5194 Résultats
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This publication focuses on a lecture given by Harun Farocki in March 1994 at the "Cine City: Film and Perceptions of Urban Space, 1895–1995" conference at the Getty Center for the History of Art and the Humanities in Los Angeles. Here, Farocki wove an associative web of thoughts on the relationship between film, architecture, material worlds, political economy, dwelling,(...)
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This publication focuses on a lecture given by Harun Farocki in March 1994 at the "Cine City: Film and Perceptions of Urban Space, 1895–1995" conference at the Getty Center for the History of Art and the Humanities in Los Angeles. Here, Farocki wove an associative web of thoughts on the relationship between film, architecture, material worlds, political economy, dwelling,(...)
Titre:
Harun Farocki : Building and filming
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This publication focuses on a lecture given by Harun Farocki in March 1994 at the "Cine City: Film and Perceptions of Urban Space, 1895–1995" conference at the Getty Center for the History of Art and the Humanities in Los Angeles. Here, Farocki wove an associative web of thoughts on the relationship between film, architecture, material worlds, political economy, dwelling, sexuality, space, and time. Although an interest in buildings, spatial relationships, and power relations, as well as the interpenetration of technical media and urban space, was central to Farocki's practice, this is one of the few explicit explorations of the relationship between architecture and cinema. The (German and English) manuscripts of Farocki's lecture are supplemented by press material from the Getty Center's extensive film and lecture series. In their postface, the editors provide elements of interpretation and contextualization with regard to Farocki's previous and subsequent projects on spatiality and architecture.
Harun Farocki : Building and filming
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This publication focuses on a lecture given by Harun Farocki in March 1994 at the "Cine City: Film and Perceptions of Urban Space, 1895–1995" conference at the Getty Center for the History of Art and the Humanities in Los Angeles. Here, Farocki wove an associative web of thoughts on the relationship between film, architecture, material worlds, political economy, dwelling, sexuality, space, and time. Although an interest in buildings, spatial relationships, and power relations, as well as the interpenetration of technical media and urban space, was central to Farocki's practice, this is one of the few explicit explorations of the relationship between architecture and cinema. The (German and English) manuscripts of Farocki's lecture are supplemented by press material from the Getty Center's extensive film and lecture series. In their postface, the editors provide elements of interpretation and contextualization with regard to Farocki's previous and subsequent projects on spatiality and architecture.
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livres
livres
Publication:
mai 2026
mai 2026
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livres
livres
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Hélène Cixous’s powerful new book, masterfully translated by Peggy Kamuf, is a vivid journey through fire. From the ashes of wars, wildfires, and upheaval, Cixous traces a dramatic path across time—from the Second World War and the Nazi occupation of Oran to the European wildfires of 2022—weaving a rich, intimate narrative that merges history, autobiography, and myth.(...)
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Hélène Cixous’s powerful new book, masterfully translated by Peggy Kamuf, is a vivid journey through fire. From the ashes of wars, wildfires, and upheaval, Cixous traces a dramatic path across time—from the Second World War and the Nazi occupation of Oran to the European wildfires of 2022—weaving a rich, intimate narrative that merges history, autobiography, and myth.(...)
Titre:
Incinarration: What do we carry?
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Hélène Cixous’s powerful new book, masterfully translated by Peggy Kamuf, is a vivid journey through fire. From the ashes of wars, wildfires, and upheaval, Cixous traces a dramatic path across time—from the Second World War and the Nazi occupation of Oran to the European wildfires of 2022—weaving a rich, intimate narrative that merges history, autobiography, and myth. With her piercing, lyrical voice, Cixous confronts the human cost of destruction and upheaval, and asks a universal question: What do we carry with us when everything we know is falling to ashes? In ''Incinarration'' Cixous finds hope in the power of words, memory, and imagination to illuminate our darkest moments and redeem the future. As forests burn and regimes collapse, Cixous shows us how stories become a form of resistance—a way to remember, to bear testimony, and to find renewal in the face of oblivion.
Incinarration: What do we carry?
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Hélène Cixous’s powerful new book, masterfully translated by Peggy Kamuf, is a vivid journey through fire. From the ashes of wars, wildfires, and upheaval, Cixous traces a dramatic path across time—from the Second World War and the Nazi occupation of Oran to the European wildfires of 2022—weaving a rich, intimate narrative that merges history, autobiography, and myth. With her piercing, lyrical voice, Cixous confronts the human cost of destruction and upheaval, and asks a universal question: What do we carry with us when everything we know is falling to ashes? In ''Incinarration'' Cixous finds hope in the power of words, memory, and imagination to illuminate our darkest moments and redeem the future. As forests burn and regimes collapse, Cixous shows us how stories become a form of resistance—a way to remember, to bear testimony, and to find renewal in the face of oblivion.
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livres
livres
Publication:
juin 2026
juin 2026
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$80.00
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There's an ethereal magic to standing beneath a dome, neck craned, looking up at a vision of the heavens created by some long-ago figure of genius. From the Pantheon to the Hagia Sophia, the power of the dome seems transcen-dent. Photographer David Stephenson's magnificently kaleidoscopic images of dome interiors capture this evanescent drama, and make Visions of Heaven(...)
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There's an ethereal magic to standing beneath a dome, neck craned, looking up at a vision of the heavens created by some long-ago figure of genius. From the Pantheon to the Hagia Sophia, the power of the dome seems transcen-dent. Photographer David Stephenson's magnificently kaleidoscopic images of dome interiors capture this evanescent drama, and make Visions of Heaven(...)
Titre:
Visions of heaven : the dome in European architecture
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There's an ethereal magic to standing beneath a dome, neck craned, looking up at a vision of the heavens created by some long-ago figure of genius. From the Pantheon to the Hagia Sophia, the power of the dome seems transcen-dent. Photographer David Stephenson's magnificently kaleidoscopic images of dome interiors capture this evanescent drama, and make Visions of Heaven one of the most spectacularly beautiful books we've ever produced. Traveling from Italy to Spain, Turkey, England, Germany, and Russia, among other countries, and photographing churches, palaces, mosques, and synagogues from the second to the early twentieth century, Stephenson's work amounts to a veritable typology of the cupola. His images present complex geometrical structures, rich stucco decorations, and elaborate paintings as they have never been seen before. Brilliantly calibrated exposures reveal details and colors that would otherwise remain hidden in these dimly lit spaces.
Visions of heaven : the dome in European architecture
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There's an ethereal magic to standing beneath a dome, neck craned, looking up at a vision of the heavens created by some long-ago figure of genius. From the Pantheon to the Hagia Sophia, the power of the dome seems transcen-dent. Photographer David Stephenson's magnificently kaleidoscopic images of dome interiors capture this evanescent drama, and make Visions of Heaven one of the most spectacularly beautiful books we've ever produced. Traveling from Italy to Spain, Turkey, England, Germany, and Russia, among other countries, and photographing churches, palaces, mosques, and synagogues from the second to the early twentieth century, Stephenson's work amounts to a veritable typology of the cupola. His images present complex geometrical structures, rich stucco decorations, and elaborate paintings as they have never been seen before. Brilliantly calibrated exposures reveal details and colors that would otherwise remain hidden in these dimly lit spaces.
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livres
livres
Publication:
novembre 2005, New York
novembre 2005, New York
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
livres
Titre:
Aún te espero
Aún te espero
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On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and(...)
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On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and(...)
Titre:
Aún te espero
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On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and protection from provocations," in the words of the President's spokesman. On Saturday, March 6, the feminist collective Antimonumenta CDMX decided to paint the barricades with the names of recent victims of femicide in Mexico. Over the next few hours, hundreds of women spontaneously gathered to honor the absent women, writing their names and leaving flowers: an offering to remember them, to not forget, and, by doing so, to honor them.This series of photographs documents the barricades that were intervened in those days so that they may still be read.
Aún te espero
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On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and protection from provocations," in the words of the President's spokesman. On Saturday, March 6, the feminist collective Antimonumenta CDMX decided to paint the barricades with the names of recent victims of femicide in Mexico. Over the next few hours, hundreds of women spontaneously gathered to honor the absent women, writing their names and leaving flowers: an offering to remember them, to not forget, and, by doing so, to honor them.This series of photographs documents the barricades that were intervened in those days so that they may still be read.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Maude Arsenault : Entangled
Maude Arsenault : Entangled
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''Entangled'' encapsulates a pivotal moment for Arsenault’s work, representing a shift in perspective and personal responsibility. "After years dedicated to creating glorified images of women," she says of her success in fashion photography, "I came to question my role and influence in the transmission of models of femininity." Albeit informed by a progressive, non-binary(...)
$68.00
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''Entangled'' encapsulates a pivotal moment for Arsenault’s work, representing a shift in perspective and personal responsibility. "After years dedicated to creating glorified images of women," she says of her success in fashion photography, "I came to question my role and influence in the transmission of models of femininity." Albeit informed by a progressive, non-binary(...)
Titre:
Maude Arsenault : Entangled
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''Entangled'' encapsulates a pivotal moment for Arsenault’s work, representing a shift in perspective and personal responsibility. "After years dedicated to creating glorified images of women," she says of her success in fashion photography, "I came to question my role and influence in the transmission of models of femininity." Albeit informed by a progressive, non-binary upbringing, this introspection is ultimately necessary now – in the context of motherhood as she raises three children including a young woman. Arsenault calls the work "a poem, an ode, a shout out," and one senses that the quiet power of the book lies in contradictions still unresolved even as the author gains in experience and independence. “I feel often trapped in the person I have been trying to be my entire life,” she says in a touching and revealing statement, one that perfectly echoes the finely calibrated tensions and the tentative triumphs evoked in these pages.
Maude Arsenault : Entangled
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''Entangled'' encapsulates a pivotal moment for Arsenault’s work, representing a shift in perspective and personal responsibility. "After years dedicated to creating glorified images of women," she says of her success in fashion photography, "I came to question my role and influence in the transmission of models of femininity." Albeit informed by a progressive, non-binary upbringing, this introspection is ultimately necessary now – in the context of motherhood as she raises three children including a young woman. Arsenault calls the work "a poem, an ode, a shout out," and one senses that the quiet power of the book lies in contradictions still unresolved even as the author gains in experience and independence. “I feel often trapped in the person I have been trying to be my entire life,” she says in a touching and revealing statement, one that perfectly echoes the finely calibrated tensions and the tentative triumphs evoked in these pages.
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livres
livres
Publication:
juin 2024
juin 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$48.99
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has(...)
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has(...)
Titre:
Architecture against democracy: histories of the nationalist international
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, "Architecture against Democracy" presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent "nationalist international."
Architecture against democracy: histories of the nationalist international
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, "Architecture against Democracy" presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent "nationalist international."
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livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate(...)
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Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate(...)
Titre:
Model Martin Kippenberger: Utopia for Everyone
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Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate power structures and taboos. One of the most important artists of the twentieth century, he not only worked in a variety of media--painting, sculpture, books and multiples--but, taking a cue from Joseph Beuys, actively tried to conceive new possibilities on which to model an art practice. This volume, published for an exhibition at Austria's acclaimed Kunsthaus Graz, includes incisive essays by curator and critic Daniel Birnbaum and linguist and writer Martin Prinzhorn, which examine the softer, more utopian side of the artist.
Model Martin Kippenberger: Utopia for Everyone
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Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate power structures and taboos. One of the most important artists of the twentieth century, he not only worked in a variety of media--painting, sculpture, books and multiples--but, taking a cue from Joseph Beuys, actively tried to conceive new possibilities on which to model an art practice. This volume, published for an exhibition at Austria's acclaimed Kunsthaus Graz, includes incisive essays by curator and critic Daniel Birnbaum and linguist and writer Martin Prinzhorn, which examine the softer, more utopian side of the artist.
Classification:
livres
livres
Publication:
mars 2008, D
mars 2008, D
Classification:
livres
livres
Prix:
$34.50
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Résumé:
Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives are considered as sites of a past, places that contain traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In(...)
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Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives are considered as sites of a past, places that contain traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In(...)
Titre:
Lost and living (in) archives collectively shaping new memories
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Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives are considered as sites of a past, places that contain traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In which ways has this change affected our relationship to the past? Will the erased, forgotten and neglected be redeemed, and new memories be allowed? Will the fictional versus factual mode of archiving offer the democracy that the public domain implies, or is it another way for public instruments of power to operate? Lost and Living (in) Archives shows that archives are not simply a recording, a reflection, or an image of an event, but that THEY shape the event itself and thus influence the past, present and future.
Lost and living (in) archives collectively shaping new memories
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Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives are considered as sites of a past, places that contain traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In which ways has this change affected our relationship to the past? Will the erased, forgotten and neglected be redeemed, and new memories be allowed? Will the fictional versus factual mode of archiving offer the democracy that the public domain implies, or is it another way for public instruments of power to operate? Lost and Living (in) Archives shows that archives are not simply a recording, a reflection, or an image of an event, but that THEY shape the event itself and thus influence the past, present and future.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Classification:
livres
livres
Prix:
$70.00
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Résumé:
This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of(...)
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This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of(...)
Titre:
Northern exposure: works of Carol A. Wilson Architect
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This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of New England and the power of architecture to combine modern forms with a traditional built landscape. Following introductory texts by Enrico Pinna and Juhani Pallasmaa, and a conversation between Wilson and John Leroux, each project opens with a foldout of plans---transitioning from hand-drawn to computer-aided---and information about the house, before culminating in a selection of exterior, interior, and detail photographs. The book closes with an interview in twenty questions that elaborates on Wilson's working principles and the history of her studio for the past thirty years.
Northern exposure: works of Carol A. Wilson Architect
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This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of New England and the power of architecture to combine modern forms with a traditional built landscape. Following introductory texts by Enrico Pinna and Juhani Pallasmaa, and a conversation between Wilson and John Leroux, each project opens with a foldout of plans---transitioning from hand-drawn to computer-aided---and information about the house, before culminating in a selection of exterior, interior, and detail photographs. The book closes with an interview in twenty questions that elaborates on Wilson's working principles and the history of her studio for the past thirty years.
Classification:
livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
The noise of being
The noise of being
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The Noise of Being attempts to piece together the dissonance that was produced and gathered at the 2017 Sonic Acts Festival. The festival focused on a theme that resonates deeply when thinking about the contemporary – namely, what it means to be human, to be part of a world that is an ever changing network. Many different ‘noises’ were featured and produced at the(...)
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The Noise of Being attempts to piece together the dissonance that was produced and gathered at the 2017 Sonic Acts Festival. The festival focused on a theme that resonates deeply when thinking about the contemporary – namely, what it means to be human, to be part of a world that is an ever changing network. Many different ‘noises’ were featured and produced at the(...)
Titre:
The noise of being
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The Noise of Being attempts to piece together the dissonance that was produced and gathered at the 2017 Sonic Acts Festival. The festival focused on a theme that resonates deeply when thinking about the contemporary – namely, what it means to be human, to be part of a world that is an ever changing network. Many different ‘noises’ were featured and produced at the festival conference, in the clubs, museums, and cinemas. This book is by no means a definite conclusion: more of a reminder and a chance to continue speculating about the strange and anxious state of being. The Noise of Being features contributions by Arie Altena, Ingrid Burrington, Wendy Hui Kyong Chun, Rick Dolphijn, Jennifer Gabrys, Louis Henderson, Jamon Van Den Hoek, Joey Holder, Rosa Menkman, Metahaven, Nina Power, The Rodina, Daniel Rourke, Lucas van der Velden, Eyal Weizman, Ytasha Womack, and Juha van ’t Zelfde.
The noise of being
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The Noise of Being attempts to piece together the dissonance that was produced and gathered at the 2017 Sonic Acts Festival. The festival focused on a theme that resonates deeply when thinking about the contemporary – namely, what it means to be human, to be part of a world that is an ever changing network. Many different ‘noises’ were featured and produced at the festival conference, in the clubs, museums, and cinemas. This book is by no means a definite conclusion: more of a reminder and a chance to continue speculating about the strange and anxious state of being. The Noise of Being features contributions by Arie Altena, Ingrid Burrington, Wendy Hui Kyong Chun, Rick Dolphijn, Jennifer Gabrys, Louis Henderson, Jamon Van Den Hoek, Joey Holder, Rosa Menkman, Metahaven, Nina Power, The Rodina, Daniel Rourke, Lucas van der Velden, Eyal Weizman, Ytasha Womack, and Juha van ’t Zelfde.
Classification:
livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Acoustique
Acoustique
