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This book invites us to rethink architectural and urban models, prioritizing not so much the technical, formal and abstract knowledge sought by urban planners, as the public and civic dimension of citizens’ experience when they try to care for themselves, for each other or for the environment. After decades of industrialization, our cities, in their physical and(...)
The caring city: Health, economy and environment
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This book invites us to rethink architectural and urban models, prioritizing not so much the technical, formal and abstract knowledge sought by urban planners, as the public and civic dimension of citizens’ experience when they try to care for themselves, for each other or for the environment. After decades of industrialization, our cities, in their physical and governmental dimensions, are productivity-oriented places. Cities are, nonetheless, a more hostile environment for non-productive activities: being able to choose where to sit and rest, use a public toilet, drink clean water without paying or breathe unpolluted air. The privilege that productive activities have enjoyed and those who exercise them has led to the denial of the various biological and subjective characteristics of its inhabitants and the multidimensional character of the city, becoming a cultural principle and a political practice.
L'humain et la ville
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Siri Ekker Svendsen’s ''All the whisperings of the world'' is a photo book examining the visual connections between nature’s vulnerability and the effects of an allergic shock to the body. To accomplish this, the artist takes us on a journey to contemporary rainforest areas in South America. The locus of this process is the Brazil nut. The book weaves macro and micro(...)
Siri Ekker Svendsen: All the whisperings of the world
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Siri Ekker Svendsen’s ''All the whisperings of the world'' is a photo book examining the visual connections between nature’s vulnerability and the effects of an allergic shock to the body. To accomplish this, the artist takes us on a journey to contemporary rainforest areas in South America. The locus of this process is the Brazil nut. The book weaves macro and micro perspectives with Svendsen’s classic black and white photographs, revealing the human body within a diverse ecosystem of complex interdependency. Images via microscope — body cells that have been destroyed due to allergic reactions — lead to images from scientific research on the body, flora, and fauna. A fragile connection is visualized, creating space to contemplate, fear, and grieve — ''All the whisperings of the world'' is an elegiac yearning for the loss of diversity in nature, which we see is also our own habitat.
Monographies photo
Soil lab: A built experiment
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This anthology is a critical reflection on the making of Soil Lab, a project built with a community in North Lawndale, Chicago, and hosted by the Danish Arts Foundation at the 2021 edition of the Chicago Architecture Biennial. The pages give space to a conversation that stretches far outside both the confines of the Soil Lab’s site in North Lawndale and the short duration(...)
Soil lab: A built experiment
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This anthology is a critical reflection on the making of Soil Lab, a project built with a community in North Lawndale, Chicago, and hosted by the Danish Arts Foundation at the 2021 edition of the Chicago Architecture Biennial. The pages give space to a conversation that stretches far outside both the confines of the Soil Lab’s site in North Lawndale and the short duration of the biennial. The book is a meeting place for the voices which contributed to the Soil Lab project, and maps their constellation of disciplines—across architecture, art, anthropology, ecology, craft and community work—and global geographies, including the US, Denmark, Ireland, Puerto Rico and Austria. The story of the project, and the many lives and threads that it brushed up against, is told through histories, criticism, photographic essays, instruction manuals, soil recipes and interviews.
Biennale
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Air equals information. All organic air users - plants, humans and other animals - contribute to the hybrid space that is the atmosphere through breathing and sending chemical messages. Unlike other organic air users, humans, in addition, saturate air space with electronic data. This book argues in favour of ‘remembering air’ that is expressed in the shift from the(...)
Going aerial: air, art, architecture
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Air equals information. All organic air users - plants, humans and other animals - contribute to the hybrid space that is the atmosphere through breathing and sending chemical messages. Unlike other organic air users, humans, in addition, saturate air space with electronic data. This book argues in favour of ‘remembering air’ that is expressed in the shift from the ‘leap into the void’ to ‘going aerial’. Going aerial enables us to receive and transmit airborne data of various sources that were previously inaccessible due to a lack of technology and, more importantly, due to lack of awareness and interest in air as carrier, conductor and catalyst of communication processes. Going aerial offers an original account of the most innovative air-using strategies that have been developed by artists and architects in the form of machines, robots, nomadic inflatables, bubbles, ambiances, and atmospheres.
Théorie de l’architecture
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"Africas: The Artist and the City" contains a double affirmation. It corroborates the existence of an "other" urban and artistic reality in Africa, and it asserts that these realities do not correspond with what stereotypes would have us see as Africa's sole reality. In the words of Pep Subiros, we should talk not of Africa but of Africas. Yet until now, there has been(...)
janvier 1900, Barcelona
Africas : The artist and the city -a journey and an exhibition
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"Africas: The Artist and the City" contains a double affirmation. It corroborates the existence of an "other" urban and artistic reality in Africa, and it asserts that these realities do not correspond with what stereotypes would have us see as Africa's sole reality. In the words of Pep Subiros, we should talk not of Africa but of Africas. Yet until now, there has been little said about the Africas depicted here, about urban centers like Dakar, Cape Town, and Abidjan that are undergoing urbanization and growth at breakneck speed. And what of the work of artists based in these cities? "Africas: The Artist and the City" aims to illustrate a moment in which a fertile collision is taking place between tradition and modernity, between the local and the global--and to introduce the settings where this confluence is taking place.
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed(...)
Heiner Thofern: A Beautiful Game. Roman Entrances
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed palazzine during his evening wanderings throughout the north and west districts of Rome. It was the intricately conceived and constructed entrances, realized mostly through collaborations between architects and artists, that particularly caught his eye. ''A Beautiful Game'' reveals the varied treasures of Thofern’s photographic archive, a rich collection that allows us to examine the particular sense of play and passion for beauty that shapes this era of Italian creativity, a delight in la bella figura, and a desire to constantly reinvent the possibilities of design and architecture.
Monographies photo
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Beirut-born, Paris-based architect Lina Ghotmeh (born 1980) specializes in ultra-contemporary, sustainable public and industrial buildings made from locally sourced natural materials. Her 2023 design for the Hermès leather workshop in Normandy, using the region’s traditional bricks, was the first manufacturing building in France to achieve net-zero carbon emissions.(...)
Windows of light: Lina Ghotmeh
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Beirut-born, Paris-based architect Lina Ghotmeh (born 1980) specializes in ultra-contemporary, sustainable public and industrial buildings made from locally sourced natural materials. Her 2023 design for the Hermès leather workshop in Normandy, using the region’s traditional bricks, was the first manufacturing building in France to achieve net-zero carbon emissions. Light, another natural and physical phenomenon, has also been another source of inspiration for Ghotmeh. Her research on this topic, collected in Windows of Light, draws upon examples from centuries of visual culture. Ghotmeh explores the symbols, myths and innovations of light, and outlines how it fundamentally shapes our biological, astronomical and architectural environments. Anchoring the many representations of light is a photographic narrative that reminds us that access to artificial light in many regions of the world remains a privilege rather than a right.
Matériaux et éclairage
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners,(...)
Benjamin Freedman: Positive illusions
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and smells attached to his childhood recollections. These digitally constructed images explore how technology permits us to revisit and reimagine the past in ways that feel both familiar and uncanny. Distinctions between personal recollection and collective nostalgia are compromised, creating an idiosyncratic visual realm saturated with shared emotions and histories. Freedman’s use of digital tools to recapture nostalgic scenes underscores the fluidity of memory while also challenging traditional conventions of the photographic medium.
Monographies photo
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When we think of climate, the stories we tell about the future are often catastrophic: megastorms, crop failures, and heat waves loom over us, sending a signal that the problem is so vast, so complex, that it’s out of our control. That narrative is compelling for some, but leaves others feeling hopeless, helpless, and disillusioned. Even the most ardent champions of(...)
décembre 2025
Climate imagination: Dispatches from hopeful futures
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When we think of climate, the stories we tell about the future are often catastrophic: megastorms, crop failures, and heat waves loom over us, sending a signal that the problem is so vast, so complex, that it’s out of our control. That narrative is compelling for some, but leaves others feeling hopeless, helpless, and disillusioned. Even the most ardent champions of decarbonization sometimes focus more on sounding the alarm than on mapping out what success might look like. Without positive climate futures, visions of climate adaptation and resilience that we can work toward, it’s much harder to motivate broad-based efforts for change in the present. Through short speculative fiction, essays, and visual art, "Climate imagination" seeks to inspire a wave of narratives about what positive climate futures might look like for communities around the world.
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When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. "The Word for World" presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own. Le Guin’s maps offer journeys of consciousness beyond conventional cartography,(...)
The word for world: The maps of Ursula K. Leguin
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When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. "The Word for World" presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own. Le Guin’s maps offer journeys of consciousness beyond conventional cartography, from the Rorschach-like archipelagos of Earthsea to the talismanic maps of "Always Coming Home." Rather than remaining within known terrain, they open up paradigms of knowledge, exemplified by the map’s edges and how a map is read, made and re-made, together. "The Word for World" brings her maps together with poems, stories, interviews, recipes and essays by contributors from a variety of perspectives to enquire into the relationship between worlds and how they are represented and imagined.