documents textuels
AP197.S2.003
Description:
The first half of the box contains research materials that are organized alphabetically, by authors last names, from L-Z. Essays are written by students from Kenneth Frampton's seminars at Princeton University and Columbia University's Graduate School of Architecture, Preservation and Planning. The second half of the box contains research files comprising of 20th century critical essays written by unknown authors.
1962-1994
Research files on various subjects that relate to 20th century criticism written by students (L-Z) as well as research files on various subjects that relate to 20th century criticism written by unknown writers
Actions:
AP197.S2.003
Description:
The first half of the box contains research materials that are organized alphabetically, by authors last names, from L-Z. Essays are written by students from Kenneth Frampton's seminars at Princeton University and Columbia University's Graduate School of Architecture, Preservation and Planning. The second half of the box contains research files comprising of 20th century critical essays written by unknown authors.
documents textuels
1962-1994
Série(s)
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
between 1919 and 1920
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
series
between 1919 and 1920
documents textuels
PHCON2002:0016:004:029:001
17 May 1976
documents textuels
17 May 1976
documents textuels
PHCON2002:0016:004:029:002
1 May 1976
documents textuels
1 May 1976
Série(s)
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
circa 1919 -1920
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
series
circa 1919 -1920
Le chercheur en résidence Irene Sunwoo présente sa recherche : Dans les années 1970 et 1980, l’Architectural Association (AA) à Londres a mis à l’essai un modèle d’éducation architecturale « du marché », appuyant un éventail d’études théoriques. Explorant des questions concernant entre autres la politique, la phénoménologie, la sémiotique, la durabilité, la littérature(...)
Maison Shaughnessy
27 juillet 2017, 18h
Séminaire de chercheur en résidence : Irene Sunwoo
Actions:
Description:
Le chercheur en résidence Irene Sunwoo présente sa recherche : Dans les années 1970 et 1980, l’Architectural Association (AA) à Londres a mis à l’essai un modèle d’éducation architecturale « du marché », appuyant un éventail d’études théoriques. Explorant des questions concernant entre autres la politique, la phénoménologie, la sémiotique, la durabilité, la littérature(...)
Maison Shaughnessy
livres
ARCH269252
1976
livres
1976
dessins
DR2012:0012:046:006
Description:
Includes plans and sketches for an unidentified architectural project. The roll is labelled "Fontaines - Date ?", and includes one drawing that appears to be a plan for the ground floor of a school.
circa 1984
Sketches and designs for Public fountains for the City of Montréal, Québec
Actions:
DR2012:0012:046:006
Description:
Includes plans and sketches for an unidentified architectural project. The roll is labelled "Fontaines - Date ?", and includes one drawing that appears to be a plan for the ground floor of a school.
dessins
circa 1984
Sous-série
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
[between 1947? and 1975?], predominant 1947-1952
Student work
Actions:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Sub-series 1
[between 1947? and 1975?], predominant 1947-1952
archives
Niveau de description archivistique:
Fonds
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
1998-2014
Documents d’archives de Karl Chu pour le projet X Phylum
Actions:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
archives
Niveau de description archivistique:
Fonds
1998-2014