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Intrepid Prussian explorer, scientist, diplomat and author Alexander von Humboldt (1769-1859) was reputedly the second best-known person in early nineteenth-century France (Stephen Jay Gould describes him as "probably the world's most famous and influential intellectual [of his time]"), yet he is little known in the US today. From 1799 to 1804, Humboldt traversed about(...)
Unity of nature: Humboldt and the Americas
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Intrepid Prussian explorer, scientist, diplomat and author Alexander von Humboldt (1769-1859) was reputedly the second best-known person in early nineteenth-century France (Stephen Jay Gould describes him as "probably the world's most famous and influential intellectual [of his time]"), yet he is little known in the US today. From 1799 to 1804, Humboldt traversed about 6,000 miles, journeying through the Spanish American colonies (modern-day Venezuela, Colombia, Ecuador, Peru, Mexico and Cuba) to observe nature in the "torrid zone," and later published some 30 volumes about his travels. This catalogue traces the breadth of Humboldt's influence through painting and objects, including work by Albert Bierstadt, Adela Breton, Norton Bush, Frederic Edwin Church, George Catlin, Martin Johnson Heade, Louis Rémy Mignot, Thomas Moran, Johann Moritz Rugendas and Mark Dion.
Jardins
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The space we live in, reduced to a minimum, has been fascinating us for generations - the writer Thoreau lived in a self-built hut in the forest from 1845 - 1847. In 1952, Le Corbusier built a hut at the Côte d'Azur for himself and his wife. Inspired by this, Urs Peter Flückiger, together with his students, built an ecologically and economically sustainable cabin in the(...)
How much house: Thoreau, Le Corbusier and the sustainable cabin
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The space we live in, reduced to a minimum, has been fascinating us for generations - the writer Thoreau lived in a self-built hut in the forest from 1845 - 1847. In 1952, Le Corbusier built a hut at the Côte d'Azur for himself and his wife. Inspired by this, Urs Peter Flückiger, together with his students, built an ecologically and economically sustainable cabin in the Texan prairie. All three projects share the idea of minimal space and its relationship with the surrounding nature. In text, drawings, and photographs, this book analyses the three projects and shows parallels and similarities. Inspired by Tolstoy s story How Much Land Does A Man Need? , the author asks: How much house does a man need?, thereby providing a pointed contribution to the current discussion on the requirement for housing.
Architecture résidentielle
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We are living in one of the most dramatic periods in modern architectural history: a time when cityscapes are being redrawn on a yearly basis, architects are testing the very idea of what a building is, and whole cities are invented overnight. In this bold and wide-ranging new work, Rowan Moore — former director of the Architecture Foundation, now a leading architecture(...)
Why we build: power and desire in architecture
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We are living in one of the most dramatic periods in modern architectural history: a time when cityscapes are being redrawn on a yearly basis, architects are testing the very idea of what a building is, and whole cities are invented overnight. In this bold and wide-ranging new work, Rowan Moore — former director of the Architecture Foundation, now a leading architecture critic — explores the reasons behind these changes in our built environment, and how they change the way we live in the world. Provocative and personal, iconoclastic and transforming, Why We Build is that rarest of things: a book about architecture that is also, on every page, a book about people — those chosen few who design buildings, and the rest of us, who use them every day.
Théorie de l’architecture
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
The Camera: essence and apparatus
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
Théorie de la photographie
Topology of violence
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One of today's most widely read philosophers considers the shift in violence from visible to invisible, from negativity to excess of positivity. Some things never disappear—violence, for example. Violence is ubiquitous and incessant but protean, varying its outward form according to the social constellation at hand. In Topology of Violence, the philosopher Byung-Chul(...)
Topology of violence
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One of today's most widely read philosophers considers the shift in violence from visible to invisible, from negativity to excess of positivity. Some things never disappear—violence, for example. Violence is ubiquitous and incessant but protean, varying its outward form according to the social constellation at hand. In Topology of Violence, the philosopher Byung-Chul Han considers the shift in violence from the visible to the invisible, from the frontal to the viral to the self-inflicted, from brute force to mediated force, from the real to the virtual. Violence, Han tells us, has gone from the negative—explosive, massive, and martial—to the positive, wielded without enmity or domination. This, he says, creates the false impression that violence has disappeared. Anonymized, desubjectified, systemic, violence conceals itself because it has become one with society.
Théorie/ philosophie
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The latest project from New York–based photographer Renate Aller includes mountain peaks from six continents. These photographs were taken from locations as high as 22,500 feet (adjacent to Mount Everest) to the European glaciers and mountain peaks of her childhood vacations. The subject matter is monumental, yet the images connect the viewer in a way that is not(...)
Renate Aller: mountain interval
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The latest project from New York–based photographer Renate Aller includes mountain peaks from six continents. These photographs were taken from locations as high as 22,500 feet (adjacent to Mount Everest) to the European glaciers and mountain peaks of her childhood vacations. The subject matter is monumental, yet the images connect the viewer in a way that is not overpowering. Similar to the sand dune images from "Ocean | Desert", the artist engages us with these giants in all their detail, the veins and textures of the rocks in their constantly transient state. Aller isolates the mountain from its expected surroundings, using and presenting the familiar and the known in an intimate way, relating to parallel realities from different locations, opening up conversations between the different (political) landscapes in which we live.
Monographies photo
Beyond the map: unruly enclaves, ghostly places, emerging lands and our search for new utopias
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In "Beyond the Map", Bonnett presents stories of the world’s most extraordinary spaces—many unmarked on any official map—all of which challenge our assumptions about what we know—or think we know—about our world. As cultural, religious and political boundaries ebb and flow with each passing day, traditional maps unravel and fragment. With the same adventurous spirit he(...)
Beyond the map: unruly enclaves, ghostly places, emerging lands and our search for new utopias
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In "Beyond the Map", Bonnett presents stories of the world’s most extraordinary spaces—many unmarked on any official map—all of which challenge our assumptions about what we know—or think we know—about our world. As cultural, religious and political boundaries ebb and flow with each passing day, traditional maps unravel and fragment. With the same adventurous spirit he effused in the acclaimed Unruly Places, Bonnett takes us to thirty-nine incredible spots around the globe to explore these changing boundaries and stimulate our geographical imagination. Some are tied to disruptive contemporary political turbulence, such as the rise of ISIL, Russia’s incursions into Ukraine and the Brexit vote in the United Kingdom. Others explore the secret places not shown on Google Earth or reflect fast-changing landscapes.
On contemporary art
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Translated into English for the first time, ''On Contemporary Art,'' a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts. On Aira's path, everything comes under question - from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves(...)
On contemporary art
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Translated into English for the first time, ''On Contemporary Art,'' a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts. On Aira's path, everything comes under question - from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves us stranded on the bridge between writing and art that he set out to construct in the first place. Like the great writers Walter Benjamin and Hermann Broch before him, Aira operates in the space between fiction and essay writing, art and analysis. Pursuing questions about reproducibility, art making, and limits of language, Aira's unique voice adds new insights to the essential conversations that continue to inform our understanding of art.
Théorie de l’art
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This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including "Around the World in Eighty Days", through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his(...)
novembre 2008, New York
Ken Adams designs the movies: james bond and beyond
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This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including "Around the World in Eighty Days", through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his most celebrated films the first seven "James Bond" movies, including "Dr. No", "Goldfinger", "Diamonds are Forever" and "Moonraker". Also included are production drawings for classics such as "Chitty Chitty Bang Bang", "Goodbye", "Mr Chips", "Sleuth" and "The Last Emperor". Adam's virtuoso sketches for films and other projects are accompanied by illuminating commentary from the eminent Sir Christopher Frayling, and together present an unrivaled archive of breathtaking and inspirational production design.
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There is no escaping landscape: it's everywhere and part of everyone's life. Landscapes have received much less attention in aesthetics than those arts we can choose to ignore, such as painting or music - but they can tell us a lot about the ethical and aesthetic values of the societies that produce them. Drawing examples from a wide range of landscapes from around the(...)
On landscapes, thinking in action
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There is no escaping landscape: it's everywhere and part of everyone's life. Landscapes have received much less attention in aesthetics than those arts we can choose to ignore, such as painting or music - but they can tell us a lot about the ethical and aesthetic values of the societies that produce them. Drawing examples from a wide range of landscapes from around the world and throughout history, the author considers the ways landscapes can affect our emotions, our imaginations, and our understanding of the passage of time. This publication reveals the enormous design work involved in even the most naturalistic of landscapes, such as Prospect Park in Brooklyn, and the ways in which contemporary landscapes are turning the challenges of the industrial past into opportunities for the future.
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septembre 2008
Théorie du paysage