The battle for modernism: Quadrante and the politicization of architecture discourse in facist Italy
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The other side of twentieth-century architectural history in Italy and Europe. Quadrante rallied supporters and organized the most prominent practitioners and benefactors of Italian rationalism into a coherent movement that advanced the cause of specific currents of modern architecture in interwar Italy. Through a detailed study of Quadrante and its circle of architects,(...)
The battle for modernism: Quadrante and the politicization of architecture discourse in facist Italy
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The other side of twentieth-century architectural history in Italy and Europe. Quadrante rallied supporters and organized the most prominent practitioners and benefactors of Italian rationalism into a coherent movement that advanced the cause of specific currents of modern architecture in interwar Italy. Through a detailed study of Quadrante and its circle of architects, critics, artists, and patrons, the book investigates the relationship between modern architecture and fascist political practices in Italy during Benito Mussolini's regime (1922-1943).
Théorie de l’architecture
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This volume is a nuanced intellectual history of architectural innovation in California between 1920 and 1970. It demonstrates how this prolific era of modern architecture was propelled by divergent views about the dynamic between interior and exterior, the idea of permanence, and the extent to which architects could exercise control over the inhabitants of their structures.
Nothing permanent: Modern architecture in California
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This volume is a nuanced intellectual history of architectural innovation in California between 1920 and 1970. It demonstrates how this prolific era of modern architecture was propelled by divergent views about the dynamic between interior and exterior, the idea of permanence, and the extent to which architects could exercise control over the inhabitants of their structures.
Modernisme
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Modern architecture is inseparably linked with the Industrial Revolution. Industrially manufactured materials such as iron, steel, reinforced concrete, glass, asbestos, and later also plastics, have helped to make architecture modern. The Industrial Revolution also set planetary warming in motion. Thus, it is not far-fetched to claim that there are also correlations(...)
Modern architecture: A planetary warming history
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Modern architecture is inseparably linked with the Industrial Revolution. Industrially manufactured materials such as iron, steel, reinforced concrete, glass, asbestos, and later also plastics, have helped to make architecture modern. The Industrial Revolution also set planetary warming in motion. Thus, it is not far-fetched to claim that there are also correlations between modern architecture and planetary warming. This book is a rough sketch of a proposed history of modern architecture since the beginning of the Industrial Revolution. It aims to break away from the established neural networks of the profession’s collective memory of how modern architecture’s history has unfolded, and offers the beginning of a rewiring: by introducing new actors, and highlighting ideas and projects that deal with climate and environment, while relegating some of the usual stars of modernism and postmodernism to the background.
Modernisme
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The book emphasizes the leading subjects of the 16th-century Reniassance: the architects (Bramante, Vignola), the patrons (Leo X, Cosimo I de Medici), the artists (Michelangelo), and the cities (Rome, Venice, Florence).
Italian architecture of the 16th century
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The book emphasizes the leading subjects of the 16th-century Reniassance: the architects (Bramante, Vignola), the patrons (Leo X, Cosimo I de Medici), the artists (Michelangelo), and the cities (Rome, Venice, Florence).
Histoire jusqu’à 1900
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A really neat book on mobile, portable, and deployable architecture. With a brief look back at mobile structures of old—the first being Noah’s Ark—Jennifer Siegel of Mobile Design in LA, brings together the works of a variety of artists and architects who design and construct portable, demountable, and mobile structures. This book includes work by Office of Mobile(...)
Mobile : the art of portable architecture
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A really neat book on mobile, portable, and deployable architecture. With a brief look back at mobile structures of old—the first being Noah’s Ark—Jennifer Siegel of Mobile Design in LA, brings together the works of a variety of artists and architects who design and construct portable, demountable, and mobile structures. This book includes work by Office of Mobile Design, LOT/EK, Vito Acconci, Doug Jackson/LARGE, Mark Fisher, Michael Fox, FTL Happold, Axel Thallemer, and Lawrence Scarpa. In beautiful color images, detailed drawings, and thoughtful text, the contributors reveal their working methods. Projects include: a portable island; a conventional car that is turned into a mobile hotel that can be delivered wherever it is needed; a microenvironment of a house that attaches to your body; an entiroe mobile community whose living units plug into a framwork of flexible communal space; Pink Floyd’s The Wall stage set and lots more. The book is introduced by Andrei Codrescu, well-known NPR commentator and author.
Maisons mobiles
livres
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This book offers a comprehensive account of the architecture of Florence, setting the city’s buildings within the political, economic, and cultural contexts in which they were made. The rapid expansion of its banking interests and its wool and textile industries brought Florence prosperity, and it became, under Medici power, the heart of the European Renaissance, and the(...)
Florence : the city and its architecture
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This book offers a comprehensive account of the architecture of Florence, setting the city’s buildings within the political, economic, and cultural contexts in which they were made. The rapid expansion of its banking interests and its wool and textile industries brought Florence prosperity, and it became, under Medici power, the heart of the European Renaissance, and the sponsor of pivotal architectural works. Stretching from the city’s foundation by Julius Caesar in 59 BC to modern times, the text takes a thematic approach. It begins with a historical overview, then moves on to look at buildings associated with the powers of Church and State, followed by the practicalities of building and the main architectural types, ending with modern developments. Buildings covered range from the Duomo, with Brunelleschi’s cupola, and the Palazzo Pitti, to neighbourhood churches and piazzas. Landmark modernist buildings include those by architect Pier Luigi Nervi. The visual wealth of the city is reflected in specially commissioned photography, while original plans and paintings by Florentine masters emphasize the historical context. In addition to a glossary of Italian terms and biographical notes on major figures, the book includes a foldout map with a key to the buildings discussed.
livres
avril 2002, London / New York
Histoire jusqu’à 1900
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The rapid development of "information technology" has also effected the layout and planning of our towns. Increasingly, physical structures are being covered with a veneer of visual-virtual light architecture which makes use of the new media to alter existing buildings and quarters, enriching and enhancing them. The townscape of tomorrow will become a huge, multilayered(...)
Light architecture : the new edge city
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The rapid development of "information technology" has also effected the layout and planning of our towns. Increasingly, physical structures are being covered with a veneer of visual-virtual light architecture which makes use of the new media to alter existing buildings and quarters, enriching and enhancing them. The townscape of tomorrow will become a huge, multilayered screen, which will draw the passers-by into an interactive electronic world.
petits formats
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This book examines the public architecture of Ireland from 1680 to 1760, a crucial period during which the country undertook the combined tasks of recovering from war and constructing a new and stable society. New buildings, and new types of buildings, were needed to express and sustain this society. Architectural historian Edward McParland explores the role of public(...)
décembre 2001, New Haven
Public Architecture in Ireland 1680-1760
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This book examines the public architecture of Ireland from 1680 to 1760, a crucial period during which the country undertook the combined tasks of recovering from war and constructing a new and stable society. New buildings, and new types of buildings, were needed to express and sustain this society. Architectural historian Edward McParland explores the role of public architecture in this enterprise, focusing on public buildings as works of architecture and art, while also discussing the political, social, and economic contexts in which they were built. The book opens with a discussion of the people who were involved in the creation of public architecture and a description of the physical appearance of Ireland at the time, including its roads and harbors, its market houses and churches. The author then presents detailed portraits of key public buildings, among them The Royal Hospital Kilmainham, The Royal Barracks, Dublin Castle, Trinity College Dublin, and Edward Lovett Pearce’s Parliament House. Drawing on extensive research in archives throughout Britain and Ireland, McParland documents the architectural and social importance of these remarkable public buildings.
livres
décembre 2001, New Haven
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Le thème du sanatorium est récurrent dans l'histoire de l'architecture moderne. Présent dans les ouvrages de référence, il a aussi sa place dans les monographies consacrées aux architectes majeurs du XXe siècle : le sanatorium est un édifice emblématique dans l'œuvre de Jan Duiker aux Pays-Bas, d'Alvar Aalto en Finlande, et pour la France de Tony Garnier, d'André Lurçat,(...)
octobre 2005, Paris
Architecture et santé : le temps du sanatorium en France et en Europe
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Le thème du sanatorium est récurrent dans l'histoire de l'architecture moderne. Présent dans les ouvrages de référence, il a aussi sa place dans les monographies consacrées aux architectes majeurs du XXe siècle : le sanatorium est un édifice emblématique dans l'œuvre de Jan Duiker aux Pays-Bas, d'Alvar Aalto en Finlande, et pour la France de Tony Garnier, d'André Lurçat, de Pol Abraham et d'Henry-Jacques Le Même. La tuberculose, la Peste Blanche, comme on nomme alors le fléau, fait au début du XXe siècle 100 000 victimes par an en France ; un gigantesque programme de lutte contre la maladie, en partie inspiré par les Etats-Unis, et dont l'apogée se situe entre les deux guerres, est à l'origine de la construction des sanatoriums sur le territoire national. La valeur thérapeutique du sanatorium se fonde sur l'hypothèse de la cure d'air, de lumière, de soleil, et sur l'isolement des malades contagieux, conduits à contempler un paysage naturel à l'écart des méfaits de la ville industrielle. Ce vaste défi, mené en l'absence de moyens thérapeutiques pleinement efficaces, s'est traduit en France par près de 250 réalisations, qui s'échelonnent du début du XXe siècle aux années 1950 ; l'avènement des traitements par antibiotiques annonce alors la désuétude de l'institution et de ses instruments. L'ouvrage analyse principalement le cas des réalisations françaises dans leur rapport aux influences allemandes, suisse, hollandaise, et américaine. La plupart des typologies produites relèvent en effet de transferts étrangers, et malgré les projets de Tony Garnier, il faut attendre les années 1920 et les tenants français du Mouvement moderne apportent des réponses exemplaires.
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Room 4.1.3, an Australian landscape architecture firm, is renowned for producing some of the world's most finely tuned design work, striking a balance between theory and praxis, design and planning. The firm's projects engage visitors in a way that few public spaces have before. Founded in the 1990s by Richard Weller and Vladimir Sitta, Room 4.1.3 has received awards in(...)
Room 4.1.3 : innovations in landscape architecture
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Room 4.1.3, an Australian landscape architecture firm, is renowned for producing some of the world's most finely tuned design work, striking a balance between theory and praxis, design and planning. The firm's projects engage visitors in a way that few public spaces have before. Founded in the 1990s by Richard Weller and Vladimir Sitta, Room 4.1.3 has received awards in more than forty open design competitions and is currently at work on a new city in Singapore, "fusion-polis." Adopting a new proscriptive approach, the designs exhibit a strong theoretical base that extends into cultural studies, art, geography, anthropology, and psychology. For example, the controversial Garden of Australian Dreams at the National Museum of Australia in Canberra is a veritable playground of meanings, invoking events of such varying cultural significance as the birth of Australia as a nation and the work of Jackson Pollock. This lavishly illustrated volume features many other award-winning Room 4.1.3 designs, including Namesti Miru in Prague, Potsdamer Platz in Berlin, and Gallipoli Peace Park in Turkey. Internationally renowned scholars and critics provide essays that contextualize each project and ultimately argue for the primacy and efficacy of poetic and subversive imagination in the formation of our environment. The works collected here, both built and unbuilt, will introduce Room 4.1.3's iconic style to an ever-widening audience in North America and open up an international discourse on new meanings of landscape architecture.
livres
janvier 2005, Philadelphia
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