Photo No-nos
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At turns humorous and absurd, heartfelt and searching, 'Photo No-Nos' is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills. Photographers often have unwritten lists of subjects they tell themselves not to shoot — things that are cliché, exploitative, derivative, sometimes even arbitrary. 'Photo No-Nos'(...)
Photo No-nos
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At turns humorous and absurd, heartfelt and searching, 'Photo No-Nos' is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills. Photographers often have unwritten lists of subjects they tell themselves not to shoot — things that are cliché, exploitative, derivative, sometimes even arbitrary. 'Photo No-Nos' features ideas, stories, and anecdotes from many of the world’s most talented photographers and photography professionals, along with an encyclopedic list of more than a thousand taboo subjects compiled from and with pictures by contributors. Not a strict guide, but a series of meditations on 'bad' pictures, 'Photo No-Nos' covers a wide range of topics, from sunsets and roses to issues of colonialism, stereotypes, and social responsibility.
Théorie de la photographie
$49.00
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At the beginning of the economic crisis in 2007, housing became a central commodity in the short-circuit system of mortgages granted to private individuals and businesses. In the aftermath of the crisis, and in the wake of the COVID-19 Pandemic, housing—as a right, in its most radical form—re-emerged due to local housing, migration, and health emergencies. In light of an(...)
Rehab: Living, inhabitants, houses
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At the beginning of the economic crisis in 2007, housing became a central commodity in the short-circuit system of mortgages granted to private individuals and businesses. In the aftermath of the crisis, and in the wake of the COVID-19 Pandemic, housing—as a right, in its most radical form—re-emerged due to local housing, migration, and health emergencies. In light of an eclipse of a general discourse on housing, a new secular and international ethics arose, both foreign and superior to nation states. This book returns to a broader notion of housing: using metaphors of sanitary and salvific reinstatement, it retrieves case studies from the 1950s for re-conceptualizing the housing question in contemporary architecture and visual arts.
Logements collectifs
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This collection of essays by architect Mario Gooden investigates the construction of African American identity and representation through the medium of architecture. These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora. African American cultural(...)
Dark space: architecture, representation, black identity
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This collection of essays by architect Mario Gooden investigates the construction of African American identity and representation through the medium of architecture. These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora. African American cultural institutions designed and constructed in recent years often rely on cultural stereotypes, metaphors, and clichés to communicate significance, demonstrating "Africanisms" through form and symbolism?but there is a far richer and more complex heritage to be explored. Presented here is a series of questions that interrogate and illuminate other narratives of "African American architecture," and reveal compelling ways of translating the philosophical idea of the African Diaspora's experience into space.
Théorie de l’architecture
livres
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Born in 1944, Christian Hauvette, studied under the philosopher Roland Barthes before going on to train as an architect. Since 1980 he has headed his own office in Paris. Today, Hauvette is(...)
Architecture, monographies
avril 2000, Basel
Christian Hauvette : dwellings - monuments - machines / truth - metaphor - narrative
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Born in 1944, Christian Hauvette, studied under the philosopher Roland Barthes before going on to train as an architect. Since 1980 he has headed his own office in Paris. Today, Hauvette is one of France’s leading architects. His architecture is characterised by a clear, constructive purpose which is at the same time highly expressive. Jean Prouvé’s theories are much in evidence in his work. This monograph provides an in-depth overview on the buildings and projects of the 90s, including the School of Waters and Forests in Clermont-Ferrand and his sensational headquarters of the Caisse Française de Développement in Paris, analysing the essential characteristics of Hauvette’s creativity.
livres
avril 2000, Basel
Architecture, monographies
$84.00
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Telling the story of one of the most important gardens in Europe, created by the internationally celebrated architectural critic and designer Charles Jencks and his late wife, the landscape architect and author Maggie Keswick, this book looks at The Garden of Cosmic Speculation. It is a landscape that celebrates the new sciences of complexity and chaos theory and(...)
octobre 2003, London
The garden of cosmic speculation
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Telling the story of one of the most important gardens in Europe, created by the internationally celebrated architectural critic and designer Charles Jencks and his late wife, the landscape architect and author Maggie Keswick, this book looks at The Garden of Cosmic Speculation. It is a landscape that celebrates the new sciences of complexity and chaos theory and consists of a series of metaphors exploring the origins, the destiny and the substance of the Universe. The garden is full of ideas, associations, games and memories; Jencks weaves his personal account of the garden's creation into an investigation into the revelations of recent science, using landscape and design to shed light on the way we can now conceive of the Universe. This book is illustrated with year-round photography
$47.50
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The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. "Shadow-Makers" tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of(...)
Shadow-makers: a cultural history of shadows in architecture
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The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. "Shadow-Makers" tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of significant buildings both ancient and modern with architectural theory and art history – to reveal the key places and moments where shadows shaped architecture in distinctive and dynamic ways. It shows how shadows are used as an architectural instrument of form, composition, and visual effect, while also exploring the deeper cultural context – tracing differing conceptions of their meaning and symbolism, whether as places of refuge, devotion, terror, occult practice, sublime experience or as metaphors of the unconscious.
Théorie de l’architecture
The images of architects
$56.00
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"I asked architects to send me important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture. In this book we find 44 individual 'musées imaginaires'. The most unique architects living today each present up to ten images to explain the autobiographical roots of their oeuvre. The images(...)
The images of architects
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"I asked architects to send me important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture. In this book we find 44 individual 'musées imaginaires'. The most unique architects living today each present up to ten images to explain the autobiographical roots of their oeuvre. The images are explanations, metaphors, foundations, memories and intentions. They are poetic and philosophical avowals. They reveal a personal perspective on thoughts. They show the roots of architecture and expectations concerning projects. Conscious and unconscious. The biographies are written by the architects themselves. The images are small, legible and interpretable as icons. As individual collections, they present a personal view of an individual world, while as a whole they provide a universal view of the perceptible origin of contemporary architecture." – Valerio Olgiati
Architecture, monographies
livres
Description:
111 pages : chiefly illustrations (chiefly color), portraits (1 color) ; 24 cm.
Los Angeles, CA : Inventory Press ; Colorado Springs, CO : Colorado Springs Fine Arts Center at Colorado College, [2024], New York, NY : Distributed by ARTBOOK / D.A.P., Belgium : Printed and bound by die Keure, ©2024
Ungrafting : Hương Ngô / edited by Katja Rivera.
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111 pages : chiefly illustrations (chiefly color), portraits (1 color) ; 24 cm.
livres
Los Angeles, CA : Inventory Press ; Colorado Springs, CO : Colorado Springs Fine Arts Center at Colorado College, [2024], New York, NY : Distributed by ARTBOOK / D.A.P., Belgium : Printed and bound by die Keure, ©2024
livres
Description:
1 online resource
[Place of publication not identified] : Rockbund Art Museum, 2025.
livres
[Place of publication not identified] : Rockbund Art Museum, 2025.
Blue
$20.00
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad(...)
Blue
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad scenes, some banal, others fantastical. Stories of quotidian life––getting coffee, reading the newspaper, and walking down the sidewalk––escalate to visions of Marco Polo, the Taj Mahal, or blue fighting yellow. Facing death and a cascade of pills, Jarman presents his illness in delirium and metaphors. He contemplates the physicality of emotions in lyrical prose as he grounds this story in the constant return to Blue—a color, a feeling, a funk. Michael Charlesworth’s compelling introduction brings Blue into conversation with Jarman’s visual paintings.
Théorie de l’art