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In The Appian Way, Robert A. Kaster brings a lifetime of studying Roman literature and history to his adventures along the ancient highway. A footsore Roman soldier pushing the imperial power south; craftsmen and farmers bringing their goods to the towns that lined the road; pious pilgrims headed to Jerusalem, using stage-by-stage directions we can still follow—all come(...)
The Appian way: ghost road, queen of roads
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In The Appian Way, Robert A. Kaster brings a lifetime of studying Roman literature and history to his adventures along the ancient highway. A footsore Roman soldier pushing the imperial power south; craftsmen and farmers bringing their goods to the towns that lined the road; pious pilgrims headed to Jerusalem, using stage-by-stage directions we can still follow—all come to life once more as Kaster walks (and drives—and suffers car trouble) on what’s left of the Appian Way.
Abandoned places
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From an abandoned Six Flags park in New Orleans to a disused hydroelectric power station in the jungle to the north of Fukushima, Henk Van Rensbergen takes photographs of abandoned buildings all over the world. He searches for and pinpoints the beauty of their desolation and the richness of their decay. After more than 25 years of voyages of discovery throught the world's(...)
Abandoned places
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From an abandoned Six Flags park in New Orleans to a disused hydroelectric power station in the jungle to the north of Fukushima, Henk Van Rensbergen takes photographs of abandoned buildings all over the world. He searches for and pinpoints the beauty of their desolation and the richness of their decay. After more than 25 years of voyages of discovery throught the world's debris, it was time for a photographer's selection: the best of Abandonned Places 1,2 and 3, supplemented by unpublished material.
Monographies photo
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This is the story of what happened in Portugal between April 25, 1974, and November 25, 1975, as seen and felt by a deeply committed participant. It depicts the hopes, the tremendous enthusiasm, the boundless energy, the total commitment, the released power, even the revolutionary innocence of thousands of ordinary people taking a hand in the remolding of their lives. And(...)
Portugal: the impossible revolution?
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This is the story of what happened in Portugal between April 25, 1974, and November 25, 1975, as seen and felt by a deeply committed participant. It depicts the hopes, the tremendous enthusiasm, the boundless energy, the total commitment, the released power, even the revolutionary innocence of thousands of ordinary people taking a hand in the remolding of their lives. And it does so against the background of an economic and social reality which placed limits on what could be done.
Théorie de l’urbanisme
livres
Description:
xiii, 122 pages : illustrations (some color), map ; 20 x 26 cm
[Sagaponack, NY] : Sagapress Press, [1994], New York : Harry N. Abrams, Inc., 1994, ©1994
Innisfree : an American garden / Lester Collins.
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xiii, 122 pages : illustrations (some color), map ; 20 x 26 cm
livres
[Sagaponack, NY] : Sagapress Press, [1994], New York : Harry N. Abrams, Inc., 1994, ©1994
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Our culture is dominated by the visual. Yet most writing on design reflects a narrow preoccupation with products, biographies, and design influences. Maud Lavin approaches design from the broader field of visual culture criticism, asking challenging questions about about who really has a voice in the culture and what unseen influences affect the look of things designers(...)
octobre 2002, Cambridge, Massachusetts
Clean new world : culture, politics, and graphic design
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Our culture is dominated by the visual. Yet most writing on design reflects a narrow preoccupation with products, biographies, and design influences. Maud Lavin approaches design from the broader field of visual culture criticism, asking challenging questions about about who really has a voice in the culture and what unseen influences affect the look of things designers produce. Lavin shows how design fits into larger questions of power, democracy, and communication. Many corporate clients instruct designers to convey order and clarity in order to give their companies the look of a clean new world. But since designers cannot clean up messy reality, Lavin shows, they often end up simply veiling it. Lacking the power to influence the content of their commercial work, many designers work simultaneously on other, more fulfilling projects. Lavin is especially interested in the graphic designer’s role in shaping cultural norms. She examines the anti-Nazi propaganda of John Heartfield, the modernist utopian design of Kurt Schwitters and the neue ring werbegestalter, the alternative images of women by studio ringl + pit, the activist work of such contemporary designers as Marlene McCarty and Sheila Levrant de Bretteville, and the Internet innovations of David Steuer and others. Throughout the book, Lavin asks how designers can expand the pleasure, democracy, and vitality of communication.
livres
$44.95
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Our culture is dominated by the visual. Yet most writing on design reflects a narrow preoccupation with products, biographies, and design influences. Maud Lavin approaches design from the broader field of visual culture criticism, asking challenging questions(...)
Clean new world: culture, politics, and graphic design
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$44.95
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Our culture is dominated by the visual. Yet most writing on design reflects a narrow preoccupation with products, biographies, and design influences. Maud Lavin approaches design from the broader field of visual culture criticism, asking challenging questions about about who really has a voice in the culture and what unseen influences affect the look of things designers produce. Lavin shows how design fits into larger questions of power, democracy, and communication. Many corporate clients instruct designers to convey order and clarity in order to give their companies the look of a clean new world. But since designers cannot clean up messy reality, Lavin shows, they often end up simply veiling it. Lacking the power to influence the content of their commercial work, many designers work simultaneously on other, more fulfilling projects. Lavin is especially interested in the graphic designer’s role in shaping cultural norms. She examines the anti-Nazi propaganda of John Heartfield, the modernist utopian design of Kurt Schwitters and the neue ring werbegestalter, the alternative images of women by studio ringl + pit, the activist work of such contemporary designers as Marlene McCarty and Sheila Levrant de Bretteville, and the Internet innovations of David Steuer and others. Throughout the book, Lavin asks how designers can expand the pleasure, democracy, and vitality of communication.
livres
mars 2001, Cambridge, Mass.
Cabinet 21 : electricity
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Electricity manifests itself in every facet of our lives--from the tiny shock received by touching a doorknob to the explosive power of a lightning strike, from the modest Hoover dustbuster to the industrial grandeur of the Hoover Dam. As a force that has given human beings seemingly unlimited power over nature and refashioned our understanding of day and night, and as a(...)
Cabinet 21 : electricity
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Electricity manifests itself in every facet of our lives--from the tiny shock received by touching a doorknob to the explosive power of a lightning strike, from the modest Hoover dustbuster to the industrial grandeur of the Hoover Dam. As a force that has given human beings seemingly unlimited power over nature and refashioned our understanding of day and night, and as a metaphor for the social currents flowing among individuals and communities, electricity has been our invisible yet ubiquitous ally in the creation of a contemporary "technological sublime." Cabinet No. 21 includes an interview with Sharon Beder on electricity and modernity in America; Margaret Wertheim on Lichtenberg figures, frozen lightning captured in acrylic blocks; Michael Sanchez on Francisco Salva's shocking proposal for an eighteenth-century human telegraphy system; an interview with Marcello Pera on how a frog triggered a decisive scientific debate between Enlightenment "electricians" Galvani and Volta; an essay on Benjamin Franklin's promotion of Ebenezer Kinnersley's electrified "magical picture"; and a firsthand account by a survivor of multiple lightning strikes. Also Tom Vanderbilt on Stasi scent samples; an interview with Sam Chwat, the foremost accent elimination coach in the United States; and artist projects by Andrea Geyer and Rachel Watson.
Revues
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“Propositions for Non-Fascist Living” begins from the urgent need to model a world decidedly void of fascisms during a time when the rise of contemporary fascisms threatens the very foundations of a possibility for common life. Borrowing from Michel Foucault's notion of “non-fascist living” as an “art of living counter to all forms of fascism,” including that “in us all…(...)
Propositions for non-fascist living: tentative and urgent
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“Propositions for Non-Fascist Living” begins from the urgent need to model a world decidedly void of fascisms during a time when the rise of contemporary fascisms threatens the very foundations of a possibility for common life. Borrowing from Michel Foucault's notion of “non-fascist living” as an “art of living counter to all forms of fascism,” including that “in us all… the fascism that causes us to love power, to desire the very thing that dominates and exploits us,” the book addresses the practice of “living” rather than the mere object of life. Artists, theorists, activists, and scholars offer texts and visual essays that engage varied perspectives on practicing life and articulate methods that support multiplicity and difference rather than vaunting power and hierarchy. Architectural theorist Eyal Weizman, for example, describes an “unlikely common” in gathering evidence against false narratives; art historian and critic Sven Lütticken develops a non-fascist proposition drawn from the intersection of art, technology, and law; philosopher Rosi Braidotti explores an ethics of affirmation and the practices of dying. “Propositions for Non-Fascist Living” is the first in a BASICS series of readers from BAK, “basis voor actuele kunst”, Utrecht, engaging some of the most urgent problems of our time through theoretically informed and politically driven artistic research and practice.
Théorie/ philosophie
Big, Formgiving
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''Formgiving : an architectural future history,'' the new book by BIG (Bjarke Ingels Group), is a visionary attempt to look at the horizon of time. With ''Formgiving,'' BIG presents the third part of its TASCHEN trilogy, which began with ''Yes is More,'' one of the most successful architectural books of its generation, and continued with ''Hot to Cold.'' The book is(...)
Big, Formgiving
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$70.00
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''Formgiving : an architectural future history,'' the new book by BIG (Bjarke Ingels Group), is a visionary attempt to look at the horizon of time. With ''Formgiving,'' BIG presents the third part of its TASCHEN trilogy, which began with ''Yes is More,'' one of the most successful architectural books of its generation, and continued with ''Hot to Cold.'' The book is presented in a timeline, stretching from the Big Bang into the most distant future. Projects are structured around six strands of evolution- ''Making,'' ''Sensing,'' ''Sustaining,'' ''Thinking,'' ''Healing,'' and ''Moving''- the multimedia-based, interdisciplinary concepts encompassing the building industry. Culture, climate, and landscape, as well as all the energies derived from the elements- the thermal mass of the ocean, the dynamics of currents, the energy and warmth of the sun, the power of the wind- are incorporated into these projects. Throughout more than 700 pages, Bjarke Ingels presents his personal selection of projects, including the 12,000-square-meter LEGO House in Denmark, the human-made ecosystems floating on oceans, the redesign of a World War II bunker into a contemplative museum, and the ski slope-infused power plant celebrating Copenhagen’s commitment to carbon neutrality. Through architecture and design, BIG gives shape to a sustainable and simultaneously colorful world.
Architecture, monographies
Mad about painting
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Katsushika Hokusai was a revolutionary printmaker. His mastery of ukiyo-e in the nineteenth century has inspired generations of artists since, and his works helped introduce the world to the delicate beauty and power of the Japanese woodblock technique. In addition to his remarkable artistic output, Hokusai was also a dedicated teacher who sought to pass down his unique(...)
Mad about painting
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Katsushika Hokusai was a revolutionary printmaker. His mastery of ukiyo-e in the nineteenth century has inspired generations of artists since, and his works helped introduce the world to the delicate beauty and power of the Japanese woodblock technique. In addition to his remarkable artistic output, Hokusai was also a dedicated teacher who sought to pass down his unique understanding of color and painting to practicing artists through immensely detailed written tutorials and manuals, many of which are excerpted here, in English, for the first time.
Théorie de l’art