4347 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Architecture + Nature (2011)
Architecture + Nature (2011)
Numéro de référence:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Personnes et institutions:
Date:
2011-2017
2011-2017
Titre:
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2017
2011-2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1985-2015
circa 1985-2015
Titre:
Ombra ["Shadow" Armchair] (1986)
Actions:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
Ombra ["Shadow" Armchair] (1986)
Actions:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1985-2015
circa 1985-2015
Personnes et institutions:
Classification:
dessins
dessins
![Manifesto document for Supersuperficie [Supersurface]](/img-collection/CstxN6k2G5JYoXTJqj3C24eyx6I=/500x350/485670.jpg)
Numéro de référence:
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
Personnes et institutions:
Date:
1972
1972
Titre:
Manifesto document for Supersuperficie [Supersurface]
Actions:
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
Manifesto document for Supersuperficie [Supersurface]
Actions:
ARCH400367
Description:
Manifesto document declaring the need for film and new forms of representing architecture
Classification:
dessins
dessins
Date:
1972
1972
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Personnes et institutions:
Date:
1971-1973
1971-1973
Titre:
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Niveau de description archivistique:
Project
Project
Date:
1971-1973
1971-1973
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
Personnes et institutions:
Date:
1971
1971
Titre:
Photocopies of a title page and stills from "Springday movie" from the publication Nummer Zwei
Actions:
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
Photocopies of a title page and stills from "Springday movie" from the publication Nummer Zwei
Actions:
PHCON2002:0016:002:020
Description:
Photocopies include a title page with the text "Gordon Matta-Clark/Carmen "springday movie" 8 mm/15 min." and two pages with film stills. Film stills include images of trees and the soles of feet.
Classification:
documents textuels
documents textuels
Date:
1971
1971
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Objets personnels
Objets personnels
Numéro de référence:
AP001.S1.SS07
Description:
Cette sous-série contient divers objets ayant appartenus à Ernest Cormier, incluant son matériel de photographie, de l'équipement de projection de films, et quelques objets personnels.
AP001.S1.SS07
Description:
Cette sous-série contient divers objets ayant appartenus à Ernest Cormier, incluant son matériel de photographie, de l'équipement de projection de films, et quelques objets personnels.
Personnes et institutions:
Date:
non daté, 1910-1960
non daté, 1910-1960
Titre:
Objets personnels
Actions:
AP001.S1.SS07
Description:
Cette sous-série contient divers objets ayant appartenus à Ernest Cormier, incluant son matériel de photographie, de l'équipement de projection de films, et quelques objets personnels.
Objets personnels
Actions:
AP001.S1.SS07
Description:
Cette sous-série contient divers objets ayant appartenus à Ernest Cormier, incluant son matériel de photographie, de l'équipement de projection de films, et quelques objets personnels.
Niveau de description archivistique:
Sous-série
Sous-série
Date:
non daté, 1910-1960
non daté, 1910-1960
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Everlasting (Sans trêve)
Everlasting (Sans trêve)
Actions:
Description:
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
25 septembre 2025 au 8 novembre 2026
25 septembre 2025 au 8 novembre 2026
Titre:
Everlasting (Sans trêve)
Actions:
Description:
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Everlasting (Sans trêve)
Actions:
Description:
Un court-métrage de l’artiste multidisciplinaire Haudenosaunee Iako’tsi:rareh Amanda Lickers, récipiendaire de la bourse de recherche-création pour les chercheurs autochtones travaillant sur la restitution des terres 2023-2024 du CCA.
Classification:
expositions
expositions
Date:
25 septembre 2025 au
8 novembre 2026
25 septembre 2025 au
8 novembre 2026
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Numéro de référence:
PHCON2005:0005:005:002
Description:
Includes news footage. DVD made from film by an unknown cameraman for a Chicago television station.
PHCON2005:0005:005:002
Description:
Includes news footage. DVD made from film by an unknown cameraman for a Chicago television station.
Date:
recorded 1978, transferred 2005
recorded 1978, transferred 2005
Titre:
"Caribbean Orange" AKA "Circus"
Actions:
PHCON2005:0005:005:002
Description:
Includes news footage. DVD made from film by an unknown cameraman for a Chicago television station.
"Caribbean Orange" AKA "Circus"
Actions:
PHCON2005:0005:005:002
Description:
Includes news footage. DVD made from film by an unknown cameraman for a Chicago television station.
Date:
recorded 1978, transferred 2005
recorded 1978, transferred 2005
Classification:
vidéo
vidéo
Numéro de référence:
PHCON2005:0005:005:001
Description:
Includes news footage. Videocassette made from film by an unknown cameraman for a Chicago television station.
PHCON2005:0005:005:001
Description:
Includes news footage. Videocassette made from film by an unknown cameraman for a Chicago television station.
Date:
recorded 1978, transferred 2005
recorded 1978, transferred 2005
Titre:
Video recording of Caribbean Orange aka Circus
Actions:
PHCON2005:0005:005:001
Description:
Includes news footage. Videocassette made from film by an unknown cameraman for a Chicago television station.
Video recording of Caribbean Orange aka Circus
Actions:
PHCON2005:0005:005:001
Description:
Includes news footage. Videocassette made from film by an unknown cameraman for a Chicago television station.
Classification:
vidéo
vidéo
Date:
recorded 1978, transferred 2005
recorded 1978, transferred 2005
Classification:
événements
événements
Description:
Rejoignez-nous pour trois projections de films documentaires brésiliens sélectionnés par Ana Alice De Morais, co-directrice artistique des RIDM.
Rejoignez-nous pour trois projections de films documentaires brésiliens sélectionnés par Ana Alice De Morais, co-directrice artistique des RIDM.
Date:
21 août 2025, et 28 août
21 août 2025, et 28 août
Titre:
Cinéfaçade : Semer et résister en topographie brésilienne
Actions:
Description:
Rejoignez-nous pour trois projections de films documentaires brésiliens sélectionnés par Ana Alice De Morais, co-directrice artistique des RIDM.
Cinéfaçade : Semer et résister en topographie brésilienne
Actions:
Description:
Rejoignez-nous pour trois projections de films documentaires brésiliens sélectionnés par Ana Alice De Morais, co-directrice artistique des RIDM.
Classification:
événements
événements
Date:
21 août 2025
et 28 août
21 août 2025
et 28 août
