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After two decades of experimentation with the digital, the prevalent paradigm of formal continuity is being revised and questioned by an emerging generation of architects and theorists. While the world struggles with a global housing crisis and the impact of accelerated automation on labour, digital designers’ narrow focus on mere style and continuous differentiation(...)
AD 89:2 Discrete: reappraising the digital in architecture
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After two decades of experimentation with the digital, the prevalent paradigm of formal continuity is being revised and questioned by an emerging generation of architects and theorists. While the world struggles with a global housing crisis and the impact of accelerated automation on labour, digital designers’ narrow focus on mere style and continuous differentiation seems increasingly out of touch. This issue charts an emerging body of work that is based on a computational understanding of the discrete part or building block – elements that are as scalable, accessible and versatile as digital data.
Revues
Riverwork
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Under the pavements of Paris there lies buried an ancient river, the Bièvre. For years, Lucy Frost has walked along these streets, unaware of the water and history under her feet, on her way to clean the apartments of Paris’s academic class. As she begins to study and transcribe the inherited notebooks and papers of her great-aunt, a teacher and researcher who disappeared(...)
Riverwork
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Under the pavements of Paris there lies buried an ancient river, the Bièvre. For years, Lucy Frost has walked along these streets, unaware of the water and history under her feet, on her way to clean the apartments of Paris’s academic class. As she begins to study and transcribe the inherited notebooks and papers of her great-aunt, a teacher and researcher who disappeared years earlier, she commits to continuing her aunt’s youthful research on the Bièvre, mining the river’s documentary traces in the works of Rousseau, Rabelais, Hugo, Chateaubriand, and the like. She uncovers a history of industry: paper mills, dyeing workshops, tanneries, and textile manufacturers – and laundries. She finds resonances of her own labour in the history of the river’s laundresses. On stolen time at work, and in her insomniac hours of nightwriting, she fills notebooks with these woven stories and descriptions of obsolete sites, textiles, cosmologies, and voices, constructing her own forms of relation with the lost. ''Riverwork'' unearths not just an urban river but also a philosophy of research and the archive, a politics of hydrology, an ontology of ageing and belatedness, and a consideration of the unrepresented labour of women, past and present. Along the way it brings to life, in pyrotechnic prose, a long-gone Paris and both its domestic workers and its writers.
Littérature et poésie
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5 Tableaux (It Bounces Back) documents the performance and installation by Chloe¨ Lum & Yannick Desranleau, presented at the Or Gallery (September 2016) and at La Fonderie Darling’s Place Publique) (August 2015, Montreal). Featuring essays by curators Joni Low and Anne-Marie St-Jean Aubre, the publication explores ideas of performativity and labour, material resilience(...)
Chloë Lum & Yannick Desranleau: 5 tableaux (it bounces back)
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5 Tableaux (It Bounces Back) documents the performance and installation by Chloe¨ Lum & Yannick Desranleau, presented at the Or Gallery (September 2016) and at La Fonderie Darling’s Place Publique) (August 2015, Montreal). Featuring essays by curators Joni Low and Anne-Marie St-Jean Aubre, the publication explores ideas of performativity and labour, material resilience and decay, the work’s presentation in both public and gallery space, and exchanges between humans and matter that prompt shifts in understandings of agency, causation and relations. A conversation with the artists expands on the deeper personal and political underpinnings in their engagements with entropy and colour.
Zines
Batia Suter: La nonpareille
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‘'La Nonpareille'’ expands on Batia Suter’s site-specific installation at TU Delft, in which she engaged with an archive of glass slides from its library. Originally used between 1900 and 1960 for lectures in Mechanical Technology, these visibly worn plates document machines, industrial materials, and production processes during a period of increasing mechanisation. Suter(...)
Batia Suter: La nonpareille
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‘'La Nonpareille'’ expands on Batia Suter’s site-specific installation at TU Delft, in which she engaged with an archive of glass slides from its library. Originally used between 1900 and 1960 for lectures in Mechanical Technology, these visibly worn plates document machines, industrial materials, and production processes during a period of increasing mechanisation. Suter reworks the material into a visual reflection on the entanglement of humans and machines – and how technology reshapes perception, labour, and everyday life. Many compositions in the book consist of layered montages, where multiple images are overlaid to create new, morphed forms and associations.
Monographies photo
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In ''A Programme of Absolute Disorder'', Françoise Vergès strips away the veneer of the universal Western museum to reveal its origins as the foundation of liberal ideology. By exploring the history of the Louvre, and following the radical tradition of Frantz Fanon, she argues that the modern institution cannot just be fixed with a more diverse board or by finding new(...)
A programme of absolute disorder: Decolonizing the museum
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In ''A Programme of Absolute Disorder'', Françoise Vergès strips away the veneer of the universal Western museum to reveal its origins as the foundation of liberal ideology. By exploring the history of the Louvre, and following the radical tradition of Frantz Fanon, she argues that the modern institution cannot just be fixed with a more diverse board or by finding new ways to display the art. Instead, she demands a ‘'post-museum'’: a space that rejects the financialization of art, acknowledges the bloody history of its collections, and prioritises the labour and dignity of those who clean, guard and inhabit its halls.
Muséologie
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Based in Budapest, the Architecture Uncomfortable Workshop is an office that, in addition to planning small projects, always looks for ways to experiment. One of their biggest motivations is attempting to understand contemporary vernacular architecture as they continuously pursue situations where comfort meets real human needs. Their first monograph includes a(...)
Architecture Uncomfortable Workshop au muhely: Planning and building methods
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Based in Budapest, the Architecture Uncomfortable Workshop is an office that, in addition to planning small projects, always looks for ways to experiment. One of their biggest motivations is attempting to understand contemporary vernacular architecture as they continuously pursue situations where comfort meets real human needs. Their first monograph includes a conversation with founders Dénes Emil Ghyczy and Lukács Szederkényi, who began thinking and working together during their university days. The studio’s name refers to the fact that the spaces built by people are brought into being at the cost of significant physical labour, involving both sacrifice and conflict.
Architecture contemporaine
Art in Canada
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This catalogue takes the reader on a remarkable journey via the legends, themes and worlds that have shaped Canada’s cultural heritage. One hundred and fifty works in all media and created from time immemorial to present day are featured in full page colour plates and foldouts. This range of works documents and celebrates the magnetic north, inhabited landscapes, the(...)
Art in Canada
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This catalogue takes the reader on a remarkable journey via the legends, themes and worlds that have shaped Canada’s cultural heritage. One hundred and fifty works in all media and created from time immemorial to present day are featured in full page colour plates and foldouts. This range of works documents and celebrates the magnetic north, inhabited landscapes, the dignity of labour, Canadians abroad, and the emergence of Inuit art. Central to the publication is a new approach to telling the history of Indigenous visual art with outstanding historical art objects by Indigenous artists, at times in dialogue with those by settler Canadians, while at others, reflecting a distinct Indigenous path.
Art canadien
Reusable
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Out of the introduction: "What you'll see in these pages to come will show you how some have creatively changed the throwaway cycle. Reusing is not only an environmental issue or prone only to physical objects. Ultimately, by not wasting raw materials you are also choosing to not waste somebody's labour and time. Before using anything new, we checked if there was already(...)
Architecture écologique
octobre 2008, Helsinki
Reusable
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Out of the introduction: "What you'll see in these pages to come will show you how some have creatively changed the throwaway cycle. Reusing is not only an environmental issue or prone only to physical objects. Ultimately, by not wasting raw materials you are also choosing to not waste somebody's labour and time. Before using anything new, we checked if there was already something available, be it a photo or a written text. You will recognize this in some cases, when seeing scanned pages with a little bit of extra "noise" intentionally carried over from their past lives. We are reusing ideas that are good and well worth spreading."
Architecture écologique
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The relation between formal and informal may be changing due to the introduction of new technologies and the way these are used. Informality can be interpreted as a positive quality hinting at individual freedom, or even be romanticised as a bottom-up, empowering force. But informality as a safety valve for a system unable to adjust to changing conditions smoothly and(...)
Volume 52: the end of informality
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The relation between formal and informal may be changing due to the introduction of new technologies and the way these are used. Informality can be interpreted as a positive quality hinting at individual freedom, or even be romanticised as a bottom-up, empowering force. But informality as a safety valve for a system unable to adjust to changing conditions smoothly and quickly is another matter. Consider the mass migrations of people who must provide their own housing, or the vast numbers of unemployed who provide labour in a growing economy but are easily discarded later. With texts by Guus Beumer, René Boer, Keller Easterling, Jacqueline Hassink, and others.
Revues
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Able to work anywhere we have a tortured relationship with the office today. Desperate to work again in physically shared spaces, we are also now questioning whether offices are needed at all. Offices themselves labour under intolerable forces too: 21st-century building regulations suggest redesigning them every seven-to-ten years, managerial strategies shift every five(...)
mai 2022
Back to the office: 50 revolutionary office buildings
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Able to work anywhere we have a tortured relationship with the office today. Desperate to work again in physically shared spaces, we are also now questioning whether offices are needed at all. Offices themselves labour under intolerable forces too: 21st-century building regulations suggest redesigning them every seven-to-ten years, managerial strategies shift every five years, and employees cycle every two. As a result, offices are renewed with alarming frequency. With the future of our workspaces so uncertain, Back to the Office works overtime inside the revolutionary offices of the 20th century, and asks what endured from their architecture, their materials, and the work ideologies they embodied.