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Standing on the property line between two apartment buildings with adjacent driveways, American photographer Thomas Locke Hobbs was reminded of a Renaissance painting, ''The Ideal City of Urbino'', where the illusion of space is achieved when receding lines that establish spatial relationships converge at a central vanishing point. It inspired his book ‘L.A. Vedute’, a(...)
Thomas Locke Hobbs: L.A Vedute
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Standing on the property line between two apartment buildings with adjacent driveways, American photographer Thomas Locke Hobbs was reminded of a Renaissance painting, ''The Ideal City of Urbino'', where the illusion of space is achieved when receding lines that establish spatial relationships converge at a central vanishing point. It inspired his book ‘L.A. Vedute’, a documentary study of domestic architecture in Los Angeles. The work presents the way shared spaces recede to a common vanishing point, largely unpopulated and deserted, akin to movie sets where the actors have disappeared. Through metaphors of alienation, Hobbs exposes a city in conflict and coexistence.
Monographies photo
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Consacré à l'architecture des bibliothèques contemporaines, cet ouvrage retrace le parcours historique des modèles d'organisation d'espaces dédiés à la conservation de la mémoire écrite ; il s'interroge sur les schémas actuels de fonctionnement d'une institution vieille de plus de deux mille ans et pourtant en perpétuelle évolution. Partant des premiers rouleaux cachés(...)
Bibliothèques : architectures 1995-2005
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Consacré à l'architecture des bibliothèques contemporaines, cet ouvrage retrace le parcours historique des modèles d'organisation d'espaces dédiés à la conservation de la mémoire écrite ; il s'interroge sur les schémas actuels de fonctionnement d'une institution vieille de plus de deux mille ans et pourtant en perpétuelle évolution. Partant des premiers rouleaux cachés dans les niches des temples, Aldo De Poli analyse les origines lointaines de l'édifice "bibliothèque". Du Moyen Age à la Renaissance, il nous fait découvrir ces espaces, toujours plus identifiables et mieux conçus, destinés à devenir au fil du temps des institutions ouvertes au public.
Andrea Palladio
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Between 1560 and 1580, Andrea Palladio constructed several churches in Venice including the churches of San Francesco della Vigna, San Giorgio Maggiore, and Il Redentore. His last great work was the theatre in Vicenza for the Academia Olimpica. Palladio cultivated his own interpretation of Roman motifs, and combined many of the elements of the classical style. However,(...)
Andrea Palladio
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Between 1560 and 1580, Andrea Palladio constructed several churches in Venice including the churches of San Francesco della Vigna, San Giorgio Maggiore, and Il Redentore. His last great work was the theatre in Vicenza for the Academia Olimpica. Palladio cultivated his own interpretation of Roman motifs, and combined many of the elements of the classical style. However, he shared in the Renaissance quest for harmonic proportions. Palladio was the first architect to systematize the layout of the private rooms of a house, and the first to use the ancient Greco-Roman temple front as a portico on residential buildings.
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Wood has a long history as a building material, and for a while it seemed as if its final chapter ended during the 1950s. But things turned out differently. Today a true renaissance in timber construction is underway, and in many places it is finding expression in urban contexts. Wood buildings are appearing in ever-greater numbers, heights and typologies, from industrial(...)
Detail 1/2 2018: timber construction
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Wood has a long history as a building material, and for a while it seemed as if its final chapter ended during the 1950s. But things turned out differently. Today a true renaissance in timber construction is underway, and in many places it is finding expression in urban contexts. Wood buildings are appearing in ever-greater numbers, heights and typologies, from industrial buildings and museums to sports halls. Timber construction has long since liberated itself from the cliché of single-family countryside cottages. Thanks to new technologies and methods, wood has become a popular building material – conserving resources and offering a promising future.
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The model and its architecture explores the relationship between knowledge and models in both scientific and architectural discourse. The significance of the model for Platonic philosophy and the contesting of this in the work of Deleuze forms the background for a consideration of the consequences of the debate in current architectural oractice. At the heart if these(...)
The model and its architecture
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The model and its architecture explores the relationship between knowledge and models in both scientific and architectural discourse. The significance of the model for Platonic philosophy and the contesting of this in the work of Deleuze forms the background for a consideration of the consequences of the debate in current architectural oractice. At the heart if these responses is the problem of process, of design, cosmology and creative work within the layered relations of philosophy and architecture. The various conceptions of the model for architecture are examined in the writings of Vitruvius, Renaissance theorists, and philosphers of pre-modern Isla.
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octobre 2008, Rotterdam
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The printed picture
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The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. From woodblocks to modern color photographs, from engravings to bar codes, from daguerreotypes to today's digital wonders, the book succinctly examines the full range of pictorial processes. Exploring how(...)
The printed picture
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The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. From woodblocks to modern color photographs, from engravings to bar codes, from daguerreotypes to today's digital wonders, the book succinctly examines the full range of pictorial processes. Exploring how pictures look by describing how they are made, author Richard Benson reaches fresh conclusions about what pictures can mean. Presented as a series of one-page essays opposite the pictures they examine, the book retains the engaging, informal style of Benson's celebrated seminars at Yale University.
Arts graphiques imprimés
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Joseph Rykwert, a professor of architecture at the University of Pennsylvania, has contributed to the body of work about architecture a wide-ranging study of the use of the human figure in the discipline, particularly in columns. Rykwert plunges deep into architectural history, tracing the development of the classic orders from Greece to Rome and on through the(...)
The dancing column: on order in architecture
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Joseph Rykwert, a professor of architecture at the University of Pennsylvania, has contributed to the body of work about architecture a wide-ranging study of the use of the human figure in the discipline, particularly in columns. Rykwert plunges deep into architectural history, tracing the development of the classic orders from Greece to Rome and on through the Renaissance in France and Italy. He says the relationship between the human body and architecture is "deeply ingrained in all recorded architectural thinking." He especially sees a close tie between the body and the column, the essential building block of architectural order.
Théorie de l’architecture
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Preface by William McDonough: "The buildings shown in this book are more than just examples of the technological bells and whisties of green design. They are part of an evolving cultural phenomenon. They seek to replace dominion over nature with a more fulfilling relationship with the natural world. If this century is to be known for peace, prosperity, beauty, and the(...)
Big & green : toward sustainable architecture in the 21st century
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Preface by William McDonough: "The buildings shown in this book are more than just examples of the technological bells and whisties of green design. They are part of an evolving cultural phenomenon. They seek to replace dominion over nature with a more fulfilling relationship with the natural world. If this century is to be known for peace, prosperity, beauty, and the restoration of our world, kinship with nature must become one of the foundations of our cultural life. Architecture, with its profound ability to create new relationships to place, is uniquely positioned to lead such a renaissance."
Architecture écologique
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This book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. '' Insect Artifice'' explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region's creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At(...)
Insect artifice: nature and art in the Dutch revolt
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This book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. '' Insect Artifice'' explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region's creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the ''Four Elements'' manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval.
Théorie de l’art
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Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual, and the wish to make the invisible visible are all part of this wider discourse. ''Visions of Enchantment''(...)
Visions of enchantment: occultism, magic and visual culture
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Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual, and the wish to make the invisible visible are all part of this wider discourse. ''Visions of Enchantment'' looks at the fascinating intersections between esotericism and visual culture through a decidedly cross-cultural lens, with topics ranging from talismanic magic and the Renaissance exploration of alchemy, through to the role of magic in modern art and 20th-century experimental film.
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