11904 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP022.S1.1971.PR09
Description:
File documents interiors on 2 floors including offices, showrooms, library and tourist information area, York Centre Building, University Avenue and King Street, Toronto, Ontario. File contains design development drawings, photographs, textual records.
AP022.S1.1971.PR09
Description:
File documents interiors on 2 floors including offices, showrooms, library and tourist information area, York Centre Building, University Avenue and King Street, Toronto, Ontario. File contains design development drawings, photographs, textual records.
Personnes et institutions:
Date:
1971-1972
1971-1972
Titre:
Ontario Trade and Industry Development Centre
Actions:
AP022.S1.1971.PR09
Description:
File documents interiors on 2 floors including offices, showrooms, library and tourist information area, York Centre Building, University Avenue and King Street, Toronto, Ontario. File contains design development drawings, photographs, textual records.
Ontario Trade and Industry Development Centre
Actions:
AP022.S1.1971.PR09
Description:
File documents interiors on 2 floors including offices, showrooms, library and tourist information area, York Centre Building, University Avenue and King Street, Toronto, Ontario. File contains design development drawings, photographs, textual records.
Niveau de description archivistique:
Project
Project
Date:
1971-1972
1971-1972
Personnes et institutions:
Classification:
photographies
Quantité:
100 photograph(s)
photographies
Quantité:
100 photograph(s)
Numéro de référence:
ARCH270004
Description:
Group consists of photographs from an album assembled by Jacqueline Jeanneret. The group includes photographs of Albert Jeanneret, interior views of family's residences and interior and exteriors views of the Immeuble Clarté designed by Le Corbusier. There is also photographs of furniture and old cars. The group also includes a press clipping of an article about the death of Albert Jeanneret.
ARCH270004
Description:
Group consists of photographs from an album assembled by Jacqueline Jeanneret. The group includes photographs of Albert Jeanneret, interior views of family's residences and interior and exteriors views of the Immeuble Clarté designed by Le Corbusier. There is also photographs of furniture and old cars. The group also includes a press clipping of an article about the death of Albert Jeanneret.
Personnes et institutions:
Date:
n.d.
n.d.
Titre:
Photographs from an album assembled by Jacqueline Jeanneret
Actions:
ARCH270004
Description:
Group consists of photographs from an album assembled by Jacqueline Jeanneret. The group includes photographs of Albert Jeanneret, interior views of family's residences and interior and exteriors views of the Immeuble Clarté designed by Le Corbusier. There is also photographs of furniture and old cars. The group also includes a press clipping of an article about the death of Albert Jeanneret.
Photographs from an album assembled by Jacqueline Jeanneret
Actions:
ARCH270004
Description:
Group consists of photographs from an album assembled by Jacqueline Jeanneret. The group includes photographs of Albert Jeanneret, interior views of family's residences and interior and exteriors views of the Immeuble Clarté designed by Le Corbusier. There is also photographs of furniture and old cars. The group also includes a press clipping of an article about the death of Albert Jeanneret.
Classification:
photographies
Quantité:
100 photograph(s)
photographies
Quantité:
100 photograph(s)
Date:
n.d.
n.d.
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1992.PR03
Description:
This project series documents interior design work for Creative Copy and Design in Toronto in 1992. The office identified the project number as 9203. This project consisted of interiors for the high resolution imaging company, Creative Copy and Design, located on the ground floor of King James Place at 145 King Street East. The office was made up of an unfinished ground floor and existing mezzanine at the back, totalling 2630 square feet. The ground floor interiors consisted mainly of the reception area, which was visible from the sidewalk through the office's glass storefront. The reception area was comprised of two long, boomerang-shaped counters, and one rectangular counter behind them, made of wood with plastic laminate tops. The wood was stained to match the corrugated wood wall that ran the length of the room, directly behind the three counters. A large, ellipse-shaped lighting fixture made from fibre glass panels and steel stud framing was a prominent feature above the reception area. Bathrooms and a processing area were located behind the wall, as well as a stair case leading to the mezzanine, which contained work stations and an additional processing area. The program also included electrical and mechanical installation. The project is recorded through drawings and photographs dating from 1992. The drawings consist of sketches, a floor plan, and a set of construction drawings with specifications and schedules. The photographs show the completed project.
AP056.S1.1992.PR03
Description:
This project series documents interior design work for Creative Copy and Design in Toronto in 1992. The office identified the project number as 9203. This project consisted of interiors for the high resolution imaging company, Creative Copy and Design, located on the ground floor of King James Place at 145 King Street East. The office was made up of an unfinished ground floor and existing mezzanine at the back, totalling 2630 square feet. The ground floor interiors consisted mainly of the reception area, which was visible from the sidewalk through the office's glass storefront. The reception area was comprised of two long, boomerang-shaped counters, and one rectangular counter behind them, made of wood with plastic laminate tops. The wood was stained to match the corrugated wood wall that ran the length of the room, directly behind the three counters. A large, ellipse-shaped lighting fixture made from fibre glass panels and steel stud framing was a prominent feature above the reception area. Bathrooms and a processing area were located behind the wall, as well as a stair case leading to the mezzanine, which contained work stations and an additional processing area. The program also included electrical and mechanical installation. The project is recorded through drawings and photographs dating from 1992. The drawings consist of sketches, a floor plan, and a set of construction drawings with specifications and schedules. The photographs show the completed project.
Personnes et institutions:
Date:
1992
1992
Titre:
Creative Copy and Design, Toronto (1992)
Actions:
AP056.S1.1992.PR03
Description:
This project series documents interior design work for Creative Copy and Design in Toronto in 1992. The office identified the project number as 9203. This project consisted of interiors for the high resolution imaging company, Creative Copy and Design, located on the ground floor of King James Place at 145 King Street East. The office was made up of an unfinished ground floor and existing mezzanine at the back, totalling 2630 square feet. The ground floor interiors consisted mainly of the reception area, which was visible from the sidewalk through the office's glass storefront. The reception area was comprised of two long, boomerang-shaped counters, and one rectangular counter behind them, made of wood with plastic laminate tops. The wood was stained to match the corrugated wood wall that ran the length of the room, directly behind the three counters. A large, ellipse-shaped lighting fixture made from fibre glass panels and steel stud framing was a prominent feature above the reception area. Bathrooms and a processing area were located behind the wall, as well as a stair case leading to the mezzanine, which contained work stations and an additional processing area. The program also included electrical and mechanical installation. The project is recorded through drawings and photographs dating from 1992. The drawings consist of sketches, a floor plan, and a set of construction drawings with specifications and schedules. The photographs show the completed project.
Creative Copy and Design, Toronto (1992)
Actions:
AP056.S1.1992.PR03
Description:
This project series documents interior design work for Creative Copy and Design in Toronto in 1992. The office identified the project number as 9203. This project consisted of interiors for the high resolution imaging company, Creative Copy and Design, located on the ground floor of King James Place at 145 King Street East. The office was made up of an unfinished ground floor and existing mezzanine at the back, totalling 2630 square feet. The ground floor interiors consisted mainly of the reception area, which was visible from the sidewalk through the office's glass storefront. The reception area was comprised of two long, boomerang-shaped counters, and one rectangular counter behind them, made of wood with plastic laminate tops. The wood was stained to match the corrugated wood wall that ran the length of the room, directly behind the three counters. A large, ellipse-shaped lighting fixture made from fibre glass panels and steel stud framing was a prominent feature above the reception area. Bathrooms and a processing area were located behind the wall, as well as a stair case leading to the mezzanine, which contained work stations and an additional processing area. The program also included electrical and mechanical installation. The project is recorded through drawings and photographs dating from 1992. The drawings consist of sketches, a floor plan, and a set of construction drawings with specifications and schedules. The photographs show the completed project.
Niveau de description archivistique:
Project
Project
Date:
1992
1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1996.PR03
Description:
This project series documents the Bank of Montreal in Toronto from 1996-1997. The office identified the project number as 9631. The project consisted of the design of public and private spaces in the bank, including reception, transaction tables, offices and conference rooms on three levels. Planning for future changes to the interior were also outlined. The project is recorded through drawings dating from around 1996-1997, which consist of sketches, plans, elevations, sections, perspectives and axonometric drawings.
AP056.S1.1996.PR03
Description:
This project series documents the Bank of Montreal in Toronto from 1996-1997. The office identified the project number as 9631. The project consisted of the design of public and private spaces in the bank, including reception, transaction tables, offices and conference rooms on three levels. Planning for future changes to the interior were also outlined. The project is recorded through drawings dating from around 1996-1997, which consist of sketches, plans, elevations, sections, perspectives and axonometric drawings.
Personnes et institutions:
Date:
circa 1996-1997
circa 1996-1997
Titre:
Bank of Montreal, Toronto (1996-1997)
Actions:
AP056.S1.1996.PR03
Description:
This project series documents the Bank of Montreal in Toronto from 1996-1997. The office identified the project number as 9631. The project consisted of the design of public and private spaces in the bank, including reception, transaction tables, offices and conference rooms on three levels. Planning for future changes to the interior were also outlined. The project is recorded through drawings dating from around 1996-1997, which consist of sketches, plans, elevations, sections, perspectives and axonometric drawings.
Bank of Montreal, Toronto (1996-1997)
Actions:
AP056.S1.1996.PR03
Description:
This project series documents the Bank of Montreal in Toronto from 1996-1997. The office identified the project number as 9631. The project consisted of the design of public and private spaces in the bank, including reception, transaction tables, offices and conference rooms on three levels. Planning for future changes to the interior were also outlined. The project is recorded through drawings dating from around 1996-1997, which consist of sketches, plans, elevations, sections, perspectives and axonometric drawings.
Niveau de description archivistique:
Project
Project
Date:
circa 1996-1997
circa 1996-1997
Personnes et institutions:
Classification:
maquettes
maquettes
Numéro de référence:
DR2004:0669
Description:
pieces probably from model, notice and permit probably from the first or second Strate project, and interior photograph possibly of the Cedric Price Architects office
DR2004:0669
Description:
pieces probably from model, notice and permit probably from the first or second Strate project, and interior photograph possibly of the Cedric Price Architects office
Personnes et institutions:
Titre:
Pieces probably from model, notice and permit probably from the first or second Strate project
Actions:
DR2004:0669
Description:
pieces probably from model, notice and permit probably from the first or second Strate project, and interior photograph possibly of the Cedric Price Architects office
Pieces probably from model, notice and permit probably from the first or second Strate project
Actions:
DR2004:0669
Description:
pieces probably from model, notice and permit probably from the first or second Strate project, and interior photograph possibly of the Cedric Price Architects office
Classification:
maquettes
maquettes
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Personnes et institutions:
Date:
1989-1993
1989-1993
Titre:
Kitchener City Hall Competition, Ontario (1989-1993)
Actions:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Kitchener City Hall Competition, Ontario (1989-1993)
Actions:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Niveau de description archivistique:
Project
Project
Date:
1989-1993
1989-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
Personnes et institutions:
Date:
1983-2005
1983-2005
Titre:
National Gallery of Canada, Ottawa, Ontario (1983-1990)
Actions:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
National Gallery of Canada, Ottawa, Ontario (1983-1990)
Actions:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
Niveau de description archivistique:
Project
Project
Date:
1983-2005
1983-2005
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S1.2001.PR04.028.1
Description:
Original file title: Vivienda unifamiliar en Formentor, Mallorca plans This file includes a list of drawings, sections, details of the interior, and details of the ramps.
AP178.S1.2001.PR04.028.1
Description:
Original file title: Vivienda unifamiliar en Formentor, Mallorca plans This file includes a list of drawings, sections, details of the interior, and details of the ramps.
Personnes et institutions:
Date:
2004-2005
2004-2005
Titre:
Plans and details, Casa em Palma de Maiorca, Palma de Maiorca (folder 1 of 2)
Actions:
AP178.S1.2001.PR04.028.1
Description:
Original file title: Vivienda unifamiliar en Formentor, Mallorca plans This file includes a list of drawings, sections, details of the interior, and details of the ramps.
Plans and details, Casa em Palma de Maiorca, Palma de Maiorca (folder 1 of 2)
Actions:
AP178.S1.2001.PR04.028.1
Description:
Original file title: Vivienda unifamiliar en Formentor, Mallorca plans This file includes a list of drawings, sections, details of the interior, and details of the ramps.
Classification:
dessins
dessins
Date:
2004-2005
2004-2005
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH268585
Description:
Contains photographic materials on 3 projects by Abalos & Herreros: - Polideportivo Parquesol, AP164.S1.1990.D2 (116 slides: plans, interior/exterior/aerial views, collages) - Polideportivo Madrigal de las Altas Torres, AP164.S1.1990.D6 (39 slides: plans, aerial views, model, presentation drawing) - Cityvips, Fuencarral, AP164.S1.1990.D7 (121 slides, 34 colour reversal films: plans, interior/exterior views, construction phase, furnitures)
ARCH268585
Description:
Contains photographic materials on 3 projects by Abalos & Herreros: - Polideportivo Parquesol, AP164.S1.1990.D2 (116 slides: plans, interior/exterior/aerial views, collages) - Polideportivo Madrigal de las Altas Torres, AP164.S1.1990.D6 (39 slides: plans, aerial views, model, presentation drawing) - Cityvips, Fuencarral, AP164.S1.1990.D7 (121 slides, 34 colour reversal films: plans, interior/exterior views, construction phase, furnitures)
Personnes et institutions:
Date:
1990
1990
Titre:
Ring binder with photographic materials related to three projects by Abalos & Herreros
Actions:
ARCH268585
Description:
Contains photographic materials on 3 projects by Abalos & Herreros: - Polideportivo Parquesol, AP164.S1.1990.D2 (116 slides: plans, interior/exterior/aerial views, collages) - Polideportivo Madrigal de las Altas Torres, AP164.S1.1990.D6 (39 slides: plans, aerial views, model, presentation drawing) - Cityvips, Fuencarral, AP164.S1.1990.D7 (121 slides, 34 colour reversal films: plans, interior/exterior views, construction phase, furnitures)
Ring binder with photographic materials related to three projects by Abalos & Herreros
Actions:
ARCH268585
Description:
Contains photographic materials on 3 projects by Abalos & Herreros: - Polideportivo Parquesol, AP164.S1.1990.D2 (116 slides: plans, interior/exterior/aerial views, collages) - Polideportivo Madrigal de las Altas Torres, AP164.S1.1990.D6 (39 slides: plans, aerial views, model, presentation drawing) - Cityvips, Fuencarral, AP164.S1.1990.D7 (121 slides, 34 colour reversal films: plans, interior/exterior views, construction phase, furnitures)
Classification:
photographies
photographies
Date:
1990
1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1933.PR2
Description:
Between 1933-1935, Oud undertook the redesign of his own study within his private home in Amsterdam. Oud designed two armchairs, a tiled hearth, two cupboards and a chest. He designed one high and one low armchair, each with round wooden legs and wide armrests, covered in blue and white cloth cushions (Taverne et al. 2001, 384). Project series includes a drawing of plans for a chair and a photograph of an interior view of Oud's workroom.
CI005.S1.1933.PR2
Description:
Between 1933-1935, Oud undertook the redesign of his own study within his private home in Amsterdam. Oud designed two armchairs, a tiled hearth, two cupboards and a chest. He designed one high and one low armchair, each with round wooden legs and wide armrests, covered in blue and white cloth cushions (Taverne et al. 2001, 384). Project series includes a drawing of plans for a chair and a photograph of an interior view of Oud's workroom.
Personnes et institutions:
Date:
1933-1935
1933-1935
Titre:
Architect's Study, Rotterdam, Netherlands (1933-1935)
Actions:
CI005.S1.1933.PR2
Description:
Between 1933-1935, Oud undertook the redesign of his own study within his private home in Amsterdam. Oud designed two armchairs, a tiled hearth, two cupboards and a chest. He designed one high and one low armchair, each with round wooden legs and wide armrests, covered in blue and white cloth cushions (Taverne et al. 2001, 384). Project series includes a drawing of plans for a chair and a photograph of an interior view of Oud's workroom.
Architect's Study, Rotterdam, Netherlands (1933-1935)
Actions:
CI005.S1.1933.PR2
Description:
Between 1933-1935, Oud undertook the redesign of his own study within his private home in Amsterdam. Oud designed two armchairs, a tiled hearth, two cupboards and a chest. He designed one high and one low armchair, each with round wooden legs and wide armrests, covered in blue and white cloth cushions (Taverne et al. 2001, 384). Project series includes a drawing of plans for a chair and a photograph of an interior view of Oud's workroom.
Niveau de description archivistique:
project
project
Date:
1933-1935
1933-1935
Personnes et institutions:
