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The first book to combine global and postcolonial theoretical approaches to the built environment, and to illustrate these with concrete examples, "Spaces of Global Cultures" argues for a more historical, differentiated and interdisciplinary understanding of globalization: one that places material space and the built environment at the center and calls for innovative(...)
Spaces of global cultures : architecture, urbanism, identity
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The first book to combine global and postcolonial theoretical approaches to the built environment, and to illustrate these with concrete examples, "Spaces of Global Cultures" argues for a more historical, differentiated and interdisciplinary understanding of globalization: one that places material space and the built environment at the center and calls for innovative concepts to address new contemporary conditions.
Théorie de l’urbanisme
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for(...)
Museum architecture : texts and projects by artists
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for how museums should be constructed. When discussing the increasing number of museums and exhibition spaces for modern art which have come into being in recent years, the deep-seated differences of opinion between architects and artists keep coming to the fore. The discussion seems to be almost exclusively dominated by the point of view of the architect and defined by his/her interests. The needs of the art itself are being widely neglected and the voice of the artist is simply not being heard. Donald Judd, the American sculptor and minimalist artist, once noted that museums are so rarely built on functional lines these days, the trend being more towards the creation of a showpiece for the architect. Why are painters and sculptors not asked for their input? The very obvious question was addressed by the Espace de l’art concret when in 1997, it asked a number of well-known artists to come up with ideas and projects for a museum for concrete art. They were invited to submit their ideal utopian suggestions as well as very concrete and architectural proposals and written statements. These are documented in this publication, supplemented with the material for the collection owned by the Kunsthaus in Bregenz and expanded with an extensive anthology of texts by artists on this subject. The résumé of the contributions presents a searing criticism of contemporary museum architecture by its most important users. Their voice will at last find an ear in the current architectural discussion about the new cathedrals of the post-industrial society.
Muséologie
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Markedly different in location and appearance, the four Tate Galleries--Tate Britain, Tate Liverpool, Tate St. Ives, and Tate Modern--nevertheless share certain features: their waterside settings, their distance from fashionable city centers, and their role in the regeneration of their neighborhoods. Helen Searing traces the architectural history of each site, focusing on(...)
Art Spaces : the architecture of four Tates
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Markedly different in location and appearance, the four Tate Galleries--Tate Britain, Tate Liverpool, Tate St. Ives, and Tate Modern--nevertheless share certain features: their waterside settings, their distance from fashionable city centers, and their role in the regeneration of their neighborhoods. Helen Searing traces the architectural history of each site, focusing on the buildings themselves as well as their artistic, political, and cultural contexts.
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This book examines one of the key notions of modernist architecture as it was formulated in Vienna around 1900. Providing a close analysis of four major buildings - Olbrich's Secession Building, Hoffmann's Purkersdorf Sanatorium, Wagner's Postal Savings Bank, and Loos's Michaelerplatz building - Leslie Topp investigates how "truth" had a variety of meanings, including(...)
Architecture and truth in fin-de-siècle Vienna
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This book examines one of the key notions of modernist architecture as it was formulated in Vienna around 1900. Providing a close analysis of four major buildings - Olbrich's Secession Building, Hoffmann's Purkersdorf Sanatorium, Wagner's Postal Savings Bank, and Loos's Michaelerplatz building - Leslie Topp investigates how "truth" had a variety of meanings, including truth to purpose, symbolist or ideal truth, and ethical notions of authenticity. Drawing on newly uncovered archival material, Topp offers a new interpretation of familiar buildings that are shown to encompass utopianis, hyper-rationality and subjectivism. She also explores the connections between Viennese modern architecture and contemporary painting, psychiatry, fashion, labor issues, and anti-Semitic politics.
Histoire jusqu’à 1900
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Publié à l'iniciative de Bétocib, «Architectures en béton de ciement blanc : 29 réalisations au quotidien» rend compte de l'essor pris ces dernières années par ce matériau. Vingt-neuf réalisations témoignent de ces applications récentes à travers des programmes immobiliers insérés dans la vie quotidienne.
Architectures en béton de ciment blanc : 29 réalisations au quotidien
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Publié à l'iniciative de Bétocib, «Architectures en béton de ciement blanc : 29 réalisations au quotidien» rend compte de l'essor pris ces dernières années par ce matériau. Vingt-neuf réalisations témoignent de ces applications récentes à travers des programmes immobiliers insérés dans la vie quotidienne.
livres
novembre 2003, Paris
Matériaux et éclairage
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The "Guide to Danish Landscape Architecture" is the most comprehensive reference work on Danish landscape architecture ever produced. About 500 projects are included, of which 200 are extensively documented with plans, photos and detailed descriptions.
Guide to Danish landscape architecture, 1000 - 2003
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The "Guide to Danish Landscape Architecture" is the most comprehensive reference work on Danish landscape architecture ever produced. About 500 projects are included, of which 200 are extensively documented with plans, photos and detailed descriptions.
Jardins
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Several of the responsive design strategies revealed in this book are directly applicable beyond Japan where they could make a significant contribution to sustaining natural and cultural diversity globally.
Place, time and being in Japanese architecture
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Several of the responsive design strategies revealed in this book are directly applicable beyond Japan where they could make a significant contribution to sustaining natural and cultural diversity globally.
Histoire jusqu'à 1900, Asie
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Taking readers behind architecture’s facades and finishes, this book explores how some of the most important buildings in the world were constructed. Specially commissioned isometric drawings present the essential structural elements of the world’s masterpiece buildings that are not visible to the naked eye. These illustrations are displayed alongside plans, details, and(...)
Architecture inside-out: understanding how buildings work
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Taking readers behind architecture’s facades and finishes, this book explores how some of the most important buildings in the world were constructed. Specially commissioned isometric drawings present the essential structural elements of the world’s masterpiece buildings that are not visible to the naked eye. These illustrations are displayed alongside plans, details, and photographs.
$42.00
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David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one another to form a single framework of cultural meaning. Leatherbarrow redefines landscape architecture and architecture as topographical arts, the shared task of which is to accommodate and(...)
Topographical stories: studies in landscape and architecture
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David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one another to form a single framework of cultural meaning. Leatherbarrow redefines landscape architecture and architecture as topographical arts, the shared task of which is to accommodate and express the patterns of our lives. Topography, in his view, incorporates terrain, built and unbuilt, but also traces of practical affairs, by means of which culture preserves and renews its typical situations and institutions.
Théorie du paysage
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$110.00
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Even a casual observer can spy traces of Islamic architecture and design on buildings all over the world, a reminder that artistic traditions and visual culture have never been limited to their region or country of origin, but rather are highly diffusible. This book brings together scholars from architectural studies, design, art history, and other fields to(...)
Islamic architecture on the move: motion and modernity
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Even a casual observer can spy traces of Islamic architecture and design on buildings all over the world, a reminder that artistic traditions and visual culture have never been limited to their region or country of origin, but rather are highly diffusible. This book brings together scholars from architectural studies, design, art history, and other fields to challenge and expand concepts of Islamic architecture. Ranging from eighteenth-century Ottoman tents to manifestations of Islamic motifs in 1960s Hawaii, this richly illustrated volume raises key questions about Islamic architecture, and, more broadly, about how we can rethink our understanding of material, artistic, and cultural mobility in the modern world.
livres
septembre 2016
Arch Moyen-Orient