6233 Résultats
Numéro de référence:
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
Personnes et institutions:
Date:
1989-04-27
1989-04-27
Titre:
Audio recording of Cornelia Hahn Oberlander's lecture "Vancouver as a Garden" at the Vancouver Art Gallery
Actions:
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
Audio recording of Cornelia Hahn Oberlander's lecture "Vancouver as a Garden" at the Vancouver Art Gallery
Actions:
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
Date:
1989-04-27
1989-04-27
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Dans cette causerie intitulée « Design the place for people to meet » (Concevoir le lieu pour que les gens se rencontrent), Manabu Chiba expliquera sa démarche de conception, soulignant la réalisation d’une architecture qui favorise les nouvelles interactions de lieu à lieu, de personne à personne et de personne à lieu. Son travail vise à révéler le contexte d’un(...)
Dans cette causerie intitulée « Design the place for people to meet » (Concevoir le lieu pour que les gens se rencontrent), Manabu Chiba expliquera sa démarche de conception, soulignant la réalisation d’une architecture qui favorise les nouvelles interactions de lieu à lieu, de personne à personne et de personne à lieu. Son travail vise à révéler le contexte d’un(...)
Date:
11 février 2016
11 février 2016
Titre:
Manabu Chiba veut vous parler
Actions:
Description:
Dans cette causerie intitulée « Design the place for people to meet » (Concevoir le lieu pour que les gens se rencontrent), Manabu Chiba expliquera sa démarche de conception, soulignant la réalisation d’une architecture qui favorise les nouvelles interactions de lieu à lieu, de personne à personne et de personne à lieu. Son travail vise à révéler le contexte d’un(...)
Manabu Chiba veut vous parler
Actions:
Description:
Dans cette causerie intitulée « Design the place for people to meet » (Concevoir le lieu pour que les gens se rencontrent), Manabu Chiba expliquera sa démarche de conception, soulignant la réalisation d’une architecture qui favorise les nouvelles interactions de lieu à lieu, de personne à personne et de personne à lieu. Son travail vise à révéler le contexte d’un(...)
Classification:
événements
événements
Date:
11 février 2016
11 février 2016
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1996.D4
Description:
The project series documents the competition entry for the design and construction of the Valdemingómez recycling plant for urban waste, as well as offices. The plant is located in the Southeast Regional Park (Parque Regional del Sureste). In 1997, Abalos & Herreros in collaboration with Vertresa won first place in the competition. The firm identified this project as number 99. The plant has “[…] two complementary constructions, one intended for the elaboration of compounds from organic waste, and the second, the control and weighing of the lorries that enter the area. […] The facility has a working life of 25 years. After that time it can be recycled as an amenity for the Regional Park or be dismantled by recycling its components” (ARCH270971). The firm received several awards and recognitions for the Valdemingómez plant. In 2000, they received the award of Urbanismo, Arquitectura y Obra Pública 1999 from the Madrid City Council, made it to the selection process at the premios FAD de Arquitectura e Interiorismo 2000, and obtained a prize from the Colegio Oficial de Arquitectos de Madrid. In 2001, this project was also a finalist for the Premio Mies van der Rohe and received second place for the Premio Manuel de la Dehesa. The plant received an award at the fourteenth Premio Grupo Dragados de Arquitectura de la Fundación CEOE and was also selected at the third Bienal Iberoamericana de Arquitectura e Ingenieria Civil in 2002. Documenting the project are competition and working drawings, logbooks, notes, correspondence, studies, reports, proposals, receipts, press releases, clippings promotional, reference, digital, photographic and graphic materials, and a model.
AP164.S1.1996.D4
Description:
The project series documents the competition entry for the design and construction of the Valdemingómez recycling plant for urban waste, as well as offices. The plant is located in the Southeast Regional Park (Parque Regional del Sureste). In 1997, Abalos & Herreros in collaboration with Vertresa won first place in the competition. The firm identified this project as number 99. The plant has “[…] two complementary constructions, one intended for the elaboration of compounds from organic waste, and the second, the control and weighing of the lorries that enter the area. […] The facility has a working life of 25 years. After that time it can be recycled as an amenity for the Regional Park or be dismantled by recycling its components” (ARCH270971). The firm received several awards and recognitions for the Valdemingómez plant. In 2000, they received the award of Urbanismo, Arquitectura y Obra Pública 1999 from the Madrid City Council, made it to the selection process at the premios FAD de Arquitectura e Interiorismo 2000, and obtained a prize from the Colegio Oficial de Arquitectos de Madrid. In 2001, this project was also a finalist for the Premio Mies van der Rohe and received second place for the Premio Manuel de la Dehesa. The plant received an award at the fourteenth Premio Grupo Dragados de Arquitectura de la Fundación CEOE and was also selected at the third Bienal Iberoamericana de Arquitectura e Ingenieria Civil in 2002. Documenting the project are competition and working drawings, logbooks, notes, correspondence, studies, reports, proposals, receipts, press releases, clippings promotional, reference, digital, photographic and graphic materials, and a model.
Personnes et institutions:
Date:
1995-2001
1995-2001
Titre:
Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid, Spain (1996-1999)
Actions:
AP164.S1.1996.D4
Description:
The project series documents the competition entry for the design and construction of the Valdemingómez recycling plant for urban waste, as well as offices. The plant is located in the Southeast Regional Park (Parque Regional del Sureste). In 1997, Abalos & Herreros in collaboration with Vertresa won first place in the competition. The firm identified this project as number 99. The plant has “[…] two complementary constructions, one intended for the elaboration of compounds from organic waste, and the second, the control and weighing of the lorries that enter the area. […] The facility has a working life of 25 years. After that time it can be recycled as an amenity for the Regional Park or be dismantled by recycling its components” (ARCH270971). The firm received several awards and recognitions for the Valdemingómez plant. In 2000, they received the award of Urbanismo, Arquitectura y Obra Pública 1999 from the Madrid City Council, made it to the selection process at the premios FAD de Arquitectura e Interiorismo 2000, and obtained a prize from the Colegio Oficial de Arquitectos de Madrid. In 2001, this project was also a finalist for the Premio Mies van der Rohe and received second place for the Premio Manuel de la Dehesa. The plant received an award at the fourteenth Premio Grupo Dragados de Arquitectura de la Fundación CEOE and was also selected at the third Bienal Iberoamericana de Arquitectura e Ingenieria Civil in 2002. Documenting the project are competition and working drawings, logbooks, notes, correspondence, studies, reports, proposals, receipts, press releases, clippings promotional, reference, digital, photographic and graphic materials, and a model.
Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid, Spain (1996-1999)
Actions:
AP164.S1.1996.D4
Description:
The project series documents the competition entry for the design and construction of the Valdemingómez recycling plant for urban waste, as well as offices. The plant is located in the Southeast Regional Park (Parque Regional del Sureste). In 1997, Abalos & Herreros in collaboration with Vertresa won first place in the competition. The firm identified this project as number 99. The plant has “[…] two complementary constructions, one intended for the elaboration of compounds from organic waste, and the second, the control and weighing of the lorries that enter the area. […] The facility has a working life of 25 years. After that time it can be recycled as an amenity for the Regional Park or be dismantled by recycling its components” (ARCH270971). The firm received several awards and recognitions for the Valdemingómez plant. In 2000, they received the award of Urbanismo, Arquitectura y Obra Pública 1999 from the Madrid City Council, made it to the selection process at the premios FAD de Arquitectura e Interiorismo 2000, and obtained a prize from the Colegio Oficial de Arquitectos de Madrid. In 2001, this project was also a finalist for the Premio Mies van der Rohe and received second place for the Premio Manuel de la Dehesa. The plant received an award at the fourteenth Premio Grupo Dragados de Arquitectura de la Fundación CEOE and was also selected at the third Bienal Iberoamericana de Arquitectura e Ingenieria Civil in 2002. Documenting the project are competition and working drawings, logbooks, notes, correspondence, studies, reports, proposals, receipts, press releases, clippings promotional, reference, digital, photographic and graphic materials, and a model.
Niveau de description archivistique:
Project
Project
Date:
1995-2001
1995-2001
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Lors de cette causerie, le photographe Bas Princen parlera de l’état d’avancement du projet 17 volcans, et évoquera les résonances existant entre les travaux de Franz Wilhelm Junghuhn, les œuvres de photographes néerlandais du début du XXe siècle (comme van Nieuwenhuis) à Java, ainsi que sa propre pratique. Si la découverte de nouveaux lieux semble impossible aujourd’hui,(...)
Lors de cette causerie, le photographe Bas Princen parlera de l’état d’avancement du projet 17 volcans, et évoquera les résonances existant entre les travaux de Franz Wilhelm Junghuhn, les œuvres de photographes néerlandais du début du XXe siècle (comme van Nieuwenhuis) à Java, ainsi que sa propre pratique. Si la découverte de nouveaux lieux semble impossible aujourd’hui,(...)
Date:
15 octobre 2016, 15h
15 octobre 2016, 15h
Titre:
Bas Princen : balades à dos de volcan
Actions:
Description:
Lors de cette causerie, le photographe Bas Princen parlera de l’état d’avancement du projet 17 volcans, et évoquera les résonances existant entre les travaux de Franz Wilhelm Junghuhn, les œuvres de photographes néerlandais du début du XXe siècle (comme van Nieuwenhuis) à Java, ainsi que sa propre pratique. Si la découverte de nouveaux lieux semble impossible aujourd’hui,(...)
Bas Princen : balades à dos de volcan
Actions:
Description:
Lors de cette causerie, le photographe Bas Princen parlera de l’état d’avancement du projet 17 volcans, et évoquera les résonances existant entre les travaux de Franz Wilhelm Junghuhn, les œuvres de photographes néerlandais du début du XXe siècle (comme van Nieuwenhuis) à Java, ainsi que sa propre pratique. Si la découverte de nouveaux lieux semble impossible aujourd’hui,(...)
Classification:
événements
événements
Date:
15 octobre 2016
15h
15 octobre 2016
15h
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997-1998
1997-1998
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Le planchiste et architecte-paysagiste Mathieu Robichaud invite les participants à une visite guidée et analyse les opportunités qu’offrent les espaces urbains traversés pour la pratique de la planche à roulettes. Robichaud, de la firme Bloom Paysage, se spécialise dans la conception de parcs dédiés à la pratique de la planche à roulettes. En complément de l’exposition(...)
Le planchiste et architecte-paysagiste Mathieu Robichaud invite les participants à une visite guidée et analyse les opportunités qu’offrent les espaces urbains traversés pour la pratique de la planche à roulettes. Robichaud, de la firme Bloom Paysage, se spécialise dans la conception de parcs dédiés à la pratique de la planche à roulettes. En complément de l’exposition(...)
Date:
11 avril 2009
11 avril 2009
Titre:
Découvrir les lieux propices à la pratique de la planche à roulettes
Actions:
Description:
Le planchiste et architecte-paysagiste Mathieu Robichaud invite les participants à une visite guidée et analyse les opportunités qu’offrent les espaces urbains traversés pour la pratique de la planche à roulettes. Robichaud, de la firme Bloom Paysage, se spécialise dans la conception de parcs dédiés à la pratique de la planche à roulettes. En complément de l’exposition(...)
Découvrir les lieux propices à la pratique de la planche à roulettes
Actions:
Description:
Le planchiste et architecte-paysagiste Mathieu Robichaud invite les participants à une visite guidée et analyse les opportunités qu’offrent les espaces urbains traversés pour la pratique de la planche à roulettes. Robichaud, de la firme Bloom Paysage, se spécialise dans la conception de parcs dédiés à la pratique de la planche à roulettes. En complément de l’exposition(...)
Classification:
événements
événements
Date:
11 avril 2009
11 avril 2009
Classification:
documents textuels
documents textuels
Actions:
Numéro de référence:
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
Personnes et institutions:
Titre:
Correspondence and other administrative records for various projects
Actions:
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
Correspondence and other administrative records for various projects
Actions:
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
recherche
recherche
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Date:
septembre 1997 au août 1998
septembre 1997 au août 1998
Titre:
Chercheurs en résidence 1997-1998
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Chercheurs en résidence 1997-1998
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Classification:
recherche
recherche
Date:
septembre 1997 au
août 1998
septembre 1997 au
août 1998
Classification:
pages web
pages web
Actions:
Résumé:
Le programme de résidence pour commissaires émergents offre la possibilité de présenter et de réaliser un projet en lien avec les débats contemporains sur l’architecture, l’urbanisme, l’architecture du paysage, et les dynamiques sociales et culturelles au cours d’une résidence au CCA.
Titre:
Programme de résidence pour commissaires émergents
Actions:
Résumé:
Programme de résidence pour commissaires émergents
Actions:
Résumé:
Le programme de résidence pour commissaires émergents offre la possibilité de présenter et de réaliser un projet en lien avec les débats contemporains sur l’architecture, l’urbanisme, l’architecture du paysage, et les dynamiques sociales et culturelles au cours d’une résidence au CCA.
Classification:
pages web
pages web
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Marcel Parizeau
Fonds Marcel Parizeau
Numéro de référence:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1917-1955
1917-1955
Personnes et institutions:
