10735 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Synthetic Landscape research project, Oslo, Norway (1995-2000)
Actions:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
Synthetic Landscape research project, Oslo, Norway (1995-2000)
Actions:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
Niveau de description archivistique:
Project
Project
Date:
1995-2000
1995-2000
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Pierlucio Pellissier fonds
Pierlucio Pellissier fonds
Numéro de référence:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Personnes et institutions:
Date:
1946-2020
1946-2020
Titre:
Pierlucio Pellissier fonds
Actions:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Pierlucio Pellissier fonds
Actions:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1946-2020
1946-2020
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
Personnes et institutions:
Date:
2002-2012
2002-2012
Titre:
Parque de Vidago [Vidago Palace], Vidago, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
Parque de Vidago [Vidago Palace], Vidago, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
Niveau de description archivistique:
Project
Project
Date:
2002-2012
2002-2012
Personnes et institutions:
Classification:
événements
événements
Description:
Première biographie de l’une des architectes de paysage les plus influentes du XXe siècle, Cornelia Hahn Oberlander: Making the Modern Landscape s’appuie sur des recherches archivistiques, des analyses de sites et de nombreuses entrevues avec Cornelia Oberlander et ses collaborateurs. L’auteure Susan Herrington rencontre Oberlander pour une conversation sur son œuvre et(...)
Première biographie de l’une des architectes de paysage les plus influentes du XXe siècle, Cornelia Hahn Oberlander: Making the Modern Landscape s’appuie sur des recherches archivistiques, des analyses de sites et de nombreuses entrevues avec Cornelia Oberlander et ses collaborateurs. L’auteure Susan Herrington rencontre Oberlander pour une conversation sur son œuvre et(...)
Date:
14 septembre 2014 , 15h
14 septembre 2014 , 15h
Titre:
Cornelia Oberlander et Susan Herrington veulent vous parler
Actions:
Description:
Première biographie de l’une des architectes de paysage les plus influentes du XXe siècle, Cornelia Hahn Oberlander: Making the Modern Landscape s’appuie sur des recherches archivistiques, des analyses de sites et de nombreuses entrevues avec Cornelia Oberlander et ses collaborateurs. L’auteure Susan Herrington rencontre Oberlander pour une conversation sur son œuvre et(...)
Cornelia Oberlander et Susan Herrington veulent vous parler
Actions:
Description:
Première biographie de l’une des architectes de paysage les plus influentes du XXe siècle, Cornelia Hahn Oberlander: Making the Modern Landscape s’appuie sur des recherches archivistiques, des analyses de sites et de nombreuses entrevues avec Cornelia Oberlander et ses collaborateurs. L’auteure Susan Herrington rencontre Oberlander pour une conversation sur son œuvre et(...)
Classification:
événements
événements
Date:
14 septembre 2014
15h
14 septembre 2014
15h
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds John Bird
Fonds John Bird
Numéro de référence:
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
Personnes et institutions:
Date:
1942 - 1992
1942 - 1992
Titre:
Fonds John Bird
Actions:
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
Fonds John Bird
Actions:
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1942 - 1992
1942 - 1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Personnes et institutions:
Date:
circa 1980-1990
circa 1980-1990
Titre:
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Niveau de description archivistique:
Project
Project
Date:
circa 1980-1990
circa 1980-1990
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
En réponse à une commande du CCA, trois photographes contemporains ont consacré six ans à l’interprétation de l’œuvre de Frederick Law Olmsted (1822-1903), qui a marqué l’histoire de l’architecture du paysage en Amérique du Nord. *Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James* présente 155 photographies issues de(...)
En réponse à une commande du CCA, trois photographes contemporains ont consacré six ans à l’interprétation de l’œuvre de Frederick Law Olmsted (1822-1903), qui a marqué l’histoire de l’architecture du paysage en Amérique du Nord. *Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James* présente 155 photographies issues de(...)
Localisation:
Salles principales
Salles principales
Date:
16 octobre 1996 au 2 février 1997
16 octobre 1996 au 2 février 1997
Titre:
Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James
Actions:
Description:
En réponse à une commande du CCA, trois photographes contemporains ont consacré six ans à l’interprétation de l’œuvre de Frederick Law Olmsted (1822-1903), qui a marqué l’histoire de l’architecture du paysage en Amérique du Nord. *Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James* présente 155 photographies issues de(...)
Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James
Actions:
Description:
En réponse à une commande du CCA, trois photographes contemporains ont consacré six ans à l’interprétation de l’œuvre de Frederick Law Olmsted (1822-1903), qui a marqué l’histoire de l’architecture du paysage en Amérique du Nord. *Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James* présente 155 photographies issues de(...)
Classification:
expositions
expositions
Date:
16 octobre 1996 au
2 février 1997
16 octobre 1996 au
2 février 1997
Localisation:
Salles principales
Salles principales
Classification:
articles
articles
Titre:
Regard transversal
Regard transversal
Actions:
Stefano Boeri à propos de Gabriele Basilico, en conversation avec Stefano Graziani et Bas Princen
Publié:
21 août 2023
21 août 2023
Titre:
Regard transversal
Stefano Boeri à propos de Gabriele Basilico, en conversation avec Stefano Graziani et Bas Princen
Actions:
Regard transversal
Stefano Boeri à propos de Gabriele Basilico, en conversation avec Stefano Graziani et Bas Princen
Actions:
Classification:
événements
événements
Description:
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
26 février 2015 , 18h
26 février 2015 , 18h
Titre:
L’intérieur sensoriel
Actions:
Description:
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
L’intérieur sensoriel
Actions:
Description:
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
Classification:
événements
événements
Date:
26 février 2015
18h
26 février 2015
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
dessins, photographies
dessins, photographies
Numéro de référence:
DR2012:0012:075:002
Description:
Box containing printouts with annotations related to the folliwing project: - A Chicago construction (14 printouts, 13 transparencies, 7 drawings); - Front page constructions (8 printouts). Original box included two self-stick notes inscribed in graphite: ARCHIVAL MATERIAL A CHICAGO CONSTRUCTION, and DOCUMENTATION.
DR2012:0012:075:002
Description:
Box containing printouts with annotations related to the folliwing project: - A Chicago construction (14 printouts, 13 transparencies, 7 drawings); - Front page constructions (8 printouts). Original box included two self-stick notes inscribed in graphite: ARCHIVAL MATERIAL A CHICAGO CONSTRUCTION, and DOCUMENTATION.
Personnes et institutions:
Date:
1981
1981
Titre:
Installation plans, installation views, and reproduction of press clippings, A Chicago Construction
Actions:
DR2012:0012:075:002
Description:
Box containing printouts with annotations related to the folliwing project: - A Chicago construction (14 printouts, 13 transparencies, 7 drawings); - Front page constructions (8 printouts). Original box included two self-stick notes inscribed in graphite: ARCHIVAL MATERIAL A CHICAGO CONSTRUCTION, and DOCUMENTATION.
Installation plans, installation views, and reproduction of press clippings, A Chicago Construction
Actions:
DR2012:0012:075:002
Description:
Box containing printouts with annotations related to the folliwing project: - A Chicago construction (14 printouts, 13 transparencies, 7 drawings); - Front page constructions (8 printouts). Original box included two self-stick notes inscribed in graphite: ARCHIVAL MATERIAL A CHICAGO CONSTRUCTION, and DOCUMENTATION.
Classification:
dessins, photographies
dessins, photographies
Date:
1981
1981
Personnes et institutions:
