Inform Giuliana Michelotti
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For 20 years, Giuliana Michelotti has designed fashion, objects and jewelry of uncommon organic sensuality in collaboration with such leading firms as Valentino, Versace, Dolce & Gabbana and Christian Lacroix. Always a passionate and inquisitive traveler, Michelotti has been as influenced by the tribal and ethnic traditions of Asia and Africa as the contemporary trends of(...)
Inform Giuliana Michelotti
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For 20 years, Giuliana Michelotti has designed fashion, objects and jewelry of uncommon organic sensuality in collaboration with such leading firms as Valentino, Versace, Dolce & Gabbana and Christian Lacroix. Always a passionate and inquisitive traveler, Michelotti has been as influenced by the tribal and ethnic traditions of Asia and Africa as the contemporary trends of her native Italy or current home, New York City. In 1995 Michelotti launched her own line of jewelry inspired by nature and the sea. All of the pieces in the GM collection are cast in silver using an ancient Indian “lost wax” technique. The stones are uncut and natural, worn by rain and sand. Shells and madrepores eroded by waves, corals ramified in infinite ways, sticks and small rocks--in Michelotti’s hands, these humble organic materials are transformed into necklaces, bracelets and earrings of such highly refined shape and physical lightness that one cannot mistake them for anyone else’s work. With an essay by The New York Times’ revered style editor, Stefano Tonchi, this volume features exquisite close-up photographs of Michelotti’s jewelry, and details the life and creative path of an artist who has achieved an extraordinarily sophisticated aesthetic synthesis
Métiers d'art
The north end
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Award-winning documentary maker John Paskievich has made his name making films about places and people throughout the world. His films made for the National Film Board have chronicled groups as different as young Czechs trying to be North American Indians, the impoverished Roma community in Slovakia, and an isolated group of Orthodox Russians on the Canadian prairies. As(...)
The north end
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Award-winning documentary maker John Paskievich has made his name making films about places and people throughout the world. His films made for the National Film Board have chronicled groups as different as young Czechs trying to be North American Indians, the impoverished Roma community in Slovakia, and an isolated group of Orthodox Russians on the Canadian prairies. As a filmmaker, his work has been shown at film festivals throughout North America and Europe, including the Cannes Film Festival and the Toronto Festival of Festivals. In "The North End", Paskievich returns to his first love, photography. His lyrical black and white photographs chronicle a community closer to home, the iconic Winnipeg neighbourhood in which he grew up. Winnipeg’s North End is the great Canadian melting pot, the place "north of the tracks" that welcomed waves of immigrants from central and eastern Europe at the turn of the last century. It is a place that spawned some of Canada’s greatest cultural events and personalities, from the Winnipeg General Strike to the Guess Who. Paskievich captures the vibrancy and conflicts of the North End and other urban spaces like it, places where history, poverty, and resilience come together.
Monographies photo
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Throughout the early twentieth century, waves of migration brought working-class people to the outskirts of Buenos Aires. This prompted a dilemma: Where should these restive populations be situated relative to the city’s spatial politics? Enter Antonio Bonet, a Catalan architect inspired by the transatlantic modernist and surrealist movements. Ana María León follows(...)
Modernity for the masses: Antonio Bonet's Dreams for Buenos Aires
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Throughout the early twentieth century, waves of migration brought working-class people to the outskirts of Buenos Aires. This prompted a dilemma: Where should these restive populations be situated relative to the city’s spatial politics? Enter Antonio Bonet, a Catalan architect inspired by the transatlantic modernist and surrealist movements. Ana María León follows Bonet's decades-long, state-backed quest to house Buenos Aires's diverse and fractious population. Working with totalitarian and populist regimes, Bonet developed three large-scale housing plans, each scuttled as a new government took over. Yet these incomplete plans—Bonet's dreams—teach us much about the relationship between modernism and state power. This volume finds in Bonet's projects the disconnect between modern architecture’s discourse of emancipation and the reality of its rationalizing control. Although he and his patrons constantly glorified the people and depicted them in housing plans, Bonet never consulted them. Instead he succumbed to official and elite fears of the people's latent political power. In careful readings of Bonet's work, León discovers the progressive erasure of surrealism's psychological sensitivity, replaced with an impulse, realized in modernist design, to contain the increasingly empowered population.
Théorie de l’urbanisme
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For a small country that generally keeps a low profile on the stage of world events, Denmark has played a disproportionately prominent role in the history of 20th Century architecture and design. Today in the early 21st Century, known for its anything-goes attitude towards design, Denmark also has its share of provocative architects surfing waves of fashionable trends,(...)
En levende tradition / A living tradition
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For a small country that generally keeps a low profile on the stage of world events, Denmark has played a disproportionately prominent role in the history of 20th Century architecture and design. Today in the early 21st Century, known for its anything-goes attitude towards design, Denmark also has its share of provocative architects surfing waves of fashionable trends, yet a few firms maintain a more grounded and centered approach to their work. Prominent among this group is KPF Architects (Kjelgaard, Pedersen & Fællestegnestuen), whose philosophy and work is a prime example of design rooted in a specific regional narrative while globally pursuing new ideas, new concepts and new materials that elevate their projects to the highest levels of architectural discourse, without sacrificing either usefulness or pleasure for the client. Even their most ordinary functional projects like banks, office buildings, and medical facilities embody a sensitivity that is uplifting. Kenneth Frampton states: One cannot help but be reminded of the tradition of Arne Jacobsen when looking at KPF Arkitekters work and thus of the commonsense functional, but ludic, character of the still vital Danish modern movement as it has consistently evolved over the past sixty years
Architecture, monographies
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462 pages : illustrations (some color) ; 27 cm
México : Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas : Instituto Nacional de Antropología e Historia, 2011.
Estudios sobre el simbolismo en la arquitectura novohispana / Martha Fernández.
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462 pages : illustrations (some color) ; 27 cm
livres
México : Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas : Instituto Nacional de Antropología e Historia, 2011.
livres
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142 pages : illustrations ; 28 cm
Washington, D.C. : U.S. Department of the Interior, National Park Service, Cultural Resources, Preservation Assistance Division, Historic Landscape Initiative, 1993.
Pioneers of American landscape design : an annotated bibliography / edited by Charles A. Birnbaum and Lisa E. Crowder ; research assistants, Sally Boazberg [and others] ; sponsors, the Catalog of Landscape Records in the United States at Wave Hill [and others].
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142 pages : illustrations ; 28 cm
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Washington, D.C. : U.S. Department of the Interior, National Park Service, Cultural Resources, Preservation Assistance Division, Historic Landscape Initiative, 1993.
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After six issues, we decided it was time for something new. We've survived the baby's crying, the growing pains, the first waves of praise and criticism. We've written zillions of e-mail, exploited five interns and have hosted parties all over the world - a good excuse to get away from behind the desk and explore the local lezzeristic scene. We've been featured in various(...)
Girls like us, Lesbian Quaterly 7, spring 2008
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After six issues, we decided it was time for something new. We've survived the baby's crying, the growing pains, the first waves of praise and criticism. We've written zillions of e-mail, exploited five interns and have hosted parties all over the world - a good excuse to get away from behind the desk and explore the local lezzeristic scene. We've been featured in various exhibitions and we almost opened a bar in Amsterdam: the GLU bar. It might still happen at some point but for now, well... we can't do everything! Our cosmopolitain networking put us in touch with a new breed of glowing lezzies who were the inspiration for our 'Fresh Faces' series. Since the inaugural GLU no 1, you have been submitting stuff for us to include - some of which has finally made it onto our new 'Famous Last Page'. And while all this was going on, many more thoughts and ideas crossed our mind. More Pictures! More sex! More laughs! More to read! More to watch! Bigger! Stapled! A centerfold! A column! Skaterboys & Latina chicks! So here it is: the fresh from the presh GLU no 7. And by now, we also felt it was time to tackle the lesbian topic de résistance: hair! Please let it all hang out...
Revues
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Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the(...)
Living as form : socially engaged art from 1991-2011
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Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the texture of living, these art works often blur the line between art and life. This book offers the first global portrait of a complex and exciting mode of cultural production — one that has virtually redefined contemporary art practice. This publication grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a thirty-person curatorial advisory team; each project is documented by a selection of color images. The artists include the Danish collective Superflex, who empower communities to challenge corporate interest; Turner Prize nominee Jeremy Deller, creator of socially and politically charged performance works; Women on Waves, who provide abortion services and information to women in regions where the procedure is illegal; and Santiágo Cirugeda, an architect who builds temporary structures to solve housing problems.
The Sea Ranch
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A hundred miles north of San Francisco on California Coast Highway 1, the Sonoma County coast meets the Pacific Ocean in a magnificent display of nature. Waves crash upon the rocks or wash up on beautiful stretches of sandy beaches. This is the location of The Sea Ranch, an area covering several thousand acres of large, open meadows and forested natural settings(...)
The Sea Ranch
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A hundred miles north of San Francisco on California Coast Highway 1, the Sonoma County coast meets the Pacific Ocean in a magnificent display of nature. Waves crash upon the rocks or wash up on beautiful stretches of sandy beaches. This is the location of The Sea Ranch, an area covering several thousand acres of large, open meadows and forested natural settings interspersed with award-winning architecture. When the area, a sheep ranch well into the last century, was rediscovered for its beauty in the 1960's, it came to be envisioned as a home community that harmonized with the environment. Renowned landscape designer Lawrence Halprin's master plan for The Sea Ranch community accordingly incorporated a set of building guidelines that minimized the visual as well as physical impact upon the landscape. Subsequent buildings by architects such as Joseph Esherick, Charles Moore, William Turnbull, Obie Bowman, Donlyn Lyndon, and others have been recognized worldwide for environmentally sensitive planning and architecture. They sparked a generation of imitators that became part of what is known as "The Sea Ranch style," epitomizing what many people imagine when they think of Northern Californian architecture. This beautiful monograph, lavishly illustrated with over 300 newly commissioned photographs and including maps, plans, detailed descriptions of the houses, and essays by Donald Canty and Lawrence Halprin, presents the definitive record of The Sea Ranch community.
Architecture résidentielle
The coming insurrection
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The Coming Insurrection is an eloquent call to arms arising from the recent waves of social contestation in France and Europe. Written by the anonymous Invisible Committee in the vein of Guy Debord — and with comparable elegance — it has been proclaimed a manual for terrorism by the French government (who recently arrested its alleged authors). One of its members more(...)
The coming insurrection
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The Coming Insurrection is an eloquent call to arms arising from the recent waves of social contestation in France and Europe. Written by the anonymous Invisible Committee in the vein of Guy Debord — and with comparable elegance — it has been proclaimed a manual for terrorism by the French government (who recently arrested its alleged authors). One of its members more adequately described the group as "the name given to a collective voice bent on denouncing contemporary cynicism and reality." The Coming Insurrection is a strategic prescription for an emergent war-machine to "spread anarchy and live communism." Written in the wake of the riots that erupted throughout the Paris suburbs in the fall of 2005 and presaging more recent riots and general strikes in France and Greece, The Coming Insurrection articulates a rejection of the official Left and its reformist agenda, aligning itself instead with the younger, wilder forms of resistance that have emerged in Europe around recent struggles against immigration control and the "war on terror." Hot-wired to the movement of '77 in Italy, its preferred historical reference point, The Coming Insurrection formulates an ethics that takes as its starting point theft, sabotage, the refusal to work, and the elaboration of collective, self-organized forms-of-life. It is a philosophical statement that addresses the growing number of those — in France, in the United States, and elsewhere — who refuse the idea that theory, politics, and life are separate realms.
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