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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through(...)
Speculative relations: Indigenous worling and repair
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through relations committed to reciprocity and care for human and more-than-human beings. Drawing on Cherokee thinking, Indigenous queer theory, literary and cultural studies, and art criticism, he illuminates pathways for understanding and resisting the ongoing damages of colonialism while pointing to future worlds and imaginaries that breathe life into Indigenous thought and practice. Analyzing a range of materials—from photography, literature, and sculpture to film and ethnography—Pierce reveals how speculation, as a form of situated knowledge production, can repair and reimagine the worlds that colonialism sought to destroy. In doing so, Pierce highlights how gestures, poetics, and embodiment can uphold tradition and harness the imaginative power of speculation to create pathways for living in good relations.
Autochtone
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"Thinking after Gaza" means recognizing the collapse of universal reason and democracy, the humanistic values that were the famed—and fragile—promise of modernity. But it also means searching for ways to escape the grim future awaiting those born in this disenchanted century: this century that promises to be the last, in which thought has lost all political power and the(...)
Thinking Gaza: An essay on ferocity
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"Thinking after Gaza" means recognizing the collapse of universal reason and democracy, the humanistic values that were the famed—and fragile—promise of modernity. But it also means searching for ways to escape the grim future awaiting those born in this disenchanted century: this century that promises to be the last, in which thought has lost all political power and the survival instinct struggles to withstand the ferocity of techno-military extermination machines. To the generation born in the twilight of Western civilization, we owe this last act of thinking, so as to imagine the desertion of our barbaric present, along pathways that have yet to be illuminated. The latest essay by renowned Italian autonomist theorist Franco “Bifo” Berardi, ''Thinking Gaza'' is a reflection on the multivalent consequences—political, philosophical, civilizational—of the current genocide in Gaza and the West Bank. Bearing sober witness to the conditions on the ground in the Occupied Territories, while tracking the “ferocious optimism” that has replaced Enlightenment ideals, this book is addressed not only to activists but also to pacifist philosophers, historians, and theologians.
Théorie/ philosophie
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In this illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town(...)
novembre 2005, Chapel Hill, North Carolina
Town house : architecture and material life in the early american city, 1780-1830
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In this illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town houses contained and signified different aspects of city life, argues Herman. Taking a material culture approach, Herman examines urban domestic buildings from Charleston, South Carolina, to Portsmouth, New Hampshire, as well as those in English cities and towns, to better understand why people built the houses they did and how their homes informed everyday city life. Working with buildings and documentary sources as diverse as court cases and recipes, Herman interprets town houses as lived experience. Chapters consider an array of domestic spaces, including the merchant family's house, the servant's quarter, and the widow's dower. Herman demonstrates that city houses served as sites of power as well as complex and often conflicted artifacts mapping the everyday negotiations of social identity and the display of sociability.
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with(...)
The corporeal life of seafaring
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers’ lives and work. Illustrated throughout with the author’s own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them.
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On the outbreak of the war in Gaza in October 2023, Melani McAlister began to use her journal to track the rapid development of the conflict and the parallel evolution in the ways it was represented in the US media. Drawing on McAlister’s decades of experience as a scholar of US–Middle East relations, as well as her personal history in activism, this incisive and dynamic(...)
Promises, then the storm: notes on memory, protest, and the Israel-Gaza war
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On the outbreak of the war in Gaza in October 2023, Melani McAlister began to use her journal to track the rapid development of the conflict and the parallel evolution in the ways it was represented in the US media. Drawing on McAlister’s decades of experience as a scholar of US–Middle East relations, as well as her personal history in activism, this incisive and dynamic text traces the devastating development of the current war in real time, identifying echoes with previous moments in the history of the region and the protests and artistic responses they prompted. This series of meditations explores the enduring power of narrative and memory, threading throughout the work of Arab and Arab American poets and musicians to tell a story of Palestinian resistance and resilience. ''Promises, Then the Storm'' is a reflection on the significance of Palestinian liberation at a moment when it has never been more urgently at stake – one that reckons with possibilities for justice and equality and the hopes carried by activists and artists, against all odds, into the future.
Social
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Following the blockbuster success of ''Wicked Arts Assignments'', ''Wicked Arts Education'' helps teachers and creatives design exciting arts educational programs from scratch. These arts programs foster a meaningful connection between the culture of the student, the arts and society. The included arts educational design strategies have been tested in a variety of(...)
Théorie de l’art
mars 2025
Wicked arts education: Designing creative programmes
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Following the blockbuster success of ''Wicked Arts Assignments'', ''Wicked Arts Education'' helps teachers and creatives design exciting arts educational programs from scratch. These arts programs foster a meaningful connection between the culture of the student, the arts and society. The included arts educational design strategies have been tested in a variety of settings around the world and were found to be helpful in challenging arts educators to explore curriculum ideas collectively, creatively and productively. In a time of individualization and polarization, this volume underlines the power of collective learning about, in and through the arts. Though ''Wicked Arts Education'' can be used to create personalized learning trajectories, it also advocates building learning communities in which students and teachers share interests, expertise and opinions. ''Wicked Arts Education'' can be used in a variety of educational contexts: from primary to higher education, and for arts curricula inside and beyond schools. The book is not only for educational settings, however, but intended for a wide-reaching audience that includes anyone wanting to work collectively with others on a creative project.
Théorie de l’art
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Produced at a rate of five billion cubic yards per year, concrete is the second most widely consumed substance on earth, after water. It is ubiquitous and easily taken for granted as the stuff of sidewalks and roads, power plants and parking garages. Concrete is also, however, a favored material of cutting- edge architects and engineers, who value not only its versatility(...)
Matériaux et éclairage
mars 2006, New York
Liquid stone : new architecture in concrete
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Produced at a rate of five billion cubic yards per year, concrete is the second most widely consumed substance on earth, after water. It is ubiquitous and easily taken for granted as the stuff of sidewalks and roads, power plants and parking garages. Concrete is also, however, a favored material of cutting- edge architects and engineers, who value not only its versatility and strength but its unlimited potential for imaginative expression. A hybrid substance made from cement, water, sand, and mineral aggregates, concrete–or liquid stone–has no intrinsic form. In the hands of talented designers, its ultimate appearance is dictated by the framework into which it is poured and the color, texture, or pattern applied to its surface. In a series of essays by top architects, engineers, and scholars, " Liquid stone " explores the nature of concrete, its past and future, from technical, artistic, and historical perspectives. Over thirty buildings by leading international architects including Jean Nouvel, Herzog – de Meuron, Zaha Hadid, Steven Holl, Norman Foster, and Santiago Calatrava are presented through detailed descriptions, photographs, and technical drawings.
Matériaux et éclairage
Programmed inequality: how Britain discarded women technologists and lost its edge in computing
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In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the(...)
Programmed inequality: how Britain discarded women technologists and lost its edge in computing
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In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the information age. In "Programmed inequality", Marie Hicks explores the story of labor feminization and gendered technocracy that undercut British efforts to computerize. That failure sprang from the government’s systematic neglect of its largest trained technical workforce simply because they were women. Women were a hidden engine of growth in high technology from World War II to the 1960s. As computing experienced a gender flip, becoming male-identified in the 1960s and 1970s, labor problems grew into structural ones and gender discrimination caused the nation’s largest computer user—the civil service and sprawling public sector—to make decisions that were disastrous for the British computer industry and the nation as a whole.
Archiflop: a guide to the most spectacular failures in the history of modern contemporary architectu
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As soon as it leaves the protective environment of drafting boards, specialized computer programs, and sophisticated 3-D models, every architectural project is inevitably forced to face the circumstances of real life. In most cases, it's a relatively painless experience, it nevertheless progresses without major problems – but sometimes things go wrong and it fails(...)
Archiflop: a guide to the most spectacular failures in the history of modern contemporary architectu
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As soon as it leaves the protective environment of drafting boards, specialized computer programs, and sophisticated 3-D models, every architectural project is inevitably forced to face the circumstances of real life. In most cases, it's a relatively painless experience, it nevertheless progresses without major problems – but sometimes things go wrong and it fails miserably! What remains are unfulfilled expectations and broken dreams of overly optimistic architects, owners, and clients. With a tongue in cheek approach, this book presents a selection of the most spectacular architectural flops from the 20th century to the present. Each project is described briefly and its circumstances analyzed and extensively documented via photos. The reader is taken to monumental ghost towns in Asia, grotesque remnants of amusement parks, for example in the USA, and a nuclear power plant in Crimea. The author is not aiming to uncover faults and condemn failed projects but rather to contemplate on how difficult and nearly impossible it is to predict the future for any type of endeavor.
Architecture contemporaine
Architecture of Life
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Published in conjunction with Berkeley Art Museum and Pacific Film Archive’s inaugural exhibition in its landmark new building designed by Diller Scofidio + Renfro, Architecture of Life explores the ways that architecture—as concept, metaphor, and practice—illuminates various aspects of life experience: the nature of the self and psyche, the fundamental structures of(...)
février 2016
Architecture of Life
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Published in conjunction with Berkeley Art Museum and Pacific Film Archive’s inaugural exhibition in its landmark new building designed by Diller Scofidio + Renfro, Architecture of Life explores the ways that architecture—as concept, metaphor, and practice—illuminates various aspects of life experience: the nature of the self and psyche, the fundamental structures of reality, and the power of the imagination to reshape our world. The sweeping exhibition comprises over 150 works of art in a wide range of media, as well as scientific illustrations and architectural drawings and models, all of which are reproduced in full color in the catalog. International in scope, Architecture of Life presents work by artists Yuri Ancarani, George Ault, Lee Bontecou, Louise Bourgeois, Marcel Duchamp, Léon Ferrari, Suzan Frecon, Trenton Doyle Hancock, Johannes Itten, Kimsooja, Fernand Léger, Tomás Saraceno; architects Diller Scofidio + Renfro, Buckminster Fuller, Frederick Kiesler, Toyo Ito, Lebbeus Woods; scientists Wilson Bentley, Santiago Ramón y Cajal, Viktor Schauberger; and composer Iannis Xenakis, among many others. The exhibition also includes Mbuti barkcloth drawings, Pomo baskets, Micronesian navigational charts, Tibetan meditation mandalas, and tantric drawings from Rajasthan.