36154 Résultats
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livres
livres
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This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the(...)
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This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the(...)
Titre:
Bauhaus, modernism & the illustrated book
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This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression, a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today.
Bauhaus, modernism & the illustrated book
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This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression, a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today.
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livres
livres
Publication:
avril 2004, London
avril 2004, London
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livres
livres
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In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over(...)
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In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over(...)
Publication:
juin 2003, Rotterdam
juin 2003, Rotterdam
Titre:
20 jaar/years 010 : 1983-2003
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In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over one hundred monographs by and about Dutch architects, with Rem Koolhaas's "S,M,L,XL" as a provisional peak, 010 have published books on more wide-ranging architecture, interior design, photography, industrial design, graphic design, and the visual arts. These aspects include a keen interest in the theory and history of architecture and design. The lion’s share of this book is taken up with a catalogue spanning the period 1983-2003. Exhaustively annotated and illustrated, it gives not just the technical details of each book such as size, format, and binding style but also the authors, editors, photographers, graphic designers and printers. A brief description of the contents rounds off each entry. Comprehensive indexes give insight into who contributed to which book and in what way. In their introductory essay Ed Taverne and Cor Wagenaar give a picture of the practice of architectural publishing in the Netherlands during those years.
20 jaar/years 010 : 1983-2003
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In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over one hundred monographs by and about Dutch architects, with Rem Koolhaas's "S,M,L,XL" as a provisional peak, 010 have published books on more wide-ranging architecture, interior design, photography, industrial design, graphic design, and the visual arts. These aspects include a keen interest in the theory and history of architecture and design. The lion’s share of this book is taken up with a catalogue spanning the period 1983-2003. Exhaustively annotated and illustrated, it gives not just the technical details of each book such as size, format, and binding style but also the authors, editors, photographers, graphic designers and printers. A brief description of the contents rounds off each entry. Comprehensive indexes give insight into who contributed to which book and in what way. In their introductory essay Ed Taverne and Cor Wagenaar give a picture of the practice of architectural publishing in the Netherlands during those years.
Classification:
livres
livres
Publication:
juin 2003, Rotterdam
juin 2003, Rotterdam
Classification:
livres
livres
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Every year The Best Dutch Book Design are put on exhibition in the Stedelijk Museum in Amsterdam. Each book has been submitted by its publisher, designer or printer, or by the person who or body which commissioned it in the first place, and they are all displayed on a stage for the public's attention to be drawn to their handsome appearance and the ways in which solutions(...)
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Every year The Best Dutch Book Design are put on exhibition in the Stedelijk Museum in Amsterdam. Each book has been submitted by its publisher, designer or printer, or by the person who or body which commissioned it in the first place, and they are all displayed on a stage for the public's attention to be drawn to their handsome appearance and the ways in which solutions(...)
Publication:
octobre 2007, Amsterdam
octobre 2007, Amsterdam
Titre:
The best dutch book designs 2006
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Every year The Best Dutch Book Design are put on exhibition in the Stedelijk Museum in Amsterdam. Each book has been submitted by its publisher, designer or printer, or by the person who or body which commissioned it in the first place, and they are all displayed on a stage for the public's attention to be drawn to their handsome appearance and the ways in which solutions have been found in their designing, printing and binding. In fact, the whole point is the care and attention that can still be devoted to the production of printed matter in these hurried and often careless and indifferent times. These are 'good' books, not so much because of what they contain but precisely because of their striking size, format, cover, binding and/or interior- all of which may themselves be an immediate reflection of the contents.
The best dutch book designs 2006
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Every year The Best Dutch Book Design are put on exhibition in the Stedelijk Museum in Amsterdam. Each book has been submitted by its publisher, designer or printer, or by the person who or body which commissioned it in the first place, and they are all displayed on a stage for the public's attention to be drawn to their handsome appearance and the ways in which solutions have been found in their designing, printing and binding. In fact, the whole point is the care and attention that can still be devoted to the production of printed matter in these hurried and often careless and indifferent times. These are 'good' books, not so much because of what they contain but precisely because of their striking size, format, cover, binding and/or interior- all of which may themselves be an immediate reflection of the contents.
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livres
livres
Publication:
octobre 2007, Amsterdam
octobre 2007, Amsterdam
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livres
livres
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$65.50
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The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed(...)
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The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed(...)
Titre:
Explodity: sound, image, and word in Russian Futurist book art
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The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book.
Explodity: sound, image, and word in Russian Futurist book art
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$65.50
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Résumé:
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book.
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
Classification:
livres
livres
Titre:
Art of the book
Art of the book
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A comprehensive guide to printed volumes, this title not only features finished projects, but also profiles the techniques and materials of bookmaking as well as definitions of the terminology. Organized into chapters on structure, material, and technique, the pieces within have been hand stitched, bound in velvet, laser-cut, and silkscreened.
$64.00
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Résumé:
A comprehensive guide to printed volumes, this title not only features finished projects, but also profiles the techniques and materials of bookmaking as well as definitions of the terminology. Organized into chapters on structure, material, and technique, the pieces within have been hand stitched, bound in velvet, laser-cut, and silkscreened.
Titre:
Art of the book
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$64.00
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A comprehensive guide to printed volumes, this title not only features finished projects, but also profiles the techniques and materials of bookmaking as well as definitions of the terminology. Organized into chapters on structure, material, and technique, the pieces within have been hand stitched, bound in velvet, laser-cut, and silkscreened.
Art of the book
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$64.00
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Résumé:
A comprehensive guide to printed volumes, this title not only features finished projects, but also profiles the techniques and materials of bookmaking as well as definitions of the terminology. Organized into chapters on structure, material, and technique, the pieces within have been hand stitched, bound in velvet, laser-cut, and silkscreened.
Classification:
livres
livres
Publication:
juin 2016
juin 2016
Classification:
livres
livres
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This little book lists and describes, in chronological order, the forty-three books that Giorgio Maffei published in the course of twenty years, an important corpus of works that examine the theme of the publishing and photographic documentation of twentieth century art.
$39.95
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Résumé:
This little book lists and describes, in chronological order, the forty-three books that Giorgio Maffei published in the course of twenty years, an important corpus of works that examine the theme of the publishing and photographic documentation of twentieth century art.
Titre:
Giorgio Maffei: the books, 1996-2016
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This little book lists and describes, in chronological order, the forty-three books that Giorgio Maffei published in the course of twenty years, an important corpus of works that examine the theme of the publishing and photographic documentation of twentieth century art.
Giorgio Maffei: the books, 1996-2016
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This little book lists and describes, in chronological order, the forty-three books that Giorgio Maffei published in the course of twenty years, an important corpus of works that examine the theme of the publishing and photographic documentation of twentieth century art.
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livres
livres
Publication:
août 2017
août 2017
Classification:
livres
livres
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$60.00
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“The artist’s book is a secret treasure chest... open it and you can play with the words, signs and colors of the world.” It was born twenty years ago at the Merano Civic Library, OPLA (Oasis For Artistic Books): an archive designed to preserve, catalog and make available artist’s books for scholars, lovers or just curious. After Children’s corner, OPLA 20 years of(...)
$60.00
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Résumé:
“The artist’s book is a secret treasure chest... open it and you can play with the words, signs and colors of the world.” It was born twenty years ago at the Merano Civic Library, OPLA (Oasis For Artistic Books): an archive designed to preserve, catalog and make available artist’s books for scholars, lovers or just curious. After Children’s corner, OPLA 20 years of(...)
Titre:
Ó.P.L.A. 20 years of artists' books for children
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“The artist’s book is a secret treasure chest... open it and you can play with the words, signs and colors of the world.” It was born twenty years ago at the Merano Civic Library, OPLA (Oasis For Artistic Books): an archive designed to preserve, catalog and make available artist’s books for scholars, lovers or just curious. After Children’s corner, OPLA 20 years of children’s art books, a review of children’s books created by artists like Gilberti, Gill, Mirò, Boetti and many others; all these selected editions can be found at the OPLA archive, the most nowaday complete italian collection on this subject.
Ó.P.L.A. 20 years of artists' books for children
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$60.00
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Résumé:
“The artist’s book is a secret treasure chest... open it and you can play with the words, signs and colors of the world.” It was born twenty years ago at the Merano Civic Library, OPLA (Oasis For Artistic Books): an archive designed to preserve, catalog and make available artist’s books for scholars, lovers or just curious. After Children’s corner, OPLA 20 years of children’s art books, a review of children’s books created by artists like Gilberti, Gill, Mirò, Boetti and many others; all these selected editions can be found at the OPLA archive, the most nowaday complete italian collection on this subject.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Classification:
livres
livres
Titre:
Threads talks series
Threads talks series
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THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material(...)
$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material(...)
Titre:
Threads talks series
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$29.95
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Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material culture. The premise for the series was very similar to the kind of interdisciplinary approach to the book that has interested us all along. A book is never more successful than the relationship between its parts; the philosophical and material connections between writing, art, design, typography, translation, and distribution is more significant than excellence in any isolated area. The talks were originally recorded before a small studio audience, then made available to the public on PennSound, and are now collected here in written form for the first time. THREADS began in March 2009 and concluded in October 2012. There were twelve speakers: Alan Loney; Charles Alexander; Simon Cutts; Buzz Spector; Jerome Rothenberg; Cecilia Vicuna; Jen Bervin; Kathleen Walkup; Johanna Drucker; Keith Smith; Richard Minsky; and Emily McVarish."
Threads talks series
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$29.95
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Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material culture. The premise for the series was very similar to the kind of interdisciplinary approach to the book that has interested us all along. A book is never more successful than the relationship between its parts; the philosophical and material connections between writing, art, design, typography, translation, and distribution is more significant than excellence in any isolated area. The talks were originally recorded before a small studio audience, then made available to the public on PennSound, and are now collected here in written form for the first time. THREADS began in March 2009 and concluded in October 2012. There were twelve speakers: Alan Loney; Charles Alexander; Simon Cutts; Buzz Spector; Jerome Rothenberg; Cecilia Vicuna; Jen Bervin; Kathleen Walkup; Johanna Drucker; Keith Smith; Richard Minsky; and Emily McVarish."
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Classification:
livres
livres
Prix:
$54.00
(disponible sur commande)
Résumé:
In 1968, Dutch engineer Louis Koopman entrusted his collection of bibliophile and deluxe editions of French contemporary literature to the National Library of the Netherlands. The Koopman Collection has since grown to be the largest such collection in the Netherlands. This volume focuses on its most modern part, French artist’s books after 2000, and presents a selection(...)
$54.00
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In 1968, Dutch engineer Louis Koopman entrusted his collection of bibliophile and deluxe editions of French contemporary literature to the National Library of the Netherlands. The Koopman Collection has since grown to be the largest such collection in the Netherlands. This volume focuses on its most modern part, French artist’s books after 2000, and presents a selection(...)
Titre:
Artists & others: the imaginative french book in the 21st century
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$54.00
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In 1968, Dutch engineer Louis Koopman entrusted his collection of bibliophile and deluxe editions of French contemporary literature to the National Library of the Netherlands. The Koopman Collection has since grown to be the largest such collection in the Netherlands. This volume focuses on its most modern part, French artist’s books after 2000, and presents a selection of around 120 publications produced by more than 40 artists, printers, and publishers. Although these 21st-century books follow in the tradition of their classic predecessors, new aspects also emerge. Most notable is their international character, a result of the cooperation that is commonplace today.
Artists & others: the imaginative french book in the 21st century
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$54.00
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Résumé:
In 1968, Dutch engineer Louis Koopman entrusted his collection of bibliophile and deluxe editions of French contemporary literature to the National Library of the Netherlands. The Koopman Collection has since grown to be the largest such collection in the Netherlands. This volume focuses on its most modern part, French artist’s books after 2000, and presents a selection of around 120 publications produced by more than 40 artists, printers, and publishers. Although these 21st-century books follow in the tradition of their classic predecessors, new aspects also emerge. Most notable is their international character, a result of the cooperation that is commonplace today.
Classification:
livres
livres
Publication:
juin 2016
juin 2016
Classification:
livres
livres
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$37.95
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Résumé:
What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated. The field of publishing not only stands at the intersection of these developments but is also introducing(...)
$37.95
(disponible sur commande)
Résumé:
What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated. The field of publishing not only stands at the intersection of these developments but is also introducing(...)
Titre:
Publishing as artistic practice
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$37.95
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What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated. The field of publishing not only stands at the intersection of these developments but is also introducing new ruptures. How the traditional publishing framework has been cast adrift, and which opportunities are surfacing in its stead, is discussed here by artists, publishers, and scholars through the examination of recent publishing concepts emerging from the experimental literature and art scene, where publishing is often part of an encompassing artistic practice. The number and diversity of projects among the artists, writers, and publishers concerned with these matters show that it is time to move the question of publishing from the margin to the center of aesthetic and academic discourse.
Publishing as artistic practice
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$37.95
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Résumé:
What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated. The field of publishing not only stands at the intersection of these developments but is also introducing new ruptures. How the traditional publishing framework has been cast adrift, and which opportunities are surfacing in its stead, is discussed here by artists, publishers, and scholars through the examination of recent publishing concepts emerging from the experimental literature and art scene, where publishing is often part of an encompassing artistic practice. The number and diversity of projects among the artists, writers, and publishers concerned with these matters show that it is time to move the question of publishing from the margin to the center of aesthetic and academic discourse.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
