu'il produit et qu'il utilise.
Le livre et l'architecte
Actions:
Prix:
$65.00
(disponible en magasin)
Résumé:
Dédié aux liens complexes depuis la Renaissance entre l'architecture et le livre, cet ouvrage propose une réflexion sur la médiatisation de l'architecture. En rassemblant une quarantaine d'essais rédigés par des spécialistes de différents domaines, ce livre présente le rapport entre l'architecture et les ouvrages, tantôt pratiques, tantôt artistiques, qu'il produit et qu'il utilise.
Classification:
livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Prix:
$52.00
(disponible sur commande)
Résumé:
This comprehensive reference offers gardens from many periods of history—Islamic, Renaissance, English Landscape, Arts & Crafts, and more—and geographically diverse environments—from a nighttime sculpture garden on the Oregon coast, to a sustainable water garden in the mountains of Vermont, and the Mughal garden at the Indian president’s palace in New Delhi.
$52.00
(disponible sur commande)
Résumé:
This comprehensive reference offers gardens from many periods of history—Islamic, Renaissance, English Landscape, Arts & Crafts, and more—and geographically diverse environments—from a nighttime sculpture garden on the Oregon coast, to a sustainable water garden in the mountains of Vermont, and the Mughal garden at the Indian president’s palace in New Delhi.
Titre:
Gardens in details: 100 contemporary designs
Actions:
Prix:
$52.00
(disponible sur commande)
Résumé:
This comprehensive reference offers gardens from many periods of history—Islamic, Renaissance, English Landscape, Arts & Crafts, and more—and geographically diverse environments—from a nighttime sculpture garden on the Oregon coast, to a sustainable water garden in the mountains of Vermont, and the Mughal garden at the Indian president’s palace in New Delhi.
Gardens in details: 100 contemporary designs
Actions:
Prix:
$52.00
(disponible sur commande)
Résumé:
This comprehensive reference offers gardens from many periods of history—Islamic, Renaissance, English Landscape, Arts & Crafts, and more—and geographically diverse environments—from a nighttime sculpture garden on the Oregon coast, to a sustainable water garden in the mountains of Vermont, and the Mughal garden at the Indian president’s palace in New Delhi.
Classification:
livres
livres
Publication:
septembre 2014
septembre 2014
Sujet:
Jardins
Jardins
Classification:
livres
livres
Titre:
The Lowry : a landmark
The Lowry : a landmark
Actions:
Prix:
$15.95
(disponible sur commande)
Résumé:
Funding from the Lottery has ushered in a British renaissance in building. Many are renovations or conversions, but Michael Wildford's Lowry is an entirely new. Its practicality and popularity is celebrated in this pocket book through the words of design critic Deyan Sudjic and the photographs of Richard Bryant. This book contains eight removable postcards.
$15.95
(disponible sur commande)
Résumé:
Funding from the Lottery has ushered in a British renaissance in building. Many are renovations or conversions, but Michael Wildford's Lowry is an entirely new. Its practicality and popularity is celebrated in this pocket book through the words of design critic Deyan Sudjic and the photographs of Richard Bryant. This book contains eight removable postcards.
Publication:
janvier 1900, Salford
janvier 1900, Salford
Titre:
The Lowry : a landmark
Actions:
Prix:
$15.95
(disponible sur commande)
Résumé:
Funding from the Lottery has ushered in a British renaissance in building. Many are renovations or conversions, but Michael Wildford's Lowry is an entirely new. Its practicality and popularity is celebrated in this pocket book through the words of design critic Deyan Sudjic and the photographs of Richard Bryant. This book contains eight removable postcards.
The Lowry : a landmark
Actions:
Prix:
$15.95
(disponible sur commande)
Résumé:
Funding from the Lottery has ushered in a British renaissance in building. Many are renovations or conversions, but Michael Wildford's Lowry is an entirely new. Its practicality and popularity is celebrated in this pocket book through the words of design critic Deyan Sudjic and the photographs of Richard Bryant. This book contains eight removable postcards.
Classification:
livres
livres
Publication:
janvier 1900, Salford
janvier 1900, Salford
Classification:
livres
livres
Prix:
$55.00
(disponible sur commande)
Résumé:
The collage technique has undergone a significant renaissance over the past decade or so. This volume looks at works by Hannah Höch, Raoul Hausmann, Kurt Schwitters, Birgit Brenner, Jörg Herold, Haris Epaminonda, Ceal Floyer, Thomas Hirschhorn, Martha Rosler, Ellen Gallagher, Raphael Danke, Meg Cranston, Gert and Uwe Tobias, Dash Snow, Frank Stella and others.
$55.00
(disponible sur commande)
Résumé:
The collage technique has undergone a significant renaissance over the past decade or so. This volume looks at works by Hannah Höch, Raoul Hausmann, Kurt Schwitters, Birgit Brenner, Jörg Herold, Haris Epaminonda, Ceal Floyer, Thomas Hirschhorn, Martha Rosler, Ellen Gallagher, Raphael Danke, Meg Cranston, Gert and Uwe Tobias, Dash Snow, Frank Stella and others.
Publication:
mars 2013
mars 2013
Titre:
Manifesto collage: defining collage in the twenty-first century
Actions:
Prix:
$55.00
(disponible sur commande)
Résumé:
The collage technique has undergone a significant renaissance over the past decade or so. This volume looks at works by Hannah Höch, Raoul Hausmann, Kurt Schwitters, Birgit Brenner, Jörg Herold, Haris Epaminonda, Ceal Floyer, Thomas Hirschhorn, Martha Rosler, Ellen Gallagher, Raphael Danke, Meg Cranston, Gert and Uwe Tobias, Dash Snow, Frank Stella and others.
Manifesto collage: defining collage in the twenty-first century
Actions:
Prix:
$55.00
(disponible sur commande)
Résumé:
The collage technique has undergone a significant renaissance over the past decade or so. This volume looks at works by Hannah Höch, Raoul Hausmann, Kurt Schwitters, Birgit Brenner, Jörg Herold, Haris Epaminonda, Ceal Floyer, Thomas Hirschhorn, Martha Rosler, Ellen Gallagher, Raphael Danke, Meg Cranston, Gert and Uwe Tobias, Dash Snow, Frank Stella and others.
Classification:
livres
livres
Publication:
mars 2013
mars 2013
Classification:
livres
livres
Actions:
Prix:
$68.95
(disponible sur commande)
Résumé:
This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman’s earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and(...)
$68.95
(disponible sur commande)
Résumé:
This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman’s earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
novembre 2001, Cambridge, Mass.
novembre 2001, Cambridge, Mass.
Titre:
Origins, imitation, conventions : representation in the visual arts
Actions:
Prix:
$68.95
(disponible sur commande)
Résumé:
This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman’s earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past--which may act not only as a restraint but as a challenge and stimulus--and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci’s sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.
Origins, imitation, conventions : representation in the visual arts
Actions:
Prix:
$68.95
(disponible sur commande)
Résumé:
This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman’s earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past--which may act not only as a restraint but as a challenge and stimulus--and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci’s sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.
Classification:
livres
livres
Publication:
novembre 2001, Cambridge, Mass.
novembre 2001, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic(...)
$60.00
(disponible sur commande)
Résumé:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic(...)
Titre:
Picturing spaces, displacing bodies : anamorphosis in early Modern theories of perspective
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these "failures" were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, "Picturing Space, Displacing Bodies" asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.
Picturing spaces, displacing bodies : anamorphosis in early Modern theories of perspective
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these "failures" were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, "Picturing Space, Displacing Bodies" asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.
Classification:
livres
livres
Publication:
octobre 2007, University Park
octobre 2007, University Park
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Four books on architecture
Four books on architecture
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books(...)
$39.95
(disponible en magasin)
Résumé:
Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books(...)
Titre:
Four books on architecture
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books On Architecture), the most successful architectural treatise of the Renaissance and one of the two or three most important books in the literature of architecture. This is the first English translation of Palladio in over 250 years, making it the only translation available in modern English. This new translation by Robert Tavernor and Richard Schofield contains Palladio's original woodcuts, reproduced in facsimile and positioned correctly, adjacent to the text. The book also contains a glossary that explains technical terms in their original context, a bibliography of recent Palladio research, and an introduction to Palladio and his times.
Four books on architecture
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books On Architecture), the most successful architectural treatise of the Renaissance and one of the two or three most important books in the literature of architecture. This is the first English translation of Palladio in over 250 years, making it the only translation available in modern English. This new translation by Robert Tavernor and Richard Schofield contains Palladio's original woodcuts, reproduced in facsimile and positioned correctly, adjacent to the text. The book also contains a glossary that explains technical terms in their original context, a bibliography of recent Palladio research, and an introduction to Palladio and his times.
Classification:
livres
livres
Publication:
octobre 2002
octobre 2002
Sujet:
Traités
Traités
Classification:
livres
livres
Actions:
Prix:
$67.50
(disponible sur commande)
Résumé:
Since Greek antiquity the human body has been regarded as a microcosm of universal harmony. In this book an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body’s physical,(...)
$67.50
(disponible sur commande)
Résumé:
Since Greek antiquity the human body has been regarded as a microcosm of universal harmony. In this book an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body’s physical,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
novembre 2001, Cambridge, Mass.
novembre 2001, Cambridge, Mass.
Titre:
Body and building : essays on the changing relation of body and architecture
Actions:
Prix:
$67.50
(disponible sur commande)
Résumé:
Since Greek antiquity the human body has been regarded as a microcosm of universal harmony. In this book an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body’s physical, psychological, and spiritual needs and pleasures. Topics include Greek temples; the churches of Tadao Ando in Japan; Renaissance fortresses and paintings; the body, space, and dwelling in Wright’s and Schindler’s houses in North America; the corporeal dimension of Carlo Scarpa’s landscapes and gardens; theory from Vitruvius to the Renaissance and Enlightenment; and Freudian psychoanalysis. The essays are framed by an appreciation of architectural historian and theorist Joseph Rykwert’s influential work on the subject. Written for a symposium in honour of Joseph Rykwert held in March 1996 at the University of Pennsylvania.
Body and building : essays on the changing relation of body and architecture
Actions:
Prix:
$67.50
(disponible sur commande)
Résumé:
Since Greek antiquity the human body has been regarded as a microcosm of universal harmony. In this book an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body’s physical, psychological, and spiritual needs and pleasures. Topics include Greek temples; the churches of Tadao Ando in Japan; Renaissance fortresses and paintings; the body, space, and dwelling in Wright’s and Schindler’s houses in North America; the corporeal dimension of Carlo Scarpa’s landscapes and gardens; theory from Vitruvius to the Renaissance and Enlightenment; and Freudian psychoanalysis. The essays are framed by an appreciation of architectural historian and theorist Joseph Rykwert’s influential work on the subject. Written for a symposium in honour of Joseph Rykwert held in March 1996 at the University of Pennsylvania.
Classification:
livres
livres
Publication:
novembre 2001, Cambridge, Mass.
novembre 2001, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$53.00
(disponible sur commande)
Résumé:
One of the most famous books in the world, the ''Hypnerotomachia Poliphili,'' read by every Renaissance intellectual and referred to in studies of art and culture ever since, was first published in English by Thames & Hudson in 1999. It is a strange, pagan, pedantic, erotic, allegorical, mythological romance relating in highly stylized Italian the quest of Poliphilo for(...)
$53.00
(disponible sur commande)
Résumé:
One of the most famous books in the world, the ''Hypnerotomachia Poliphili,'' read by every Renaissance intellectual and referred to in studies of art and culture ever since, was first published in English by Thames & Hudson in 1999. It is a strange, pagan, pedantic, erotic, allegorical, mythological romance relating in highly stylized Italian the quest of Poliphilo for(...)
Titre:
Hypnerotomachia poliphili : the strife of love in a dream
Actions:
Prix:
$53.00
(disponible sur commande)
Résumé:
One of the most famous books in the world, the ''Hypnerotomachia Poliphili,'' read by every Renaissance intellectual and referred to in studies of art and culture ever since, was first published in English by Thames & Hudson in 1999. It is a strange, pagan, pedantic, erotic, allegorical, mythological romance relating in highly stylized Italian the quest of Poliphilo for his beloved Polia. The author (presumed to be Francesco Colonna, a friar of dubious reputation) was obsessed by architecture, landscape, and costume- it is not going too far to say sexually obsessed- and its 174 woodcuts are a primary source for Renaissance ideas on both buildings and gardens. In 1592 an attempt was made to produce an English version but the translator gave up. The task has been triumphantly accomplished by Joscelyn Godwin, who succeeds in reproducing all its wayward charm and arcane learning in language accessible to the modern reader.
Hypnerotomachia poliphili : the strife of love in a dream
Actions:
Prix:
$53.00
(disponible sur commande)
Résumé:
One of the most famous books in the world, the ''Hypnerotomachia Poliphili,'' read by every Renaissance intellectual and referred to in studies of art and culture ever since, was first published in English by Thames & Hudson in 1999. It is a strange, pagan, pedantic, erotic, allegorical, mythological romance relating in highly stylized Italian the quest of Poliphilo for his beloved Polia. The author (presumed to be Francesco Colonna, a friar of dubious reputation) was obsessed by architecture, landscape, and costume- it is not going too far to say sexually obsessed- and its 174 woodcuts are a primary source for Renaissance ideas on both buildings and gardens. In 1592 an attempt was made to produce an English version but the translator gave up. The task has been triumphantly accomplished by Joscelyn Godwin, who succeeds in reproducing all its wayward charm and arcane learning in language accessible to the modern reader.
Classification:
livres
livres
Publication:
mai 2003, New York
mai 2003, New York
Classification:
livres
livres
Actions:
Prix:
$105.00
(disponible sur commande)
Résumé:
This illustrated book covers the entire history of the grotesque in European art, from its Roman origins through the Renaissance to the late nineteenth century. It illuminates how grotesque decoration was transformed in the seventeenth and eighteenth centuries into arabesque, chinoiserie, and singeries, and how it continued in the nineteenth century, leading eventually to(...)
$105.00
(disponible sur commande)
Résumé:
This illustrated book covers the entire history of the grotesque in European art, from its Roman origins through the Renaissance to the late nineteenth century. It illuminates how grotesque decoration was transformed in the seventeenth and eighteenth centuries into arabesque, chinoiserie, and singeries, and how it continued in the nineteenth century, leading eventually to(...)
Titre:
Ornament and the grotesque: fantastical decoration from Antiquity to Art Nouveau
Actions:
Prix:
$105.00
(disponible sur commande)
Résumé:
This illustrated book covers the entire history of the grotesque in European art, from its Roman origins through the Renaissance to the late nineteenth century. It illuminates how grotesque decoration was transformed in the seventeenth and eighteenth centuries into arabesque, chinoiserie, and singeries, and how it continued in the nineteenth century, leading eventually to Art Nouveau. 250 color illustrations.
Ornament and the grotesque: fantastical decoration from Antiquity to Art Nouveau
Actions:
Prix:
$105.00
(disponible sur commande)
Résumé:
This illustrated book covers the entire history of the grotesque in European art, from its Roman origins through the Renaissance to the late nineteenth century. It illuminates how grotesque decoration was transformed in the seventeenth and eighteenth centuries into arabesque, chinoiserie, and singeries, and how it continued in the nineteenth century, leading eventually to Art Nouveau. 250 color illustrations.
Classification:
livres
livres
Publication:
septembre 2008, New York
septembre 2008, New York
Sujet:
Design d’intérieur
Design d’intérieur
