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Relational aesthetics
Relational aesthetics
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$33.95
(disponible en magasin)
Résumé:
First published in 1998, Nicolas Bourriaud's Relational Aesthetics laid out a thesis for art's turn toward participation, experience, and the whole of human relations. Now, over twenty years after its original release, this landmark work has been updated with a new translation by Denyse Beaulieu and a new foreword by the author. Where does our current obsession for(...)
$33.95
(disponible en magasin)
Résumé:
First published in 1998, Nicolas Bourriaud's Relational Aesthetics laid out a thesis for art's turn toward participation, experience, and the whole of human relations. Now, over twenty years after its original release, this landmark work has been updated with a new translation by Denyse Beaulieu and a new foreword by the author. Where does our current obsession for(...)
Titre:
Relational aesthetics
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$33.95
(disponible en magasin)
Résumé:
First published in 1998, Nicolas Bourriaud's Relational Aesthetics laid out a thesis for art's turn toward participation, experience, and the whole of human relations. Now, over twenty years after its original release, this landmark work has been updated with a new translation by Denyse Beaulieu and a new foreword by the author. Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Nicolas Bourriaud attempts to renew our approach to contemporary art by getting as close as possible to the artists' works, and by revealing the principles that structure their thoughts: an aesthetic of the interhuman, of the encounter, of proximity, of resisting social formatting.
Relational aesthetics
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Prix:
$33.95
(disponible en magasin)
Résumé:
First published in 1998, Nicolas Bourriaud's Relational Aesthetics laid out a thesis for art's turn toward participation, experience, and the whole of human relations. Now, over twenty years after its original release, this landmark work has been updated with a new translation by Denyse Beaulieu and a new foreword by the author. Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Nicolas Bourriaud attempts to renew our approach to contemporary art by getting as close as possible to the artists' works, and by revealing the principles that structure their thoughts: an aesthetic of the interhuman, of the encounter, of proximity, of resisting social formatting.
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livres
livres
Publication:
mars 2023
mars 2023
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$26.95
(disponible sur commande)
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Ce cahier est un hybride entre un livre d'histoire et un album de coloriage. Avec ses illustrations détaillées, il invite les petits et grands intéressés par l'histoire et l'architecture à découvrir et à s'approprier le riche patrimoine de Westmount. Au-delà du plaisir de colorier, ce livre permet de se familiariser avec le vocabulaire issu du domaine de l'architecture et(...)
$26.95
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Ce cahier est un hybride entre un livre d'histoire et un album de coloriage. Avec ses illustrations détaillées, il invite les petits et grands intéressés par l'histoire et l'architecture à découvrir et à s'approprier le riche patrimoine de Westmount. Au-delà du plaisir de colorier, ce livre permet de se familiariser avec le vocabulaire issu du domaine de l'architecture et(...)
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Westmount : cahier d'histoire et de coloriage / historical colouring book
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$26.95
(disponible sur commande)
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Ce cahier est un hybride entre un livre d'histoire et un album de coloriage. Avec ses illustrations détaillées, il invite les petits et grands intéressés par l'histoire et l'architecture à découvrir et à s'approprier le riche patrimoine de Westmount. Au-delà du plaisir de colorier, ce livre permet de se familiariser avec le vocabulaire issu du domaine de l'architecture et d'approfondir ses connaissances en matière d'histoire locale. / This book combines the educational qualities of a history book with the interactivity of a colouring album. With its details illustrations, it invites all those interested in history and architecture to discover and recreate the rich heritage of Westmount. Beyond the pleasure of coloring, this book will both familiarize you with architectural nomenclature and broaden your knowledge of local history.
Westmount : cahier d'histoire et de coloriage / historical colouring book
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$26.95
(disponible sur commande)
Résumé:
Ce cahier est un hybride entre un livre d'histoire et un album de coloriage. Avec ses illustrations détaillées, il invite les petits et grands intéressés par l'histoire et l'architecture à découvrir et à s'approprier le riche patrimoine de Westmount. Au-delà du plaisir de colorier, ce livre permet de se familiariser avec le vocabulaire issu du domaine de l'architecture et d'approfondir ses connaissances en matière d'histoire locale. / This book combines the educational qualities of a history book with the interactivity of a colouring album. With its details illustrations, it invites all those interested in history and architecture to discover and recreate the rich heritage of Westmount. Beyond the pleasure of coloring, this book will both familiarize you with architectural nomenclature and broaden your knowledge of local history.
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livres
livres
Publication:
juillet 2021
juillet 2021
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livres
livres
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$21.50
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Digital Ground is an architect's response to the design challenge posed by pervasive computing. One century into the electronic age, people have become accustomed to interacting indirectly, mediated through networks. But now as digital technology becomes invisibly embedded in everyday things, even more activities become mediated, and networks extend rather than replace(...)
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Digital Ground is an architect's response to the design challenge posed by pervasive computing. One century into the electronic age, people have become accustomed to interacting indirectly, mediated through networks. But now as digital technology becomes invisibly embedded in everyday things, even more activities become mediated, and networks extend rather than replace(...)
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Digital ground : architecture, pervasive computing, and environmental knowing
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$21.50
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Digital Ground is an architect's response to the design challenge posed by pervasive computing. One century into the electronic age, people have become accustomed to interacting indirectly, mediated through networks. But now as digital technology becomes invisibly embedded in everyday things, even more activities become mediated, and networks extend rather than replace architecture. The young field of interaction design reflects not only how people deal with machine interfaces but also how people deal with each other in situations where interactivity has become ambient. It shifts previously utilitarian digital design concerns to a cultural level, adding notions of premise, appropriateness, and appreciation. Malcolm McCullough offers an account of the intersections of architecture and interaction design, arguing that the ubiquitous technology does not obviate the human need for place. His concept of "digital ground" expresses an alternative to anytime-anyplace sameness in computing; he shows that context not only shapes usability but ideally becomes the subject matter of interaction design and that "environmental knowing" is a process that technology may serve and not erode. Drawing on arguments from architecture, psychology, software engineering, and geography, writing for practicing interaction designers, pervasive computing researchers, architects, and the general reader on digital culture, McCullough gives us a theory of place for interaction design. Part I, "Expectations," explores our technological predispositions -- many of which ("situated interactions") arise from our embodiment in architectural settings. Part II, "Technologies," discusses hardware, software, and applications, including embedded technology ("bashing the desktop"), and building technology genres around life situations. Part III, "Practices," argues for design as a liberal art, seeing interactivity as a cultural -- not only technological -- challenge and a practical notion of place as essential. Part IV, "Epilogue," acknowledges the epochal changes occurring today, and argues for the role of "digital ground" in the necessary adaptation.
Digital ground : architecture, pervasive computing, and environmental knowing
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$21.50
(disponible sur commande)
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Digital Ground is an architect's response to the design challenge posed by pervasive computing. One century into the electronic age, people have become accustomed to interacting indirectly, mediated through networks. But now as digital technology becomes invisibly embedded in everyday things, even more activities become mediated, and networks extend rather than replace architecture. The young field of interaction design reflects not only how people deal with machine interfaces but also how people deal with each other in situations where interactivity has become ambient. It shifts previously utilitarian digital design concerns to a cultural level, adding notions of premise, appropriateness, and appreciation. Malcolm McCullough offers an account of the intersections of architecture and interaction design, arguing that the ubiquitous technology does not obviate the human need for place. His concept of "digital ground" expresses an alternative to anytime-anyplace sameness in computing; he shows that context not only shapes usability but ideally becomes the subject matter of interaction design and that "environmental knowing" is a process that technology may serve and not erode. Drawing on arguments from architecture, psychology, software engineering, and geography, writing for practicing interaction designers, pervasive computing researchers, architects, and the general reader on digital culture, McCullough gives us a theory of place for interaction design. Part I, "Expectations," explores our technological predispositions -- many of which ("situated interactions") arise from our embodiment in architectural settings. Part II, "Technologies," discusses hardware, software, and applications, including embedded technology ("bashing the desktop"), and building technology genres around life situations. Part III, "Practices," argues for design as a liberal art, seeing interactivity as a cultural -- not only technological -- challenge and a practical notion of place as essential. Part IV, "Epilogue," acknowledges the epochal changes occurring today, and argues for the role of "digital ground" in the necessary adaptation.
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livres
livres
Publication:
octobre 2005, Cambridge
octobre 2005, Cambridge
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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192 pages : illustrations (chiefly color), color map, portrait ; 29 cm
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192 pages : illustrations (chiefly color), color map, portrait ; 29 cm
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London : V & A, 2007.
London : V & A, 2007.
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Indian temple sculpture / John Guy.
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192 pages : illustrations (chiefly color), color map, portrait ; 29 cm
Indian temple sculpture / John Guy.
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192 pages : illustrations (chiefly color), color map, portrait ; 29 cm
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livres
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London : V & A, 2007.
London : V & A, 2007.
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Canadian Centre for Architecture 2017
Canadian Centre for Architecture 2017
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Canadian Centre for Architecture 2017
Canadian Centre for Architecture 2017
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Canadian Centre for Architecture 2017
Canadian Centre for Architecture 2017
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livres
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Canadian Centre for Architecture 2017
Canadian Centre for Architecture 2017
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RAW Material Company 2023
RAW Material Company 2023
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livres
livres
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RAW Material Company 2023
RAW Material Company 2023
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347 pages : illustrations (chiefly color), map ; 25 cm
Description:
347 pages : illustrations (chiefly color), map ; 25 cm
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Aarhus : Aarhus University Press, [2017], ©2017
Aarhus : Aarhus University Press, [2017], ©2017
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Sámi art and aesthetics : contemporary perspectives / edited by Svein Aamold ; with Elin Haugdal and Ulla Angkjær Jørgensen ; afterword by Ruth B. Phillips.
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347 pages : illustrations (chiefly color), map ; 25 cm
Sámi art and aesthetics : contemporary perspectives / edited by Svein Aamold ; with Elin Haugdal and Ulla Angkjær Jørgensen ; afterword by Ruth B. Phillips.
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347 pages : illustrations (chiefly color), map ; 25 cm
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Aarhus : Aarhus University Press, [2017], ©2017
Aarhus : Aarhus University Press, [2017], ©2017
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vidéo
vidéo
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1 online resource (1 video file (37 minutes)) : sound, color
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London, England : Pidgeon Digital, 2014.
London, England : Pidgeon Digital, 2014.
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Manchester School of Art / [presented by] Keith Bradley (Feilden Clegg Bradley Studio).
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1 online resource (1 video file (37 minutes)) : sound, color
Manchester School of Art / [presented by] Keith Bradley (Feilden Clegg Bradley Studio).
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1 online resource (1 video file (37 minutes)) : sound, color
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vidéo
vidéo
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London, England : Pidgeon Digital, 2014.
London, England : Pidgeon Digital, 2014.
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xxii, 125 pages : illustrations ; 21 cm
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xxii, 125 pages : illustrations ; 21 cm
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Minneapolis : University of Minnesota Press, ©2002.
Minneapolis : University of Minnesota Press, ©2002.
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In the metro / Marc Augé ; translated and with an introduction and afterword by Tom Conley.
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xxii, 125 pages : illustrations ; 21 cm
In the metro / Marc Augé ; translated and with an introduction and afterword by Tom Conley.
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xxii, 125 pages : illustrations ; 21 cm
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livres
livres
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Minneapolis : University of Minnesota Press, ©2002.
Minneapolis : University of Minnesota Press, ©2002.
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