10680 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
University Art Museum
University Art Museum
Numéro de référence:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 65
File 65
Date:
1986-1988
1986-1988
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Victor Prus
Fonds Victor Prus
Numéro de référence:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Personnes et institutions:
Date:
1945-1992
1945-1992
Titre:
Fonds Victor Prus
Actions:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Fonds Victor Prus
Actions:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1945-1992
1945-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2000.D3
Description:
The project series documents the competition, design, and construction of a gymnastics pavillion in Retiro park for the Instituto Municipal de Deporte of Madrid, Spain. Abalos & Herreros were invited to enter this competition and won first prize in collaboration with Renata Sentkiewicz. The project includes changing rooms, offices and a gymnasium, and was integrated into the surrounding and growing vegetation of the park. The firm worked in collaboration with Fermina Garrido and Obiol y Moya. The firm identified this project as number 127. In 2004, the firm received the Public Initiative Award for this project at the 28th Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting this project are presentation, design development and working drawings, correspondence, project descriptions, budgets, specifications, postcards, notes, and reference, graphic, photographic and digital materials.
AP164.S1.2000.D3
Description:
The project series documents the competition, design, and construction of a gymnastics pavillion in Retiro park for the Instituto Municipal de Deporte of Madrid, Spain. Abalos & Herreros were invited to enter this competition and won first prize in collaboration with Renata Sentkiewicz. The project includes changing rooms, offices and a gymnasium, and was integrated into the surrounding and growing vegetation of the park. The firm worked in collaboration with Fermina Garrido and Obiol y Moya. The firm identified this project as number 127. In 2004, the firm received the Public Initiative Award for this project at the 28th Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting this project are presentation, design development and working drawings, correspondence, project descriptions, budgets, specifications, postcards, notes, and reference, graphic, photographic and digital materials.
Personnes et institutions:
Date:
1989-2003
1989-2003
Titre:
Pabellón de gimnasia en el parque del Retiro, Madrid, Spain (2000-2003)
Actions:
AP164.S1.2000.D3
Description:
The project series documents the competition, design, and construction of a gymnastics pavillion in Retiro park for the Instituto Municipal de Deporte of Madrid, Spain. Abalos & Herreros were invited to enter this competition and won first prize in collaboration with Renata Sentkiewicz. The project includes changing rooms, offices and a gymnasium, and was integrated into the surrounding and growing vegetation of the park. The firm worked in collaboration with Fermina Garrido and Obiol y Moya. The firm identified this project as number 127. In 2004, the firm received the Public Initiative Award for this project at the 28th Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting this project are presentation, design development and working drawings, correspondence, project descriptions, budgets, specifications, postcards, notes, and reference, graphic, photographic and digital materials.
Pabellón de gimnasia en el parque del Retiro, Madrid, Spain (2000-2003)
Actions:
AP164.S1.2000.D3
Description:
The project series documents the competition, design, and construction of a gymnastics pavillion in Retiro park for the Instituto Municipal de Deporte of Madrid, Spain. Abalos & Herreros were invited to enter this competition and won first prize in collaboration with Renata Sentkiewicz. The project includes changing rooms, offices and a gymnasium, and was integrated into the surrounding and growing vegetation of the park. The firm worked in collaboration with Fermina Garrido and Obiol y Moya. The firm identified this project as number 127. In 2004, the firm received the Public Initiative Award for this project at the 28th Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting this project are presentation, design development and working drawings, correspondence, project descriptions, budgets, specifications, postcards, notes, and reference, graphic, photographic and digital materials.
Niveau de description archivistique:
Project
Project
Date:
1989-2003
1989-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP156.S3.SS1.D28
Description:
Le dossier documente le projet de Pierre Jeanneret d'un bâtiment démontable pour les dessinateurs de la Société centrale de alliages légers (SCAL) réalisé à Issoire en France, en 1940. Jeanneret collabore avec Jean Prouvé pour la réalisaition de ce projet. Le bâtiment consiste en un pavillon à portique axiale sur deux étages, la première structure à portique axial réalisée par Jean Prouvé. Ce projet à été présenté dans la publication spéciale "Solutions d'urgence" de la revue "Architecture d'aujourd'hui" publiée en 1945. Le dossier contient une photographie du bâtiment. File documents Pierre Jeanneret's project for a dismontable building for the offices of the draftsman of the Société centrale de alliages légers (SCAL) in Issoire, France, in 1940. Jeanneret works on this projet in collaboration with Jean Prouvé. The building consists in a two-storey pavilion with an axial gantry, the first structure of the type realized by Jean Prouvé. This project was presented in the special publication "Solutions d'urgence" of the serial "Architecture d'aujourd'hui" published in 1945. The file contains a photograph of the building.
AP156.S3.SS1.D28
Description:
Le dossier documente le projet de Pierre Jeanneret d'un bâtiment démontable pour les dessinateurs de la Société centrale de alliages légers (SCAL) réalisé à Issoire en France, en 1940. Jeanneret collabore avec Jean Prouvé pour la réalisaition de ce projet. Le bâtiment consiste en un pavillon à portique axiale sur deux étages, la première structure à portique axial réalisée par Jean Prouvé. Ce projet à été présenté dans la publication spéciale "Solutions d'urgence" de la revue "Architecture d'aujourd'hui" publiée en 1945. Le dossier contient une photographie du bâtiment. File documents Pierre Jeanneret's project for a dismontable building for the offices of the draftsman of the Société centrale de alliages légers (SCAL) in Issoire, France, in 1940. Jeanneret works on this projet in collaboration with Jean Prouvé. The building consists in a two-storey pavilion with an axial gantry, the first structure of the type realized by Jean Prouvé. This project was presented in the special publication "Solutions d'urgence" of the serial "Architecture d'aujourd'hui" published in 1945. The file contains a photograph of the building.
Personnes et institutions:
Date:
1940
1940
Titre:
Bureau des dessinateurs de la SCAL, Issoire, France = Offices of the draftsman of the SCAL, Issoire, France
Actions:
AP156.S3.SS1.D28
Description:
Le dossier documente le projet de Pierre Jeanneret d'un bâtiment démontable pour les dessinateurs de la Société centrale de alliages légers (SCAL) réalisé à Issoire en France, en 1940. Jeanneret collabore avec Jean Prouvé pour la réalisaition de ce projet. Le bâtiment consiste en un pavillon à portique axiale sur deux étages, la première structure à portique axial réalisée par Jean Prouvé. Ce projet à été présenté dans la publication spéciale "Solutions d'urgence" de la revue "Architecture d'aujourd'hui" publiée en 1945. Le dossier contient une photographie du bâtiment. File documents Pierre Jeanneret's project for a dismontable building for the offices of the draftsman of the Société centrale de alliages légers (SCAL) in Issoire, France, in 1940. Jeanneret works on this projet in collaboration with Jean Prouvé. The building consists in a two-storey pavilion with an axial gantry, the first structure of the type realized by Jean Prouvé. This project was presented in the special publication "Solutions d'urgence" of the serial "Architecture d'aujourd'hui" published in 1945. The file contains a photograph of the building.
Bureau des dessinateurs de la SCAL, Issoire, France = Offices of the draftsman of the SCAL, Issoire, France
Actions:
AP156.S3.SS1.D28
Description:
Le dossier documente le projet de Pierre Jeanneret d'un bâtiment démontable pour les dessinateurs de la Société centrale de alliages légers (SCAL) réalisé à Issoire en France, en 1940. Jeanneret collabore avec Jean Prouvé pour la réalisaition de ce projet. Le bâtiment consiste en un pavillon à portique axiale sur deux étages, la première structure à portique axial réalisée par Jean Prouvé. Ce projet à été présenté dans la publication spéciale "Solutions d'urgence" de la revue "Architecture d'aujourd'hui" publiée en 1945. Le dossier contient une photographie du bâtiment. File documents Pierre Jeanneret's project for a dismontable building for the offices of the draftsman of the Société centrale de alliages légers (SCAL) in Issoire, France, in 1940. Jeanneret works on this projet in collaboration with Jean Prouvé. The building consists in a two-storey pavilion with an axial gantry, the first structure of the type realized by Jean Prouvé. This project was presented in the special publication "Solutions d'urgence" of the serial "Architecture d'aujourd'hui" published in 1945. The file contains a photograph of the building.
Niveau de description archivistique:
Dossier 28
Dossier 28
Date:
1940
1940
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
Personnes et institutions:
Date:
circa 1981-1992
circa 1981-1992
Titre:
Residence for Shri Aditya Prakash, Chandigarh, India (circa 1981-1992)
Actions:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
Residence for Shri Aditya Prakash, Chandigarh, India (circa 1981-1992)
Actions:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
Niveau de description archivistique:
Project
Project
Date:
circa 1981-1992
circa 1981-1992
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP175
Résumé:
UNStudio Erasmus Bridge project records, 1990-1996, documents the design, conception and construction process for the Erasmus Bridge in Rotterdam, Netherlands. The records consist largely of textual records and technical drawings material in addition to born-digital material and two models.
AP175
Résumé:
UNStudio Erasmus Bridge project records, 1990-1996, documents the design, conception and construction process for the Erasmus Bridge in Rotterdam, Netherlands. The records consist largely of textual records and technical drawings material in addition to born-digital material and two models.
Personnes et institutions:
Date:
1990-1996
1990-1996
Titre:
Documents d’archives de UNStudio pour le projet Erasmus Bridge
Actions:
AP175
Résumé:
UNStudio Erasmus Bridge project records, 1990-1996, documents the design, conception and construction process for the Erasmus Bridge in Rotterdam, Netherlands. The records consist largely of textual records and technical drawings material in addition to born-digital material and two models.
Documents d’archives de UNStudio pour le projet Erasmus Bridge
Actions:
AP175
Résumé:
UNStudio Erasmus Bridge project records, 1990-1996, documents the design, conception and construction process for the Erasmus Bridge in Rotterdam, Netherlands. The records consist largely of textual records and technical drawings material in addition to born-digital material and two models.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-1996
1990-1996
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Awards and honours
Awards and honours
Numéro de référence:
AP075.S3.SS3
Description:
This sub-series documents the awards and honours received by Cornelia Hahn Oberlander for her work as a landscape architect or awards for landscape projects. It includes design awards from Landscape architecture associations, such as the President's Award to Excellence from the American Society of Lanscape Architects (ASLA) for Robson Square in Vancouver in 1971, or the Canadian Society of Lanscape Architects (CSLA) award for the Canadian Chancery in Washington D.C. in 1991. It also contains honoris cause she received from universities or documents related to the been nomiated as Officer of the Order of Canada in 2009 or as Companion of the Order of Canada in 2018. The sub-series contains the awards, medals, trophies and certificats she received, invitations to official celebrations, a few recordings of the award ceremonies, photographs, and other correspondence and administrative documents related to the planning of ceremonies.
AP075.S3.SS3
Description:
This sub-series documents the awards and honours received by Cornelia Hahn Oberlander for her work as a landscape architect or awards for landscape projects. It includes design awards from Landscape architecture associations, such as the President's Award to Excellence from the American Society of Lanscape Architects (ASLA) for Robson Square in Vancouver in 1971, or the Canadian Society of Lanscape Architects (CSLA) award for the Canadian Chancery in Washington D.C. in 1991. It also contains honoris cause she received from universities or documents related to the been nomiated as Officer of the Order of Canada in 2009 or as Companion of the Order of Canada in 2018. The sub-series contains the awards, medals, trophies and certificats she received, invitations to official celebrations, a few recordings of the award ceremonies, photographs, and other correspondence and administrative documents related to the planning of ceremonies.
Personnes et institutions:
Date:
1950-2018
1950-2018
Titre:
Awards and honours
Actions:
AP075.S3.SS3
Description:
This sub-series documents the awards and honours received by Cornelia Hahn Oberlander for her work as a landscape architect or awards for landscape projects. It includes design awards from Landscape architecture associations, such as the President's Award to Excellence from the American Society of Lanscape Architects (ASLA) for Robson Square in Vancouver in 1971, or the Canadian Society of Lanscape Architects (CSLA) award for the Canadian Chancery in Washington D.C. in 1991. It also contains honoris cause she received from universities or documents related to the been nomiated as Officer of the Order of Canada in 2009 or as Companion of the Order of Canada in 2018. The sub-series contains the awards, medals, trophies and certificats she received, invitations to official celebrations, a few recordings of the award ceremonies, photographs, and other correspondence and administrative documents related to the planning of ceremonies.
Awards and honours
Actions:
AP075.S3.SS3
Description:
This sub-series documents the awards and honours received by Cornelia Hahn Oberlander for her work as a landscape architect or awards for landscape projects. It includes design awards from Landscape architecture associations, such as the President's Award to Excellence from the American Society of Lanscape Architects (ASLA) for Robson Square in Vancouver in 1971, or the Canadian Society of Lanscape Architects (CSLA) award for the Canadian Chancery in Washington D.C. in 1991. It also contains honoris cause she received from universities or documents related to the been nomiated as Officer of the Order of Canada in 2009 or as Companion of the Order of Canada in 2018. The sub-series contains the awards, medals, trophies and certificats she received, invitations to official celebrations, a few recordings of the award ceremonies, photographs, and other correspondence and administrative documents related to the planning of ceremonies.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1950-2018
1950-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2001.D7
Description:
The project series documents the competition, design, and construction of the Plaza and Tower Woermann, on the Canary Islands. The competition was organised by the City Council of Las Palmas. Abalos & Herreros and Renata Sentkiewicz in collaboration with Joaquín Casariego and Elsa Guerra won first place for their entry. They also worked with Ferrovial Inmobiliaria, Irene Zúñiga, David Sobrino and Obiol y Moya. The firm identified the project as number 142. The building includes offices, residential and retail units, and a public library. The square was designed with collaborating artist Albert Oehlen using Portuguese stone. Both the tower and the plaza were designed with the idea of integrating them in a hybrid-natural and artificial-landscape. In 2005, the firm was a finalist at the Premios FAD de Arquitectura e Interiorismo for this project. Documenting the project are contains design development and working drawings, graphic and photographic materials, correspondence, notes and a model.
AP164.S1.2001.D7
Description:
The project series documents the competition, design, and construction of the Plaza and Tower Woermann, on the Canary Islands. The competition was organised by the City Council of Las Palmas. Abalos & Herreros and Renata Sentkiewicz in collaboration with Joaquín Casariego and Elsa Guerra won first place for their entry. They also worked with Ferrovial Inmobiliaria, Irene Zúñiga, David Sobrino and Obiol y Moya. The firm identified the project as number 142. The building includes offices, residential and retail units, and a public library. The square was designed with collaborating artist Albert Oehlen using Portuguese stone. Both the tower and the plaza were designed with the idea of integrating them in a hybrid-natural and artificial-landscape. In 2005, the firm was a finalist at the Premios FAD de Arquitectura e Interiorismo for this project. Documenting the project are contains design development and working drawings, graphic and photographic materials, correspondence, notes and a model.
Personnes et institutions:
Date:
2001-2005
2001-2005
Titre:
Plaza y torre Woermann, Las Palmas de Gran Canaria, Spain (2001-2005)
Actions:
AP164.S1.2001.D7
Description:
The project series documents the competition, design, and construction of the Plaza and Tower Woermann, on the Canary Islands. The competition was organised by the City Council of Las Palmas. Abalos & Herreros and Renata Sentkiewicz in collaboration with Joaquín Casariego and Elsa Guerra won first place for their entry. They also worked with Ferrovial Inmobiliaria, Irene Zúñiga, David Sobrino and Obiol y Moya. The firm identified the project as number 142. The building includes offices, residential and retail units, and a public library. The square was designed with collaborating artist Albert Oehlen using Portuguese stone. Both the tower and the plaza were designed with the idea of integrating them in a hybrid-natural and artificial-landscape. In 2005, the firm was a finalist at the Premios FAD de Arquitectura e Interiorismo for this project. Documenting the project are contains design development and working drawings, graphic and photographic materials, correspondence, notes and a model.
Plaza y torre Woermann, Las Palmas de Gran Canaria, Spain (2001-2005)
Actions:
AP164.S1.2001.D7
Description:
The project series documents the competition, design, and construction of the Plaza and Tower Woermann, on the Canary Islands. The competition was organised by the City Council of Las Palmas. Abalos & Herreros and Renata Sentkiewicz in collaboration with Joaquín Casariego and Elsa Guerra won first place for their entry. They also worked with Ferrovial Inmobiliaria, Irene Zúñiga, David Sobrino and Obiol y Moya. The firm identified the project as number 142. The building includes offices, residential and retail units, and a public library. The square was designed with collaborating artist Albert Oehlen using Portuguese stone. Both the tower and the plaza were designed with the idea of integrating them in a hybrid-natural and artificial-landscape. In 2005, the firm was a finalist at the Premios FAD de Arquitectura e Interiorismo for this project. Documenting the project are contains design development and working drawings, graphic and photographic materials, correspondence, notes and a model.
Niveau de description archivistique:
Project
Project
Date:
2001-2005
2001-2005
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
Personnes et institutions:
Date:
1963-1967
1963-1967
Titre:
Collection May Cutler sur Expo 67
Actions:
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
Collection May Cutler sur Expo 67
Actions:
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1963-1967
1963-1967
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Blaise Marchand
Fonds Blaise Marchand
Numéro de référence:
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Personnes et institutions:
Date:
1927, 1938-1964
1927, 1938-1964
Titre:
Fonds Blaise Marchand
Actions:
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Fonds Blaise Marchand
Actions:
AP086
Résumé:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1927, 1938-1964
1927, 1938-1964
Personnes et institutions:
