4204 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Miscellaneous
Miscellaneous
Numéro de référence:
CP138.S6.D22
Description:
File consists of extracts of films by Gordon Matta-Clark. Materials were probably produced between 1970 and 1978. File contains videocassettes.
CP138.S6.D22
Description:
File consists of extracts of films by Gordon Matta-Clark. Materials were probably produced between 1970 and 1978. File contains videocassettes.
Personnes et institutions:
Date:
[1970?-1978?]
[1970?-1978?]
Titre:
Miscellaneous
Actions:
CP138.S6.D22
Description:
File consists of extracts of films by Gordon Matta-Clark. Materials were probably produced between 1970 and 1978. File contains videocassettes.
Miscellaneous
Actions:
CP138.S6.D22
Description:
File consists of extracts of films by Gordon Matta-Clark. Materials were probably produced between 1970 and 1978. File contains videocassettes.
Niveau de description archivistique:
File 22
File 22
Date:
[1970?-1978?]
[1970?-1978?]
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
DR1995:0188:804-854
Description:
photographs, correspondence, some from Buckminster Fuller, invoices, clippings, notes, minutes of meetings, Pilot Project building programme, architect's statement, subscription to Sigma periodical, travel information to East Berlin, memorandum, sketches, notes on film, draft film script, photo of model, draft report on Pilot Project, poster, film script, draft pamphlet text, and consultants' sketches
DR1995:0188:804-854
Description:
photographs, correspondence, some from Buckminster Fuller, invoices, clippings, notes, minutes of meetings, Pilot Project building programme, architect's statement, subscription to Sigma periodical, travel information to East Berlin, memorandum, sketches, notes on film, draft film script, photo of model, draft report on Pilot Project, poster, film script, draft pamphlet text, and consultants' sketches
Personnes et institutions:
Titre:
Photographs, correspondence, some from Buckminster Fuller
Actions:
DR1995:0188:804-854
Description:
photographs, correspondence, some from Buckminster Fuller, invoices, clippings, notes, minutes of meetings, Pilot Project building programme, architect's statement, subscription to Sigma periodical, travel information to East Berlin, memorandum, sketches, notes on film, draft film script, photo of model, draft report on Pilot Project, poster, film script, draft pamphlet text, and consultants' sketches
Photographs, correspondence, some from Buckminster Fuller
Actions:
DR1995:0188:804-854
Description:
photographs, correspondence, some from Buckminster Fuller, invoices, clippings, notes, minutes of meetings, Pilot Project building programme, architect's statement, subscription to Sigma periodical, travel information to East Berlin, memorandum, sketches, notes on film, draft film script, photo of model, draft report on Pilot Project, poster, film script, draft pamphlet text, and consultants' sketches
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Wells Coates
Fonds Wells Coates
Numéro de référence:
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Personnes et institutions:
Date:
1909-1986
1909-1986
Titre:
Fonds Wells Coates
Actions:
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Fonds Wells Coates
Actions:
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1909-1986
1909-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Architecture + Nature (2011)
Architecture + Nature (2011)
Numéro de référence:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Personnes et institutions:
Date:
2011-2017
2011-2017
Titre:
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2017
2011-2017
Personnes et institutions:
Classification:
vidéo
vidéo
Numéro de référence:
PHCON2003:0005:066
Description:
Videocassette includes a pre-view copy of two excerpts from the film.
PHCON2003:0005:066
Description:
Videocassette includes a pre-view copy of two excerpts from the film.
Personnes et institutions:
Date:
recorded 1981
recorded 1981
Titre:
Two excerpts from Alternatives in Retrospect #1
Actions:
PHCON2003:0005:066
Description:
Videocassette includes a pre-view copy of two excerpts from the film.
Two excerpts from Alternatives in Retrospect #1
Actions:
PHCON2003:0005:066
Description:
Videocassette includes a pre-view copy of two excerpts from the film.
Classification:
vidéo
vidéo
Date:
recorded 1981
recorded 1981
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1985-2015
circa 1985-2015
Titre:
Ombra ["Shadow" Armchair] (1986)
Actions:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
Ombra ["Shadow" Armchair] (1986)
Actions:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1985-2015
circa 1985-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Personnes et institutions:
Date:
1971-1973
1971-1973
Titre:
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Niveau de description archivistique:
Project
Project
Date:
1971-1973
1971-1973
Personnes et institutions:
Classification:
dessins
dessins
![Manifesto document for Supersuperficie [Supersurface]](/img-collection/CstxN6k2G5JYoXTJqj3C24eyx6I=/500x350/485670.jpg)
Numéro de référence:
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
Personnes et institutions:
Date:
1972
1972
Titre:
Manifesto document for Supersuperficie [Supersurface]
Actions:
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
Manifesto document for Supersuperficie [Supersurface]
Actions:
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
Classification:
dessins
dessins
Date:
1972
1972
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
Personnes et institutions:
Date:
1971
1971
Titre:
Photocopies of a title page and stills from "Springday movie" from the publication Nummer Zwei
Actions:
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
Photocopies of a title page and stills from "Springday movie" from the publication Nummer Zwei
Actions:
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
Classification:
documents textuels
documents textuels
Date:
1971
1971
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Everlasting (Sans trêve)
Everlasting (Sans trêve)
Actions:
Description:
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
25 septembre 2025 au 23 août 2026
25 septembre 2025 au 23 août 2026
Titre:
Everlasting (Sans trêve)
Actions:
Description:
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Everlasting (Sans trêve)
Actions:
Description:
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Classification:
expositions
expositions
Date:
25 septembre 2025 au
23 août 2026
25 septembre 2025 au
23 août 2026
Localisation:
Maison Shaughnessy
Maison Shaughnessy
