37482 Résultats
Classification:
événements
événements
Actions:
Description:
Deane Simpson présente l’Atlas of the Copenhagens, un projet de livre traitant d’un territoire urbain reconnu dans les médias et célébré par la municipalité même de Copenhague comme la ville la plus durable au monde et où la qualité de vie est la meilleure. De telles affirmations suggèrent que Copenhague est un site approprié pour une étude et un débat sur la durabilité(...)
Deane Simpson présente l’Atlas of the Copenhagens, un projet de livre traitant d’un territoire urbain reconnu dans les médias et célébré par la municipalité même de Copenhague comme la ville la plus durable au monde et où la qualité de vie est la meilleure. De telles affirmations suggèrent que Copenhague est un site approprié pour une étude et un débat sur la durabilité(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
21 mai 2015 , 18h
21 mai 2015 , 18h
Titre:
L’enseignement de… Copenhague
Actions:
Description:
Deane Simpson présente l’Atlas of the Copenhagens, un projet de livre traitant d’un territoire urbain reconnu dans les médias et célébré par la municipalité même de Copenhague comme la ville la plus durable au monde et où la qualité de vie est la meilleure. De telles affirmations suggèrent que Copenhague est un site approprié pour une étude et un débat sur la durabilité(...)
L’enseignement de… Copenhague
Actions:
Description:
Deane Simpson présente l’Atlas of the Copenhagens, un projet de livre traitant d’un territoire urbain reconnu dans les médias et célébré par la municipalité même de Copenhague comme la ville la plus durable au monde et où la qualité de vie est la meilleure. De telles affirmations suggèrent que Copenhague est un site approprié pour une étude et un débat sur la durabilité(...)
Classification:
événements
événements
Date:
21 mai 2015
18h
21 mai 2015
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
documents textuels
documents textuels
Titre:
MCA Universal, 1995-1996
MCA Universal, 1995-1996
Actions:
Numéro de référence:
DR2007:0021
Description:
During 1995-96, L.W. Richards was architectural advisor to Edgar Bronfman Jr., for the selection of an architect for a master plan and new headquarters building at Universal Studios, Los Angeles. The search that L.W. Richards conducted resulted in the selection of OMA and Rem Koolhaas. Two items are included here: a) bound notebook from the summer and fall of 1995, documenting meetings with Edgar Bronfman Jr., conversations with various architects (including Peter Eisenman, Frank Gehry, Renzo Piano, and Peter Rose), and a record of the meeting between Edgar, Rem Koolhaas, and L.W. Richards in Malibu in which Rem was selected for the project, and b) spiral bound booklet, PLAN (vision plan for de development of Universal City) by the Office of Metropolitan Architecture and presented to MCA Inc., July 1996, no.58.
DR2007:0021
Description:
During 1995-96, L.W. Richards was architectural advisor to Edgar Bronfman Jr., for the selection of an architect for a master plan and new headquarters building at Universal Studios, Los Angeles. The search that L.W. Richards conducted resulted in the selection of OMA and Rem Koolhaas. Two items are included here: a) bound notebook from the summer and fall of 1995, documenting meetings with Edgar Bronfman Jr., conversations with various architects (including Peter Eisenman, Frank Gehry, Renzo Piano, and Peter Rose), and a record of the meeting between Edgar, Rem Koolhaas, and L.W. Richards in Malibu in which Rem was selected for the project, and b) spiral bound booklet, PLAN (vision plan for de development of Universal City) by the Office of Metropolitan Architecture and presented to MCA Inc., July 1996, no.58.
Personnes et institutions:
Date:
1995-1996
1995-1996
Titre:
MCA Universal, 1995-1996
Actions:
DR2007:0021
Description:
During 1995-96, L.W. Richards was architectural advisor to Edgar Bronfman Jr., for the selection of an architect for a master plan and new headquarters building at Universal Studios, Los Angeles. The search that L.W. Richards conducted resulted in the selection of OMA and Rem Koolhaas. Two items are included here: a) bound notebook from the summer and fall of 1995, documenting meetings with Edgar Bronfman Jr., conversations with various architects (including Peter Eisenman, Frank Gehry, Renzo Piano, and Peter Rose), and a record of the meeting between Edgar, Rem Koolhaas, and L.W. Richards in Malibu in which Rem was selected for the project, and b) spiral bound booklet, PLAN (vision plan for de development of Universal City) by the Office of Metropolitan Architecture and presented to MCA Inc., July 1996, no.58.
MCA Universal, 1995-1996
Actions:
DR2007:0021
Description:
During 1995-96, L.W. Richards was architectural advisor to Edgar Bronfman Jr., for the selection of an architect for a master plan and new headquarters building at Universal Studios, Los Angeles. The search that L.W. Richards conducted resulted in the selection of OMA and Rem Koolhaas. Two items are included here: a) bound notebook from the summer and fall of 1995, documenting meetings with Edgar Bronfman Jr., conversations with various architects (including Peter Eisenman, Frank Gehry, Renzo Piano, and Peter Rose), and a record of the meeting between Edgar, Rem Koolhaas, and L.W. Richards in Malibu in which Rem was selected for the project, and b) spiral bound booklet, PLAN (vision plan for de development of Universal City) by the Office of Metropolitan Architecture and presented to MCA Inc., July 1996, no.58.
Classification:
documents textuels
documents textuels
Date:
1995-1996
1995-1996
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Personnes et institutions:
Date:
1990-1997
1990-1997
Titre:
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Date:
1990-1997
1990-1997
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Michelangelo Sabatino, chercheur en résidence 2011, offre un tour d’horizon de ses recherches en cours sur la contribution d’Arthur Erickson au façonnement de la ville du XXe siècle. Cliquez ici pour lévénement Facebook.
Michelangelo Sabatino, chercheur en résidence 2011, offre un tour d’horizon de ses recherches en cours sur la contribution d’Arthur Erickson au façonnement de la ville du XXe siècle. Cliquez ici pour lévénement Facebook.
Localisation:
Maison Shaughnessy
Presenté en anglais Mot(s)-clé(s):
Michelangelo Sabatino, séminaire de chercheur en résidence
Maison Shaughnessy
Presenté en anglais Mot(s)-clé(s):
Michelangelo Sabatino, séminaire de chercheur en résidence
Date:
11 août 2011, 18h
11 août 2011, 18h
Titre:
Séminaire de chercheur en résidence : Michelangelo Sabatino
Actions:
Description:
Michelangelo Sabatino, chercheur en résidence 2011, offre un tour d’horizon de ses recherches en cours sur la contribution d’Arthur Erickson au façonnement de la ville du XXe siècle. Cliquez ici pour lévénement Facebook.
Séminaire de chercheur en résidence : Michelangelo Sabatino
Actions:
Description:
Michelangelo Sabatino, chercheur en résidence 2011, offre un tour d’horizon de ses recherches en cours sur la contribution d’Arthur Erickson au façonnement de la ville du XXe siècle. Cliquez ici pour lévénement Facebook.
Classification:
événements
événements
Date:
11 août 2011
18h
11 août 2011
18h
Localisation:
Maison Shaughnessy
Presenté en anglais Mot(s)-clé(s):
Michelangelo Sabatino, séminaire de chercheur en résidence
Maison Shaughnessy
Presenté en anglais Mot(s)-clé(s):
Michelangelo Sabatino, séminaire de chercheur en résidence
Classification:
dessins
dessins
Numéro de référence:
AP075.S3.SS2.090
Description:
Includes flats from the following landscape projects: - Playground for Children's Creative Centre of the Canadian Federal Pavilion at Expo '67, Montréal, Québec, Canada (1965-1967) - Robson Square Provincial Government Complex, Vancouver, British Columbia, Canada (1974-1982) - Dr. Norman Keevil Residence, Vancouver, British Columbia, Canada (1977) - Russell Residence, Tacoma, Washington, United States (1986) - Dr. Norman Keevil Residence (or The Hollies), Vancouver, British Columbia, Canada (1986-1989) - British Columbia Institute of Technology Multi-Tenant Facility, Discovery Parks, Willingdon Site, Burnaby, British Columbia, Canada (1987-1984) - Friedman Residence, Vancouver, British Columbia, Canada (ca. 1988) - Jarvis Residence, 7075 Hudson Street, Vancouver, British Columbia, Canada (1988-1992) -Ottawa City Hall, Ottawa, Ontario, Canada (1989) - University of British Columbia Faculty Club, upgrade and maintenance, Vancouver, British Columbia, Canada (1991)
AP075.S3.SS2.090
Description:
Includes flats from the following landscape projects: - Playground for Children's Creative Centre of the Canadian Federal Pavilion at Expo '67, Montréal, Québec, Canada (1965-1967) - Robson Square Provincial Government Complex, Vancouver, British Columbia, Canada (1974-1982) - Dr. Norman Keevil Residence, Vancouver, British Columbia, Canada (1977) - Russell Residence, Tacoma, Washington, United States (1986) - Dr. Norman Keevil Residence (or The Hollies), Vancouver, British Columbia, Canada (1986-1989) - British Columbia Institute of Technology Multi-Tenant Facility, Discovery Parks, Willingdon Site, Burnaby, British Columbia, Canada (1987-1984) - Friedman Residence, Vancouver, British Columbia, Canada (ca. 1988) - Jarvis Residence, 7075 Hudson Street, Vancouver, British Columbia, Canada (1988-1992) -Ottawa City Hall, Ottawa, Ontario, Canada (1989) - University of British Columbia Faculty Club, upgrade and maintenance, Vancouver, British Columbia, Canada (1991)
Personnes et institutions:
Date:
1965-1991
1965-1991
Titre:
Negatives for presentation drawings for various landscape projects by Cornelia Hahn Oberlander
Actions:
AP075.S3.SS2.090
Description:
Includes flats from the following landscape projects: - Playground for Children's Creative Centre of the Canadian Federal Pavilion at Expo '67, Montréal, Québec, Canada (1965-1967) - Robson Square Provincial Government Complex, Vancouver, British Columbia, Canada (1974-1982) - Dr. Norman Keevil Residence, Vancouver, British Columbia, Canada (1977) - Russell Residence, Tacoma, Washington, United States (1986) - Dr. Norman Keevil Residence (or The Hollies), Vancouver, British Columbia, Canada (1986-1989) - British Columbia Institute of Technology Multi-Tenant Facility, Discovery Parks, Willingdon Site, Burnaby, British Columbia, Canada (1987-1984) - Friedman Residence, Vancouver, British Columbia, Canada (ca. 1988) - Jarvis Residence, 7075 Hudson Street, Vancouver, British Columbia, Canada (1988-1992) -Ottawa City Hall, Ottawa, Ontario, Canada (1989) - University of British Columbia Faculty Club, upgrade and maintenance, Vancouver, British Columbia, Canada (1991)
Negatives for presentation drawings for various landscape projects by Cornelia Hahn Oberlander
Actions:
AP075.S3.SS2.090
Description:
Includes flats from the following landscape projects: - Playground for Children's Creative Centre of the Canadian Federal Pavilion at Expo '67, Montréal, Québec, Canada (1965-1967) - Robson Square Provincial Government Complex, Vancouver, British Columbia, Canada (1974-1982) - Dr. Norman Keevil Residence, Vancouver, British Columbia, Canada (1977) - Russell Residence, Tacoma, Washington, United States (1986) - Dr. Norman Keevil Residence (or The Hollies), Vancouver, British Columbia, Canada (1986-1989) - British Columbia Institute of Technology Multi-Tenant Facility, Discovery Parks, Willingdon Site, Burnaby, British Columbia, Canada (1987-1984) - Friedman Residence, Vancouver, British Columbia, Canada (ca. 1988) - Jarvis Residence, 7075 Hudson Street, Vancouver, British Columbia, Canada (1988-1992) -Ottawa City Hall, Ottawa, Ontario, Canada (1989) - University of British Columbia Faculty Club, upgrade and maintenance, Vancouver, British Columbia, Canada (1991)
Classification:
dessins
dessins
Date:
1965-1991
1965-1991
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Au cours des années soixante, les profondes transformations de Montréal en ont fait un archétype des grandes métropoles occidentales. À titre d’hôte de l’exposition universelle de 1967, Montréal a confirmé son statut de ville de l’avenir sur la scène internationale. Les années 60 : Montréal voit grand illustre les processus qui ont entraîné cette mutation. À travers des(...)
Au cours des années soixante, les profondes transformations de Montréal en ont fait un archétype des grandes métropoles occidentales. À titre d’hôte de l’exposition universelle de 1967, Montréal a confirmé son statut de ville de l’avenir sur la scène internationale. Les années 60 : Montréal voit grand illustre les processus qui ont entraîné cette mutation. À travers des(...)
Localisation:
Salles principales
Salles principales
Date:
20 octobre 2004 au 11 septembre 2005
20 octobre 2004 au 11 septembre 2005
Titre:
Les années 60 : Montréal voit grand
Actions:
Description:
Au cours des années soixante, les profondes transformations de Montréal en ont fait un archétype des grandes métropoles occidentales. À titre d’hôte de l’exposition universelle de 1967, Montréal a confirmé son statut de ville de l’avenir sur la scène internationale. Les années 60 : Montréal voit grand illustre les processus qui ont entraîné cette mutation. À travers des(...)
Les années 60 : Montréal voit grand
Actions:
Description:
Au cours des années soixante, les profondes transformations de Montréal en ont fait un archétype des grandes métropoles occidentales. À titre d’hôte de l’exposition universelle de 1967, Montréal a confirmé son statut de ville de l’avenir sur la scène internationale. Les années 60 : Montréal voit grand illustre les processus qui ont entraîné cette mutation. À travers des(...)
Classification:
expositions
expositions
Date:
20 octobre 2004 au
11 septembre 2005
20 octobre 2004 au
11 septembre 2005
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
Personnes et institutions:
Date:
1966-2017
1966-2017
Titre:
Roderick Robbie Katimavik project records
Actions:
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
Roderick Robbie Katimavik project records
Actions:
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1966-2017
1966-2017
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
John C. Parkin fonds
John C. Parkin fonds
Numéro de référence:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Personnes et institutions:
Date:
1929-1987
1929-1987
Titre:
John C. Parkin fonds
Actions:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
John C. Parkin fonds
Actions:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1929-1987
1929-1987
Personnes et institutions:
Classification:
événements
événements
Titre:
L'enseignement de... Détroit
L'enseignement de... Détroit
Actions:
Description:
Soutenu par de puissantes séquences historiques, dont des images pénétrantes montrant la ville à son apogée et ses édifices aujourd’hui abandonnés, le documentaire Requiem for Detroit? que Julian Temple a réalisé pour la télévision en 2010 retrace l’essor et le déclin des « trois géants » de la ville : General Motors, Ford et Chrysler. Le film documente les répercussions(...)
Soutenu par de puissantes séquences historiques, dont des images pénétrantes montrant la ville à son apogée et ses édifices aujourd’hui abandonnés, le documentaire Requiem for Detroit? que Julian Temple a réalisé pour la télévision en 2010 retrace l’essor et le déclin des « trois géants » de la ville : General Motors, Ford et Chrysler. Le film documente les répercussions(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
25 avril 2013 , 19h
25 avril 2013 , 19h
Titre:
L'enseignement de... Détroit
Actions:
Description:
Soutenu par de puissantes séquences historiques, dont des images pénétrantes montrant la ville à son apogée et ses édifices aujourd’hui abandonnés, le documentaire Requiem for Detroit? que Julian Temple a réalisé pour la télévision en 2010 retrace l’essor et le déclin des « trois géants » de la ville : General Motors, Ford et Chrysler. Le film documente les répercussions(...)
L'enseignement de... Détroit
Actions:
Description:
Soutenu par de puissantes séquences historiques, dont des images pénétrantes montrant la ville à son apogée et ses édifices aujourd’hui abandonnés, le documentaire Requiem for Detroit? que Julian Temple a réalisé pour la télévision en 2010 retrace l’essor et le déclin des « trois géants » de la ville : General Motors, Ford et Chrysler. Le film documente les répercussions(...)
Classification:
événements
événements
Date:
25 avril 2013
19h
25 avril 2013
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Dessins et tableaux
Dessins et tableaux
Numéro de référence:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Niveau de description archivistique:
Série 1
Série 1
Date:
1917-1955
1917-1955
Personnes et institutions:
