14287 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.2002.PR06.SS1
Description:
This project subseries documents the Parque de Pedras Salgadas, Hotel Avelames, Spa e Casa de Chá in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. This project consisted of extensive work to the Hotel Avelames, the thermal spa and the Casa de Chà at the Pedras Salgadas Spa and Nature Park. The building program proposed the demolition of the Hotel Avelames due to the deficiency of previous alterations and enlargements to the historic building. A new four-storey hotel was proposed in its place. The thermal spa building was reimagined and modernized with an indoor pool, treatment and relaxation rooms and a sauna. The historic Casa de Chà building was also reimagined and became the Casa de Chà restaurant. Additional work was proposed for other buildings on the property, including the Casas das Freiras, to create tourist villas, but this work was not realized. The project subseries is recorded through drawings, photographic materials, study models and textual records dating from 2002-2010. The drawings are mostly reprographic copies, some with annotations and sketches, of plans, elevations, sections, details, demolition drawings, and structural, mechanical and electrical drawings. The photographic materials primarily consist of printed digital photos that show the site, historic hotel and construction work. The textual records include site reports, building programs, permit documentation, specifications, correspondence, meeting minutes, supplier records, and documentation on structural, mechanical and electrical systems.
AP178.S1.2002.PR06.SS1
Description:
This project subseries documents the Parque de Pedras Salgadas, Hotel Avelames, Spa e Casa de Chá in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. This project consisted of extensive work to the Hotel Avelames, the thermal spa and the Casa de Chà at the Pedras Salgadas Spa and Nature Park. The building program proposed the demolition of the Hotel Avelames due to the deficiency of previous alterations and enlargements to the historic building. A new four-storey hotel was proposed in its place. The thermal spa building was reimagined and modernized with an indoor pool, treatment and relaxation rooms and a sauna. The historic Casa de Chà building was also reimagined and became the Casa de Chà restaurant. Additional work was proposed for other buildings on the property, including the Casas das Freiras, to create tourist villas, but this work was not realized. The project subseries is recorded through drawings, photographic materials, study models and textual records dating from 2002-2010. The drawings are mostly reprographic copies, some with annotations and sketches, of plans, elevations, sections, details, demolition drawings, and structural, mechanical and electrical drawings. The photographic materials primarily consist of printed digital photos that show the site, historic hotel and construction work. The textual records include site reports, building programs, permit documentation, specifications, correspondence, meeting minutes, supplier records, and documentation on structural, mechanical and electrical systems.
Personnes et institutions:
Date:
2002-2010
2002-2010
Titre:
Parque de Pedras Salgadas, Hotel Avelames, Spa e Casa de Chá [Hotel Avalames, spa and Casa de Chà restaurant, Pedras Salgadas Spa and Nature Park], Pedras Salgadas, Portugal (2002)
Actions:
AP178.S1.2002.PR06.SS1
Description:
This project subseries documents the Parque de Pedras Salgadas, Hotel Avelames, Spa e Casa de Chá in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. This project consisted of extensive work to the Hotel Avelames, the thermal spa and the Casa de Chà at the Pedras Salgadas Spa and Nature Park. The building program proposed the demolition of the Hotel Avelames due to the deficiency of previous alterations and enlargements to the historic building. A new four-storey hotel was proposed in its place. The thermal spa building was reimagined and modernized with an indoor pool, treatment and relaxation rooms and a sauna. The historic Casa de Chà building was also reimagined and became the Casa de Chà restaurant. Additional work was proposed for other buildings on the property, including the Casas das Freiras, to create tourist villas, but this work was not realized. The project subseries is recorded through drawings, photographic materials, study models and textual records dating from 2002-2010. The drawings are mostly reprographic copies, some with annotations and sketches, of plans, elevations, sections, details, demolition drawings, and structural, mechanical and electrical drawings. The photographic materials primarily consist of printed digital photos that show the site, historic hotel and construction work. The textual records include site reports, building programs, permit documentation, specifications, correspondence, meeting minutes, supplier records, and documentation on structural, mechanical and electrical systems.
Parque de Pedras Salgadas, Hotel Avelames, Spa e Casa de Chá [Hotel Avalames, spa and Casa de Chà restaurant, Pedras Salgadas Spa and Nature Park], Pedras Salgadas, Portugal (2002)
Actions:
AP178.S1.2002.PR06.SS1
Description:
This project subseries documents the Parque de Pedras Salgadas, Hotel Avelames, Spa e Casa de Chá in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. This project consisted of extensive work to the Hotel Avelames, the thermal spa and the Casa de Chà at the Pedras Salgadas Spa and Nature Park. The building program proposed the demolition of the Hotel Avelames due to the deficiency of previous alterations and enlargements to the historic building. A new four-storey hotel was proposed in its place. The thermal spa building was reimagined and modernized with an indoor pool, treatment and relaxation rooms and a sauna. The historic Casa de Chà building was also reimagined and became the Casa de Chà restaurant. Additional work was proposed for other buildings on the property, including the Casas das Freiras, to create tourist villas, but this work was not realized. The project subseries is recorded through drawings, photographic materials, study models and textual records dating from 2002-2010. The drawings are mostly reprographic copies, some with annotations and sketches, of plans, elevations, sections, details, demolition drawings, and structural, mechanical and electrical drawings. The photographic materials primarily consist of printed digital photos that show the site, historic hotel and construction work. The textual records include site reports, building programs, permit documentation, specifications, correspondence, meeting minutes, supplier records, and documentation on structural, mechanical and electrical systems.
Niveau de description archivistique:
Project
Project
Date:
2002-2010
2002-2010
Personnes et institutions:
Classification:
dessins, documents textuels, graphique, photographies
dessins, documents textuels, graphique, photographies
Actions:
Numéro de référence:
DR1989:0026:001-051
Description:
- This group is comprised of drawings and photographs for Francis Fowke's winning entry in the 1864 competition for the Natural History and Patent Museums, South Kensington, London, and correspondence and pamphlets related to John Liddell's subsequent claim (1866) of sole authorship of the external treatment of Fowke's design. A hand-coloured reprographic copy (DR1989:0026:005) is apparently an elevation for Fowke's final design for the Natural History and Patent Museum, and a photograph of the section through the Patent Museum (DR1989:0026:001) is also possibly for Fowke's final design. Other drawings (DR1989:0026:003, DR1989:0026:006, and DR1989:0026:007 R/V) and another photograph (DR1989:0026:002) are possibly for preliminary designs for the competition. Many of the letters are by John Liddell to the First Commissioner of Works (W.F. Cowper and later, Lord John Manners), and Alfred Waterhouse asserting his claim to authorship of the external treatment of Fowke's design (DR1989:0026:013, DR1989:0026:015, DR1989:0026:017, DR1989:0026:029, DR1989:0026:031-33, DR1989:0026:036, DR1989:0026:040). The First Commissioner's secretaries' replies to these are also included (DR1989:0026:016, DR1989:0026:035, DR1989:0026:041-043). Liddell compiled many of these letters, as well as some not included in this group, into a pamphlet in order to publicize his case (DR1989:0026:020, DR1989:0026:023-24, DR1989:0026:026-27, DR1989:0026:039, DR1989:0026:044-045). There are ten copies of this transcribed correspondence as well letters to the editors of four London newspapers (DR1989:0026:022, DR1989:0026:025, DR1989:0026:028, DR1989:0026:030, DR1989:0026:051). Also included is Liddell's correspondence to two of the competition judges (DR1989:0026:019, DR1989:0026:037, DR1989:0026:038) and several Members of Parliament (DR1989:0026:014, DR1989:0026:018, DR1989:0026:021, DR1989:0026:034) solicting support for his claims. A letter from Fowke to Liddell accompanies the payment of Liddell's portion of the competition premium (DR1989:0026:009). Three letters discuss a recommendation for Liddell from Sir Henry Cole (DR1989:0026:010-012). Pamphlets include two copies of pamphlets (one incomplete) published in 1863 by the House of Commons describing Sir Richard Owens' ideas for the Natural History Museum, with hand-coloured plans and sections drawn by Sir Henry A. Hunt and printed by Henry Hansard (DR1989:0026:046-47); two copies of the competition guidelines, each annotated with sketches, probably by Fowke and Liddell (DR1989:0026:048-049); and two copies of the description of Fowke's design, one with his motto and modifications (DR1989:0026:050 ?). The tabletop designs on the verso of some of the sketches date to 1907 and are unrelated to the other material in the collection (DR1989:0026:006 R/V and DR1989:0026:007 R/V).
DR1989:0026:001-051
Description:
- This group is comprised of drawings and photographs for Francis Fowke's winning entry in the 1864 competition for the Natural History and Patent Museums, South Kensington, London, and correspondence and pamphlets related to John Liddell's subsequent claim (1866) of sole authorship of the external treatment of Fowke's design. A hand-coloured reprographic copy (DR1989:0026:005) is apparently an elevation for Fowke's final design for the Natural History and Patent Museum, and a photograph of the section through the Patent Museum (DR1989:0026:001) is also possibly for Fowke's final design. Other drawings (DR1989:0026:003, DR1989:0026:006, and DR1989:0026:007 R/V) and another photograph (DR1989:0026:002) are possibly for preliminary designs for the competition. Many of the letters are by John Liddell to the First Commissioner of Works (W.F. Cowper and later, Lord John Manners), and Alfred Waterhouse asserting his claim to authorship of the external treatment of Fowke's design (DR1989:0026:013, DR1989:0026:015, DR1989:0026:017, DR1989:0026:029, DR1989:0026:031-33, DR1989:0026:036, DR1989:0026:040). The First Commissioner's secretaries' replies to these are also included (DR1989:0026:016, DR1989:0026:035, DR1989:0026:041-043). Liddell compiled many of these letters, as well as some not included in this group, into a pamphlet in order to publicize his case (DR1989:0026:020, DR1989:0026:023-24, DR1989:0026:026-27, DR1989:0026:039, DR1989:0026:044-045). There are ten copies of this transcribed correspondence as well letters to the editors of four London newspapers (DR1989:0026:022, DR1989:0026:025, DR1989:0026:028, DR1989:0026:030, DR1989:0026:051). Also included is Liddell's correspondence to two of the competition judges (DR1989:0026:019, DR1989:0026:037, DR1989:0026:038) and several Members of Parliament (DR1989:0026:014, DR1989:0026:018, DR1989:0026:021, DR1989:0026:034) solicting support for his claims. A letter from Fowke to Liddell accompanies the payment of Liddell's portion of the competition premium (DR1989:0026:009). Three letters discuss a recommendation for Liddell from Sir Henry Cole (DR1989:0026:010-012). Pamphlets include two copies of pamphlets (one incomplete) published in 1863 by the House of Commons describing Sir Richard Owens' ideas for the Natural History Museum, with hand-coloured plans and sections drawn by Sir Henry A. Hunt and printed by Henry Hansard (DR1989:0026:046-47); two copies of the competition guidelines, each annotated with sketches, probably by Fowke and Liddell (DR1989:0026:048-049); and two copies of the description of Fowke's design, one with his motto and modifications (DR1989:0026:050 ?). The tabletop designs on the verso of some of the sketches date to 1907 and are unrelated to the other material in the collection (DR1989:0026:006 R/V and DR1989:0026:007 R/V).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
drawings executed between 1864 and 1907
drawings executed between 1864 and 1907
Titre:
Documents and drawings related to the winning entry in the 1864 competition for a Natural History Museum and Patent Museum, South Kensington, London, England
Actions:
DR1989:0026:001-051
Description:
- This group is comprised of drawings and photographs for Francis Fowke's winning entry in the 1864 competition for the Natural History and Patent Museums, South Kensington, London, and correspondence and pamphlets related to John Liddell's subsequent claim (1866) of sole authorship of the external treatment of Fowke's design. A hand-coloured reprographic copy (DR1989:0026:005) is apparently an elevation for Fowke's final design for the Natural History and Patent Museum, and a photograph of the section through the Patent Museum (DR1989:0026:001) is also possibly for Fowke's final design. Other drawings (DR1989:0026:003, DR1989:0026:006, and DR1989:0026:007 R/V) and another photograph (DR1989:0026:002) are possibly for preliminary designs for the competition. Many of the letters are by John Liddell to the First Commissioner of Works (W.F. Cowper and later, Lord John Manners), and Alfred Waterhouse asserting his claim to authorship of the external treatment of Fowke's design (DR1989:0026:013, DR1989:0026:015, DR1989:0026:017, DR1989:0026:029, DR1989:0026:031-33, DR1989:0026:036, DR1989:0026:040). The First Commissioner's secretaries' replies to these are also included (DR1989:0026:016, DR1989:0026:035, DR1989:0026:041-043). Liddell compiled many of these letters, as well as some not included in this group, into a pamphlet in order to publicize his case (DR1989:0026:020, DR1989:0026:023-24, DR1989:0026:026-27, DR1989:0026:039, DR1989:0026:044-045). There are ten copies of this transcribed correspondence as well letters to the editors of four London newspapers (DR1989:0026:022, DR1989:0026:025, DR1989:0026:028, DR1989:0026:030, DR1989:0026:051). Also included is Liddell's correspondence to two of the competition judges (DR1989:0026:019, DR1989:0026:037, DR1989:0026:038) and several Members of Parliament (DR1989:0026:014, DR1989:0026:018, DR1989:0026:021, DR1989:0026:034) solicting support for his claims. A letter from Fowke to Liddell accompanies the payment of Liddell's portion of the competition premium (DR1989:0026:009). Three letters discuss a recommendation for Liddell from Sir Henry Cole (DR1989:0026:010-012). Pamphlets include two copies of pamphlets (one incomplete) published in 1863 by the House of Commons describing Sir Richard Owens' ideas for the Natural History Museum, with hand-coloured plans and sections drawn by Sir Henry A. Hunt and printed by Henry Hansard (DR1989:0026:046-47); two copies of the competition guidelines, each annotated with sketches, probably by Fowke and Liddell (DR1989:0026:048-049); and two copies of the description of Fowke's design, one with his motto and modifications (DR1989:0026:050 ?). The tabletop designs on the verso of some of the sketches date to 1907 and are unrelated to the other material in the collection (DR1989:0026:006 R/V and DR1989:0026:007 R/V).
Documents and drawings related to the winning entry in the 1864 competition for a Natural History Museum and Patent Museum, South Kensington, London, England
Actions:
DR1989:0026:001-051
Description:
- This group is comprised of drawings and photographs for Francis Fowke's winning entry in the 1864 competition for the Natural History and Patent Museums, South Kensington, London, and correspondence and pamphlets related to John Liddell's subsequent claim (1866) of sole authorship of the external treatment of Fowke's design. A hand-coloured reprographic copy (DR1989:0026:005) is apparently an elevation for Fowke's final design for the Natural History and Patent Museum, and a photograph of the section through the Patent Museum (DR1989:0026:001) is also possibly for Fowke's final design. Other drawings (DR1989:0026:003, DR1989:0026:006, and DR1989:0026:007 R/V) and another photograph (DR1989:0026:002) are possibly for preliminary designs for the competition. Many of the letters are by John Liddell to the First Commissioner of Works (W.F. Cowper and later, Lord John Manners), and Alfred Waterhouse asserting his claim to authorship of the external treatment of Fowke's design (DR1989:0026:013, DR1989:0026:015, DR1989:0026:017, DR1989:0026:029, DR1989:0026:031-33, DR1989:0026:036, DR1989:0026:040). The First Commissioner's secretaries' replies to these are also included (DR1989:0026:016, DR1989:0026:035, DR1989:0026:041-043). Liddell compiled many of these letters, as well as some not included in this group, into a pamphlet in order to publicize his case (DR1989:0026:020, DR1989:0026:023-24, DR1989:0026:026-27, DR1989:0026:039, DR1989:0026:044-045). There are ten copies of this transcribed correspondence as well letters to the editors of four London newspapers (DR1989:0026:022, DR1989:0026:025, DR1989:0026:028, DR1989:0026:030, DR1989:0026:051). Also included is Liddell's correspondence to two of the competition judges (DR1989:0026:019, DR1989:0026:037, DR1989:0026:038) and several Members of Parliament (DR1989:0026:014, DR1989:0026:018, DR1989:0026:021, DR1989:0026:034) solicting support for his claims. A letter from Fowke to Liddell accompanies the payment of Liddell's portion of the competition premium (DR1989:0026:009). Three letters discuss a recommendation for Liddell from Sir Henry Cole (DR1989:0026:010-012). Pamphlets include two copies of pamphlets (one incomplete) published in 1863 by the House of Commons describing Sir Richard Owens' ideas for the Natural History Museum, with hand-coloured plans and sections drawn by Sir Henry A. Hunt and printed by Henry Hansard (DR1989:0026:046-47); two copies of the competition guidelines, each annotated with sketches, probably by Fowke and Liddell (DR1989:0026:048-049); and two copies of the description of Fowke's design, one with his motto and modifications (DR1989:0026:050 ?). The tabletop designs on the verso of some of the sketches date to 1907 and are unrelated to the other material in the collection (DR1989:0026:006 R/V and DR1989:0026:007 R/V).
Classification:
dessins, documents textuels, graphique, photographies
dessins, documents textuels, graphique, photographies
Date:
drawings executed between 1864 and 1907
drawings executed between 1864 and 1907
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Titre:
Inter-Action Centre
Inter-Action Centre
Numéro de référence:
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
Personnes et institutions:
Date:
1964-1992, predominant 1970-1981
1964-1992, predominant 1970-1981
Titre:
Inter-Action Centre
Actions:
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
Inter-Action Centre
Actions:
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
Niveau de description archivistique:
File 82
File 82
Date:
1964-1992, predominant 1970-1981
1964-1992, predominant 1970-1981
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Personnes et institutions:
Date:
1995-1996
1995-1996
Titre:
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-1996
1995-1996
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
Personnes et institutions:
Date:
1994-2001
1994-2001
Titre:
O/K Apartment (New York, N.Y.)
Actions:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
O/K Apartment (New York, N.Y.)
Actions:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
Niveau de description archivistique:
Series
Series
Date:
1994-2001
1994-2001
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ross & Macdonald
Fonds Ross & Macdonald
Numéro de référence:
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Personnes et institutions:
Date:
1902-1982
1902-1982
Titre:
Fonds Ross & Macdonald
Actions:
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Fonds Ross & Macdonald
Actions:
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1902-1982
1902-1982
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Personnes et institutions:
Date:
2001-2016
2001-2016
Titre:
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2001-2016
2001-2016
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D16
Description:
The project series documents consultation work for the urban development of Madrid`s historique center and the Mazanares riverside, in Spain. The firm identified the project as number 187. “A MADRID + PEDESTRIAN. A MADRID + GREEN. A MADRID + SOCIALLY INTEGRATED. [Abalos & Herreros] purpose is [a] strategy based in BLOBS, of new urban public spaces, directly or indirectly joined to a new pedestrian Castellana, a group of HOLLOWS situated in critical points of the urban dynamism which allow us to LINK, SEW, INTEGRATE and ENJOY TOGETHER the town.” (ARCH270975). This project is related to the project M30: parque lineal del río Manzanares (AP164.S1.2005.D6). Documenting the project are conceptual drawings, presentation documents, cartographic materials, project descriptions, notes and a dummy.
AP164.S1.2004.D16
Description:
The project series documents consultation work for the urban development of Madrid`s historique center and the Mazanares riverside, in Spain. The firm identified the project as number 187. “A MADRID + PEDESTRIAN. A MADRID + GREEN. A MADRID + SOCIALLY INTEGRATED. [Abalos & Herreros] purpose is [a] strategy based in BLOBS, of new urban public spaces, directly or indirectly joined to a new pedestrian Castellana, a group of HOLLOWS situated in critical points of the urban dynamism which allow us to LINK, SEW, INTEGRATE and ENJOY TOGETHER the town.” (ARCH270975). This project is related to the project M30: parque lineal del río Manzanares (AP164.S1.2005.D6). Documenting the project are conceptual drawings, presentation documents, cartographic materials, project descriptions, notes and a dummy.
Personnes et institutions:
Date:
1997-2004
1997-2004
Titre:
+ Madrid, Spain (2004)
Actions:
AP164.S1.2004.D16
Description:
The project series documents consultation work for the urban development of Madrid`s historique center and the Mazanares riverside, in Spain. The firm identified the project as number 187. “A MADRID + PEDESTRIAN. A MADRID + GREEN. A MADRID + SOCIALLY INTEGRATED. [Abalos & Herreros] purpose is [a] strategy based in BLOBS, of new urban public spaces, directly or indirectly joined to a new pedestrian Castellana, a group of HOLLOWS situated in critical points of the urban dynamism which allow us to LINK, SEW, INTEGRATE and ENJOY TOGETHER the town.” (ARCH270975). This project is related to the project M30: parque lineal del río Manzanares (AP164.S1.2005.D6). Documenting the project are conceptual drawings, presentation documents, cartographic materials, project descriptions, notes and a dummy.
+ Madrid, Spain (2004)
Actions:
AP164.S1.2004.D16
Description:
The project series documents consultation work for the urban development of Madrid`s historique center and the Mazanares riverside, in Spain. The firm identified the project as number 187. “A MADRID + PEDESTRIAN. A MADRID + GREEN. A MADRID + SOCIALLY INTEGRATED. [Abalos & Herreros] purpose is [a] strategy based in BLOBS, of new urban public spaces, directly or indirectly joined to a new pedestrian Castellana, a group of HOLLOWS situated in critical points of the urban dynamism which allow us to LINK, SEW, INTEGRATE and ENJOY TOGETHER the town.” (ARCH270975). This project is related to the project M30: parque lineal del río Manzanares (AP164.S1.2005.D6). Documenting the project are conceptual drawings, presentation documents, cartographic materials, project descriptions, notes and a dummy.
Niveau de description archivistique:
Project
Project
Date:
1997-2004
1997-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
Personnes et institutions:
Date:
1993-2006
1993-2006
Titre:
Grand Tour (2005)
Actions:
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
Grand Tour (2005)
Actions:
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
Niveau de description archivistique:
Project
Project
Date:
1993-2006
1993-2006
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1994.PR08
Description:
This project series documents the Renovação do Elevador de Santa Justa in Lisbon, Portugal. While the project was held at the office's archives, it was assigned the project number 54/90. The office assigned the date 1994 to this project. The project was for the restoration of the Santa Justa lift, which was originally built at the end of the 19th century in order to give access to the Carmo Square and the Baixa. The renovations included modifications to the information booth and renovations of the mechanical system. Documenting this project are studies, details and working drawings. There are photographs showing the model and the elevator. Textual materials include correspondence, competition documentation, project documentation and technical specifications.
AP178.S1.1994.PR08
Description:
This project series documents the Renovação do Elevador de Santa Justa in Lisbon, Portugal. While the project was held at the office's archives, it was assigned the project number 54/90. The office assigned the date 1994 to this project. The project was for the restoration of the Santa Justa lift, which was originally built at the end of the 19th century in order to give access to the Carmo Square and the Baixa. The renovations included modifications to the information booth and renovations of the mechanical system. Documenting this project are studies, details and working drawings. There are photographs showing the model and the elevator. Textual materials include correspondence, competition documentation, project documentation and technical specifications.
Personnes et institutions:
Date:
1994-2002
1994-2002
Titre:
Renovação do Elevador de Santa Justa [Restoration of Santa Justa lift], Lisbon, Portugal (1994)
Actions:
AP178.S1.1994.PR08
Description:
This project series documents the Renovação do Elevador de Santa Justa in Lisbon, Portugal. While the project was held at the office's archives, it was assigned the project number 54/90. The office assigned the date 1994 to this project. The project was for the restoration of the Santa Justa lift, which was originally built at the end of the 19th century in order to give access to the Carmo Square and the Baixa. The renovations included modifications to the information booth and renovations of the mechanical system. Documenting this project are studies, details and working drawings. There are photographs showing the model and the elevator. Textual materials include correspondence, competition documentation, project documentation and technical specifications.
Renovação do Elevador de Santa Justa [Restoration of Santa Justa lift], Lisbon, Portugal (1994)
Actions:
AP178.S1.1994.PR08
Description:
This project series documents the Renovação do Elevador de Santa Justa in Lisbon, Portugal. While the project was held at the office's archives, it was assigned the project number 54/90. The office assigned the date 1994 to this project. The project was for the restoration of the Santa Justa lift, which was originally built at the end of the 19th century in order to give access to the Carmo Square and the Baixa. The renovations included modifications to the information booth and renovations of the mechanical system. Documenting this project are studies, details and working drawings. There are photographs showing the model and the elevator. Textual materials include correspondence, competition documentation, project documentation and technical specifications.
Niveau de description archivistique:
Project
Project
Date:
1994-2002
1994-2002
Personnes et institutions:
