12634 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
60 Wall Street, New York
60 Wall Street, New York
Numéro de référence:
AP022.S1.1984.PR04
Description:
File documents two schemes for a bank and office tower competion which includes a banking hall and retail areas (not built), 60 Wall Steet, New York, New York. File contains design development drawings, photographs, a model, textual records (includes photographs).
AP022.S1.1984.PR04
Description:
File documents two schemes for a bank and office tower competion which includes a banking hall and retail areas (not built), 60 Wall Steet, New York, New York. File contains design development drawings, photographs, a model, textual records (includes photographs).
Personnes et institutions:
Date:
1983
1983
Titre:
60 Wall Street, New York
Actions:
AP022.S1.1984.PR04
Description:
File documents two schemes for a bank and office tower competion which includes a banking hall and retail areas (not built), 60 Wall Steet, New York, New York. File contains design development drawings, photographs, a model, textual records (includes photographs).
60 Wall Street, New York
Actions:
AP022.S1.1984.PR04
Description:
File documents two schemes for a bank and office tower competion which includes a banking hall and retail areas (not built), 60 Wall Steet, New York, New York. File contains design development drawings, photographs, a model, textual records (includes photographs).
Niveau de description archivistique:
Project
Project
Date:
1983
1983
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Personnes et institutions:
Date:
1994 - 2004
1994 - 2004
Titre:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Niveau de description archivistique:
Series
Series
Date:
1994 - 2004
1994 - 2004
Personnes et institutions:
Actions:
Numéro de référence:
PH2007:0014:001-009
Description:
Series shows a model of New York City, New York, at Window of the World, Shenzhen, China. Series is one of an edition of ten.
PH2007:0014:001-009
Description:
Series shows a model of New York City, New York, at Window of the World, Shenzhen, China. Series is one of an edition of ten.
Personnes et institutions:
Date:
2006
2006
Titre:
New York / Window of the World, 2006
Actions:
PH2007:0014:001-009
Description:
Series shows a model of New York City, New York, at Window of the World, Shenzhen, China. Series is one of an edition of ten.
New York / Window of the World, 2006
Actions:
PH2007:0014:001-009
Description:
Series shows a model of New York City, New York, at Window of the World, Shenzhen, China. Series is one of an edition of ten.
Date:
2006
2006
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Personnes et institutions:
Date:
1995-1996
1995-1996
Titre:
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-1996
1995-1996
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH216497
Description:
project notes and sketches, correspondence concerning - bridges (Ruck-a-Chucky, Snake River, Lewiston-Clarkston), pier study and polaroids of model (1978-79)
ARCH216497
Description:
project notes and sketches, correspondence concerning - bridges (Ruck-a-Chucky, Snake River, Lewiston-Clarkston), pier study and polaroids of model (1978-79)
Personnes et institutions:
Titre:
Project notes and sketches, correspondence
Actions:
ARCH216497
Description:
project notes and sketches, correspondence concerning - bridges (Ruck-a-Chucky, Snake River, Lewiston-Clarkston), pier study and polaroids of model (1978-79)
Project notes and sketches, correspondence
Actions:
ARCH216497
Description:
project notes and sketches, correspondence concerning - bridges (Ruck-a-Chucky, Snake River, Lewiston-Clarkston), pier study and polaroids of model (1978-79)
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH269371
Description:
Contains photographic materials on projects by Abalos & Herreros: - Centro cívico Alcobendas, AP164.S1.1996.D2 (26 slides: plans); - Facultad de filosofía y ciencias de la educación, Cáceres, AP164.S1.1996.D3 (22 slides: model); - Planta de reciclaje de residuos urbanos de Valdemingómez, AP164.S1.1996.D4 (197 slides: plans, aerial views, presentation drawings, model, collages, etc.).
ARCH269371
Description:
Contains photographic materials on projects by Abalos & Herreros: - Centro cívico Alcobendas, AP164.S1.1996.D2 (26 slides: plans); - Facultad de filosofía y ciencias de la educación, Cáceres, AP164.S1.1996.D3 (22 slides: model); - Planta de reciclaje de residuos urbanos de Valdemingómez, AP164.S1.1996.D4 (197 slides: plans, aerial views, presentation drawings, model, collages, etc.).
Personnes et institutions:
Date:
1996-1998
1996-1998
Titre:
Ring binder with photographic materials related to three projects by Abalos & Herreros
Actions:
ARCH269371
Description:
Contains photographic materials on projects by Abalos & Herreros: - Centro cívico Alcobendas, AP164.S1.1996.D2 (26 slides: plans); - Facultad de filosofía y ciencias de la educación, Cáceres, AP164.S1.1996.D3 (22 slides: model); - Planta de reciclaje de residuos urbanos de Valdemingómez, AP164.S1.1996.D4 (197 slides: plans, aerial views, presentation drawings, model, collages, etc.).
Ring binder with photographic materials related to three projects by Abalos & Herreros
Actions:
ARCH269371
Description:
Contains photographic materials on projects by Abalos & Herreros: - Centro cívico Alcobendas, AP164.S1.1996.D2 (26 slides: plans); - Facultad de filosofía y ciencias de la educación, Cáceres, AP164.S1.1996.D3 (22 slides: model); - Planta de reciclaje de residuos urbanos de Valdemingómez, AP164.S1.1996.D4 (197 slides: plans, aerial views, presentation drawings, model, collages, etc.).
Classification:
photographies
photographies
Date:
1996-1998
1996-1998
Personnes et institutions:
Classification:
dessins
Quantité:
10 design drawing(s)
dessins
Quantité:
10 design drawing(s)
Numéro de référence:
DR1998:0078:001:003-012
Description:
conceptual and design development drawings, including plans, sketches, and details; one or more drawings are possibly for a model for Wall House 2
DR1998:0078:001:003-012
Description:
conceptual and design development drawings, including plans, sketches, and details; one or more drawings are possibly for a model for Wall House 2
Personnes et institutions:
Titre:
Conceptual and design development drawings, including plans, sketches, and details
Actions:
DR1998:0078:001:003-012
Description:
conceptual and design development drawings, including plans, sketches, and details; one or more drawings are possibly for a model for Wall House 2
Conceptual and design development drawings, including plans, sketches, and details
Actions:
DR1998:0078:001:003-012
Description:
conceptual and design development drawings, including plans, sketches, and details; one or more drawings are possibly for a model for Wall House 2
Classification:
dessins
Quantité:
10 design drawing(s)
dessins
Quantité:
10 design drawing(s)
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
AP142.S1.D245.P1
Description:
sketches, drawings, an aerial view, correspondence, a competition entry, a brochure, letterhead, a printed folder, notes, and photographs, including views of a model
AP142.S1.D245.P1
Description:
sketches, drawings, an aerial view, correspondence, a competition entry, a brochure, letterhead, a printed folder, notes, and photographs, including views of a model
Personnes et institutions:
Titre:
Sketches, drawings, an aerial view, correspondence
Actions:
AP142.S1.D245.P1
Description:
sketches, drawings, an aerial view, correspondence, a competition entry, a brochure, letterhead, a printed folder, notes, and photographs, including views of a model
Sketches, drawings, an aerial view, correspondence
Actions:
AP142.S1.D245.P1
Description:
sketches, drawings, an aerial view, correspondence, a competition entry, a brochure, letterhead, a printed folder, notes, and photographs, including views of a model
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Personnes et institutions:
Classification:
dessins, oeuvres d'art, photographies
dessins, oeuvres d'art, photographies
Numéro de référence:
AP018.S1.1972.PR02.004
Description:
These presentation boards consist of photographs of the project model, site investigation plans, a floor plan, and a painting of the project by Dawson.
AP018.S1.1972.PR02.004
Description:
These presentation boards consist of photographs of the project model, site investigation plans, a floor plan, and a painting of the project by Dawson.
Personnes et institutions:
Date:
circa 1972
circa 1972
Titre:
Presentation boards, Convention Centre for Metropolitan Toronto, Feasibility Study, Toronto
Actions:
AP018.S1.1972.PR02.004
Description:
These presentation boards consist of photographs of the project model, site investigation plans, a floor plan, and a painting of the project by Dawson.
Presentation boards, Convention Centre for Metropolitan Toronto, Feasibility Study, Toronto
Actions:
AP018.S1.1972.PR02.004
Description:
These presentation boards consist of photographs of the project model, site investigation plans, a floor plan, and a painting of the project by Dawson.
Classification:
dessins, oeuvres d'art, photographies
dessins, oeuvres d'art, photographies
Date:
circa 1972
circa 1972
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257264
Description:
correspondence, transmittals, competition and pre-qualification documents, cost estimates, brochure, consultant documents, notes, design development drawings, reports, photographs of presentation and model
ARCH257264
Description:
correspondence, transmittals, competition and pre-qualification documents, cost estimates, brochure, consultant documents, notes, design development drawings, reports, photographs of presentation and model
Personnes et institutions:
Date:
1985-1987
1985-1987
Titre:
Correspondence, documents, cost estimates, brochure, notes, design development drawings, reports
Actions:
ARCH257264
Description:
correspondence, transmittals, competition and pre-qualification documents, cost estimates, brochure, consultant documents, notes, design development drawings, reports, photographs of presentation and model
Correspondence, documents, cost estimates, brochure, notes, design development drawings, reports
Actions:
ARCH257264
Description:
correspondence, transmittals, competition and pre-qualification documents, cost estimates, brochure, consultant documents, notes, design development drawings, reports, photographs of presentation and model
Classification:
documents textuels
documents textuels
Date:
1985-1987
1985-1987
Personnes et institutions:
