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In ''The Villa'', James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the 'country place'(...)
The Villa: Form and ideology of country houses
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In ''The Villa'', James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the 'country place' as a focus for examining the relationships between urban and rural life, between building and the natural environment, and between architectural design and social, cultural, economic, and political forces. ''The villa,'' he reminds us, ''accommodates a fantasy which is impervious to reality.'' As city dwellers idealized country life, the villa, unlike the farmhouse, became associated with pleasure and asserted its modernity and status as a product of the architect’s imagination.
Théorie de l’architecture
Cone wars
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Who would have thought that a simple cone-shaped marker could have such a rich and mysterious history? These seemingly ordinary objects, known by various names such as road cones, safety cones, or construction cones, hold secrets waiting to be unravelled. From ancient civilisations to modern-day innovations, with a mix of history, curiosity, and a touch of surrealism,(...)
Cone wars
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Who would have thought that a simple cone-shaped marker could have such a rich and mysterious history? These seemingly ordinary objects, known by various names such as road cones, safety cones, or construction cones, hold secrets waiting to be unravelled. From ancient civilisations to modern-day innovations, with a mix of history, curiosity, and a touch of surrealism, this book takes you on a journey that blurs the lines between reality and imagination. Halfway between an art project and a visual essay, SerraGlia aims to encourage us to remain vigilant to our surroundings: how can we critically observe and evaluate what we encounter every day? The book includes also an original essay by Dr. Everett Konemann, PhD, Professor of Traffic Studies and Human Behavior at Coney Island University.
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New visions and ideas are always taking shape in the head of the architect, Sergei Tchoban. He reaches for a pencil or an ink brush, allowing us to participate in the creative process. His veduta are not merely created for their own sake, but rather serve, too, as spatial innovations for real buildings. Trained in the Classicism of his native city of St. Petersburg, the(...)
The head of the architect : drawings and architecture
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New visions and ideas are always taking shape in the head of the architect, Sergei Tchoban. He reaches for a pencil or an ink brush, allowing us to participate in the creative process. His veduta are not merely created for their own sake, but rather serve, too, as spatial innovations for real buildings. Trained in the Classicism of his native city of St. Petersburg, the architect builds in a frank, modern style, whilst still enjoying the study of architectural ideas from previous centuries. This book follows Tchoban's trains of thought from the rivers Neva to Spree, using illustrations of his pictures and buildings, which were created in the studio of nps tchoban voss. The book shows how timeless principles for designing architectural space can flow from architectural history into contemporary architecture.
Architecture, monographies
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Through a collection of essays and case studies, ''Water Works'' shows over sixty careful responses to flooding, draught, pollution, extraction and other issues around freshwater. Divided into seven themes: Purity, Wild, Scale, Representation, Violence, Infrastructure and Commerce, ''Water Works'' allows us to learn from places and makers that build on the intricate(...)
Water works: Eco-social design
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Through a collection of essays and case studies, ''Water Works'' shows over sixty careful responses to flooding, draught, pollution, extraction and other issues around freshwater. Divided into seven themes: Purity, Wild, Scale, Representation, Violence, Infrastructure and Commerce, ''Water Works'' allows us to learn from places and makers that build on the intricate relationships between people and other life forms, materials and (infra)structures. Critically blending knowledge derived from craft, art, science and ecology, these works ask: what are sensible ways to embrace and connect with water? Through wading, floating, testing and tasting, how can we generate more desirable ecosocial relations? In facing large-scale engineering, climate change, privatization and other forms of water violence, these works are an invitation to design together with water as a site and medium for ecosocial renewal.
Architecture écologique
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Dedicated to one of the great figures of contemporary photography, this selection of over 90 images explores the most significant moments in the career of Joel Meyerowitz (born 1938), from his early images of the 1960s to his more recent work. It is divided into thematic chapters analyzing Meyerowitz's photographic series, from his evocative still lifes to the tragedy of(...)
Joel Meyerowitz: A sense of wonder. Photographs 1962-2022
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Dedicated to one of the great figures of contemporary photography, this selection of over 90 images explores the most significant moments in the career of Joel Meyerowitz (born 1938), from his early images of the 1960s to his more recent work. It is divided into thematic chapters analyzing Meyerowitz's photographic series, from his evocative still lifes to the tragedy of 9/11; his sociological research which helped redefine the concept of street photography; and his conceptually provocative images reflecting American individualism during the Vietnam War. Meyerowitz's photography favors precise humanistic insight. With his calm and methodical reading of our reality, he reminds us of how photography can be a tool for reflection on the experiences of both the individual and society—a way of appreciating the present in all its aspects.
Monographies photo
Stan Douglas: Ghostlight
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Since the 1980s, Canadian artist Stan Douglas (born 1960) has created films, installations, photographs and other multidisciplinary projects that address moments of rupture where "history could go one way or the other." Across formats, his images recall things that haunt: unresolved moments, political tumult and violent turning points; plots that retain a hold, however(...)
Stan Douglas: Ghostlight
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Since the 1980s, Canadian artist Stan Douglas (born 1960) has created films, installations, photographs and other multidisciplinary projects that address moments of rupture where "history could go one way or the other." Across formats, his images recall things that haunt: unresolved moments, political tumult and violent turning points; plots that retain a hold, however imperceptible, on the present. His work operates within the genres of cinema, photography and theater to present a point of view that is always staged. Douglas' rigorous explorations of these charged histories show us how to "think historically in the present" and frame contemporary crises in a longer timeline. ''Stan Douglas: Ghostlight'' accompanies the artist’s first survey in the United States in more than twenty years, charting his global influence and innovation across forty works from the 1990s to the present.
Monographies photo
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As Italian architect, engineer and curator Carlo Ratti puts it, "Architecture has always been a response to a hostile climate … our creations have always striven to bridge the gap between a harsh environment and the safe, livable spaces we require. Today, that dynamic approach is being taken to a new level—as climate becomes less forgiving. We have witnessed firsthand how(...)
Biennale Architettura 2025: Intelligens. Natural. Artificial. Collective.
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As Italian architect, engineer and curator Carlo Ratti puts it, "Architecture has always been a response to a hostile climate … our creations have always striven to bridge the gap between a harsh environment and the safe, livable spaces we require. Today, that dynamic approach is being taken to a new level—as climate becomes less forgiving. We have witnessed firsthand how water and fire are attacking us with unprecedented ferocity." This two-volume publication accompanies the 19th International Architecture Exhibition in Venice, titled "Intelligens. Natural. Artificial. Collective." Contributions from more than 750 participants—including architects and engineers, mathematicians and climate scientists, philosophers and artists, chefs and coders, writers and woodcarvers, farmers and fashion designers, and many more—explore how effective methods of adaptation to our changing environment demand inclusivity and collaboration.
Biennale
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This issue of ''Harvard Design Magazine'' seeks to develop and expand this increasingly vital movement, engaging reuse across multiple scales—from individual buildings to downtown streets and the regulatory frameworks that organize our cities. Highlighting creative and interdisciplinary thinking, the issue promotes the act of bringing new life to what already exists as a(...)
Harvard Design Magazine no.53: Reuse and repair
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This issue of ''Harvard Design Magazine'' seeks to develop and expand this increasingly vital movement, engaging reuse across multiple scales—from individual buildings to downtown streets and the regulatory frameworks that organize our cities. Highlighting creative and interdisciplinary thinking, the issue promotes the act of bringing new life to what already exists as a powerful brief for designers, their clients, and the communities they serve. As resistance to viewing the reuse and repair of buildings as a legitimate form of design wanes, the appeal at the heart of Sandburg’s poem—“let us find a city”—is hopefully capturing the attention of future generations. This issue asks: If we free ourselves from the inherited limits on design practice, what new kinds of architecture, cities, and ways of being might we create?
Revues
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"You’re not a painter if you haven’t painted gray", declared Paul Cézanne. The same could be said of philosophers: you’re not a philosopher if you have never thought gray. This simple four-letter word signifies much more than a quasi-neutral color lying between black and white: we use the same word to describe moods, November skies, the hair of the elderly, the withered(...)
If you have never thought gray: A theory of color
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"You’re not a painter if you haven’t painted gray", declared Paul Cézanne. The same could be said of philosophers: you’re not a philosopher if you have never thought gray. This simple four-letter word signifies much more than a quasi-neutral color lying between black and white: we use the same word to describe moods, November skies, the hair of the elderly, the withered features of faces, dusty shelves, faceless bureaucracies, dreary politicians and hundreds of other things. This plain, unassuming word conceals a multitude of thoughts that we seldom pause to consider. In this exceptionally original book, Peter Sloterdijk follows the grey thread through the history of philosophy, art, literature and politics, enabling us to see familiar things in new ways and highlighting features of our lives that would otherwise remain unseen.
Théorie de l’art
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a+u’s August issue continues Mauricio Pezo and Sofía von Ellrichshausen’s first monograph published 12 years ago (a+u 2013:06, no. 513). The 20 works presented here showcase the evolution of their methodology and philosophy toward the concatenation of painting and architecture. Playing with the limits of the architectural surface through explorations in geometry, Pezo von(...)
A+U 659 25:08 Pezo Ellrichshausen
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a+u’s August issue continues Mauricio Pezo and Sofía von Ellrichshausen’s first monograph published 12 years ago (a+u 2013:06, no. 513). The 20 works presented here showcase the evolution of their methodology and philosophy toward the concatenation of painting and architecture. Playing with the limits of the architectural surface through explorations in geometry, Pezo von Ellrichshausen invite the reader to consider the “architectonic picture,” not as a rigid reproduction but as a method of visualizing the self in the world amid all the world’s potentialities, where the physical eye and mind’s eye meet. Architecture, therefore, is not fixed but unpredictable, subject to the individual’s self-perception overlaid with the space and moment they occupy. Paintings by the duo allow us to enter their perception of architecture as both sensual and conceptual.
Revues