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In Empire of the Senses the senses are considered as cultural systems. Bringing together classic pieces by key thinkers--from Marshall McLuhan and Alain Corbin to Susan Stewart and Oliver Sacks--as well as newly commissioned articles, this path-breaking book provides a comprehensive overview of the "sensual revolution," where all manner of disciplines converge. Its aim is(...)
Empire of the Senses : The sensual culture reader
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In Empire of the Senses the senses are considered as cultural systems. Bringing together classic pieces by key thinkers--from Marshall McLuhan and Alain Corbin to Susan Stewart and Oliver Sacks--as well as newly commissioned articles, this path-breaking book provides a comprehensive overview of the "sensual revolution," where all manner of disciplines converge. Its aim is to enhance our understanding of the role of the senses in history and across cultures by overturning the hegemony of vision in contemporary theory and demonstrating that all senses play a role in mediating cultural experience. It asks provocative questions that most of us take for granted. Are there, for example, only five senses, or is this assumption a Western construct? This radical contribution to revisioning cultural studies will be essential reading for anyone hoping to understand the full complexity of how we experience our world.
Théorie de l’architecture
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In "Chasing the perfect" writer/designer Natalia Ilyin delivers her observations on design and the world it has molded. According to Ilyin, "Modern design is based on deeply idealist notions, and its inherent perfectionism has dovetailed beautifully with our commodity-based economy's need to keep people itching so that they will buy things and keep the society chugging(...)
Chasing the perfect : thoughts on modernist design in our time
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In "Chasing the perfect" writer/designer Natalia Ilyin delivers her observations on design and the world it has molded. According to Ilyin, "Modern design is based on deeply idealist notions, and its inherent perfectionism has dovetailed beautifully with our commodity-based economy's need to keep people itching so that they will buy things and keep the society chugging along. I began "Chasing the perfect" because I started to become aware of this collusion, this silent pressure that a language of design based in perfectionism had brought to bear on how I developed as a person." "Chasing the perfect" is especially relevant in our times as interest in graphic, industrial, and architectural design moves more and more into mainstream culture. Each of the 10 chapters features Ilyin’s accessible and often hilarious writing, which is highlighted with a broad range of images-some quite unexpected-from the designed world around us.
Théorie du design
Spirit & place
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Built environment surrounds us for 90% of our lives but only now are we realising its influence on the environment, our health, and how we think, feel and behave both individually and socially. "Spirit & place" shows how to work towards a sustainable environment through socially inclusive processes of placemaking, and how to create places that are nourishing(...)
Architecture écologique
janvier 1900, Oxford, Burlington
Spirit & place
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Built environment surrounds us for 90% of our lives but only now are we realising its influence on the environment, our health, and how we think, feel and behave both individually and socially. "Spirit & place" shows how to work towards a sustainable environment through socially inclusive processes of placemaking, and how to create places that are nourishing psychologically and physically, to soul and spirit as well as body. This book's arguments identify important, but often unrecognised, principles and illustrate their applicability in a wide range of situations, price-ranges and climates. It shows how to reconcile the apparently incompatible demands of environmental, economic and social sustainability; how to moderate climate to make places of delight, and realign social pressures so places both support society and maximise economic viability. Thought provoking and easy to understand, Christopher Day uses everyday examples to relate his theories to practice and our experience.
Architecture écologique
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After the Seagram Building in New York, the Toronto-Dominion Centre in Toronto, the New National Gallery in Berlin and the Lake Shore Drive Apartment Buildings in Chicago, architect Mies van der Rohe (1886-1969) designed a gas station near Montreal in 1968. This simple and utilitarian building reflects the divergent views held by experts and laymen regarding "everyday"(...)
DVD Regular or Super : Views on Mies van der Rohe
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After the Seagram Building in New York, the Toronto-Dominion Centre in Toronto, the New National Gallery in Berlin and the Lake Shore Drive Apartment Buildings in Chicago, architect Mies van der Rohe (1886-1969) designed a gas station near Montreal in 1968. This simple and utilitarian building reflects the divergent views held by experts and laymen regarding "everyday" structures, which most of us tend to ignore. In addition to exploring the interplay of form and function in the works of Mies, this film gauges our awareness of architectural language and the role of the architect in society. Observations from some superstars of the world of architecture, including Rem Koolhaas, Elizabeth Diller and Phyllis Lambert, are interlaced with anecdotes from regular people who come into daily contact with the eminent architect's work. Original soundtrack is composed by acclaimed Ramachandra Borcar (a.k.a. DJ Ram). Format: DVD.
DVD vidéo
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This book offers an engaging and original perspective on the private lives and material culture of patrician families in sixteenth-century Venice. Art historian Patricia Fortini Brown takes us behind the elegant façades of grand palaces built along the Venetian canals and examines the roles of both fine and applied arts in family life as well as the public messages that(...)
Private lives in renaissance Venice
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This book offers an engaging and original perspective on the private lives and material culture of patrician families in sixteenth-century Venice. Art historian Patricia Fortini Brown takes us behind the elegant façades of grand palaces built along the Venetian canals and examines the roles of both fine and applied arts in family life as well as the public messages that these impressive homes conveyed. Illustrated with hundreds of varied and unusual images, the book provides a lively picture of the aristocratic lifestyle during a period of changing definitions of nobility. The author considers such wide-ranging themes as attitudes toward wealth and display, the articulation of family identity, and the visual culture of Venetian women - how they decorated their homes, dressed, undertook domestic tasks, entertained, and raised their children. Recapturing the interplay between the public and private, she offers an account of Venetian households rich in detail.
Histoire jusqu’à 1900
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost)(...)
2G 27 : Mansilla+Tunon, recent work
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost) complete works of these Madrid architects, works grouped around the basic ideas which define their projects, namely memory and the city, system and restrictions, sameness and difference, and lastly trace and landscape. These concepts are not watertight entities, however, but are present in each and every one of their designs as intersecting references, and they enable us to dissect the architects' way of thinking and influencing reality. Similarly, the articles accompanying the presentation of their buildings scrutinise in kaleidoscopic form the modus operandi of their work.
Revues
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"Catalogue" is the quirky title of this, the first collection of the work of Project Orange, the highly successful and inovative design and architecture practice. Project Orange, having demonstrated a keen interest in design and cultural issues through their work, referencing here, with tongue-in-cheek and yet soberly, the previous 'catalogues' of IKEA, Sears, Habitat,(...)
Catalogue : Project Orange architecture & design
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"Catalogue" is the quirky title of this, the first collection of the work of Project Orange, the highly successful and inovative design and architecture practice. Project Orange, having demonstrated a keen interest in design and cultural issues through their work, referencing here, with tongue-in-cheek and yet soberly, the previous 'catalogues' of IKEA, Sears, Habitat, and the like. Concerned, at the same time, with the relationship between ideas, interiors and buildings, Project Orange consider that progress and recent technological advances mean that the way people percieve their environments are always in flux. For them, architecture literally provides the containers for us to work and live within; but more than this, these containers create a framework of meaning for inhabitation and lifestyle. In "Catalogue" these and other of Project Orange's beliefs are made accessible to everybody with an interest in style, design and the built environment.
Architecture, monographies
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Is there an enduring bond between philosophical thought and the earth, or is philosophy’s task to escape the planetary horizon? And what is the connection between the empirical earth, the contingent material support of human thinking, and the abstract ‘world’ that is the condition for a ‘whole’ of thought? Real and imaginary geographies and cartographies have played a(...)
décembre 2012
Collapse: philosophical research and development,: geo/philosophy, volume VI
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Is there an enduring bond between philosophical thought and the earth, or is philosophy’s task to escape the planetary horizon? And what is the connection between the empirical earth, the contingent material support of human thinking, and the abstract ‘world’ that is the condition for a ‘whole’ of thought? Real and imaginary geographies and cartographies have played a dual role in philosophy, serving both as governing metaphor and as ultimate grounding for philosophical thought; but urgent contemporary concerns introduce new problems for geophilosophy: planetary political, technological, military, and financial mutations have scrambled territorial formations, and scientific predictions now present us with the apocalyptic scenario of a planet without human thought. Collapse VI brings together philosophers, theorists, eco-critics, leading scientific experts in climate change, and artists whose work interrogates the link between philosophical thought, geography and cartography, in order to create a portrait of the present state of ‘planetary thought’.
Dust (object lessons)
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No matter how much you fight against it, dust pervades everything. It gathers in even layers, adapting to the contours of things and marking the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces and a set of promises: dead skin cells and plant pollen, hair and paper fibers, not to(...)
Dust (object lessons)
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No matter how much you fight against it, dust pervades everything. It gathers in even layers, adapting to the contours of things and marking the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces and a set of promises: dead skin cells and plant pollen, hair and paper fibers, not to mention dust mites who make it their home. And so, dust blurs the boundaries between the living and the dead, plant and animal matter, the inside and the outside, you and the world (“for dust thou art, and unto dust shalt thou return”). This book treats one of the most mundane and familiar phenomena, showing how it can provide a key to thinking about existence, community, and justice today. - See more at: http://www.bloomsbury.com/us/dust-9781628925586/#sthash.ghw4gFcC.dpuf
Théorie/ philosophie
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This book is about enlarging the ways designers think about design, doing so by learning more about the maturing sciences of human life-evolution, ecology, and the neurosciences-the sciences that explore how you or I actually experience the places being built for us and why we respond the ways we do. The new insights are as revolutionary in their way as the re-discovery(...)
A new look at humanism: in architecture, landscapes and urban design
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This book is about enlarging the ways designers think about design, doing so by learning more about the maturing sciences of human life-evolution, ecology, and the neurosciences-the sciences that explore how you or I actually experience the places being built for us and why we respond the ways we do. The new insights are as revolutionary in their way as the re-discovery of ancient Greece and Rome by humanists in the Renaissance. That was a time of dazzling creativity, with new ways of thinking about human nature. We're facing that kind of opportunity again. The book starts with our "Origins" as we evolved, immersed in the natural world. Then our actual experience is explored in "The mind that encounters architecture" and "The body that responds." And then "the languages of humanism" applies these ideas to design and the role of aesthetic experience.
Théorie de l’architecture