périodiques
Flannery O'Connor review.
Milledgeville, Ga. : Georgia College & State University, ©2002-
périodiques
Milledgeville, Ga. : Georgia College & State University, ©2002-
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The geometric foundations, forms, and patterns in today’s architecture, design and, decorative arts can trace their origins in past cultures. From humankind’s first path-like doodles on cave walls through to the higher abstractions developed to make accurate measurements and predictions, the three-dimensional forms we design and build have always been dependent on(...)
3D thinking in design and architecture
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The geometric foundations, forms, and patterns in today’s architecture, design and, decorative arts can trace their origins in past cultures. From humankind’s first path-like doodles on cave walls through to the higher abstractions developed to make accurate measurements and predictions, the three-dimensional forms we design and build have always been dependent on available materials, human needs, and the limits of our imaginations. "3D Thinking in Design and Architecture" tells the story of the intimate relationship between geometry, mathematics and man-made design throughout human history, from the Neolithic period through the Indian, Egyptian, Babylonian, Chinese, Greek, Celtic, Islamic and Renaissance cultures, to the present and the possible future. Presenting key principles that can be applied across all design disciplines, design expert Roger Burrows relates how geometry as a visual language has evolved to meet our needs, initiated new technologies, and changed the way we think about the world around us.
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Walker Evans (1903-1975) was one of the most important and influential artists of the twentieth century, producing a body of photographs that continues to shape our understanding of the modern era. He worked in every genre and format, in black & white and colour, but two passions were constant: literature and the printed page. While his photographic books are among the(...)
Walker Evans: the magazine work
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Walker Evans (1903-1975) was one of the most important and influential artists of the twentieth century, producing a body of photographs that continues to shape our understanding of the modern era. He worked in every genre and format, in black & white and colour, but two passions were constant: literature and the printed page. While his photographic books are among the most influential in the medium's history, Evans's more ephemeral pages remain largely unknown. From small avant-garde publications to mainstream titles such as Harper's Bazaar, Vogue, Architectural Forum, Life and Fortune he produced innovative and independent journalism, often setting his own assignments, editing, writing and designing his pages. Presenting many of his photo-essays in their entirety Walker Evans: the Magazine Work assembles the unwritten history of this work, allowing us to see how he protected his autonomy, earned a living and found audiences far beyond the museum and gallery.
Monographies photo
livres
Description:
1 online resource (77 PDF pages) : illustrations
Paris : Onestar Press, 2013
Lori Waxman : 60 wrd/min art critic
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1 online resource (77 PDF pages) : illustrations
livres
Paris : Onestar Press, 2013
périodiques
The Powys journal.
Description:
1 online resource
Lampeter, Dyfed [Wales] : Powys Society
périodiques
Lampeter, Dyfed [Wales] : Powys Society
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In this book, Mario Carpo reviews the long history of the computational mode of production, showing how the merger of robotic automation and artificial intelligence will stop and reverse the modernist quest for scale. Today's technologies already allow us to use nonstandard building materials as found, or as made, and assemble them in as many nonstandard, intelligent,(...)
Beyond digital: Design and automation at the end of modernity
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In this book, Mario Carpo reviews the long history of the computational mode of production, showing how the merger of robotic automation and artificial intelligence will stop and reverse the modernist quest for scale. Today's technologies already allow us to use nonstandard building materials as found, or as made, and assemble them in as many nonstandard, intelligent, adaptive ways as needed: the microfactories of our imminent future will be automated artisan shops.The post-industrial logic of computational manufacturing has been known and theorized for some time. By tracing its theoretical and technical sources, and reviewing the design theories that accompanied its rise, Carpo shows how the computational project is now being recast by the urgency of the climate crisis and by the global pandemic, which has tragically proven its viability. Looking at the work of a new generation of designers, technologists, and producers, this volume offers a new modern agenda for our post-industrial future.
Théorie de l’architecture
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Peter Eisenman, one of the greatest contemporary architects, taught in Italy in 1986 at the IUAV University of Venice. This book, edited by his students Raffaella Laezza and Shuli Beimel aims to be a lucid witness of a period of great cultural change in international architectural design that found at IUAV, in the academic year 1986-87, in Peter Eisenman’s Architectural(...)
Crash: Peter Eisenman. Iuav Venezia 1986-87
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Peter Eisenman, one of the greatest contemporary architects, taught in Italy in 1986 at the IUAV University of Venice. This book, edited by his students Raffaella Laezza and Shuli Beimel aims to be a lucid witness of a period of great cultural change in international architectural design that found at IUAV, in the academic year 1986-87, in Peter Eisenman’s Architectural Composition III course one of its most significant moments. Twenty-five students, selected by the American professor, were introduced to new thinking and a new design method that confronted the concepts of ''time / site / space'' in a completely innovative way. This caused in each young student a real ''crash''. But wasn’t such a ''crash'' already an unstoppable, international wave? The book invites us into the thinking of the American architect who states in the interview, ''I have always loved Italy, the culture, the food, the people, so making this book was very important to me.''
Théorie de l’architecture
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There is almost nothing new left to say about the urgent need to reduce our devastating impact on the biosphere that supports us. In architectural terms, we have been told since the 1960s that mainstream architecture is not engaged enough with the environmental consequences of what it produces and how it produces it. The usual approach is to propose new ways of designing(...)
Revolution? Architecture and the antropocene
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There is almost nothing new left to say about the urgent need to reduce our devastating impact on the biosphere that supports us. In architectural terms, we have been told since the 1960s that mainstream architecture is not engaged enough with the environmental consequences of what it produces and how it produces it. The usual approach is to propose new ways of designing and building to persuade the reader of the centrality of environmental concerns. But too many readers have remained resolutely unpersuaded over decades. In four sharp, interlocking essays, this book asks why the majority of the architectural profession and its clients still only pay lip service to the importance of the environmental. In each essay, therefore, are examples of innovative and determined people pursuing other ways of practicing architecture and other ways of training architects for this critical century, who are pulling the model of a nature-centric practice out of the margins and into the centre.
L'écologie de l'architecure
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"Poetic imaginations" at Aedes stages a chapter on Zhu Pei’s handling of the ‘collective historical experience’, topography, function and contemporary context of a location. The exhibition presents six representative cultural buildings that, despite their different functions and surroundings, are related to one another by characteristic structures, materials and(...)
Studio Zhu Rei: Poetic imaginations - Interweaving architecture with traditional values
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"Poetic imaginations" at Aedes stages a chapter on Zhu Pei’s handling of the ‘collective historical experience’, topography, function and contemporary context of a location. The exhibition presents six representative cultural buildings that, despite their different functions and surroundings, are related to one another by characteristic structures, materials and architectural forms. Based on impressively crafted architectural models, sketches, documentary films and publications, the process of creating these examples is presented in greater depth. While the built environment in China has undergone rapid transformation, Zhu Pei has reflected on historical-philosophical ideas of harmony between people and nature and weaving traditional architectural knowledge into contemporary spatial solutions. His conceptual considerations are based on elements from the tradition of Shan Shui painting, which is deeply rooted in Chinese culture. It is a particular form of landscape painting whose indispensable components are mountains and water. It shows and teaches a mode of perception that regards us as human beings not as an antithesis to, but instead as part of "nature."
Architecture, monographies
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Cities around the world are in the midst of a profound transformation as the wealthy price out the remnants of the urban working class, especially people of color. Displacement is neither accidental or inevitable. It happens because a whole range of people and institutions profit handsomely. ''Defying displacement'', focused on the US but informed by global examples,(...)
Defying displacement: Urban recomposition and social war
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Cities around the world are in the midst of a profound transformation as the wealthy price out the remnants of the urban working class, especially people of color. Displacement is neither accidental or inevitable. It happens because a whole range of people and institutions profit handsomely. ''Defying displacement'', focused on the US but informed by global examples, investigates gentrification from the perspective of the people fighting it, members of communities whose survival is threatened by some of the most powerful institutions on the planet. Andrew Lee names the names and identifies the actual state and corporate forces that work together to enrich a very specific group of people: property developers and real estate investors who make a killing, politicians who watch their tax bases grow, banks that write profitable loans for new businesses and mortgages for new homeowners. Meanwhile, business districts are planned, tax abatements unveiled, redevelopment schemes dreamed up, corporate and university campuses expanded, and ordinary people are driven from their homes.
L'humain et la ville